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  • Sign As Form: Stefan Arteni

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    True creativity is not the product of consciousness but rather the "phenomenon of life itself" true creation must arise from mu-shin, the state of "no-mind", in which thought, emotions, and expectations do not matter. To draw Zen calligraphic form, one must focus intensely and become one with the form.

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    True creativity is not the product of consciousness but rather the "phenomenon of life itself" true creation must arise from mu-shin, the state of "no-mind", in which thought, emotions, and expectations do not matter. To draw Zen calligraphic form, one must focus intensely and become one with the form.

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    Отметить как неприемлемый контент
    103 просмотров100 страниц

    Sign As Form: Stefan Arteni

    Загружено:

    stefan arteni
    True creativity is not the product of consciousness but rather the "phenomenon of life itself" true creation must arise from mu-shin, the state of "no-mind", in which thought, emotions, and expectations do not matter. To draw Zen calligraphic form, one must focus intensely and become one with the form.

    Авторское право:

    Attribution Non-Commercial (BY-NC)
    Скачайте в формате PDF или читайте онлайн в Scribd
    Отметить как неприемлемый контент
    из 100

    STEFAN ARTENI

    Sign As Form

    SOLINVICTUS PRESS 2007


    Japanese philosopher Nishida Kitaro (1870-1945) believed that true
    creativity is not the product of consciousness but rather the "phenomenon of
    life itself." True creation, he stated, must arise from mu-shin, the state of
    "no-mind", in which thought, emotions, and expectations do not matter.
    Although the product of intense "practice“, truly skillful Zen brushwork is
    best achieved as the product of the "no-mind" state, a high level of
    spirituality, and a heart free of disturbances.
    To draw Zen calligraphic form, one must focus intensely and become one
    with the form. Becoming one with what one creates, essentially, is the
    philosophy behind Zen inspired art.
    Soko GESSHU
    Jiun Onko
    Hakuin Ekaku
    Sengai Gibon
    Sengai Gibon
    CHUHO (Shogetsu)
    Yamaoka Tesshu
    Hashimoto DOKUZAN
    Deiryu Kutsu
    Yamamoto Gempo
    Yamamoto Gempo
    Nakahara NANTEMBO
    Nakahara NANTEMBO
    Nakahara NANTEMBO
    Nakahara NANTEMBO
    Nakahara NANTEMBO
    Nakahara Nantembo
    Fukushima Keido
    Qi Baishi
    Shiryû MORITA
    Shiryû MORITA
    Shiryû MORITA
    Shiryû MORITA
    Shiryû MORITA
    Shiryû MORITA
    Shiryû MORITA
    Shinsho Kaneda
    Sesson Uno
    Yukei Tejima
    Gaboku Ogawa
    Gaboku Ogawa
    Sokyu Ueda
    Sokyu Ueda
    Sokyu Ueda
    Sokyu Ueda
    Sokyu Ueda
    Sokyu Ueda
    Inoue Yu-Ichi
    Inoue Yu-Ichi
    Hidai Nankoku
    Hidai Nankoku, oil on canvas
    Hidai Nankoku, oil on canvas with ink
    Hidai
    Nankoku
    Zao Wou-Ki
    Zao Wou-Ki
    Zao Wou-Ki
    Zao Wou-Ki
    Zao Wou-Ki
    Zao Wou-Ki
    Zao Wou-Ki
    Zao Wou-Ki
    Zao Wou-Ki
    Zao Wou-Ki
    Zao Wou-Ki
    Zao Wou-Ki, lithograph
    Pierre Soulages
    Pierre Soulages
    Julius Bissier
    Julius Bissier
    Julius Bissier
    Julius Bissier
    Julius
    Bissier
    Julius Bissier
    Julius Bissier
    Julius Bissier
    Mark Tobey
    Mark Tobey
    Mark Tobey
    Mark Tobey
    Mark Tobey
    Mark Tobey
    Mark Tobey
    Mark Tobey
    Signs are also forms, that means marked distinctions…
    But the form itself (and only this should be named sign) has
    no reference; it functions only as a distinction, and that only
    when it is actually used as such.

    Niklas Luhmann
    Stefan Arteni
    Stefan Arteni
    Stefan Arteni
    Stefan Arteni
    Stefan Arteni
    Stefan Arteni
    Stefan Arteni
    Stefan Arteni
    Stefan Arteni
    Stefan Arteni
    Stefan Arteni
    Stefan Arteni
    Stefan Arteni
    Stefan Arteni
    Stefan
    Arteni
    Stefan Arteni
    Stefan Arteni
    Stefan
    Arteni
    Stefan Arteni
    Stefan Arteni
    Stefan Arteni
    Stefan Arteni
    Stefan Arteni
    Stefan Arteni

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