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Maureen L. Walsh
Maureen L. Walsh
Georgetown University
ABSTRACT
love is what she calls the strength and foundation of everything [that]
was revealed.4
These showingsvisual, locutional, and spiritualcame to Julian
after she had prayed to have a recollection of the Passion, bodily
sickness, and three wounds.5 Through the first two requests, she
hoped to better understand the suffering of Christ on the cross as
well as to receive the sacrament of last rites and the experiences that
precede death in order to live a life more fully devoted to God.6 The
three wounds she hoped to receive were the gifts of true contrition,
loving compassion, and longing with her will for God.7 In the end,
the showings Julian received went far beyond her original requests and
provided her with unique insight that transformed her conception of the
Christian faith, particularly the notions of sin and redemption in light
of a new understanding of Gods love. Writing in fourteenth-century
England, not long after the expulsion of the Jews, the peasant uprisings,
and the devastation of the Black Plague, it is not hard to imagine why
Julians message of Gods universal love comes through as something
innovative and radical.
In this essay I focus on the question of salvation in Julians Show-
ings, an issue that crystallizes a little over a third of the way into the
long text. After affirming Christs assurance that all will be well in
spite of the great sin of humankind, Julian questions how all can be
well if, according to church teaching, those who die out of the faith of
Holy Church are necessarily damned.8 Clearly Julian sees a disjunc-
tion between the possibility of eternal damnation and the promise of
all being well. Her frequent disclaimers about her loyalty to the
churchs teachings intimate her struggle to reconcile the tension
between her revelations and the faith of the church of her day. For
Julian, though, the idea of no salvation outside the church is not only
a stumbling block for her faith; it haunts her as she considers the
horrific fate she believes awaits those who will not be saved. Ulti-
mately, it is her trust that, indeed, all will be well that allows her to
push beyond this tension, in effect challenging the official teaching
of no salvation for those outside the church. I shall argue that in doing
so Julian develops a theology of universal salvation in her Showings,
which functions subversively insofar as it captures the disruption
caused by her revelations to her relationship with the church and
its teachings.
4
Ibid., 7:186187.
5
Ibid., 2:177.
6
Ibid., 2:178.
7
Ibid., 2:179.
8
Ibid., 32:233.
Walsh: Re-imagining Redemption 191
9
For example, Denys Turner, Julian of Norwich, Theologian (New Haven: Yale
University Press, 2011); Frederick Bauerschmidt, Julian of Norwich and the Mystical Body
Politic of Christ (Notre Dame, IN: University of Notre Dame Press, 1999); Grace Jantzen,
Julian of Norwich: Mystic and Theologian (New York: Paulist, 1987); Julia Lamm,
Revelation as Exposure in Julian of Norwichs Showings, Spiritus 5 (2005): 5478; Joan
Nuth, Two Medieval Soteriologies: Anselm of Canterbury and Julian of Norwich,
Theological Studies 53 (1992): 61145.
10
Nicholas Watson, Visions of Inclusion: Universal Salvation and Vernacular
Theology in Pre-Reformation England, Journal of Medieval and Early Modern Studies
27 (1997): 14546. After situating her writings in the context of other vernacular texts
from the same era, Watson also argues that Julian offers a theology of universal salvation.
He posits that these texts embody a universalist outlook due to the fact that they are
written in horizontally-oriented Middle English vernacular as opposed to Latin, which
he suggests inscribes hierarchy by its very nature (170-71). While Watson attends to the
particulars of Julians understanding of salvation in constructing his position, the central
thesis of his argument is linguistically based. My argument supports many of the points
Watson makes but is grounded in a close reading of Julians theology and how it relates to
the prevailing doctrinal beliefs of the church of her time rather than in the intricacies of
Julians indebtedness to the Middle English vernacular culture.
192 HORIZONS
tenuous relationship with her Holy Church. Here one could question
whether the salvation of non-Christians is a serious concern for Julian.
Certainly during her life as an anchoress, Julian would not have come
in contact with many persons of other faiths. Nonetheless, it is clear
from her Showings that she draws a distinction between those who are
and are not baptized, has an awareness of other faiths, and is concerned
about the soteriological potential of those outside the church.11
In order to illustrate Julians theology of universal salvation and
its subversive character, I will take the following approach. First, I will
explore how Julian understands the churchs soteriology, supple-
menting her perspective with a very brief history of the question of
salvation outside the church. Then, I will demonstrate how Julian
reconceives sin and redemption in a more open manner in light of the
depth of Gods love revealed to her in the showings. Finally, I will
turn to the second half of my thesis to demonstrate how Julians
re-imagination of the traditional doctrines of sin and redemption chal-
lenges the churchs teaching and indeed subverts it, despite her many
affirmations of fidelity to her Holy Church.
11
Showings, 3233:23334.
12
Cyprian of Carthage, Letter 73, in Early Latin Theology: Selections from
Tertullian, Cyprian, Ambrose, and Jerome, trans. and ed. S.L. Greenslade (Philadelphia:
Westminster, 1956), 169.
13
S.L. Greenslade, Cyprian: General Introduction, Early Latin Theology, 115.
14
Cyprian of Carthage, Letter 73, 158. Augustine would, as is well known, come to
disagree with Cyprian on the question of the validity of baptism for those Cyprian would
have considered outside the church. For details on the development of the question of
salvation outside the church with specific reference to the context and evolution of
Cyprians axiom, see Francis A. Sullivan, Salvation Outside the Church? Tracing the
History of the Catholic Response (New York: Paulist, 1992) and Jacques Dupuis, Toward
a Christian Theology of Religious Pluralism (Maryknoll, NY: Orbis, 2001).
Walsh: Re-imagining Redemption 193
One article of our faith is that many creatures will be damned, such
as the angels who fell out of heaven because of pride, who now are
devils, and many men up on earth who die out of the faith of Holy
15
Cyprian, Letter 73, 169.
16
Jacques Dupuis, Christianity and the Religions (Maryknoll, NY: Orbis, 2001), 203.
17
Second Vatican Council, Dogmatic Constitution on the Church (Lumen Gentium) 14,
in Norman P. Tanner, ed., Decrees of the Ecumenical Councils, 2 vols. (Washington, DC:
Georgetown University Press, 1990), 2:860. Cf. Dupuis, Christianity and the Religions,
20406.
18
Showings, 27:225.
194 HORIZONS
Church, that is to say those who are pagans and many who have
received baptism and who live unchristian lives and so die out of
Gods love. All these will be eternally condemned to hell, as Holy
Church teaches me to believe.19
In this example, of note are the many groups excluded from salvation:
sinners, non-believers, and lapsed believers. Note also the equation of
dying out of faith of Holy Church and dying out of Gods love. A
close connection is drawn here between salvation, baptism, and the
Churchmuch like Cyprian of Carthages positionalthough the con-
nection is not exclusive insofar as those who are baptized can still be
damned.20 Though other places in the text point to the disruption in
Julians understanding of Holy Churchs teachings caused by her show-
ings, this example illustrates her initial trust that, as the Church taught, a
great number of people outside the Church would be condemned to hell.
Passion, so I was now in part filled with compassion for all my fellow
Christians, because he loves very dearly the people who will be
saved, that is to say Gods servants.24
24
Ibid., 28:226.
25
Ibid., 9:192.
26
Ibid., 25:222.
27
Ibid., 20:213 (emphases added).
28
Ibid., 9:192.
196 HORIZONS
illustrate that a great tension exists in her writing between broad and
narrow conceptions of the saved, centering on the apparent conflict
between her open understanding of salvation and her belief, rooted in
the churchs teachings, that in reality not all will be saved.
In her Showings, Julian does not claim to know exactly what salva-
tion will be or how it will be accomplished in its fullness. This, she says,
is something only God knows.29 Yet, based on the experiences of her
showings, she offers three main, intimately related descriptions of what
salvation will be, or better, of the experience of the saved as a result of
salvation. Each of the images of salvationrest, bliss, and uniongains
its true force of meaning when contrasted with the alternative of no
salvation. For Julian writes of Christs Passion, [H]e has by it redeemed
us from endless torment in hell . . . [and] brought us up into heaven.30
The first image Julian offers of salvation is one of rest. This heav-
enly rest is contrasted with the stress of worldly cares, for this is the
reason why our hearts and souls are not in perfect ease.31 She writes
that only God is true rest and that to receive spiritual rest is to
have him who is everything.32 In describing this rest of salvation,
Julian creates one of the most beautiful and striking images of all of the
Showings. Though many of the pictures she paints are grotesque and
disturbing portraits of the suffering of Christ in the Passion, this partic-
ular image captures the sense of Gods familiar love and of Christ as
our clothing, who wraps and enfolds us for love, embraces us, sur-
rounds us for his love.33 In recounting her tenth showing, she writes:
With a kindly countenance our good Lord looked into his side, and
he gazed with joy, and with his sweet regard he drew his creatures
understanding into his side by the same wound; and there he
revealed a fair and delectable place, large enough for all mankind
that will be saved and will rest in peace and in love.34
we are truly in peace and in love, for that is our salvation.35 The focus
on Gods tender love demonstrated in this quote will be significant as
we move into the discussion of the universality of Julians understand-
ing of salvation.
The second image of salvation Julian offers is one of bliss and
reward. In the description of her sixth revelation, Julian tells of how her
understanding was lifted up to heaven where she saw that the Lord,
with a glorious countenance [that] fills all heaven full of the joy and
bliss of divinity, had gathered a feast for dear friends, that is, the
beloved saved.36 Her recollection of this revelation communicates a true
sense of elation, intended to give hope to the living. She describes the
reward of bliss that every soul will have in heaven who has voluntarily
served God in any degree upon earth.37 The souls bliss is a reflection of
the Lords pleasure. Yet, this promise of joy is not just an eschatological
hope. Though this bliss is among Julians images of final salvation, she
believes that humanity should be happy while still living out of antici-
patory gratitude for the gift of salvation. As the first image of rest serves
as a model against worldly anxiety, the second image of bliss incorpo-
rates instruction about living this life in a way that is a reflection of and
thankful for the work of salvation that has already taken place.
The third description of salvation is, in a sense, the culmination of
the first two images as the union of the soul with God in a Trinitarian
vision of peace, joy, and harmony. Julian offers this image of salvation
when recounting the revelation in which the Lord showed her some-
thing small, no bigger than a hazelnut. She notes the apparent insig-
nificance and fragility of the hazelnut, for which the Lord corrects her,
saying, It lasts and always will, because God loves it; and thus every-
thing has being through the love of God.38 Learning of the depths and
power of Gods love, she comes to a new realization.
It is that God is the Creator and the protector and the lover. For until I
am substantially united to him, I can never have perfect rest or true
happiness, until, that is, I am so attached to him that there can be no
created thing between my God and me.39
For Julian, the relationship between Creator and creature is like that
between parent and child and entails some sort of substantial and
essential connection. She writes that in our creating [God] joined and
35
Ibid., 49:264.
36
Ibid., 14:203.
37
Ibid.
38
Ibid., 5:183.
39
Ibid.
198 HORIZONS
49
Ibid., 51:268.
50
Ibid.
51
Ibid.
52
Ibid., 47:260.
53
A similar argument is put forth in Nuth, Two Medieval Soteriologies.
200 HORIZONS
Christ affirms that Adams sin was the greatest harm ever done or
ever to be done until the end of the world.54 Yet, for Julian, nothing
is more amazing and truly awesome than the fact that Christ chose
to redeem the sins of all humankind and, in fact, takes delight in the
work of salvation. It is in her view of the work of redemption that
Julian moves towards a universalist interpretation of salvation.
54
Showings, 29:228.
55
Jantzen, Julian of Norwich, 90.
56
Showings, 2023:21418.
57
Ibid., 20:214.
58
Ibid., 7:187; 16:206.
Walsh: Re-imagining Redemption 201
could be seen.59 Here she does not focus on what caused him to bleed,
but on the work of redemption done by the blood.
[Christs blood] descended into hell and broke its bonds, and deliv-
ered all who were there and who belong to the court of heaven . . . [it]
overflows all the earth, and it is ready to wash from their sins all
creatures who are, have been and will be of good will . . . it flows in
all of heaven, rejoicing in the salvation of all mankind, which is and
will be there, and filling up the number which is lacking.60
Here we see that Christs blood spills into all corners of heaven, earth,
and hell. As Julian learns from Christ, the spilling of his blood, his
suffering, was not without purpose: He suffered for the sins of every
man who will be saved.61 Just as the sins of all humankind are
represented in the Fall so are all humans redeemed through the Passion.
In spite of the tremendous pain and anguish of the Passion, Julian
re-imagines redemption by focusing on Christs voluntary and joy-
ful suffering (the third way to contemplate the Passion). She writes,
[T]his atoning is more pleasing to the blessed divinity and more hon-
ourable for mans salvation, without comparison, than ever Adams sin
was harmful.62 As a result, she says we should [l]et our delight in our
salvation be like the joy which Christ has in our salvation, as much as
that may be whilst we are here.63
59
Ibid., 12:199.
60
Ibid., 12:200.
61
Ibid., 20:213.
62
Ibid., 29:228.
63
Ibid., 23:219.
64
Ibid., 20:213 (emphasis added).
202 HORIZONS
God has made everything that is made, and God loves everything that
he has made. And he who has general love for all his fellow Christians
in God has love towards everything that is. For in mankind which will
be saved is comprehended all, that is to say all that is made and the
maker of all. For God is in man and in God is all. And he who loves
thus loves all.69
This love is rooted in the Triune God as the Creator, Redeemer and
Sustainer who created everything for love, and by the same love is it
preserved, and always will be without end.70
This intimate relationship between God and humanity points to
the development of a universal notion of salvation in Julians thought,
based on the inclusive notion that it is God out of whom we have all
come, in whom we are all enclosed, and into whom we shall all go.71
For Julian, humanity is wholly enveloped by the love of God.72
She writes, There is no created being who can know how much and
how sweetly and how tenderly the Creator loves us.73 Earlier I noted
that Julian describes the churchs vision of damnation as dying out of
65
Ibid., 22:217.
66
Ibid.
67
Ibid., 23:220; 72:320.
68
Ibid., 2324:21821.
69
Ibid., 9:191192.
70
Ibid., 8:190.
71
Ibid., 53:283 (emphases added).
72
Lamm, Revelation as Exposure in Julian of Norwichs Showings, 5478.
73
Showings, 6:186.
Walsh: Re-imagining Redemption 203
Gods love,74 but considering the love shown to her in her revelations,
dying out of Gods all-encompassing love seems impossible. For Julian,
it is this universal love that is at the heart universal salvation.
Before turning to the subversive potential of Julians theology,
allow me to make one final point about Julians understanding of the
work of salvation. In addition to Christs redemptive suffering in the
Passion, there is a second part of salvation that is much more ambigu-
ous than the first. Julian says it is hidden from us and closed,75 yet
she demonstrates great confidence in this eschatological deed. She
writes, This is the great deed ordained by our Lord God from without
beginning, treasured and hidden in his blessed breast, known only to
himself, through which deed he will make all things well.76 Despite
not fully comprehending what this deed will be, Julian emphasizes its
power and trusts in its goodness, or better, in the goodness of the God
from whom it will come. In Julians soteriology, this unknown deed
plays an important role in that it creates a space for the possibility of
the reinterpretation of the traditional notion of salvation as well as for
greater theological humility, recognizing that humanity cannot fully
comprehend Gods plan.
74
Ibid., 32:233.
75
Ibid, 30:228.
76
Ibid., 32:23233.
77
Ibid., 34:235.
204 HORIZONS
teachings were not met, Julians language grows more cautious, and
she begins couching each statement that could be read as a challenge
in an affirmation of her faith in the church.
Julians writings can be read as subversive inasmuch as they capture
the disruption of her faith caused by what was revealed in her showings,
and in the way that her reinterpretations of traditional doctrines stand as
a challenge to the churchs teachings. Despite her repeated pledges of
faith in the church, by developing an alternative interpretation of salva-
tion, Julians writings have the potential to undermine church teachings,
especially because the authority with which she writes is outside the
formal ecclesiastical authority structure. In particular, her claim to have
had direct interaction with Christ without any intermediary could be
seen as threatening the churchs role and authority.78
In addition, she subverts the churchs claim to authority when she
describes it as the lower judgment in contrast to the higher judgment of
God.79 Certainly the church would have recognized itself as subordi-
nate to the judgment of God, but Julian goes so far as to inquire in what
way the judgment of Holy Church here on earth is true in [Gods]
sight.80 In trying to resolve the tension between the two judgments,
she wants to know how they might both be reconciled as might
be glory to God and the right way for me,81 suggesting that though
she may not understand how, she trusts that the two authorities are
not incompatible.
In general, the central conflict of the text is between the authority
of God revealed in her showings and the authority of the teachings of
the church, also presumably received from God. Yet one could also
read it as a conflict between Julians authority and that of the church.
In reality, Julian explicitly denounces any claim to having her own
authority. She does this first by disclaiming any sort of privilege as a
result of her showings. She writes, I am not good because of the
revelations, but only if I love God better. . . . For I am sure that there
are many who never had revelations or visions, but only the common
teaching of Holy Church who love God better than I.82 Second, she
undermines her own authority directly by saying she should not be
considered a teacher. In the short text, after declaring, I am sure that
anyone who sees [my writings] will be taught the truth and be greatly
comforted, she immediately negates her own authority, writing, God
forbid that you should say or assume that I am a teacher, for that is not
78
Ibid., 4:181.
79
Ibid., 45:25658.
80
Ibid., 45:257.
81
Ibid.
82
Ibid., 9:191.
Walsh: Re-imagining Redemption 205
Clearly she wants to maintain her trust in the church despite the dis-
ruption in her faith prompted by her showings.
A third way in which one can see her dealing with this tension
involves an interesting shift in her interpretation of the nature of the
church in light of her re-imagination of other important doctrines.
Throughout the text, particularly the early chapters, Julians depiction
of Holy Church is primarily as a human institution, rooted in the
word of God, which teaches the articles of the faith and administers
83
Showings, Short Text, vi:135.
84
Bauerschmidt, Julian of Norwich and the Mystical Body Politic of Christ, 76.
85
This is roughly the argument of Jantzen, Julian of Norwich, 9698.
86
Showings, 9:192.
206 HORIZONS
VII. Conclusion
does he reveal it to you? For love. Remain in this, and you will know
more of the same.92 Though Julians theology of universal salvation
comes in conflict with church teachings, she ultimately sets aside
trying to resolve this tension, admitting that resolution is beyond
her.93 While keeping faith in the church, Julian also has faith in Gods
love, and she surrenders herself to the Lords affirmation that all will
be well, and all will be well, and every kind of thing will be well,
resting in the peace of the promise of salvation.
92
Ibid., 86:342.
93
Ibid., 32:233.