Did young Rizal really write

poem for children?

By: Ambeth R. Ocampo - @inquirerdotnet
Philippine Daily Inquirer / 02:53 AM August 22, 2011

ENHANCED photo of the young Jose Rizal at the age of 14.

IN 1892, Jose Rizal began a new novel in Tagalog.

He realized that in order to reach a wider readership in his country, he had to write in
his native tongue.

During this time of exile in Hong Kong, his elder brother, Paciano, had completed a
translation of the Noli Me Tangere from the original Spanish into Tagalog that was
corrected and finalized by Rizal.
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Envisioned as a popular edition with illustrations by Juan Luna, this book was never to
be. The original manuscript translation by Paciano has since been missing.

Nevertheless, Rizal completed a chapter of his satirical Tagalog novel and gave it the
title Makamisa (After the Mass), but unfortunately he did not have the energy to
complete it.

He stopped writing in Tagalog and began anew in Spanish. The drafts of this work were
first published in 1993 in my book Makamisa: The Search for Rizals Third Novel.

Rizal spoke and wrote in Tagalog fluently, but he was unable to write a whole novel in
his mother tongue. This is quite surprising for is he not, like Manuel L. Quezon,
inextricably linked to the adoption of Tagalog as the national language of the
Philippines?

Most quoted line

Isnt the most quoted line from Rizals many poems that from Sa Aking Mga Kabata
that goes, Ang hindi marunong magmahal sa sariling wika/masahol pa sa hayop at
malansang isda. (He who loves not his own language/is worse than a beast and a
stinking fish.)

Did Rizal write this poem at 8 years old? Did Rizal write this poem at all?

No original manuscript, in Rizals own hand, exists for Sa Aking Mga Kabata,
traditionally believed to be his first poem.
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Rizal had 35 years to publish or assert authorship. He did not. The poem was published
posthumously, a decade after his execution, as an appendix to Kun sino ang kumatha
ng Florante: Kasaysayan ng Buhay ni Francisco Baltazar at pag-uulat nang kanyang
karunungat kadakilaan (Manila: Libreria Manila-Filatelico, 1906.) by the poet
Herminigildo Cruz as follows:

Sa Aking Mga Kabata

Kapagka ang bayay sadyang umiibig
sa kanyang salitang kaloob ng langit.
sanlang kalayaan nasa ring masapit
katulad ng ibong nasa himpapawid.

Pagkat ang salitay isang kahatulan

sa bayan, sa nayot mga kaharian,
at ang isang taoy katulad kabagay
ng alinmang likha noong kalayaan.

Ang hindi magmahal sa kanyang salita

mahigit sa hayop at malansang isda,
kaya ang marapat pagyamaning kusa
na tulad sa inang tunay na nagpala.

Ang wikang Tagalog tulad din sa Latin,

sa Ingles, Kastila, at salitang angel,
sapagkat ang Poong maalam tumingin
ang siyang nag-gawad, nagbigay sa atin.

Ang salita natiy tulad din sa iba

na may alfabeto at sariling letra
na kaya nawalay dinatnan ng sigwa
ang lunday sa lawa noong dakong una.

Provenance

Tracing the provenance of the poem to its source, Cruz claims to have received the
poem from his friend, the poet Gabriel Beato Francisco, who got it from a certain
Saturnino Raselis of Lukban, a bosom friend of Rizal and teacher in Majayjay, Laguna,
in 1884.

Raselis is alleged to have received a copy of this poem from Rizal himself, a token of
their close friendship.
Unfortunately, Raselis name does not appear in Rizals voluminous correspondence,
diaries or writings. When Jaime C. de Veyra established the definitive canon of Rizals
poetry in 1946 with a compilation published in the series Documentos de la Biblioteca
Nacional de Filipinas (Documents from the National Library of the Philippines) Sa
Aking Mga Kabata was not published in the original Tagalog but in a free Spanish
translation of the Tagalog by Epifanio de los Santos as A mis compaeros de niez.

Tagalog, according to the 8-year-old Rizal, has its own alphabet and letters. It goes
back to pre-Spanish times. The precocious child even compared Tagalog with Latin,
English, Spanish and the language of angels, whatever that is.

Second look

Filipinos raised on textbook history that depicts Rizal as a superhuman genius should
give the poem a second look and ask, Was it really written by an 8-year-old from
Calamba just learning to read at his mothers knee?

The poem could not have been written in 1869 when Rizal was eight based on the use
of the letter k, which was a reform in Tagalog orthography proposed by the mature
Rizal.

In Rizals childhood they spelled words with a c rather than k. Further, the word
kalayaan (freedom) is used twice. First, in the third line of the first stanza, there is
mention of sanlang kalayaan (pawned freedom).

Was Rizal aware of the colonial condition at this young age? Kalayaan appears the
second time in the last line of the second stanza.

Encounter with kalayaan

These two references ring a bell because kalayaan as we know it today was not widely
used in the 19th century. As a matter of fact, Rizal encountered the word first in the
summer of 1882 when he was 21 years old!
In a letter to his brother, Paciano, dated Oct. 12, 1886, Rizal related difficulties
encountered with Schillers Wilhelm Tell that he was translating from the original
German into Tagalog:

Im sending you at last the translation of Wilhelm Tell by Schiller which was delayed
one week, being unable to finish it sooner on account of my numerous tasks. Im aware
of its many mistakes that I entrust to you and my brothers-in-law to correct. It is almost
a literal translation. Im forgetting Tagalog a little, as I dont speak it with anyone.

I lacked many words, for example, for the word Freiheit or liberty, one cannot use
the Tagalog word kaligtasan of course because this means that he was formerly in some
prison, slavery, etc. I encountered in the translation of Amor Patrio the noun malay,
kalayahan that Marcelo del Pilar used. In the only Tagalog book I have, Florante [at
Laura], I dont find an equivalent noun.

El Amor Patrio

El Amor Patrio was the first article Rizal wrote on Spanish soil. He wrote it in
Barcelona in the summer of 1882 and it was published in Diariong Tagalog in August
1882 both in Spanish and a Tagalog translation, Pag-ibig Sa Tinubuang Lupa, by
Marcelo H. del Pilar.

If, as Rizal admitted, he did not encounter the word kalayaan until he was studying in
Europe at 21 years old, how can he have used it at 8 years old in Calamba?

In light of its complicated provenance and the anachronistic use of the word kalayaan a
shadow of doubt has been cast on Sa Aking Mga Kabata.

There are only two poems attributed to Rizal in Tagalog, the other is Kundiman. Both
are questionable. All his documented poems are in Spanish.

If Rizal did not compose Sa Aking Mga Kabata, who did?

Our two suspects are the poets Herminigildo Cruz or Gabriel Beato Francisco.
Identifying the true author of Sa Aking Mga Kabata is important because millions of
Filipino children are miseducated each year during Buwan ng Wika when they are told
that Rizal composed a poem on his mother tongue when he was 8.

Will the real author of Sa Aking Mga Kabata please stand up for he who does not
love his own poem/is worse than a beast and a stinking fish (ang di magmahal sa
sariling tula/mahigit sa hayop at malansang isda).

To My Childhood Companions (Nick Joaquin translation)

Whenever a people truly love

the language given them from above,
lost freedom will they ever try
to regain, as birds yearn for the sky.

For language is a mandate sent

to each people, country and government;
and every man is, like all free
creation, born to liberty.

Who does not love his own tongue is

far worse than a brute or stinking fish,
for we should foster and make it great
like unto a mother blest by fate.

Like Latin, English, Spanish, or

the speech of angels is Tagalog,
for God, a wise provider, it was
who made and handed it to us.
Like the others, our language was equipped
with its own alphabet, its own script,
which were lost when a storm brought down in woe
the barque on the lake long, long ago.
(Editors Note: Ambeth R. Ocampo is the chair of the Department of History at Ateneo
de Manila University.)

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