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Antivirus : Avast
Cortafuegos : Comodo Firewall
Antiespas : SpyBot, Ad-Aware (o malwarebytes antimalware) y SpywareBlaster
Recomendaciones
Cuando se usan P2P, jams abrir un archivo sin haberlo escaneado previamente con
un antivirus actualizado, ante la sospecha de que ese archivo no es lo que
queramos bajar lo mejor es eliminarlo
Siguiendo estos consejos vlidos para una configuracin de seguridad con programas
gratuitos como de pago no deberamos tener ningn problema de seguridad en nuestro
ordenador
Espero que este manual os sea de ayuda adems de ahorraros algunos euros en
programas de pago.
If a mag PU was used, the resulting recording will usually have a broad, pronounced
midrange peak which will have to be tamed, and a lack of highs, which will have to
be added. The starting point would be a broad cut, centered between around 500600
Hz and 23 kHz, combined with a boost around 812 kHz, and low-end adjusted to
taste. The exact settings will be completely dependent on the particular PUs
response, and the sound youre going for (bright & thin, full & woody, etc).
With a Piezo PU, the over-bright quack will often be centered around 34 kHz, and
a sharp cut in that range will be a good starting point, with additional low- and
high-end tweaks for balance.
While you can do wonders just EQing by ear (assuming you have a good sense of what
a proper acoustic guitar recording should sound like), theres a more hi-tech way
to go, if you have the tools available. Specialty EQs called Matching EQs are
available from a number of companies (iZotope, Voxengo, FabFilter), and may even
come with some DAWs (Logic). A Matching EQ will analyze the frequency response of
two recordings (mic and PU), and automatically create an EQ curve to match the tone
of one to the other. This would be especially useful if you have a properly miked-
up recording of the same guitar, but any miked-up acoustic guitar track can be used
as the reference. Most Matching EQs will create a curve with a greater number of
bands than a typical EQ, more precisely capturing characteristic acoustic guitar
resonances. In Audio Example 4, I used Logics Match EQ to impart the tonal balance
from a miked-up take (of the same part) to a take recorded with a mag PU (which had
been designated a keeper for some reason long forgotten).