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The final example shows a Gmaj9 chord, followed by the G major scale and Gmaj9
arpeggio. As well as applying this technique to maj7, m7, 7th, etc. chords, you can
also apply them to 9th, maj9, maj6, 13th, 7#11 and any other chord extension you
can think of on the guitar.
Once you have these shapes under your fingers, learn the solo below to see how I
used these chords, scales and arpeggios to create a 12-bar blues solo in Bb.
When you have this sample solo under your fingers, put on a Bb blues backing track
and try soloing with these shapes to create your own solos over the blues with this
fretboard system.
Do you have any questions about the "Joe Pass Chord, Scale, Arpeggio" approach to
learning the fretboard? Please post your thoughts in the COMMENTS section below.
Matt Warnock is the owner of mattwarnockguitar.com, a free website that provides
hundreds of lessons and resources designed to help guitarists of all experience
levels meet their practice and performance goals. Matt lives in the UK, where he is
a lecturer in Popular Music Performance at the University of Chester and an
examiner for the London College of Music (Registry of Guitar Tutors).
Tags
Joe PassJazz Guitar Corner
By
Matt Warnock
3SHARES
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