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JAZZ COMPOSITION THEORY ANO PHACTICE
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Motivic repetition
One of the most obvious melodic devices is simple motivic repetition. If you look back
at the exercises on pages 7-9, yol will observe that each of the examples contains
some degree of rhythmic repetition. When rhythmic repetition is combined with pitch
repetition, a distinguishing motivic "hook" usually emerges. (see "strays," page 3,
measures 1,3, J.)
This is very common in the blues. (See "After Breakfast," page 119.)
Medium swing
F7($9) Bbi p'l
A-7(bs) D7(fe)
G7(be) G7 C7(alt)
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GHAPTEB 1 | MEL0DT[[0NStDERAT|ONS
Phrase repetition-eight measures
This is the basis for standard aaba and abac song form in which the a section is repeated
in conjunction with other complementary but contrasting phrases. (See "Strays," page 3
for aaba form, and "For Bill," page 141 for abac form.)
@ @ @
8 8 8
@ @
8 8
--7
A sequence occurs when you transpose a melodic fragment or phrase to a different pitch
level. This transposition may be diatonic (in which case the tonality is not disturbed) or
elac! (in which case a temporary "key-of-the-moment" may be suggest itself). The use
of sequence takes the concept of repetition to the next level and provides for melodic as
well as rhythmic variety.
Motivic sequence
Diatonic
Medium swing
F6 GJ C] AJ D7
Exact
Medium swing
F6 Abl Db7
(See also "Strays," page 3: compare measures l-2 with 5-6, and 10-11 with 14-15; also
measures 16 and 17.)
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19
JAZZ COMPOSITION THEOHY ANO PRACTI[F
E evat F
@ e{'at*
A7(be)
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Four-measure melodic sequence
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(See als,o-"Scooter," page 728, measures Il-14, 1s-18.) 4Jrtt i' !c,+- ;J'"j )
Medium swing
D-6 c-6 E1(b5) A7(alt)
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. Examples of this are relatively rare, but check out "Joy Spring" by Clifford Brown and
. -7 "So What" by Miles Davis.
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ootiun o Eb Donan g Dorian
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@ melody
@ melody repeats melody up a,
mrnor second @ melody as before
2B
IHAPTEH 1 I MEL0DTCC0NSTDEffATTONS
MOTIVIC TRANSFORMATION
G6 B-7(bs) E7(be)
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Motivic embellishment is a device that allows you to activate a simple motif before it
becomes too repetitive and monotonous.
iVledium swing
D-7 G] D_7 G7