Академический Документы
Профессиональный Документы
Культура Документы
Performance Notes
Electronics:
Laptop with Ableton Live 9
Audio Interface
7.1 Surround Playback System
Two octave MIDI Keyboard
Requires a two octave MIDI Keyboard in order to trigger the playback of taudio samples.
Sample triggering and playback are handled by the Ableton Live set created to accompany
the piece. All MIDI Keyboard triggers are notated in the score.
Samples may be triggered either by the Sound Engineer or Percussionist depending on what
is most convenient for the situation.
The soprano and all instruments should be lightly amplied and reverb should be utilized to
create a sense of blend with the sound world of the audio samples.
Note: In Movement I: I Grit My Teeth Against the Glacier, the loudest moments in the audio
samples occur in measures 8-10, at this point the volume level of the audio sample should be
slightly louder than the sound of the lightly amplied ensemble. Throughout much of the
rest of the piece, the samples are intentionally mixed at a relatively low volume, and are
primarily used to create a sense of atmosphere.
3
air noise,
autando with
7 light pressure
Vc
? 44 bw w &
pp mp pp
/ w w
p p mf p p mf p
4
16
mf f mp
& b b
I
pp mf pp
B
& J
scratch tone,
overpressure
sul sul
pont
sul pizz
gliss gliss.
8 highest
possible
pont ord pont
n~
? <b>w bw w w J note
&
~ gliss. bw
mf sul III mf p mf
sul III sul IV
sfz
scrape cymbal
Crash w/ brush in
Cymbal circular motion
Sample 1 Ends
/ w w
p mf
speed up w/ cres
&
p
?
{
5
half-pitch, accel.
unpitched pitched unpitched 'tuh' half-breath unpitched pitched unpitched
21 pp
mp mf mf mp mf
j j j O
& > b >
grr - i t - t - t my tuh - ee th
gliss on
rolled 'r'
tongue accel.
pizz air note tongue
<t> <t> <t> ) air note pizz <t>
j j j b) b>6
& 6> 6 6
pp mp mp
&
p pp ppp
?
{
6
25 q=69 mf f
b 3 b
&
A -gainst the gla - cier
q=69
air ord air
& bJ B B
p mf p
scratch tone,
overpressure
Bass Drum
scrape drum head
w/ superball mallet change to
from side->center->side medium sec.
hardness
mallet
/ w
p mf p
b b
&
p pp ppp
?
{
7
30 q=88
mf 3 3
& n b b # n > b
Hi - ber - nal e - ons be-gin to mur - mur
q=88
#>. >. n jet b ~~~~~~~~~~~~~~
n
& b .
J O mf
f mf f mf
sul
pont
? w n # # # # # # # #
p mf 3 3 3 3
Shaker
Sample 2 Ends >j
/ j
mf
& n
p
?
{
8
b~~~~~~~~~~~~~~~~~~~~~~~~~
n
&
f
con
lengo
non high
battuto ord
vibrato air noise
?
3
. w w w ?
&n b.
. mp pp
mp
f subito
Trigger
Sample
j 3
/ & n /
f
n
n
&
pp ppp
?
{
9
40 pitched unpitched
&
aw - s
n w b~~~~~~~~~~~~~~~~~~~~
n
& b b
mp mp mf mp
n
&
ppp
?
{
10
half-pitch,
mf f mp half-breath pitched
46 unpitched, whispered unpitched
3 p 3 mp mf
& b b b b jj
> O O >
A throat mustbe hewn - out a toungue built p - as - sa ges
pp mf pp
& BJ
highest
scratch tone, possible
overpressure note
sul
pont
sul pizz
gliss gliss
. 8 air ord air
air noise sul pont ord pont noise noise
w
? bw bw bw w w J
& w
~ gliss. bw
p sul III sul III mf p mf p mp
mf sul IV
sfz
arco
Crash
Cymbal Bass Drum
on rim
/ w
p mf p
&
p pp
?
{
11
half-pitch, whispered,
half-breath pitched unpitched pitched
53 unpitched very little pitch
pp mf
j O j mp mf
j mp 3 mp
& . b > >
b nb
j
l-ined ma - de s - o - f - t be-fore a - ny -word is ex - haled
tongue tongue
air note pizz pizz
) <d> air note
> <t>
>6
& b6 b)
mp mp
Crash
Cymbal Bass Drum
sec
j j
/
pp
pp p mp p pp
:;
&
ppp ppp
?
{
pitched unpitched
Sample unpitched
59 3 Ends > hold
p 3 p > mp p trilled r >
& j j b j j
>
but al - ways the har-d tuh- ee th in-ter - r - up - t
II. Black Water
half whispered,
q=72 half pitched
mp 3
Soprano Solo & j
>
like a bro-ken bone ex - ceeds
w
Alto Flute &
q=72 pp p pp
j bj bj j bj
? b b b b b
ppp mp 3
Piano
3 3 3 3
{ ?
b
b
j
j
b
b
j
b
b
j
b
j
b
j
half whispered,
half pitched
5 mp mf mp
mf 3
S. Solo & j
> > > >
skin a ood does not re-spect bound-ries
A. Fl. & w w w w
pp mp pp pp mp pp pp
Trigger
Sample 1
Perc. & n /
bj j bj bj j j
? b b b b b
3
Pno.
3 3 3 3
{?
b
j
b
j
b
b
j
j
b
b
j
b
j
b
j
gradually begin
9 to overblow w
& w
A. Fl.
w w w
mp pp mp mf mp mp mf mp p mp
{
?
b
b
j
j
b
b
j
j
b
b
j
j
b
j
b
j
b
j
b
j
14 accel. mf
intense
S. Solo & bJ b n
J
wounds that ow
w
w
A. Fl. &
p
n b> n b mp,
n
with increasing intensity
b> n b n b> n b n b> n b
Vc.
?
p 3 3 3 3
mp
3 3
mf
3 3
Perc. / accel.
j bj j
? b b b
Pno.
3 3
?
{ b
b
j
b
b
j
16 q=80 3 w
S. Solo & b
un - con - ned
continue to overblow,
becoming increasingly louder and more unstable
w
w
w
A. Fl. &
mf mf
# n b > n b n b > n b #sul
n
pont
b > n b n b > n b
?
Vc.
p mf p mf p mf f
q=80
bj bj
? b b
3 mf
Pno.
3 3
{
?
b
j
b
j
b
b
j
18 w
w w
w ord.
A. Fl. & w w w
mf f mp
Crash
Cymbal let ring
Perc. /
bj bj j
? b b
f f
Pno.
3 3
{
?
b
b
j
b
b
j
w
4
ww ww
& w
A. Fl.
w bw w bw
pp pp pp p pp
sul pont
#sul
w pont w ord #w w
? ? w w w
Vc. & &
#~ ~ #~ ~
pp mp pp pp mp pp pp mp pp
w w
29 mf mp mf 3
S. Solo & # # n #
#
n
A silt that lls up the
be-comes sed i ment
b j j b j j
A. Fl. & > n n n
mp, insistent mp mp
pizz pizz pizz
gliss gliss arco gliss arco
? n> n> b g lis s
.
b> gliss.
Vc. & # # # #
3 3
mf mf
mf mf 3
Trigger Sizzle Cymbal
Sample 2
brushes
S. D. / & n / w
ppp mp ppp ppp like cresting waves
?
Pno. mf, intense
?
{
j
w w w
5
35
f
S. Solo &
n
ears
b j b j
n # #n n # # n nJ # # n
A. Fl. & J J J J J
3 3 3
mp mf, increasingly agitated
pizz pizz
gliss gliss ord
> > arco
? b # b b> bnn b>nbn nbn n>bn nb n n>bn
Vc. J J
3 3 3 3 3 3 mp mp
mf mf p mp p p mp p p mp p mf mf
Cym. /
mf p mp pp
<n> j j j j
?
3
Pno.
mp 3 3 3
{
?
j
j
38 half whispered,
mf, intense half pitched
S. Solo &
n n #> n
and stops up the
b j b j
A. Fl. & nJ # # n b
J J J n
J
# # n
J J b
J
3 3
mp mf
> > # >
nbn # nbn# n b n# > nbn#
>
>
Vc.
? nb n nb n nb n nb n
mp mp mf 5 5 5 5
mf mf mp
Cym. / w
p pp pp
? j j j
Pno. 3
3 3
?
{
j
40
6
S. Solo & Y
>
lungs
Vc.
? <#>w w #
mp 3
nw w w w w
p ppp
>
Cym. / b n
ppp mp ppp
# <n> #w
? nw
w ?
& # w
Pno. mp 3 3 ppp ppp
mp
w
{
?
w
j
w
j
w
j
w w
& #nw
w
?
<n> w
f
48
mf nw bw
S. Solo & n # n b b
The black wa-ter licks clean
A. Fl. & # n w
mp
Vc.
? #
w w w nw
mp 3
p ppp
<n> 3
? j j j j j j j
mp
Pno.
3 3 3 3 3 3
{
?
j
j
j
j
j
j
j
j
j
j
j
j
j
7
54
mp p
S. Solo & b
As it ebbs. Slows.
?
Vc.
nw w w w
pp p ppp p
3 3
j j j j j j
?
Pno. mp
3 3 3 3 3
{
?
j
j
j
j
j
j
j
59
mp mp
S. Solo & b n n n
Be comes still. Sub merged
A. Fl. & w w
pp p pp
? gliss. w w w w w
Vc.
pp p ppp
3
j j j j j j j
?
Pno. mp p
3 3 3 3 3 3
?
{
j
j
j
j
j
j
j
j
j
j
j
j
j
j
j
sweetly
65 mp
mf mp
S. Solo & b n # n
in gen - tle li - I am washed
quid
A. Fl. & w w
pp p pp
Vc.
? w w w w w w
p ppp
3
? j
j
&
Pno. p mp mp
3 3
?
{
j
j
j
j
j
w w w
j
w w
j
73 mf mp
S. Solo &
nw n> n> n
of his - tor - ry
p
Pno.
?
{
j
w w w w w
III. Thick Air
q=52
mp U
#
Mezzo-soprano
& #
Hold.
q=52 o 6o o o oo
o> o o o
? O O O O O ? O nO n O n O ?U
Violoncello & O # O O O &O # O # # O O
w >
> mp pp
ppp p
4
M-S.
& #
Hold. And wait.
o o6 o o o o o
? O O O >O O> nO n O n O
Vc. >
& O# O O O
> # O # # O O w
w mp pp
w
ppp p mp
8
> >
>
3 p 3 U 5
M-S.
& # # 4 > # 4
A cae - sur - a Land un-forms
pizz
O spiccato
3
#O O ? 3 arco jU 5
Vc. & w w
O nO
# #
4 O. 4
w w p 3
I II I >
2
12 unvoiced,
5 j 3 3 43 3 no pitch
M-S.
& 4 > # 4 > # 4 Y
>
co-coon of >
the sea dis-solves be-neath a mi - sss - t
Trigger
Sample 1
& n
half-whispered,
unvoiced, half-pitched
no pitch pp mp
& j
M-S. #
sh - ed Ab - sent My
o o o o
? w ? O O
nO n O
Vc. &
w~ w~ & O ># O #
w w O
O> >
pp ppp p
3
27
j >
>
#
M-S.
& # J
feet are la - cu - nae They am
>
- ble a - cross hi -
o o o
& <#>nO O O ? O O nO n O nO
Vc. & #O # O w
mp
pp
O> O > w
mp mp pp mp
32
# 3 p U
45
M-S.
& 4 #
- a - tus and cloud Night
pizz
O spiccato
3 #O O ? 3 arco jU
& w O nO O 45
Vc.
w # # 4 .
w w p 3
I II I >
36 unvoiced,
3 no pitch
5 j 3 4
M-S.
& 4 # 4 > # 4 #
>
the or -bit of ce-les-ti - al bod-ies is un - xed
45 unvoiced, half-whispered,
no pitch half-pitched
&
M-S.
> >
Sc - in - ti-late 'Cross quiv' ring waves
? w ?
Vc. &
w~ w~ &
w w
ppp mp
50
mp
M-S.
& # J
I could not
o o o Oo o o o
Vc.
& O O O ># O # #nO O
nO n O ?
&
O O nO n O
#O #
O> > O O >
mp pp
p
>O
5
54
M-S.
& # #
tell the sky
n O
Vc. & O w w w
w w w
mp pp mp
58
M-S.
&
pizz
?
Vc. & w w
w w
ppp
>p
IV. The Distance
BetweenVacant Seas
For Flute:
tongue pizz:
syllable to be articulated:
aeolian/air sounds:
jet whistle:
For Mezzo-Soprano:
audibly inhale:
Unless otherwise indicated, all text should be spoken in a whisper and with a minimum of voiced content.
The voice should be toneless, unpitched, and breathy throughout. If pitch must be introduced, allow the pitches should rise
and fall inaccordance with the natural patterns and melodic shape of spoken speech. Absolutely avoid monotone.
Rhythms are indicated with standard notation in combination with a single line sta:
Electronics:
Laptop with Ableton Live 9
Audio Interface
Stereo or 5.1 Surround Playback System
Two octave MIDI Keyboard
Requires a two octave MIDI Keyboard in order to trigger the playback of two audio
samples: at measures 11 and 48 . Sample 1 is triggered by C#3 (61), Sample 2 by
D#3 (63). Sample triggering and playback are handled by the Ableton Live set created to accompny the piece.
pp mp
3 >
Mezzo
/
Once I learned to speak I would re - cite the words as quick - ly as I coul - d
<t> <t>
A. Fl. & 6
r
6
r
p
audibly
U inhale
mp U
4 U 3 > pp ppp >
Mezzo /
And when I for -got one I paused
Utongue
~~~~~~ ord air sound ~~~~~ ord. air sound <t> pizz U
U j 3 j
A. Fl. & bnb nbO nObO O OnObO O nO b nnb O O 6j
nO
.
p ppp ppp
8
Mezzo /
tongue
pizz<t> <t> <t> <t>
A. Fl. & r r r r
6 6 6 6
ppp
Trigger
11 Sample 1
& j
# mp
Mezzo >
pp
/
I in - haled as though breath touch - ing the in - side of my lungs could al - so search
<t> <t>
A. Fl. & 6
r
6
r
p
3
mp
pp
12 U > 3 > 3 - -
Mezzo
/
the deep re - cess - es where mem-or - y hi - ber -
overblow;
half-air, half pitch
air sound
U#j ord
~~~~ b
A. Fl. & # n n bb
n b # n n b # n n b #O nO nO bO #O nO nO bO O
p ppp pp
ppp
p pp
15 - >3 >p > ppp
Mezzo
/
w
nates be-tween pa - ges in the thick - ness of ink
w.t.
(uctuate pitches)
p mf
20 U
Mezzo
/
And - then I-held my -breath si - lent as a -
<t> <t> <t> <t> <t> <t>
A. Fl. & 6r 6r r r
6 6
r
6
r
6
ppp p
mp
mp pp >3 j
23
/ j >j j j
Mezzo
A fraid to break the silk - enthreads of
w.t.
(uctuate pitches) inhale,
inhale, tongue double tongue
tongue inhale,
O O b O double tongue pizz
pizz pizz double
~~ <t> tongue
<k> tongue <sh>
A. Fl. &
6
j b
j
6> 6>
j
b
p, pp pppp pp pppp pppp pppp
pp pppp pp
gently
4
pp mp
pp mp >.
27
/
3
j .j .
j
Mezzo
nous with the tur -bu-lence of res - pi - ra -
w.t
(uctuate pitches)
overblow, ~~~~~~~~~~~~
half-air, half pitch
jet b b O b O jet jet jet
b_ b j j j
A. Fl. & L b
1 1 1
ppp pp ppp pp p
pp
32 j
Mezzo
/
tion
mp pp p pp
37 > 3 > 3
Mezzo
/
ha-bit-u-al mo tion thick-en - ing res - i - due
<t> <t> <t> <t> <t> <t> <t> <t>
A. Fl. & 6r r
6
r r
6 6
r
6
r
6
r r
6 6
p ppp p
mp
41 > 5 >
Mezzo
/
con-den-sa-tion a - mass - ing in - to deep pools
A. Fl. &
b inhale,
#
ppp pppp double tongue
5
44
mp
>pp 3 >j mp>.
Mezzo
/ w
be - stirred by an un - e - ven ti - dal lo - gi - c
tongue
pizz t k
t k
<h>
A. Fl. &
b
~ O
p ppp
Trigger
48 Sample 2
audibly
& # /
pp mp pp inhale
Pno. > U U
j j
/
Rise. Su - spend. Sleep.
tongue
pizz
<t> <t> U
5 U
A. Fl. & . j r r
J J 6 6
p ppp
whisper,
mp, regular toneless and breathy
pp speaking voice
mp pp pp mp pp
52 > j j U >j 3 > > j j
Mezzo /
Rise. Su spend. Sleep. Thrall of ha-bit Rise. Su spend.
mp, regular
pp mp pp speaking voice
58 U U > j j U >
Mezzo
/
Sleep. (Inhale) Rise. Su spend. Sleep. An
hold
tongue articulation tongue
U<p> pizz for note value pizz
<t> <t> <t> <t>
j 5<t> <sh>
A. Fl. & 6r 6r . r
J J 6
r
6 )
r r
6 6
ppp p ppp pp> ppp p
6
whisper,
p toneless and breathy ppp
>3 j > 3 >
63 3
j >
Mezzo
/
in-cess - ant rhy- thm slow - ly gnaws out the mar-gins of the world
p
66 > 3 > >p 3 > ppp
Mezzo
/
Dis-sol-ving con nec-tive isth - mus in a tiss-ue of tide
tongue
pizz
~~~~~~~~~~~ ord. air sound ~~~~~~~~~ ord. air sound
j 3
nO
j <t>
A. Fl. & b nb nbnb OnObO O nO b nnb O O j
6.
p ppp ppp
mp pp
69 > 5 - -
Mezzo /
An arch - i - pel - a go of ech - oes
w.t
(uctuate pitches)
O
A. Fl. &
pp
Mezzo
/
sound the dis-tance be tween va-cant seas
w.t
(uctuate pitches)
O b O O
A. Fl. &
pppp pp pppp
Full Score
V. Rupture
q=104
7 #w w
Violoncello
? 44
p
Trigger
Sample 1
7Snare Drum > 3 3 >3
4
Piano & 4 # /
p mf p mf
7
4
&4
Piano p
7
? 44
{
Crash
Cymbal
3 3 > 3
bow U
w w
Perc. /
p mf
U
& # # n w
Pno. mf pp
3 3 3
?
{ # # n # n j j j
# #n# w
n# ww
w
n# ww
19 p mf
3 3 3
M-S. & j j
Y
Sss -
lip pizz
z. <s> <t>
# n r r
6> 6
Fl. &
f
overpressure sul
<#> w gliss.
noise pont
Vc.
? nw w gliss.
mf
Snare Drum
>
3 3 > 3 3
S. D. /
mf p mf p mf
&
mf
Pno.
3 3 3
{
?
# # n # n j j j
# #
#n
w
n# ww
3
breath normally,
23 but audibly
3 3 3 3 3 3 p sfz
M-S. & j j
Y
Shh -
>
gliss
n
? #w gliss.
Vc.
#w w w w
mf pp
Crash
Cymbal
3> scrape with brush
S. D. / w w w w
p mf ppp p
#>
#
& R R J J
3
pp pp
Pno.
b 3
{
?
nw
ww *
pedal each note
# n w w w
b
b b
4
30
M-S. &
harmonic gliss
sul A + sul D
s.
# o glis g lis s
#
g lis
Vc.
? & g lis .
s. g lis
s. s. ?
g lis
<#>w w g lis
s. s.
pp
# b # # b
b
& J
J J J J J
pp p
Pno.
3
{
? bw
bw
b b
b bw
bw
5
breath breath
36 in out
mp 3 3 3 3 3 3 3 3 3 3
M-S. & j j j j
Y Y
ord
j3 3 j
Fl. & # w
pp fp
arco
3 pizz
? b j ? bj
Vc. & gliss.
pp
p
Snare Drum
with brushes > Triangle
3 3
j j
Tri. /
j
pp p
#
b b
& J J J
pp ppp p
Pno. mp
3
{
?
b b
b
bw
bw
6
breath breath
40 in out
p sfz mf 3
M-S. & # # w
Y b Y
Shh -
> The air smells brunt
sfz ord
ord. air 3 3
Fl. & w w O O #j j
fp p
arco
arco pizz 3
Vc.
? j bj b j
# w w w
mp mp
mf
Crash Trigger
Cymbal Sample 3 Triangle
scrape 3 3
Cym. /
with brush
w
w &# / j j
ppp p ppp mp p pp
#w #
# 3 b
J
& n
b w 3 3
Pno.
? 3 3
{ b
b b
bw
bw
w
w
w
w
b bw
b b b w
7
46
3 3 3 3 3 3 3 3 3 f #
M-S. & Y j j j j #
It is hard to
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
# . n # n
# J
Fl. & w w
f fp 3
mf
Vc.
? # w w w
mp
Snare Drum
Tri. / w w w
ppp mf
& b b b b
Pno. mf f
3
3 n
{
?
b b
b
b b
b b b
n
b
5 b
5
8
50
nw mf >
# # n
M-S. &
breathe Teeth crack a-mid mol - ten
w lip pizz
z. <t> <t>
j j
Fl. & w #6 n6
mf mp p pp
over- bartok
pressure ord pizz
Vc.
? bnw
w
w f
& bw w w w b b
w w w w
f
Pno.
{
? bw
bw
f
w
w
w
w
w
w bmf
b
5
9
mf p
56 p
## n >
M-S. &
hurt Teeth crack strain - ing
bartok bartok
pizz arcobartok pizz
pizz
Vc.
?
f f f
. . .
#n n
b
b
b
& b
f
Pno.
{
?
b
mf
b
5
bmf
b
5
b
mf
b
5
10
60
p mp f mf
mf
>
M-S. & # # n w #
Teeth crack a mid hurt I could speak
bartok
bartok pizz ord
arcow
pizz g lis
s.
Vc.
? bw
f f mf p
. . . . .
#n n
& b b
b
f
Pno. mp
{
?
bmf
b
5
b
mf
b
5
w
bw
b
11
mp
65
quiet but intense
# # #
M-S. & #
dirt I could scream
Bass Drum
Bass Drum Cymbals strike
drag ngers with
strike circular motion
with hand
from center
scrape w/ brush hand drag ngers
from center
to edge
to edge
B. D. / w w w w
mp p mp mp mp
build intensity
&
Pno. pp mp mp pp mp mf
{
?
b
n n
b # #
n n
# #
12
f accel.
70
w mf 3
M-S. & j
# > >
smoke Steam fonts blos-som un- to bil-low-ing
tz. accel.
z.
w # tz. # n
Fl. &
mf f
overpressure overpressure
Vc. & #w w #w w
w gliss. w
#w #w
p f
gliss. mp
Crash Snare
Cymbal Drum
>let >
ring j j 3j 3 j j
Cym. /
f mf mp
w w w w
#nw
& w
#w w w w
Pno. mf mf f
? w
#
{ #w
w
w
w
#w
w
w
13
75 q=120
rit.
f
gliss. #w #w
M-S. & n
Rup - ture
overblow
q=120
n #overblow
#w
w ## w
w
rit.
jet
Fl. & #w #w
n1
f mf
overpressure
#w
#w #w ?
Vc. & # ~ & w gliss. #w
w pp
mp
Crash
Cymbal Snare
3
j 3 > 3 let Drum 3
S. D. / ring
f
## ## n
&
Pno. f pp
?
{
#
j
# ww
w
14
79 q=104
M-S. &
n
Dense
q=104
jet z.
Fl. & 1
mf f
grdually transition
to tremolo overpressure sul
<#> w w w gliss.
noise pont
? nw
Vc.
mf
Snare Drum
> 3 3 > 3
S. D. /
mf p mf p mf
&
Pno. mf
3 3 3
?
{ <#> w
ww ww
w
# # n # n j j j
# #
#n
15
84 mf
3
3
j 3 j 3 j 3 3 3 3
p mf p
M-S. & # n # n # n#n#n #n# n Y
black clouds spread o - ver the earth A - sh - e-s
lip pizz
<s> <t> inhale air ord. air
# n r r <t>
r
Fl. & 6> 6 6 #O nO O ~
mp
gliss
n
w gliss. #w gliss.
Vc.
?
#w w
mf ppp
3 3>
S. D. /
p mf
#>
& R R J
3
ppp
Pno.
b # n w w
{
?
<#> w
<#>n ww ww
w *
pedal each note
16
90
p
M-S. & j j j j
Be - gin to fall
w.t.
ucuate pitch,
move generally upwards
n # #
Fl. &
pp
pizz
Vc.
? J J J J J J J J
pp
on rim
j j
S. D. /
pp
& J J J
Pno. pp
{
?
17
97 pizz
? b
5
j 5
Vc. & J J #
5
pp
#
b b n
& J J J
J #
b
3 3 3 3
J
Pno.
{ ?
104
p
M-S. &
j
j
In hea - vy show - ers
#
&
J
J
J J
Pno. p
?
{
110 U
. .
stacatto . .
. air
Fl. & J J J J bJ b.
p
J ~
p
5
j 5
Vc. & J b
J
#
5
p
b b n
& J J J
b #
3 p 3 3 3
J
Pno.
?
{
VI. Smoke rising from the caldera,
seemed to stem from my navel.
q=69 3 #
b b b n
& #
b b b n 3
Piano ppp p pp mp
{?
b
5 mp
bp b b b
3 >
M-S. &
Smoke ri - - sing from the cal - der - a
Fl. & b b b
3
ppp
arco
b b
Vc.
? w
3
mp ppp
b b b n # bb b b
b b b
&
3 3
Pno. pp mp
{
?
2
9
mp pp
& b b
M-S.
b b b
Seems to stem from my
b
na - vel
3 b b b
b n # #
b b b
Fl. &
mp 3
p pp
3 bw
? b
Vc.
w w b b
mp pp
p
3 #
& # b b b n
b b b n 3
Pno. pp mp ppp p
{
?
b
13 b n # #
Fl. &
mp
b b b n #
b
&
pp 3 mp
Pno.
{
?
3
air
18
b b b b b b . b b sound
n b > b
b
Fl. & J
O
p3 3 3
ppp mp 3
pizz pizz
pizz pizz pizz pizz pizz gliss pizz pizz gliss pizz
b b bb bb
Vc. & J J J J J J J J
3 3 3 3 3 3 3 3
p mp
&
3 3 3 p 3
Pno. p
?
{
mf
22 3
arco
3 b b b
Vc. & ? bw
b b p
bb b b b b b b b b b
& b b b b b
3 3 3 3 3
Pno. mf p
{
?
4
27
b> mp
#> b >
M-S.
& b b b
and co - a-lesce as a thin
z.
Fl. & n
mp
? b b 3 b arco
Vc. b b b & b &
mp mp
3 # b b b n #
& # bb b n
b b b n 3 3 3
Pno. mp pp mp p mf mp
{
?
b
33 mp 3
<b> b b b b
M-S. &
gray blank - et fringed with glow-ing em-bers
> z. z
> >
Fl. &
b
3
b b b
b
& b b
3 3 3
3 3
Pno.
{
?
5
38
p 3
M-S. &
>
an orange pink
b > > b . b . b .
3
b J J J
& bw
bw
Pno. mf p
b bb bb w
w
{
? bw
w
w
bwJ
bw J
w
w
44
&
3
j j b>
M-S.
> b
>
an orange pink
>
an orange pink air - y wil - der ness
lip
inhale air pizz inhale air
j
Fl. & bO ~ O b6 O O ~
p
arco air
sul pont noise sul pont
Vc.
?
b w w
p
b . b .
& J J
Pno.
?
{bw J
w
w
bw J
w
w
6
48
j 3
M-S. & b >
b
of whirl ed whi - pers grows
air
?
sul tasto sul pont noise bsul
w tasto bw
Vc. <b>w w bw w
b . b . b . . b . . b > >
J J J J J J J
&
Pno. p
?
{bw J
w
w
bw J
w
w
54
mp
M-S. & b b b
>
b
Mi - gra - tor - y clouds bow bloom
> >
? w w b w
Vc.
mp
b > > b > >
& J J
Pno.
?
{
7
58
M-S. & b
and e - lude grasp
Vc.
? bw w w
pp
b > >
J
&
Pno.
?
{
VII. Man Will Not Outlive the Weather
q=88
3
Mezzo-soprano
4
&4
3
Flute
4
&4
3
fp
3 bw
?4
Violoncello 4
ppp mp
Trigger Sample 1
4 n 3
Piano &4 /
q=88
b
3
4
&4
3
Piano 3 mp
?4
{ 4
6
#>
mp
M-S. & n
Winds u - ni - fy a -
tongue
pizz
inhale air ord air <t>
Fl. & & 6 # # n w
J
pp<mp>pp 3
transition gradually
p mf p
> #ord. transition gradually
gliss. n >
Vc.
? w w
Triangle
Perc. /
p
w
w
& J
3
Pno. p mp
#
{
?
3
2
10
p mp
M-S. & b
>
round a va - cant cen - ter Op - er -
tongue
pizz
inhale air ord air <t>
Fl. & # # n w & 6
J 3 pp<mp>pp
3 fp
p mf p
transition gradually
bw > #ord.
n
gliss.
? n b w
Vc.
p ppp mp
Tri. /
b
w w
w
& J
3 3
Pno. p mp
<#> n w
{
?
3
16
>
M-S. & # n b b
> >
at - ing through arms and emp - ti - ness
Fl. & # #n w # #n w
J J
3 3
p mf p p mf p
transition gradually
? w >
w
Vc. n b w w
ppp
Trigger
Sample 2
n
Tri. / & /
J w w
& J
3 3
Pno. mp p
# n w w
{
?
3
4
22 mp
3
M-S. & b n
> b>
Hurr-i-canes are count - er clocks
Fl. & bw
n bw bw n bw
ppp mp ppp ppp mp ppp
sul pont
b b n b b b b n b
Vc.
?
ppp mp ppp ppp mp ppp
&
Pno.
ppp p ppp ppp
{
?
w
bw
w
bw
w
bw
w
bw
w
bw
5
30
Fl. &
bw n bw
ppp mp ppp
<b> b b n b b
Vc.
?
ppp mp ppp
B. D. / w w w w w w w
p ppp ppp ppp p ppp
&
Pno.
ppp ppp p ppp
{
?
:p;
w
bw
w
bw
w
bw
w
bw
6
37 To Perc.
M-S. & b gliss. n n n b
ail towards em-brace
Fl. & bw bj
n bw
ppp mp ppp mp
Vc.
? b b n b b n b bw
ppp mp ppp p ppp
Trigger
Sample 3
n
B. D. / w w w w w &
ppp ppp p ppp
&
Pno.
ppp p ppp
{
?
bw
w
bw
w
bw
w
7
whispered,
no pitch
43 > >
mp 3 >
M-S. & 2
&4
A -mid the crack - ing of branch - es
z
&<b> w w w
2
Fl. 4
ppp
? w w w w 2
Vc.
4
mp ppp
Wood Block 3
j
W.B.
/ pp
2
4
mp pp mp ppp
w w w 2
& w w w 4
mp p
Pno.
{
?
w
w
w
w
w
w
2
4
8
47
mf
2
&4 4 b
M-S. 4
and the gush of the
jet ord
2
&4 !
4 bz.
w b
Fl. 4 J
1
mf mf 3 3 mf
scratch,
overpressure spiccato
g li # ord
w w >
nw
ss.
?2 g li 4 J w w
Vc. 4 ss. 4
3
mf p mf
Crash Crash
Cymbal Cymbal Bass Drum
let Bass Drum
let
ring
Cym.
2
/ 4 mf
4
4 w w ring
pppp
mf pp
3 3>
2
&4 4 j j w w 3
# # J
4 # > w w >
Pno. mf
>
{
?2
4
4
4
w w
9
52 f
2
M-S. & 4
Flood - ed land - - -
ord
nonvib
b b b
? J n gliss. 2
Vc.
n gliss. 4
3 mf
ff
B. D. / w w w w 2
4
w w w 2
& w w w w 4
Pno. mf
{
? w
bw
w bw w bw w
2
4
10
56
2
&4
4
M-S. 4
scape
staccato
2 4 w bw bw b. b. bj
Fl. &4 4 J J
p ppp
.
spiccato
?2 4 w w nw nw j j j
Vc. 4 4w w nw nw n . n . n .
p ppp
2 4w w w . .
&4 4 w bw
w bw
w
b
b j
J J b .
p ppp
Pno.
w w . .
{
?2
4
b
4
4
ww
ww
J J .
J
11
64 2 mp
M-S. & #> n
The spark of light - ning and
tongue
pizz
2 ord.
inhale air ord air <t>
Fl. & & 6 # #n w
3 pp<mp>pp
J
fp 3
p mf p
2 Triangle
B. D. /
p
b
2 w
w
& J
3 p 3
mp mp
Pno.
2 #
{
?
3
12
71
mf p
M-S. & b- - -
a - rous-al of dis - tant thun - der
Fl. & # #n w
bw n bw
J
3 ppp mp ppp
p mf p
sul pont
b b n b
Vc.
? n b w w
p ppp mp ppp
Trigger
Triangle Bass Drum
Sample 2
n
Tri. / & w w
ppp
ppp
J w w
&
3
Pno. p ppp
<#> n w w
{
?
w
bw
w
bw
13
78
mp
M-S. & b gliss.
n b
Dis - si - pate
Fl. &
bw n bw bw
ppp mp ppp ppp
<b> b b n b b b
Vc.
?
ppp mp ppp ppp
B. D. / w w w w w w w w
p ppp ppp p ppp
&
Pno. p ppp ppp p ppp
{
?
:; w
bw
w
bw
w
bw
w
bw
14
86 To Perc.
> > >
M-S. & b b
nw n b
This frail con struct
- -ion of quick nerves and bones
Fl. & n
bw bw n bw
mp ppp ppp mp ppp
<b> n b b
Vc.
? b b n b
mp ppp ppp mp ppp
B. D. / w w w w w w w
ppp p ppp ppp ppp
&
Pno. ppp p ppp ppp
{
?
w
bw
w
bw
w
bw
bw
w
bw
w
15
whispered,
no pitch
93 mp >3 j
M-S. &
Can-not sus-tain the
z
j
Fl. & b w w
mp ppp
ord
Vc.
? <b> n b bw w w w
p ppp mp ppp
Trigger
Sample 3
Wood Block 3
n
B. D. / w w & j
pp mp pp mp
p ppp
w w
& w w
mp p
Pno. p ppp
{
?
bw
w
w
w
w
w
16
99 > > 3 mf
M-S.
2 4
/ &4 4 b
shock of el - e-ments this temp - o - rar - y
jet ord
2 4 bz.
w b
Fl. & w 4!
1
4 J
mf mf 3 3 mf
scratch,
overpressure spiccato
g li # ord
w w >
nw
ss.
? w 2 g li 4 w
J w
Vc. 4 4
ss.
3
mf p mf
Crash Crash
Cymbal Cymbal Bass Drum
let Bass Drum
ring let
W.B. /
2 4
4 mf 4 w w
ring
pppp
ppp mf pp
3 3>
w
& w
2 4 j j w w 3
4 4 # > w #
w > J
#
Pno. mf
>
{
?
w
w
2
4
4
4
w w
17
105 f
2 4
M-S. & 4 4
Blend of blood and dust
ord
nonvib
b b b
gliss.
? J n 2 4 w w
Vc.
3 mf
n gliss4. 4 w w
ff
B. D. / w w w w 2
4 4
4 w w
f
w w w 2 4w w w
& w w w w 4 4 w
mf mf
Pno.
{
? w
bw
w bw w bw w
2
4
b
4
4
ww
ww
18
112 ppp
half-whispered 3
j
b. b.
M-S. & b- - - #
was put to - get-her on - ly to di -
staccato
bw bw b. b. bj
Fl. & J J
p ppp
.
spiccato
Vc.
? nw nw j j j
nw nw n . n . n .
p ppp
w . .
& bw bw
w
b
b j
J J b .
p ppp
Pno.
w w . .
{
?
J J .
J
19
119
M-S. &
b b
- solve
Fl. &
bw
ppp
sul pont
b
Vc.
?
ppp
Trigger
Sample 2 Triangle
n
B. D. / &
ppp
&
Pno.
{
?
20
124
M-S. &
Fl. & n
bw
mp ppp
<b> n b b
Vc.
?
mp ppp
Bass Drum
B. D. / w w w w
ppp p ppp
&
Pno.
ppp p ppp
{
?
w
bw
w
bw
w
bw
21
128
mp
M-S. & b b n b b
b b n
b b
> >
Man will not out-live Man will not out-live
Fl. & bw
n bw bw n bw
ppp mp ppp ppp mp ppp
b b n b b b b n b b
Vc.
?
ppp mp ppp ppp mp ppp
B. D. / w w w w w
ppp ppp p ppp
&
Pno.
ppp p ppp ppp p ppp
{
?
w
bw
w
bw
w
bw
w
bw
w
bw
w
bw
22
137
b b
M-S. &
b b n >
Man will not out - live
Fl. &
bw n bw
ppp p ppp
b b n b b
Vc.
?
ppp p ppp
&
Pno.
?
{
143 2 2
p
M-S. &
b b n > b b
Man will not out - live
2 2
Fl. & bw n bw
ppp p ppp
150 p ppp 4
M-S. & n n b bw
the weath - er