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Sexual assault on U.S. college campuses is a pervasive problem. This diagnoses was first
realized on a national scale in 2013 when the U.S. Congress enacted legislation specifically
directed at the programming designed to reduce sexual violence on U.S. college campuses. It
was called the Campus Sexual Violence Elimination Act (Campus SaVE) (Coker, Fisher, Bush,
Swan, Williams, & Clear, 2014), and it was intended to address the violence women face on
campus: the highest rates of stalking, the highest risk of nonfatal intimate partner violence, and
20-25% of female students experiencing rape or attempted rape (Clery Center, 2013). Since
then, colleges and universities across the U.S. have implemented, at various capacities, sexual
assault prevention and response education programs. However, such programming has done little
to reduce the prevalence of sexual assault and sexual misconduct on campuses, thus precipitating
the recent effort colleges and universities to improve programs and policies intended to prevent
and respond to sexual assault and misconduct. The recent report by the Association of American
Universities (2015), Report on the AAU Campus Climate Survey on Sexual Assault and Sexual
Misconduct, details these efforts.
In spring 2015, twenty-seven institutions of higher education (IHEs)all affiliates of the
AAUadministered surveys to their students. The purpose of the AAUs survey was to better
understand the attitudes and experience of students with respect to sexual assault and sexual
misconduct (p. 1). Specifically, the survey assessed incidence, prevalence, and characteristics of
incidents of sexual assault and overall campus climate in regards to perceptions of risk,
knowledge of resources available to victims, and perceived reactions to an incident of sexual
assault or misconduct.
Results illustrated that rates of sexual assault and misconduct are highest among
undergraduate females (p. 3) and that one of the more important risk factors for nonconsensual
sexual contact is the use of alcohol and drugsamong undergraduate females, about as many
individuals reported penetration by incapacitation (5.4%) as by physical force (5.7%) (p. 7).
However, perhaps the most significant finding of the survey was the wide variations between
IHEs in regard to campus climate and types of sexual assault and misconduct. The AAU reports
that the variation across IHEs puts in stark perspective prior discussions of single-IHE rates as
representing a standard against which to compare results (p. 3). In other words, this variation
discounts the overarching claims of experts like M. Candace Christensen (2015), an Assistant
Professor of Social Work at the University of Texas San Antonio and an expert on sexual assault
prevention and response on college campuses, who asserts that 20-25% of women enrolled at
U.S. institutions of higher education are sexually assaulted every year. Although her statistics
may accurately reflect the condition of a particular institution, it is not representative of
anything outside of [that] frame (Association of American Universities, 2015, p. 3).
Sexual assault on college campuses is an issue being faced by all U.S. colleges and
institutions, but at different degrees of intensity. According to the University of New
Hampshires Annual Security Report (2014), in 2013, 15 forcible sexual offenses occurred in on-
campus properties, 10 of which occurred in residential facilities. It is important to note, of
course, that this statistic reflects only reported cases of sexual assault, and according to the AAU
report, a relatively small percentage (e.g., 28% or less) of even the most serious incidents [of
ACTION PLAN PROJECT !4
sexual assault] are reported to an organization or agency (p. 2). Thus, it is safe to infer that more
sexual assaults did occurred and that,
more likely than not, they occurred in residential facilities.
Residential facilities are densely populated, housing more than 639 residents in the
largest dormitory. Such high density increases the likelihood of a bystander witnessing sexual
assaults/potential sexual assaults, but does not guarantee bystander intervention. Why? In
addition to several other factors such as alcohol, the bystander effect, which occurs when
individuals witness a high-risk or emergency situation but fail to help victims or potential
victims, is commonly identified as a facilitator of sexual assault on college campuses (DeMarie
et al., 2015).
Implementation of a theatre-based sexual assault prevention and response program is the
most advantageous for facilitating increased positive bystander intervention in high-risk
situations. Sadler (2015) reports that when student affairs professionals utilize theatrical
techniques, students have the opportunity to explore what ways are most beneficial to create
change and can engage in dialogue surrounding the topic at hand (p. 90). Christensen (2014)
substantiates this claim, asserting that theatre-based bystander education is a particularly
effective practice for changing student attitudes and bystander behaviors (p.1468).
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This workshop series addresses the issue of sexual assault on on U.S. college campuses. The
workshop series commences with a broad overview of the topic. This introductory session acts
as a foundation from which participants explore sub-topics of sexual assault on campus, such as
consent, law & regulations, alcohol, attitudes & behaviors, the bystander effect, bystander
intervention strategies, and reporting.
Throughout the workshop, theatre exercises are strategically implemented as a means to
empower participants to act out their angst, their feelings of disenfranchisement, and to reclaim
a sense of their lost power (Sandler, 2015, p. 87). In other words, using theatre as a sensory-
based approach to sexual assault education allows participants to apply, assess, and adapt
behaviors and strategies that will help them to thoughtfully combat sexual assault on college
campuses
ACTION PLAN PROJECT !6
Big Ideas/Concepts
Knowledge
Skills
Positionality Statement
According to Bell (2013), individuals hold multiple complex and cross-cutting social
group memberships that confer relative privilege or disadvantage (p. 23). I am a caucasian,
heterosexual male in his mid-twenties. I am the youngest of five children in a nuclear, upper-
middle class family and was raised in an affluent, predominantly-caucasian community.
Although I do not attend church, I identify with many Christian beliefs and ideals. To put it
plainly, I belong to multiple dominant social groups and, thus, occupy a privileged position in
U.S. society.
In the context of sexual assault on U.S. college campuses, I belong to the privileged
group insomuch that as a heterosexual man, it is very unlikely that I will be a victim of sexual
assault. The Association of American Universities (2015) substantiates this notion. According to
their recent report, rates of sexual assault and misconduct are highest among undergraduate
females and those identifying as transgender, genderqueer, non-conforming, questioning, and as
something not listed on the survey (TGQN) (p. 2).
As a man, I am also a member of the social group that, more often than not, perpetrates
sexual assault on college campuses. Christensen (2015) explains that only a small percentage of
men perpetrate sexual violence [on U.S. college campuses], however, 98% of the people who
perpetrate identify as men (p. 196). I am unsettled by my gender-based association with the
predominant perpetrators of sexual assault on college campuses. This unrest has inspired and
facilitated my exploration of the issue and the initiatives/policies currently being implemented by
institutions of higher education to prevent and respond to sexual assault and misconduct.
Men account for approximately 40% of the undergraduate population at the University of
New Hampshire (University of New Hampshire, 2015). However, this demographic is not
represented in the current staffing of educational programs aimed at reducing sexual assault and
sexual misconduct. It is important that this population of students, in addition to the 7,753 female
students enrolled at the University, view men not only as perpetrators or possible offenders, but
as empowered bystanders who can confront abusive peers (Cornell University, n.d.). As a man,
and as the designer of this eight-session workshop series, I have the opportunity to demonstrate
and advocate for this perspective.
The United Nations Office of Drugs and Crime (n.d.).. acknowledges that for young
people, such as college-aged students, it is challenging to learn about issues like sexual assault
because information is often given in a manner that is authoritarian, judgmental, or non-adapted
to the young people's values, viewpoints and lifestyle (p. 4). Peer education is a remedy for that
challenge. As a young man in his mid-twenties and a recent alumnus of the University, I can
serve as a peer educator through the mutual sharing of information and common experience. I
can disseminate new information and knowledge [] become a role model to others [] and
empathize and understand the emotions, thoughts, feelings, language of the participants, and,
therefore, relate better (p. 5).
Johnson (2013) explains that privilege generally allows people to assume a certain level
of acceptance, inclusion, and respect in the world, to operate within a relatively wide comfort
zone (p. 20). As a result, Tatum (2013) asserts, members of dominant social groups know very
little about subordinate groups, and that their knowledge is often limited to stereotypical
ACTION PLAN PROJECT !8
depictions of the other (p. 8). To avoid such privileged behavior, I have conducted
comprehensive research on the topic of sexual assault on U.S. college campuses.
To prevent participants from experiencing feelings of mistrust or cultural discomfort, I
have integrated theatrical exercises, specifically those outlined by Augusto Boal (1979) in
Theatre of the Oppressed, into the eight session workshop. Sandler (2015) explains that the
formation of community is perhaps Theater of the Oppresseds greatest strength because the
whole basis of this form of theater is to empower communities of people to act out their angst,
their feelings of disenfranchisement, and to reclaim a sense of their lost power (p. 87). An
inclusive community, I believe, is a prerequisite of authentic, meaningful dialogue about sexual
assault on college campus. It will allow participants to freely explore the behaviors, assumptions,
and beliefs that implicitly promote sexual assault on campus.
ACTION PLAN PROJECT !9
Learning Objectives
Community-building via participation in basic theatre exercises as defined in Boals Theatre of
the Oppressed
Recognition of the pervasiveness of sexual assault on U.S. college campuses
Understand the continuum of sexual assault
Experimentation with image-theatre as a mechanism to critique the emotional and social
implications of sexual assault on campus
Workshop Materials/Instructions
Instructions: Fithian, L. (2000). Augusto boals theatre for teachers. Retrieved from
http://organizingforpower.org/wp-content/uploads/2009/03/games-theater-of-
oppressed.pdf
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Instructors Note: These exercises serve as an introduction to theatrical practice and the
workshop as a whole. Fithian (2000) provides a comprehensive overview of how to
implement exercises from Boals Theatre of the Oppressed at the beginning of Augusto
boals theatre for teachers. The Name & Gesture game is a low-impact, no-contact
exercise. On the other hand, columbian hypnosis requires participants to shut their eyes
and be in contact with a peer. If participants appear to uncomfortable taking part in the
first exercise, do not move on. Instead, spend half of the fifteen minutes on the exercise
and the other half discussing the purpose of incorporating theatrical practice into the
curriculum.
Video: Security On Campus (2009). Security on campus psa with kristen stewart.
Retrieved from https://vimeo.com/3763292
3. Presentation
Handout: Vermont Center for Crime Victim Services. (n.d.).. Continuum of sexual
violence. Retrieved from http://www.ccvs.state.vt.us/sites/default/files/resources/VVAA
%20Ch%2014%20%20Addendums.pdf
Instructions: Fithian, L. (2000). Augusto boals theatre for teachers. Retrieved from
http://organizingforpower.org/wp-content/uploads/2009/03/games-theater-of-
oppressed.pdf
Instructors Note: In this exercise, participants will freeze in positions that are
representational of various forms of sexual assault. This activity will be completed
independently. Initially, urge participants to shut their eyes as they perform the various
poses. When they appear comfortable, ask them to open their eyes so they can see how
one another represent sexual assault.
Questions to spark conversation: What statistic shocked you the most? What did not
surprise you? What do you know now that you did not know prior to the session. On a
scale of 1-10, how much are you enjoying the incorporation of theatre into the
curriculum?
Handout: Colgate University. (n.d.)... Myths and facts about sexual violence. Retrieved
from https://www.colgate.edu/docs/default-source/default-document-library/myths-and-
facts-about-sexual-violence-1-10-13.pdf?sfvrsn=2
Handout: University of Virginia. (2008). Myths about sexual assault. Retrieved from
http://www.virginia.edu/sexualviolence/sexualassault/myths.html
Instructors Note: Conclude the session with questions. Handouts will provide
participants with some food for thought about sexual assault myths.
ACTION PLAN PROJECT !12
Learning Objectives
Continue to build a strong, inclusive community through participation in theatre-based
exercises as defined in Boals Theatre of the Oppressed
Develop a thorough understanding of sexual consent
Explore and critique real-world examples of consent through the creation of theatrical tableaus
Workshop Materials/Instructions
Instructions: Fithian, L. (2000). Augusto boals theatre for teachers. Retrieved from
http://organizingforpower.org/wp-content/uploads/2009/03/games-theater-of-
oppressed.pdf
Instructors Note: This is a fun theatrical exercise that requires a lot of movement
around the room. The purpose of exercise is to warm-up the participants and continue
to get participants comfortable with exercised from Boals Theatre of the Oppressed.
ACTION PLAN PROJECT !13
2. Defining Consent
Video: Kingkade, T. (2014). College are re-writing what consent means to address
sexual assault. The Huffington Post. http://www.huffingtonpost.com/2014/09/08/college-
consent-sexual-assault_n_5748218.html
!
1A.
ACTION PLAN PROJECT !14
Instructors Note: Begin this portion of the session with the video. After the video, ask
participants to write what they learned on the board. Use the website to address any
gaps in the learning. Then, disperse handout.
Instructors Note: This is a creative, corky explanation of consent. It will definitely get
the participants laughing, which is good because consent can be a difficult,
uncomfortable subject to discuss.
4. Theatrical Tableaus
Instructors Note: Next, explain to the participants that the session will transition back
into theatrical practice as a means to delve deeper into the subject of consent. Then, play
the video on tableaus. Use tips from additional instructions to clear up any confusion.
!
1B.
Instructors Note: Groups of 2-3 participants will collectively decide if they will portray
a consensual or non-consensual sexual encounter. Groups will not share their decision!
They will invent an encounter and practice it independently. Then, groups will present to
the rest of the group. Audience members will use the handout to evaluate whether the
encounter is consensual or non-consensual.
6. Post-workshop questions
Learning Objectives
Continue to build a strong, inclusive community through participation in theatre-based
exercises as defined in Boals Theatre of the Oppressed
Familiarize participants with government-mandated regulations and institutional litigation
Facilitate critique of how sexual assault is addressed/not addressed on campus and at the
national level.
Workshop Materials/Instructions
Instructions: Fithian, L. (2000). Augusto boals theatre for teachers. Retrieved from
http://organizingforpower.org/wp-content/uploads/2009/03/games-theater-of-
oppressed.pdf
Video (stop at 7:04): Ganim, S., Black, N. (2015). An imperfect process: How campuses
deal with sexual assault. CNN Films. Retrieved from http://www.cnn.com/2015/11/22/us/
campus-sexual-assault-tribunals/
4. SaVE Act
Handout: Clery Center. (n.d.).. The campus sexual violence eliminations act. http://
clerycenter.org/campus-sexual-violence-elimination-save-act
5. Theatre Exercise
Instructions: Fithian, L. (2000). Augusto boals theatre for teachers. Retrieved from
http://organizingforpower.org/wp-content/uploads/2009/03/games-theater-of-
oppressed.pdf
Questions to spark conversation: What laws/acts surprised you? Are the impacts of
such laws/acts evident on campus? How can campus administrators better inform the
student body of such policies? Should the correlation between federal funding and
institutional compliance with title ix be publicized?
Handout: University of Virginia. (n.d.)... What students need to know. Retrieved from
http://www.virginia.edu/sexualviolence/get_help_now.pdf
ACTION PLAN PROJECT !19
Learning Objectives
Continue to build a strong, inclusive community through participation in theatre-based
exercises as defined in Boals Theatre of the Oppressed
Recognize strong correlation between alcohol consumption and sexual assault
Identify alcohol consumption as a pervasive problem at the meso and macro level
Workshop Materials/Instructions
Article: Abbey, A. (2002). Alcohol -related sexual assault: a common problem among
college students. Retrieved from http://www.collegedrinkingprevention.gov/media/
journal/118-abbey.pdf
2. Theatrical warm-up
ACTION PLAN PROJECT !20
Instructions: Fithian, L. (2000). Augusto boals theatre for teachers. Retrieved from
http://organizingforpower.org/wp-content/uploads/2009/03/games-theater-of-
oppressed.pdf
Video: University of Alberta. (2015). U of a assault center: Lets talk: Alcohol and
sexual assault. Retrieved from https://www.youtube.com/watch?v=YjEl4ALEqZw (4
min.)
Graphic: Gordon, C. (2015). Study: college athletes are more likely to gang rape.
Aljazeera America. Retrieved from http://america.aljazeera.com/watch/shows/america-
tonight/articles/2015/2/26/united-educators-sexual-assault-study.html
Video: Zhang, B. (2012). Campus safari: Alcohol safety. Retrieved from https://
vimeo.com/36423445
7. Theatrical cool-down
Instructions: Fithian, L. (2000). Augusto boals theatre for teachers. Retrieved from
http://organizingforpower.org/wp-content/uploads/2009/03/games-theater-of-
oppressed.pdf
Learning Objectives
Continue to build a strong, inclusive community through participation in theatre-based
exercises as defined in Boals Theatre of the Oppressed
Reflect-on and identify ones own attitudes and behaviors about sexual assault on campus
Recognize ways in which sexual assault myths are represented in the current campus climate
Invent opportunities to educated the student body on the realities of sexual assault
Explore social implications of sexual assault on campus
Workshop Materials/Instructions
1. Theatrical warm-up
Instructions: Fithian, L. (2000). Augusto boals theatre for teachers. Retrieved from
http://organizingforpower.org/wp-content/uploads/2009/03/games-theater-of-
oppressed.pdf
2. Survey
ACTION PLAN PROJECT !22
Survey: National Criminal Justice Reference Service. (n.d.)... Colorado college attitudes
and behaviors survey. Retrieved from http://ovc.ncjrs.gov/sartkit/tools/teamplanning/
College%20Attitude%20and%20Behavior%20Survey.doc
3. Post-survey discussion
Questions to spark conversation: What surprised you the most? Did our results MITs
results? If so, what does this tell you about attitudes and behaviors about sexual assault
on a macro-level?
Questions to spark dialogue: This article addresses common myths related to sexual
assault. Are these myths reflected/supported on-campus. If so, how? How can these
myths be undercut? How can we spread awareness about these myths and the truth
behind them?
Handout: University of Virginia. (n.d.)... Myths about sexual assault. Retrieved from
http://www.virginia.edu/sexualviolence/sexualassault/myths.html
5. Image-theatre exercise
Instructions: Fithian, L. (2000). Augusto boals theatre for teachers. Retrieved from
http://organizingforpower.org/wp-content/uploads/2009/03/games-theater-of-
oppressed.pdf
Handout: Everfi. (2015). Insight report: Sexual victimization and social norms on the
college campus. Retrieved from http://info.everfi.com/rs/everfi/images/
EverFiInsightReportWinter2015.pdf
ACTION PLAN PROJECT !23
Learning Objectives
Workshop Materials/Instructions
1. Theatrical warm-up
Instructions: Fithian, L. (2000). Augusto boals theatre for teachers. Retrieved from
http://organizingforpower.org/wp-content/uploads/2009/03/games-theater-of-
oppressed.pdf
2. Pre-workshop questions
Video (46:20-48:50): Everfi. (2016). Taking stock of the sexual assault landscape in
community colleges and beyond. Retrieved from https://vimeo.com/156699139
Instructions: Fithian, L. (2000). Augusto boals theatre for teachers. Retrieved from
http://organizingforpower.org/wp-content/uploads/2009/03/games-theater-of-
oppressed.pdf
7. Post-workshop questions
Questions to spark conversation: What was it like to be a passive bystander? What was
it like to be an active bystander? What was the hardest part about being an active
bystander? What strategies did you invent to help the potential victim? What was
successful? What was unsuccessful?
ACTION PLAN PROJECT !25
Learning Objectives
Continue to build a strong, inclusive community through participation in theatre-based
exercises as defined in Boals Theatre of the Oppressed
Learn strategies to intervene in instances/potential instances of sexual assault
Critique uses of active bystander intervention strategies
Practice active bystander intervention strategies (after formal bystander intervention education)
Workshop Materials/Instructions
1. Theatrical warm-up
Instructions: Fithian, L. (2000). Augusto boals theatre for teachers. Retrieved from
http://organizingforpower.org/wp-content/uploads/2009/03/games-theater-of-
oppressed.pdf
Powerpoint: Campus Clarity. (n.d.).. Talk about it: Bystander intervention. Retrieved
from https://www.google.com/url?
sa=t&rct=j&q=&esrc=s&source=web&cd=3&cad=rja&uact=8&ved=0ahUKEwjIyO2Yj
OTLAhUHkx4KHUEiBk4QFgg2MAI&url=https%3A%2F
%2Fhome.campusclarity.com%2Fwp-content%2Fuploads
%2F2014%2F04%2FBystander-Intervention-PPT-
TAI.pptx&usg=AFQjCNEUltSfB3CL_U93uYZg9w8TjRq4Ow
Handout: Step Up!. (n.d.). The 5 decision making steps. Retrieved from http://
stepupprogram.org/docs/handouts/STEPUP_5_Decision_Making_Steps.pdf
Video (4:30 min. onward): Who Are You. (2011). Who are You. Retrieved from http://
www.whoareyou.co.nz/
Instructions: Fithian, L. (2000). Augusto boals theatre for teachers. Retrieved from
http://organizingforpower.org/wp-content/uploads/2009/03/games-theater-of-
oppressed.pdf
8. Post-workshop questions
Questions to spark conversation: What was it like to be a passive bystander? What was
it like to be an active bystander? What was the hardest part about being an active
bystander? What strategies/styles did you find most helpful? Least helpful?
ACTION PLAN PROJECT !28
Learning Objectives
Understand sexual assault reporting options and rights
Recognize barriers to reporting incidents of sexual assault
Learn about on-campus resources for survivors and bystanders
Rehearse reporting scenarios
Workshop Materials/Instructions
1. Theatrical warm-up
Instructions: Fithian, L. (2000). Augusto boals theatre for teachers. Retrieved from
http://organizingforpower.org/wp-content/uploads/2009/03/games-theater-of-
oppressed.pdf
Website: American Association of University Women. (n.d.). Know your rights: Sexual
harassment and sexual assault under title ix. Retrieved from http://www.aauw.org/what-
we-do/legal-resources/know-your-rights-on-campus/campus-sexual-assault/
3. Reporting on-campus
Website: Sexual Harassment & Rape Prevention Program. (n.d.) Sexual assault.
University of New Hampshire. Retrieved from http://www.unh.edu/sharpp/sexual-assault
Video: Gray, E. (2014). Why victims of rape in college dont report to the police. Time.
Retrieved from http://time.com/2905637/campus-rape-assault-prosecution/
Video: Ladd, J. (2016). The reporting system that sexual assault survivors want.
Technology, Education, Design (TED). Retrieved from http://www.ted.com/talks/
jessica_ladd_the_reporting_system_that_sexual_assault_survivors_want
Website: Sexual Harassment & Rape Prevention Program. (n.d.) Sharpp services.
University of New Hampshire. Retrieved from http://www.unh.edu/sharpp/sharpp-
services
7. Image-Theatre exercise
Instructions: Fithian, L. (2000). Augusto boals theatre for teachers. Retrieved from
http://organizingforpower.org/wp-content/uploads/2009/03/games-theater-of-
oppressed.pdf
8. Post-workshop questions
Questions to spark conversation: For students living in residence halls, what are the
ways in which they can anonymously report incidents of sexual assault? For students
living off-campus, what are the ways in which they can anonymously report incidents of
sexual assault? If a student reports an incident of sexual assault to the institution, must
they also report it to the police? What was the most effective strategy for convincing
survivors of sexual assault to report?
ACTION PLAN PROJECT !30
References
Bell, L.A. (2013). Theoretical foundations. In M. Adams & W.J. Blumenfeld (Eds.), Readings for
diversity and social justice (pp. 21-26). New York, NY: Routledge.
Cares, A., Banyard, V., Moynihan, M., Williams, L., Potter, S., and Stapleton, J. (2015).
Changing attitudes about being a bystander to violence: Translating an in-person sexual
violence prevention program to a new campus. Violence Against Women. 21(2), 165-187.
doi: 10.1177/1077801214564681
Christensen, M.C. (2015). Activating college men to prevent sexual violence: A qualitative
investigation. NASPA Journal About Women in Higher Education, 8(2), 195-209.
doi: 10.1080/19407882.2015.1084330
Christensen, M. C. (2014). Engaging theatre for social change to address sexual violence on a
college campus: A qualitative investigation. British Journal of Social Work, 44 (1).
Retrieved from http://bjsw.oxfordjournals.org/content/early/2013/02/13/bjsw.bct006
Coker, A., Fisher, B., Bush, H., Swan, S., Williams, C., Clear, E., & DeGue, S. (2014).
Evaluation of the green dot bystander intervention to reduce interpersonal violence
among college students across three campuses. Violence Against Women, 17(6), 1-21.
doi:10.1177/1077801214545284
Cornell University. (n.d.)... Men Ending Sexual Violence. Retrieved from http://
share.cornell.edu/education-engagement/men-ending-sexual-violence/
Clery Center. (n.d.).. The campus sexual violence eliminations act. http://clerycenter.org/campus-
sexual-violence-elimination-save-act
DeMaria, A.L., Sundstrom, B., Grzejdziak, M., Booth, K., Adams, H., Gabel, C., & Cabot, J.
(2015). Its not my place: Formative evaluation research to design a bystander
intervention campaign. Journal of Interpersonal Violence, 1-23.
doi: 10.1177/0886260515608804
Fleming, M., Wiersma-Mosley, J. (2015). The role of alcohol consumption patterns and pro-
social bystander intervention in contexts of gender violence. Violence Against Women,
21(10), 1259-1283. doi: 10.1177/1077801215592721
Johnson, A.G. (2013). The social construction of difference. In M. Adams & W.J. Blumenfeld
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(Eds.), Readings for diversity and social justice (pp. 15-21). New York, NY: Routledge.
Sadler, K. (2015). Art as activism and education: Creating venues for student involvement and
social justice education utilizing augusto boal's theater of the oppressed. The Vermont
Connection, 31(10). Retrieved from http://scholarworks.uvm.edu/tvc/vol31/iss1/10/?
utm_source=scholarworks.uvm.edu%2Ftvc
%2Fvol31%2Fiss1%2F10&utm_medium=PDF&utm_campaign=PDFCoverPages
Tatum, B.D. (2013). The complexity of identity. In M. Adams & W.J. Blumenfeld (Eds.),
Readings for diversity and social justice (pp. 6-9). New York, NY: Routledge.
United Nations Office of Drugs and Crime. (n.d.)... Peer Education. Retrieved from https://
www.unodc.org/pdf/youthnet/action/message/escap_peers_01.pdf