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In an environment that has brutal standards for masculinity, boys may find
that establishing their place may be a difficult experience. This is evident in the
neighborhood. Pressure and aggression that boys feel from the influence of their
community dictates many of the social interactions between the boys in the movie.
of power, which are intended to preserve status and masculinity. These actions are
and Michael Addis and are applicable to the aggressive behavior of the boys in the
movie Moonlight. The interactions they have are usually dictated by the policing
concepts, like bullying and pressure to change ones behavior, but the movie
The need for boys to defend and build their status results in behaviors like
assertiveness, bullying, and aggression. Reigeluth and Addis explain the motives
behind aggressive social interactions between boys, like those in Chirons high
executed, function to help the policer build or preserve status in the group (79).
Throughout the chapter in Moonlight entitled Chiron, Terrell, the tyrannical bully
feel pressured into submitting to his policing behaviors. This enables him to
This is clear in the lunch scene between Kevin, Chirons only friend, and
Terrell. Terrell is very assertive in his comments and physical actions towards Kevin
in this scene. Terrell shoves Kevins lunch tray at him and steals his juice box by the
end of the scene to assert his higher status. Kevin feels his masculinity is being
challenged when Terrell wants his to play the game, Knock down, stay down. The
pressure that Kevin feels about defending his manhood in his society, explains his
to agree. Kevin knows that if he doesnt engage in the policing behavior that Terrell
wants from him, fighting and enforcing social order, then he will be perceived as
weak and faces the risk of losing his social standing. He fears appearing less
masculine than accepted in his community and he wants to prove his masculinity to
himself. Kevin must police the behavior of someone the boy pack determines to be
not masculine enough through aggression in the form of fighting. Unfortunately, this
Kevin beating up Chiron in a fight scene. Terrell draws together a circle of boys to
fuel the fight. Kevin and Chiron face off as jeers from the other boys add to the
tension building up to Kevin throwing his first punch. This scene demonstrates both
Kevin and Chiron displaying some form of defending their masculinity in response
to the policing nature of their community. Reigeluth and Addis explore the pressure
of upholding ones masculinity, which may influence the behavior of the boys in
Moonlight:
Kevin follows through with his agreement with Terrell to fight in the game, Knock
down, stay down. Terrell uses his dominance to gather a group of boys to
constantly coerce Kevin and victimize Chiron. Pressure from policing causes Kevin
is grappling internally with the fact that Chiron is his best friend and more, yet his
masculinity could be in question with the other boys if he doesnt follow through.
When Kevin states, Stay down Chiron! he is practically begging him to stay down,
because as long as Chiron stands up, Kevin must fight in order to meet the
each time he is punched. He remains silent while enduring the torment of the boys
surrounding him and the fists of his best friend. He even raises his chin a little bit
higher and leaves the smears of blood across his face to exemplify that even though
he is the victim, he wont let them strip away every ounce of his pride. Although
Chirons actions werent enough to prove himself to the other boys, he displays
Thompsons book, Raising Cain: Protecting the Emotional Life of Boys, that, all boys
live with fear in this culture of cruelty (75). All the boys in Moonlight strive to be
masculine to fit the societal norms of their community. It is the only way they can
survive or they will suffer unrelenting bullying and verbal and physical abuse from
others if they dont fit the mold. Chiron comes to this realization after years of
suffering when the fight scene is over. After staring his battered reflection down in a
mirror, Chiron storms through the school with one goal in mind, take down Terrell.
He realizes that the only way for him to be accepted is if he takes extreme action.
Striking Terrell over the head with a chair signifies Chirons violent change in his
character, that shapes him into the muscled, hard, and tough drug dealer in the next
chapter of the movie, Black. What he learned from his interactions between the
other boys in high school, taught him that this policing of masculinity is unavoidable,
so the only way to survive is to conform externally to fit the mold of aggressive,
The movie explores another dimension of interactions with men and boys,
like mentorship that takes the form of a father son like relationship, that Reigeluth
and Addis do not distinguish with policing of masculinity. The role of a father figure
lacks support from this article, while Moonlight demonstrates this very well with
Juan and Littles relationship. This is especially evident in the scene where Juan
teaches Little how to swim. When Juan corrects Littles strokes with the phrase,
more athletic, Reigeluth and Addis may view this as a comment that policies
masculinity. This can be concluded from their statement that policing of masculinity
can, [t]est, challenge, or urge another boy to improve his performance and toughen
since it implies, that Little isnt meeting the strong and athletic standards of an ideal
man in his swimming performance. If this statement was relayed in a more belittling
sense, then it may be a better fit with Reigeluth and Addiss definition of policing
masculinity. But it wasnt, since the context of the scene is one of building trust. Juan
wants to be a father figure towards Little. His comment may have similar effects as
policing of masculinity, but it doesnt hold the same social pressures that policing of
masculinity does. Fathers and mentors can interact with boys by correcting them,
but it doesnt come with the stress of failing to fit in socially because they are
Furthermore, Moonlight explores how the presence of trust and care are also
crucial factors in establishing relationships that impact future choices in life, which
policing of masculinity doesnt fully explain. Throughout most of the movie Chiron is
standards of masculinity that result from these influences. Reigeluth and Addis only
factor in policing influences, like those in the movie, in their article. Their view
appears to fit well during Chirons coming of age and transformation into a drug
dealer in the final chapter of the movie, Black. Although these are influential
factors in Chirons development, this explanation lacks the impact of Juans father
like relationship with Chiron. Juan is successful in filling the role of a father that
Chiron desperately needs in the first chapter, Little. Chiron idolizes Juan because
he finds love and trust in his relationship with Juan, where as almost every other
interaction Chiron has is tinged with violence and judgment that is aligned with
policing behaviors. Since Juan is Chirons role model, that also influences him to
become a drug dealer like Juan. Not only does he have the same job as Juan in the
final chapter of the movie, but he also mimics him by placing the same crown on his
dash as Juan and having conversations and using mannerisms with other drug
Juans job allows him to survive in their cruel society, yet he is still able to maintain
more than just policing of masculinity. Policing is just an aspect of societal influence
through relationships. This growth can be influenced by the positive and the
negative relationships that care for or police ones masculinity. So even in a culture
with brutal and dominant standards for masculinity, love and trust still impact
masculinity.
Works Cited
Kindlon, Dan and Michael Thompson. Raising Cain: Protecting the Emotional Life of