Fivst, with a brush pen tool, ido the sketch, darkening the ports | want to take to Finish, ‘Once the Flaté Ore dene, | Moke O new layer above each plat later and de the hair details with o bolder version af the main hair chunk color, Once the sketch is done, reduce For the flats, I ffick to a fmall the opacityand make separate — palette of colors, using colors layers under the fketen layer to Fill in the plat colors, ene layer per coloy. closer to yellow and violet vather than colors prom one area of the slider. Then thide the sketch layer. Apter the tines Glare take the longest time), | thade the tkin using the lip coler at a tighter apacity, then use the select tool ta select the main hair calor, then vie the gradient fill to add @ gradient to each piace of the hair. Again, | use brights closer ro yellow, and darks closer ro violer.Once the gradients are all done, | make a Final layer on top of all the other layers, rignt under the invisible sketch layer. On this layer, | do all the tiny details - the hair shine, darker lines, clothing details, etc. For the highlights, | use o lot of butter yellows at varying opacities, and | like to carry the color through the whole piece to create continuity. This creates o polished look. | try to make sure all my colors are repeated in at least one instance throughout the piece. | use the same brush at varying sizes For the whole piece, usually, ; e pa ro) Kop Once I've tightened up all the lines and added highlights or any details | want, the piece is done!!!