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Film Notes
Opening montage—speeded up, crazed, nail in hand, bloody dog, terror, anxious feel
Then stillness, old people—death? Sleeping? Corpses waking up, don’t want to get
up?
Boy draws? Woman’s face.
Doctor explaining Elizabeth’s condition to Alma is out of sight for the longest time,
seems almost like a voice over. Doctor often speaks from off-screen, like the voice of
God
Elizabeth won’t talk, only laugh
Alma cant sleep, talks to camera about her future
Elizabeth out of bed, horrified by a monk on the TV who is burning himself alive, she
retreats to corner of the room
Alma reads a letter to Elizabeth from her husband, she crumples it up, tears up the
picture of her son.
Elizabeth and Sister Alma move to the doctor’s countryside house
Alma had long affair in past, tells Elizabeth like a patient telling a therapist, Elizabeth
listens and gives Alma a back rub—Elizabeth is becoming like the nurse and Alma
the patient.
Alma continues to talk about her one true love
Alma slept with a young man, boy, w boys, her and a friend. But she was already
engaged, went home and had the best sex with fiancé. Alma got pregnant, aborted.
She and fiancé didn’t want a child then.
Alma asks if its possible to be two people at the same time.
Elisabeth comes to stand over Alma like a ghost while she’s sleeping, Elisabeth in
white dress with curtains fluttering, walking off into bright light—not ghost, angel.
Intimate embrace
Elisabeth wrote a letter to the Doctor, told her, shat Alma said about the affair and
abortion
Breaking p of film, back to opening sequence cuts while Alma is looking at silent
Elisabeth
Alma asks Elisabeth to talk, say anything, one word. When Elisabeth doesn’t say
anything, Alma says that Elisabeth used her, hurt her.
Alma confronts Elisabeth about the letter, they get into a fight, Elisabeth hits Alma,
Alma threatens her with a pot of boiling water, and Elisabeth cries “no, don’t!”
Alma thinks Elisabeth isn’t sick, but rotten. Some nurse
Alma apologizes
Elisabet flashes back to the pictures of jewish children and Nazis
Alma goes to Elisabeth’s bed and watches/talks to her while she speaks
Elisabet’s husband arrives and mistakes Alma for her,
Elisabet didn’t want baby, but failed to abort, hated son
Elisabet kept the picture of her son she tore up
Conversation in which Alma describes Elisabet’s hatred for son takes place twice,
once from Alma’s POV, then Elisabet’s (but not really, b/c over shoulders)
Alma—is she Alma or Elisabet? She become’s Elisabet’s voice, not clear who,
confused, confusing
Back in hospital w/Alma in uniform
Alma spiteful again
Alma is Elisabe’s voice to audience
Elisabet scratches blood from arm while stressed talking to Alma==self injury
Alma starts hitting Elisabet—over nd over==abusive
Back to Elisabet in bed in roo, unmobing, Alma props her up, hugs her
Elisabet repeats “nothing” after Alma
Alma wakes up in beach house, Elisabet packing
Alma packs up house wearing nurse’s uniform
Looks in mirror, pushes back hair, super imposed with Elisabet pushing back Alma’s
hair
Boy again, with hand over picture of woman
Film comes off reel. Light goes out. End
In Class Notes:
Title:
o Persona—Conflict between how we present ourselves and how we see
ourselves
Self
Mask
Social Role
Elizabeth:
o First presented as actress—social role
o Also role of mother, woman, wife, professional
o Why does Elisabeth choose to be silent?
Alma—name means “soul”:
o First presented with age, name, profession, relationship
Alma talking to Elisabet about first affair—merging shot w/Alma’s head and
Elisabet’s arm
o She lost her virginity, but the man just cast her aside
Elisabet rubbing Alma’s shoulders while Alma confides in her—switch of roles,
Elisabet is more the caregiver. Alma tells Elisabet about the orgy—like
psychiatrist’s office, light on Elisabet—enlightened
o Is the orgy abuse of children?
o 2 women making love with each other using the boys, in some sense.
Elisabet sympathetic when listening to the orgy story. Examining, will write
letter.
Being pregnant was a burden on Elisabet, was unable to abort
Bergman thinks film is closest to music
What is art? Is theater a revealing or a hiding of the truth?
Eyes opening in morgue—death in life
Boy in morgue could be Bergman himself