Brasil: Q 120 Flute

Tenor Saxophone
BRASIL
 
q = 120   
Flute                
 
 1–8 9–16
21
       
                   
Tenor
  
22–24
                                    
31
     
 
    
                     
39
    
   
45
                 
       
51
             
             
52–58 59–66
71
          
             
75–77 80–81
82
       
         
        
87–88
       
   
 
91

           
  
95–96
  
     
    
98
 
             

103–104
Copyright © 2012 Agildo Barbosa
2 Tenor Saxophone
                        
105
      
         


113
   
                
116–121 123–128
  
     
        
130
    
   
131–133 136–137


141
         
 
          
    
  
           
               

  
150
 
151–152
 
160  
                          

    

167–168

                 
    
169
 
  

                        
178
    
 
          
                     
186
  
    

    
   
194
                     
3

          
           
   

203
         
     
Tenor Saxophone 3
    
213         
   
                   
   
 
214–216
      

    
            
         
223–224
                 

                  

231–232
   
    
241
                      
    
          
     
246
     
  
Trombone
BRASIL
q = 120         
      
 1–8 9–16 17–24
    
  
              
 
28
           
 
       
         
  
35
             
42
       
        
               
47
      
  
         
52–58
              
            
59–66
       
   
         
73
      
75–77 80–81
               

 
84
           
87–88
         
 
 
93
   
       

95–96
99        
               
103–104
         
2 Trombone
105
            
               
      
   
          
112
 
116–121 123–128
         
               
129
 
     
131–133 136–137

139    
          
   
     
     
        
 
 
149
             
151–152
 
159                 
                

        
    
 
    
     
  
167–168
          
      
177
   
         

       
185
 
        
              
       
             
 
192
                 

        

200
  3
   
     
        
      
       
Trombone 3
210
     
             
214–216
221                   


               
223–224
            
  
    
228
          

231–232
236                       
      
    
244
           
    
     
        
       
Trumpet in Bb
BRASIL
 
q = 120   
mute              
 
 
 1–8 9–16
21
       
                   
senza sord.
  
22–24
                                    
31
     
 
    
                     
39
    
   
45
                 
       
51
             
             
52–58 59–66
71
         
    
       
75–77 80–81
82
       
         
        
87–88
       
   
 
91

           
  
95–96
  
     
    
98
 
             

103–104
2 Trumpet in Bb
                        
105
      
         


113   
      
         
116–121 123–128
  
     
        
130
    
   
131–133 136–137


141
         
 
          
    
  
           
               

  
150
 
151–152
 
160  
                          

    

167–168

                 
    
169
 
  

                        
178
    
 
          
                     
186
  
    

    
   
194
                     
3

          
           
   

203
         
     
Trumpet in Bb 3
    
213  
          
                   
   
 
214–216
      

    
            
         
223–224
                 

                  

231–232
   
    
241
                      
    
          
     
246
     
  

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