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PERSPECTIVES Seduction, Speeches and Lullaby Gender and Cultural Identity in a Tamil Film © Stakehe ‘Afr is formation as separate partyin 1999 the DMR in Tamil Nad used the cinema effectively to project its identity, political claims and elaboration of Tamil culture. The flm Paasakth i a landmark inthis context and itis used to examine ihe consiruction of cultural identity in he film and iss references to gender inthe process ofthis ‘consruction, HAVE chosen to write out + fe eles n 1952 fr sever eon. Ie liveyerseterindependence aaitstce Sra aes DMK ws formed ava separate pty sessing Savin tent. with politcal ambiione io eater electoral police The fim nat dubbed 38 od. ommriy antreaabimen and tere Sree move to arte im. That he iy ‘seep meow soe eaertedical ‘rements on religion a tempt (0 reject 4 more favourable ad acopable age forte in purlamesary plies hae bees poled ot 5) recent {excre [andan 9311 The purse ot this stent to debunk ada coe ‘made by api pry. or nae ‘ocompromseareqiitecbvash Wha ue tre treed te consuctn ot faltural dent andtbeus ton a spase nctanguage he mand asrcernces togenderinte processor seinsicion ‘nt te sheets thn have gone whe "The DMK Party (Dravius Munetrs Kashage ha een pt of vem (hat gan nthe tno stese riias SGeouywth Tal tngesge erature 4 aie ae core tei

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