All the things you are Hammerstein/Kern

Swing feel q = 126 arranged by Olivier Holland@2011

Intro
repeat until cue
Double bass (guit to improvise ad lib.):
œnœœ œ nœn œ œ œ œœ b œnœœ œ nœn œ œ œ œœ
? bb b ™™44 œ ™ œ Ó œ™œœ#œ ≈ œ ‰ bœ ™ œ Ó œ™œœ#œ ≈ œ ‰ ™™
b &

s on cue: A
5 Guitar: F‹7 B¨‹7 E¨7 A¨Œ„Š7
b ˙™
& b bb ™™bw œ œ œ œ œ œ ˙ œ

- - -improvisation in quadruple time feel - -

9 D¨Œ„Š7 D‹7 G7 CŒ„Š7
b
& b bb œ œ œ œ œ n˙ œ nw ˙ Ó

13 C‹7 F‹7 B¨7 E¨Œ„Š7

b
& b bb bw ˙™ œ nœ œ œ œ nœ ˙ œ

- - -improvisation in quadruple time feel - -

17 A¨Œ„Š7 A‹7 D7 GŒ„Š7
3
bbbb
& œ nœ
œ œ œ œ œ nœ œ œ œ nw œ nœ
21 A‹7 D7 GŒ„Š7
b
& b bb n˙ ˙ œ
bœ nœ
œ nw œ
nœ œ nœ

B - - improvisation in quadruple time feel - -

25 F©‹7 B7 EŒ„Š7 C&7
b
& b bb n˙ n˙ œ nœ #w ∑
bœ nœ
29 F‹7 B¨‹7 E¨7 A¨Œ„Š7
b
& b bb w ˙™ œ œ œ œ œ œ ˙ œ
 - -quadruple time feel - -
3
33 D¨Œ„Š7 G¨7(#11) C‹7(b5) F7
3
b ˙™
& b bb w
œ
œ œ œ œ œ ˙™ œ

solos on form (AB), after solos D.S. al Coda

r
37 B¨‹7 E¨7 A¨Œ„Š7 G‹7(b5) C7(b9)
b ˙ ˙ w w
& b bb œ œ œ œ ™™

r
41 E¨7 - - - - - - - unison - - - - - - - - - - - - - - - - - - - - - - - - - - -

bbbb ˙ bœ nœ œ bœ bœ œ bœ œ Ó
& œ
>
>œ
A good chart should contain all information necessary for a band of good sight readers
to play your arrangement the way you intended it to sound.
1. Specify your intro if you have one
2. Title, composer, arranger
3. Tempo Marking
4. Rehearsal marks to distinguish sections
5. Melody scored
6. Chord symbols
7. Anything your want to hear exactly, like for example a bass line, riff or chord voicing, must be scor
8. Specify the solo section and ending like: "Solos over form ABC, after solos D.S. al Coda
9. D.S. means go from Segno (the Sign that looks somewhat like $)
10. D.C. means go from the very top of the chart (first thing notated)
11. See use of Coda above
12. Something can be repeated until ready. In this case type: "Repeat til cue", then at the
ginning of the next section type: "on cue"