92 93 94 INT. TUNNEL UNDER HALL. GUARDS with dogs chase an excaping queer through the labyrinth under the ball, ube dogs teeth rip into the unfortunate gay. INT. TRE HOTEL ROOM, NIGHT The dummy sits in terror as the door shakes to repeated hammer blows from outside. INT. PADDED CELL. NIGHT The bald lunatic still aunches a¥ay.96 26 EXT. SURSURBAN STRCE Ye see the BLACKSHIRT pulling down the tai truck. They set up a street rally. Flags Platforms. Banners. PINK shouts through & iting to cut out the dead cleed up the city folios the worms pay Ye slowly track down the surburban etrect. As we pass each window we see the inhabitants pull their curtains closed, shutting out the evil below INT, _waccors. pay We sce time lapse photography as mage: fleshy head of PINK, exposing the skull | i and cheekbones ExT. asus ox We see the advance of the Wanners of repression. Ther appear menacingly over a hilltop. The sky darkens, a cloud approaches the city. The inhabitants desert the streets, and closing their shutters retreat inte thencelves.' Unopposea, the hanners take over the city, and march triumphantly tovards a stadium in the city centre. stop. Transat go hone, Take off this ualtors And leave the show. And I'p waiting 1m this cell Because I have to know, Have I bea guiley all this tine?Ixr Interevt : €.U. bald PINK. C.U Cru, PINK. Silence. Fade in natural FX, We cvt wider. Pi cowering in n corner cf the arena bathroom, dressed in Teshirt and Jeane. A line of white chipped enan urinals to one cide. A MAN cones Sn left of frame. Urinates. Thross a glance at PINK. Natural F.¥ MAN leaves the franes We slosly rove 3n on PINE'S K ie Have I been guilty all thi Yo are now tight the anination of Xe nix through to THE TRIAL Good morning ¥orm your honour The crown will plainly show The prisoser who now Stands before you Was caught red handed showing feelings Showing feelings of an almost human nature. Shame on him, This will not do. Call the Schoolmaster. T always said he'd cone to no good In the end your honour If they'd let me have my way T could Have flayed hin into shape But my hands were tied. The bleeding hearts and artists Let him get away with Let me hanmer him today. Crazy, toys in the attic, I am crazy They must have taken my sarbles asay.too KH Ag the door cresks open, light falls across the aninated figure of tne puppets eiuepea sn bss enasr A double doer opces, which piven On te en ezorsase ctediun Tneide the ‘steciun, strange guste business figuree Jebbe Atlone another, —A'stage, made of writhing worms. produce Steelf, an actor-cunsisuyer precne himself in front of fdrescing room mirror. Tuit is the prosecutor, invest pick the locks of his oun guilty feelings. A darge vor re Upon 425 facelecs hess 42 wears Gudgee wig. 1t eraye wenscingiy inthe air, like » abr feady vo sirske. 101 THE pRosecuron‘s annaree ‘he prosecuting counsel dersvers nis ingictnent 15 fancer ef a rurie hall fop, bat behing RES foppssh of vores, behind the {1 ‘As he finishes nis Gort, furde Seto wicpstes wifes, and ne ieee theashosinsste? e'anits Go'eatl bin forse witness 102 portrayed as a marionerte, is dropped Over the sail by bis grace titer, He gives his evicence Ghd at the finish netesorphoses inte # banner veragy, toss 4p the ettie . THE TRIAL Jeont'd so. Call the defendants wife. You little shit you, you're in it now, I hope they throw away the key. You should have talked to me more often than you did, but n0 you had to Go your own way. Have you broken acy Homes up lately? ‘Just five minutes Norm your honour Him and me alone.”103 THE WIFE'S TE: uoRy. Appearing, enakelike, from a crevice in the wall the wife spits out ber attack on the passive PINK. She turns into a scorpion, and stings bim, and then adopting more buran form she picks bin up and wears him like a stole. He slips to the ground as she, ber hair bursting into flare in her fury, asks the judge to give bin to her to punish. THE TRIAL jeont'd ..... Babe, Gone 'to other baby, let ne hold you iB my aras. Mud T never wanted him to Get in any trouble. Why'd he ever tave to leave me Worm your honour, let me take him hone. Crazy, over the tainbow, I am crazy, Bars in the window, There must have been a door there in the wall Whea T-came in. Crazy, over the rainbox, he is crazy. The evidence before the court is Incontrovertible, there's no need for the jury to retire. In all my years of Judging I have never heard before of Soneone more deserving The full penalty of law The way you made them suffer Your exquisite wife and cother Fills me with the urge to defecate. But ny friend, you have revealed your Deepest fear. I sentence you to be exposed “afore Your peers. Tear down the wall.roe 105 THE ROTHER’ ‘The MOTHER erupts from the wall, like © bursting boil. She flies, dive bosber-like, to PINK'S rescue. Metanorphosing into a pair of giant lips, she susks bir up, and via the form ofa large cushion, tums into herself, cucdling him ia her arms. As ehe finishes her'plea, her arms tura into a huge wall “Crazy, over the rainbow Naked figures, floating ainlesely in a black void. THE supcexes: The worm judge rears up over PINK and rants at hin. We see that he ise huge asshole on legs, wearing a judges wig. Kathing ponderously backwards, be approaches PINK, ow walied in so Lightly that he lies at the tortor of # eylinger formed by the wall, which conpleteiy surrounds him. But there is no egcape from his omn conclusions about himself. The Judge squats on the cylinder and shits images of his past life on kin, whilst screaming at him to tear down the wall. “Tear dors the ¥all Tear down the wall206 INT. CONCERT. NIGHT Ye cut to the wall in the concert. It trembles. snoke Seeps through the cracks. Bulges ominously like = dan about to burst and finally with crashing roar it falls. 107 BLACK SCREEN “All alone, or in twos, The ones who really love you Walk up and down outside the wall Some hand in band Some gathering together in bands, The bleeding hearts and artists Make their stand. ‘And when they've given you their all Some stagger and fall-as after all it's not easy Banging your beart against some Mad buggers Fo Wall." Black continues. End credits. Silence.