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Jan 29 2018
International Film
Trainspotting (1996)
Trainspotting is allegedly shooting up heroin or the likes of or the act of watching and
spotting trains for a hobby, this ironic tittle for a movie about burn outs in living in hell during
one the worst economic seasons in U.K. history left to do nothing but get high and live life. All
throughout the movie I felt I was watching a really edgy public service announcement about not
shooting up. Trainspotting (1996) was a dirty drug trip that confused me more than satisfying
me. Seasoned director Danny Boyle showed the sad and grey world of United Kingdoms in the
90’s for what it had been and how it affected people lives. With nothing much to do but get high
and get drunk, the audience is shown these characters’ struggles and obstacles during one of the
I did like the downfall of the protagonist, Rent, and how he would get off and on drugs
throughout the film and how the plot moved along his inability to keep sober for more than a
certain period of time. He was a terrible friend surrounded by even more terrible friends, nobody
was goo anyone and but I still felt if anyone was to win it had to be Rent because and I have no
idea why I felt like this. Something about him was not entirely malleolus but he definitely was
not the hero, he successfully killed his close friend by small one action that domino effect into a
bigger issue of supporting his using. That was surprising element of the movie, no one to root
for, no one to care for, none of them cared for what they did and no one cared about anyone. I
felt like that was a great move on the director and that I can appreciate. The sequences of events
leading up to the end of the movie were creativity done and amazing for its time in terms of
editing and dialogue/character interactions. It felt like the perfect movie to show Scotland
specifically in that time and how terrible everyone looked and felt about their current situation, I
have seen something like this come out from the U.K. before but nothing ever this early in this
location.
According to sites such as the Economist.com in the mid-1990s political parties were not
seeing eye to eye and this effected the job market drastically. Jobs were far and few and
education was sought out less. Why this was period to show this intense drug fever is interesting
and actually perfect for Boyle to do, this was the time that did not feel like the 90s and more like
the 80s of dirty gritty drug usage and profanity and party life but with a lot of electric music and
spiky hair. Michael Deacon from the Telegraph.co.uk describes the 90s as The Diamond Decade,
where the queen reign for a fifth decade, snobs were being born to distinguish themselves form
others and it seemed like the time of irony, nobody took this time period serious. This tells a lot
because the director I felt took this idea and ran with it with the film. The music was louder and
punchier, the jobs were virtually nonexistent and the drugs were ramped. Scotland was in
shambles and this is a direct effect to the all of the U.K. not being all together. This is shown
throughout the film, the idea that Scotland was the bottom of bottom, how the city is lit and
shown the rant Rent goes on when the boys are taken to the mountains for a brief hike, the
juxtaposition from Scotland and London. London is bright and busy and the color seemed to
come back on screen, I noticed this briefly but thought it was because of geography locations or
weather. The locations in Scotland seemed glim, the camera panned more down. This is telling
because Scottish cinema has been trapped under Tartanry and Kailyard, ahistorical elements of
Scottish culture typically depicted to describe Scottish culture for centuries. Removing one’s self
from these monolithic and regressive tropes surrounding Scottish, gives directors like Danny
Boyle to evolve the cinema (Petrie et. al.). These versions of Scottish people break from the
famous mountains and lust greens to angry drunks and small rural wisecrackers who live real
lives audience can relate to, this is fairly new in Scottish cinema and Trainspotting was one of
References
Petrie, D. (2005). Scottish cinema: introduction. Screen, 46(2), 213-216.
doi:10.1093/screen/hjh060
http://www.telegraph.co.uk/culture/culturenews/9290758/The-Diamond-Decades-The-
1990s.html