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HyperSense Complex
About
HyperSense Complex is an ensemble of performers (Dr. Alistair Riddell, Somaya Langley and
Simon Burton) utilising custom-built sensor and micro-controller technology in a networked
performance environment. The technology has been developed to be wearable, providing a more
intuitive human computer interface. This in turn offers an alternative approach to the experience of
live electronic music performance, for both performers and audience. In a performance context,
the audience experiences movement of the performer's hands and bodies as controlling sonic
environment.
Each performer wears eight flex-sensors strapped to the fingers. Movement of the sensors on the
fingers is detected and generates signal, which is sent via cabling running along the arms to the
micro-controllers. The micro-controllers convert signal to data using ADC. This is passed over
extended USB connections to a Macintosh G4 PowerBook running Python scripting. The Python
code interprets each of the performer data streams and interpolates the data into a composition
framework and the output is sent via OSC to a second laptop running SuperCollider3. The second
laptop handles control of audio samples, live audio signal input and effects.
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This particular technical configuration creates a unique and expansive performance relationship
between the individuals of the ensemble, as they each have the capability to control aspects of
each other's sound. Complex mappings of the sensor data allow for this truly networked
performance occur. For more information see: www.arrowtheory.com/hypersense/
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HyperSense Complex jacket and sensors were exhibited at the re:Skin workshop, Canberra
School of Art Foyer Gallery, January 2007.
Performed in collaboration with performance poet Klare Lanson at the 2004 Poetry Festival, Loop
Bar, Melbourne, Sunday 22nd August 2004.
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Performed at the International Conference on Auditory Display (ICAD) cocktail party, Sydney, July
2004.
Vis(i)onic
Performed at Vis(i)onic, a one-night festival of live improvised electronic sound and visuals. ANU
Arts Centre, ANU, Canberra, Thursday 1st April 2004.
Enter the tunnel to discover a rarely seen dimension of digital performance. HyperSense Complex
attaches sensors to the body to create unique sonic works. HyperSense Complex in collaboration
with VJ's and video artists transform the space, taking you into the digital future. SkyLoungers will
be enthralled by this captivating and unusual presentation of live sound and video performance.
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National Museum of Australia, Canberra, 6th, 13th, 21st, 27th February 2004.
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HyperSense Complex (Somaya Langley, Alistair Riddell, Simon Burton) performing with visuals
by: Scott Morrison, Paul Mosig, Andrew Chartres and Andrew Uttley. For more information see:
http://www.nma.gov.au/events/calendar/sky_lounge_2004/
Gl;tch
Performed at Gl;tch, Candy's Apartment (hosted by Alon Ilsar and Gauche), Sydney, November
2003.
Electrofringe 2003
HyperSense Complex with Scott Morrison (visuals) performance and discussion on alternate
interfaces and wearable technology in relation to electronic music performance. Held at SPA[v]CE,
Electrofringe Festival, Newcastle, Saturday 4th October 2003. For more information see:
http://www.electrofringe.org/artist.asp?id=202
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Quantacrib
Beatdown
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Performed live on ABC Classic FM's New Music Australia radio program hosted by Julian Day,
Canberra, 13th August 2003.
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eXXentricity
Performed at eXXentricity, a one-night festival of electronic music and a Community Radio 2XX
FM fundraiser, Canberra, 31st May 2003.
Bimbimbie 2003
Performed at Bimbimbie along with Australysis and Mitchell Whitelaw, Canberra, 16th April 2003.
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AudioVisual Documentation
Papers
Riddell, A., "An Interactive Ensemble" In Proceedings for the Australian Computer Music
Conference (ACMC), Brisbane, Australia, Australasian Computer Music Association, 2005
Australia AdLib
Clatterbox
Turbulence.org - Networked Performance
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