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by
Brent Foe McCabe
2 0 0 0
UMl Number; 3002517
Copyright 2000 by
McCabe. Brent Poe
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STATEMENT BY AUTHOR
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4
TABLE or CONTENTS
LIST OF EXAMPLES 5
ABSTRACT 7
CHAPTER 1 8
INTRODUCTION 8
SUBJECT AND SCOPE OF STUDY 10
THE HISTORY AND EVOLUTION OF QUATRE PIECES BRF^/ES 12
A CHRONOLOGICAL SURVEY OF THE MANUCRIPTS AND SCORES ....18
A CHRONOLOGICAL LIST OF SOURCES FOR QUATRE
PIECES BREVES 20
CHAPTER 2 21
FRANK MARTIN'S PHILOSOPHY ON COMPOSITION 21
STRUCTURAL ANALYSIS OF QUATRE PIECES BREVES 24
CHAPTER 3 31
COMPARISON OF SCORES 33
CONCLUSION 50
APPENDIX A 52
NOTATIONAL REVISIONS AND ADDITIONS FOR QUATRE PIECES
BREVES BASED ON FRANK MARTIN'S 1933 PIANO SCORE 52
PRELUDE 52
AIR 52
PLAINTE 52
GIGUE 53
APPENDIX B 54
NEW CRITICAL EDITION 54
REFERENCE EXAMPLES 63
PRELUDE 63
AIR 64
PLAINTE 64
GIGUE 66
REFERENCES 68
5
LIST OF EXAMPLES
ABSTRACT
CHAPTER 1
INTRODOCTION
Tom and Mary Anne Evcins. "GUITARS." New York: Facts on File,
1977.
13
® Ibid., p.21
15
Plainte: bar 5, a tie between beat two and three; also bar
5, add an accent over the A; bar 7, a tie between beat two
and three; bar 16, adds ff under the first chord; bar 19, a
natural on the C in beat 2; last bar, corrects the typo; s to
sourd (deaf).
Coime une Gigue: bar 20, the accent of the high A# is
changed to Martin's personal double accent; bar 24, an accent
under the last note; bar 28, adds dim. under the second half
of the bar.^
Currently, performers are divided in their choice between
the three interpretive options: The Leeb manuscript, the
original Universal Edition, or the second Universal Edition
score. However, I consider there to be a more reliable
option. Frank Martin produced a 1933 piano score which he
performed himself. He has never altered this score.
CHAPTER 2
Ibid., p. 13.
Ibid., p. 13.
Ibid., p. 14.
24
trhexpreuif
Theme P4
Puna
Canon Cncronce
iS*)-
Poco stringcndo
-i-r-ii in ' - * 1, . • s» ,„ K • . • ar
Poco ilringcndo
H J ff 1* ir-rM -8-^^
is r r ~ ~T= r.T ' j
27
tlim.
F ^ '-F ^ h F ^ '
femprr urpegg.
I — n . n ^ i — . - n ^ r a i J!n?3-JTn
J'jjuiH 7
un piKo mm
pi" p
r r r f rr
lutti legato
'•j ^ 4
r r
semprr
31
CHAPTER 3
COMPARISON OF SCORES
VI Plus vile
nnfz.
i'
r
nnfz.
Leitt
39
\emprr sr
r II
•J I J >
J
.t lempit
—j i jjJQ- jJQ-' i j i J J ^ -
1= § = = = =^ i f - 9 = 1,^ =-JS = -
"F ^ F f ^ 7 f
r-
aciel.
42
!#-
1
•—
55, J
sr
y* xemprr
-
f itmprr
piuf
>
W
p
W W m a'r'rv fv |'f n. Pf'fe
N J
w w w . o
esprrss.
U tj 1 J J [ 1' = =
f = r ^ j1
ffspms.}
UhUt! It J
CaiCLUSION
APPENDIX A
PRiLUDE
AIR
PLAINTE
Bar 31: the first chord has been changed to whole notes with
a hold symbol above. A hold symbol has been added to the E
harmonic and the half-note rest has been omitted.
Bar 32: A ppp symbol.
Bar 35: added quasi gliss., cresc., and tres sourd et tres
href.
GIGUB
APPENDIX B
Lent VI
® ©
Plus vile
crrsc.
un peu rrtenu
trrs chante
tiim.
f<
56
n >
^ [J£f f f f f f
nun.
LLI UJ UJ
f
p I p I
<•»
i m 11
Large
J mbito
umprt y
57
II. Air
=iili
iJ d
^P^doux LJ
mains </r;u.r
j'lVrTn..nrm m ij=^
" (a i
58
HI. Plainte
Sans Icntcur
j i J b j i a i i j j i j ' j j j / j j j i l l b j .
i:.. 2 J . •i'-i
un pnca nten.
'' P n
'
1 • ^
iri
l'J• g j 5=1
r "V
^ x:ii-. XII
. ' i H — l i r a — J T lJ T O
jjlT] rr-j"3 , ,
(S
mo/m string.
59
^ Tempo I
Mu/otin FPP
p S L 9 : 4 p 9
»^!ii:4l i » 3 ^^
Iquati glut.I
60
Con moio •
4 VI •
2 ' ^
6^
0 4)
0
non
i .'4•T
©
^ 4
r r i
J—J J
i p j'siir-'^ 'j'm;-r ,a'
p*»f
• a pa
-j J.j. • .' -J,: -J-J
VI
^ %emprr
61
chtuue
pp tempre
Lirr r r—r
o:t t
r—r rjr
VII
r-viii
62
raiUnt.
pffiietuJiisi
» r-III
3) P.L
Tempo 1
Lent
A If. f^r'T-r.
i r r p [esprruj
iempir
REFBRBMCE BXiVMPLKS
PRELUDE
[1] P
Piano score, bars 3-4
Pliu vile
[2] P,L
Piano score, bar 21
* piKo crrsc.
[3] P
Piano score, bar 38
menu
64
[4] P
Piano score, bars 39-44
Lent
AIR
[1] p
PZAINTB
[1] P,L,U
Piano score, bars 16-20
65
J J J
J J-
itccel.
II
66
GIGOB
[1] P,L
Piano score, bars 1-2
J ^—• iJ
V wS '
[2] P,L
Piano score, bars 26-27
Tff f C
F -r— f gi*
y umprr
s ^ f
^1—r r ^
ULT
67
[3] P,L
Piano score, bars 82-end
Tempo I
;4_J ,J
m
>
—O-i-]—*
^ i1
" "•/ ^. dokr crrKT.
rr ^ rp if
RBFBRKMCES
Austin, William W. "Frank Martin." In Dictionary of
Contemporary Music, 453-454. New York: Button, 1974.