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The 48 Methods of Ba Gua Zhang

POSTED ON DECEMBER 21, 2012

In Ba Gua Zhang, the 36 Songs and 48 Methods are rhymed mnemonics that delineate
key points for training the forms and fighting methods. Each song and method details a
specific aspect of body alignment, application and strategy. Students traditionally
memorized the rhymes so that they could recall these important points while training.

Many teachers in China answer questions about Ba Gua by paraphrasing these


rhymes. The first time one reads the 36 Songs and 48 Methods they seem abstract and
confusing. Over time, as one trains and practices the forms, movements and
applications, their meaning begin to unfold.

The 48 Methods are accompanied here by a commentary of unknown origin, possibly


attributable to Gao Zi Ying or to Guo Gu Min and can also be found in print in The
Essentials of Ba Gua Zhang, by Gao Ji Wu and Tom Bisio.

The 48 Methods of Ba Gua Zhang

⼋八卦掌实战四⼗十⼋八法歌诀

Ba Gua Zhang Shi Zhan Si Shi Ba Fa Ge Jue

1、身法

⼿手法步法要相随,Shou Fa Bu Fa Yao Xiang Sui,

⼿手到步落⼒力力必微。Shou Dao Bu Luo Li Bi Wei.


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⼿手脚俱到腰⽋欠⼒力力,Shou Jiao Ju DaoYao Qian Li,

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去时迟慢难抽回。Qu Shi Chi Man Nan Chou Hui.
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1. Body Method (Shen Fa)


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Hand and foot method should follow each other,


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The power must be weak if the hand reaches and then the foot lands. Log In

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Even if the hand and foot arrive at the same time, if the waist lacks power,
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Commentary: This song talks about the requirements for the body method in Tui Na Product Guide + The “Tiger’s Tooth” from Inside
fighting against the enemy. The “hand method and foot method must follow each Kung Fu Magazine SIGN UP NOW!
other” refers to the cooperative combination of hand, eye, body method and step.
When hand and foot arrive, the body also arrives. If the hand arrives and the step
does not arrive it is not possible to form whole body power. The power is dispersed
and weak in striking. Additionally, the movement of the hand and the foot depend
on the power of the waist. Therefore it is said to be controlled by the waist. If the
waist power does not arrive the attack will be slow and too late, without any speed
and power. It will be difficult to withdraw the hand and arm. The body method
occupies the first position of importance in attacking and defending skill.
2、相法

对御群敌相法先,

未曾进步退当然。

退步审势如变化,

以逸待劳四两牵。

2. Observation Method (Xiang Fa)

Observe first in encountering a group of enemies,

It is natural to retreat before advancing.

In retreating inspect the situation and understand the changes,


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To wait leisurely for a fatigued enemy, to lead them effortlessly.


Beyond The Tooth (13)

Commentary: In confronting a group of enemies it is necessary to use careful Premium content (131)
observation to figure out he enemy’s weak point. In attacking it is necessary to be
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able to advance and retreat naturally. By retreating before advancing and by
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inspecting the situation, it is possible to know yourself and know the enemy, and
you are able to lead the enemy to miss their attacks. You are able to beat the
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opponent by smart force.

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3、步法

未从动梢先动根,

⼿手快不不如半步跟。

出⼊入进退只半步,

制⼿手避招⽽而安神。

3. Stepping Method (Bu Fa)

Move the root before moving the tip,

Even fast hands are less effective than the half step.

It is only a half step to go in, to come out, to advance and retreat,

To control the hand, avoid attacks and calm the mind.

Commentary: The stepping method is very important in Ba Gua. In striking a


person or releasing power use the root section, that is the stamping power of the
foot should be transmitted to the waist and then to the tip section. The step method
in attacking technique relies upon the rear foot, which drives the front foot forward.
This footstep should be used in either advancing or retreating. After this step is
practiced perfectly, it is possible to use it naturally and freely.

4、迈法

功夫本从弯步来,
两⼿手变化随步开。

⾼高挑低搂横掩避,

推托带领不不离怀。

4. Walking Method (Mai Bu)

This skill comes from the curved step,

Changes in the two hands take place with the step.

Hitting upward, holding the lower position, blocking across and evade,

Pushing, upholding, taking and leading don’t leave the two arms.

Commentary: In the attacking and defending techniques, not only are there
advancing and retreating steps, it is also necessary to attack the opponent with the
curved step in accordance with the opponent’s standing position. Curve the step is
also the basic step method in the circle walking of Ba Gua. The hand and foot
should necessarily arrive at the same time and follow each other. It is necessary to
change according to the situation in fighting. In fighting it is necessary to make
changes accordingly and to do whatever you want freely. The positions of the
movements and the movements of attacking, defending and retreating should not
be too much. The hand method should not stay too far away from the body.

5、连步法

连步必三费功夫,

使⼿手要简⾃自然⽆无。

搭⼿手转⼿手是空⼿手,

机会恰巧是江湖。

5. Linking Step Method (Lian Bu Fa)

It takes effort and time to learn how to walk forward.

It should be simple and natural to use the hand.

Touching hand and turning body, is empty hand,

The opportunity only appears before the skillful person.

Commentary: The step must be used actively in the attacking skills of Ba Gua and
should not be limited to certain rules. The hand should come out simply and
effectively, with real purpose hidden within the false purpose, which can mislead
the enemy so that he cannot understand what you are going to do. For example,
when the enemy attacks, I just turn and walk away to induce the enemy to miss his
striking. Then when he is not ready, I take advantage and turn backward to strike
him. This is also the means of older skillful masters. In the 64 forms, walk the
horse and turn the head back, and dodge the body and change the shadow are
exactly those techniques.

6、固步法

固步不不要两相⻬齐,
前虚后实差相宜。

若要站⻬齐前后仰,

亦且腰短少灵机。

6. Step Storing Method (Dun Bu Fa)

Cannot be on the same line when storing steps.

It is necessary to be false in the front foot and to be real in the back foot.

If standing on the same line body will bend forward, and lean backward.

There will be no opportunity if the waist is short.

Commentary: Storing means to pause the step. In attacking techniques, it is


necessary to shift between true and false. In pausing for a short time, two feet
should not stand on the same line. It is requested to have one foot in the front and
one foot in the rear. Motion should be contained in tranquility. Advance and retreat
with continuous intention in the mind even if the power breaks. It is requested not
to have double weightedness. Thus it is possible to avoid shortage of the waist
power.

7、⼿手法

偏重则随双重滞,

外硬⾥里里软站拈枪势。

横推⾥里里勾身有主,

只有吸⼿手腰腹随。

7. Hand Method (Shou Fa)

Opportunities will appear if the weight is on one side, and movements will be stagnant
if there is double weightedness,

Hard externally and soft internally like the posture of holding a spear.

Cross push and inward hook depend on the body,

The waist and abdomen should follow in sucking the hand.

Commentary: In the attacking techniques it is necessary to avoid double gravity in


the hand and foot methods. It is necessary to be false in one and real in another.
Only by the clear distinction between the false and true, can the ability to deal with
the changes be strong. It is also requested to be hard externally and soft internally,
which means assistance between firmness and gentleness. When the opponent
comes with a crossing hand, I just push it, when the opponent attacks inward, I
hook it, in order to change the direction of the opponents power. Thus I can be
stable and suck the hand by drawing in the chest together with the waist and
abdomen in order to conquer the opponent.

8、⼒力力法

⼈人说冷弹快硬脆,
我说冷弹是⼀一般。

脆硬细分⽆无⼆二致,

发动全凭⼼心⼒力力含。

8. Power Method (Li Fa)

People talk about sudden, springing, crisp, rapid and hard power,

I say sudden and springing power is very ordinary.

There is no distinction between crisp and hard power,

The release of power depends on the unity of mind and force.

Commentary: Sudden, spring, crisp, fast and hard refer to the five kinds of power in
Ba Gua Zhang, particularly in Yin style Ba Gua. The spring power is composed of
the sudden and fast power. So crisp power does not mean “not hard,” and hard
power does not mean “not crisp.” In the attacking and defending techniques of Ba
Gua Zhang it is requested to unite intention and image in releasing power (Fa Li),
with fast movement and integrated power. It is also necessary to be distinctive in
three sections. That is changes and usage of the root, middle and tip sections.

9、存⼒力力法

只会使⼒力力不不会存,

⼒力力过犹如箭离弦。

不不但⽆无功且有害,

轻输重折⽽而伤身。

9. Power Storing Method (Cun Li Fa)

If one only knows how to use power, and does not know how to reserve it,

When power goes out it is like an arrow leaving the bowstring,

Ineffective and harmful,

If the defeat is light you lose the battle, if the defeat is serious you lose your body (i.e.:
your life).

Commentary: This method means that in releasing the power it is necessary to


understand how to reserve some of it, not to release it completely or all at once.
Once the power is released it is like an arrow leaving the bow string, it is not
possible to take it back. In that way it is impossible to conquer the enemy, instead
you would be conquered by the enemy. Those who lose a little [power] will lose his
opportunity, those who lose a lot will lose their balance. The power should not all
be released at once. It is necessary to always reserve some power. If every bit of
power is released like shooting an arrow that doesn’t return, it is very easy to be at
risk. When I punch an opponent, I use his inertia so that he misses his strike and
loses his balance. Therefore, at the same time I must be sure of my punch to the
opponent leaving no chance to be countered. Those who release all the power at
once do not know the whole body power and do not understand the principle of the
false and the real force.
10、续⼒力力法

⼒力力着他⼈人根已断,

如再续⼒力力彼难逃。

此时惟有冲前步,

⻓长膀⻓长腰⼀一⻬齐交。

10. Power Continuing Method (Xu Li Fa)

Once the power lands, his root has already been broken ,

If the power is aided it is still difficult for him to escape.

At this moment just dash forward,

Lengthening the shoulder and waist together.

Commentary: In the fight or combat, if his power is pulled by me, he loses his
balance and his foot is uprooted. At this moment if I take advantage of chasing him,
he would retreat and then I should dash forward. If he bends forward, I just retreat
with a half step and go on attacking his body with the rest of my power. At the
same time relax the shoulder and lengthen the waist to add power and attack the
opponent with the previous technique.

11、降⼈人法

快打慢兮不不⾜足夸,

强制弱兮不不为佳。

最好⽐比⼈人⾼高⼀一招,

盼姑中定不不空发。

11. People Conquering Method (Jiang Ren)

Do not need to boast of striking the slow with the quick.

It is not a good example if the strong defeat the weak,

The best is to have one technique that is better than that of others,

The release of power will not be in vain if the mind is calm.

Commentary: To beat slow with quick, to defeat the weak with the strong is not a
good skill. Good skill can only be obtained by painstaking practice and the
instruction of knowledgeable teachers. So if you train harder than others, you will
achieve the skill to conquer the enemy. Then it is possible to be calm and do what
you want in attacking the enemy, everything in advancing and retreating, retreating
and advancing will not miss.

12、决胜法

彼⼒力力千钧快如梭,

避强⽤用顺快不不挪。

千⼈人只有三五近,
稍伸⼿手脚不不难遮。

12. Victory Method (Jue Shen Fa)

When his power is as heavy as a thousand pound weight and as quick as a shuttle,

I just move my steps quickly to avoid his strong attack.

Among thousands of people, only three or five can get close,

It is not difficult to stop them just by extending the hand and foot slightly.

Commentary: In fighting with the enemy, no mater how powerful and skillful he is, I
just stay calm and observe his techniques and tricks. I must be quick and nimble in
my footwork. Even if there a thousand enemies around me, only three or five of
them can get close to me. Then I just extend my hand or foot slightly and I can
express my power against them and be confident to win the victory.

13、⽤用法

⾼高打矮兮矮打⾼高,

斜打胖兮不不须摇。

若遇瘦⻓长凭捋带,

年年迈⽆无功上下瞧。

13. Application Method (Yong Fa)

The high, strike low, the low strike high,

No need to hesitate, strike the fat obliquely.

In meeting the thin and tall, just pull and lead,

In meeting the old and unskilled just look at him up and down.

Commentary: In the attacking and defending techniques of the Ba Gua palm, in


meeting an opponent with a different height, it is necessary to overcome the weak
points of the enemy using my strong points. In meeting a tall person, attack his
lower part, in meeting a short person, attack his upper part, so the opponent is
unable to use his strong point. In meeting a thin person use the pulling and seizing
methods to draw him off balance. In meeting a fat person, attack him obliquely and
dodge away from his center [gate], to attack him. In meeting old people without any
skill you do not need to be serious with him, just frighten him by staring at him.

14、致闭法

⼿手讲三关脚伸屈,

⼀一⼿手三关脚直遇。

肩肘腕胯膝可⽤用,

缩颈空胸步带躯。

14. Block and Seal Method (Feng Bi Fa)


The hand talks about the three passes, the leg needs to extend and flex.

There are three passes in one hand while walking directly forward with the foot.

Shoulders, elbows, wrist, hips and knees are useful,

Shrink the neck, empty the chest and lead the body with the step.

Commentary: In the attacking techniques, the three passes of the arm refer to the
shoulder, elbow and wrist. The three passes of the leg refer to the hip, knee and
foot which create changes by extension, flexion and walking. This is the blocking
and sealing method in the whole body. The close cooperation and use of the
shoulder, elbow, wrist, hip, knee and foot also depend upon the cooperation of the
body method. Attack the enemy by moving the body with the steps.

15、接拳法

五花⼋八⻔门乱如麻,

⻓长拳短打混相加。

你越快兮我越慢,

我若发时神⻤鬼夸。

15. Fist Connecting Method (Jie Quan Fa)

Five flowers and eight gates (innumerable things), as chaotic as tangled strings,

Strike short, with long fist all mixed up.

The quicker you are, the slower I am,

Once I start to fight, gods and devils would praise me.

Commentary: There are many different types of martial arts in Chinese Wu Shu
and each school has its individual advantage. In actual use, strikes with the fists
and kicks with the feet can dazzle you. In fighting one should be calm. The faster
you are, the slower I am. Do not use techniques or tricks without purpose. It is
necessary to see the situation clearly. Once you decide to use a technique it must
conquer the enemy. Beat and frighten the opponent with whole body power.

16、摘解法

多少拿法莫夸技,

两⼿手拿⼀一⼒力力固奇。

任他神拿怕过顶,

穿⿐鼻刺刺⽬目势难敌。

16. Picking and Dissolving Method (Zhai Jie Fa)

Don’t boast about numerous seizing methods,

The power is marvelous when two hands grab one.

Even if he is skillful at seizing he is afraid of being pushed over- head,


Piercing the nose and poking the eyes is difficult to avoid.

Commentary: This method is a technique for dealing with the chin na, seizure
technique in Ba Gua. In fighting with others the seizing method is not frequently
used, because striking is faster and easier than seizing. Once seized by the
opponent, just raise his hand overhead, following his posture. In this way usually
the chin na technique will be made ineffective. In encountering the above situation
it is necessary to follow his posture and power and attack the opponent’s nose and
eyes with the piercing palm.

17、接单补双法

莫说两⼿手仗坚兵,

⼀一来⼀一往是其能。

闭住右⼿手左⽆无⽤用,

双⼿手⻬齐来更更⽆无功。

17. Single Connecting and Double Replenishing Method (Jie Dan Bu Shuang)

Don’t say that two hands are like strong weapons,

To show their abilities by moving them back and forth.

Once the right hand is blocked, the left will be useless,

It is surely ineffective when two hands come together.

Commentary: This method talks about that in a fight when the opponent attacks
me with a weapon, I must stay calm and observe the situation to avoid his strong
power. When his right hand comes out, just block his front hand, his rear hand will
be useless. When the opponent’s two weapons come out together, just dodge them
and block the opponent, then he cannot do anything.

18、指⼭山打磨法

他⼈人来⼿手我不不然,

侧身还击彼⾃自还。

他若还时我⼊入⼿手,

他若封时三⼿手连。

18. Point at the Mountain and Carve the Millstone Method (Zhi Shan Da Mo Fa)

When his hand comes, I don’t need to worry.

When I attack obliquely, surely he will attack,

When he attacks, My hand just enters,

If he encounters it, three hands should be connected.

Commentary: In fighting it is necessary to pay attention to the strategy. Fake to the


East while attacking the West. If the opponent’s hand comes, I stay calm and I can
advance obliquely to attack him. If he uses the blocking method, I can use the
three penetrations to attack him continuously. It is often said that even a great hero
fears the three penetrations. It can be seen that three penetrating palms are fast in
speed and have numerous changes. Their effect is to make it impossible for the
enemy to attack.

19、脱身化影法

他不不来时我叫来,

他要来时我化开。

不不须⼿手避凭身法,

步步不不离两胯哉。

19. Dodge the Body and Dissolve the Shadow Method (Tuo Shen Hua Ying Fa)

If he does not come, I force him to come.

When he comes, I dissolve his attack.

Not by using the hand, just using the body,

every step done with the two hips.

Commentary: This is a strategic art in the attacking and defending skills in Ba Gua.
When the enemy attacks, I just retreat and defend. When the enemy is defeated
and retreats, I must chase him. Once the enemy’s hand comes out I just lead him
and dissolve it. Deal with the enemy by body method and footwork and attack him
by the movement of the two hips.

20、背后转身法

伸⼿手要⼩小步要⼤大,

开不不半胯贴身抓。

跨步落地蹲身转,

他要转时我鹰拿。

20. Turning the Body Behind the Back Method (Bei Hou Zhuan Shen Fa)

Extend the hand slightly and walk with big steps,

Walk with half hip (step) and get close to the body to seize.

Walk and step down and squat the body to turn,

When he wants to turn, I just use the eagle seizing method.

Commentary: In extending the hand in Ba Gua Zhang one should not extend the
hand too far for it is necessary to have reserve power. In attacking it is necessary
to take big steps to be quick and get close to the opponent. It is necessary to turn
the body fast. Striking a person is like kissing a person. If I get close to the enemy
and the enemy extends his hand to grab me, I must walk with a big step and squat
down and turn to avoid him. If I turn and the enemy also turns I can control him with
the eagle seizing method (for example: the yellow eagle climbing the frame).
21、磕、砸、劈、撞法

磕来还磕我要先,

砸右换步左⼿手粘。

劈来迭肘桩横⽴立,

撞来乾坤⼿手摇圈。

21. Knocking, Smashing, Chopping and Bumping Method (Ke Za Pi Zhuang Fa)

In knocking in and knocking back, I must be the first,

In smashing rightward, I must change the step, and stick with the left hand.

When chopping comes, pile the elbow with a standing posture.

When bumping comes the hand shakes a circle with Qian-Kun diagram.

Commentary: When the enemy attacks me with the knocking, chopping,


smashing, and bumping methods, I must respond very quickly and observe the
coming hand of the opponent carefully. Follow his posture inward and knock back.
When the opponent smashes inward I just change the step and stick [like glue] my
left hand to his hand and attack him with the rear hand. When the opponent chops
downward, I must pile the elbow in a standing posture to dissolve it with whole
body power and spiral power, to bounce the opponent backward. When the
opponent bumps in, I just draw a circle with sinking and floating power to dissolve
the opponents force and then, having the advantage, attack him with power.

22、半圈⼿手法

他⼈人⼿手法多直线,

跨上半步等如闲。

即或指直打斜法,

再跨半步不不相⼲干。

22. Half Circle Hand Method (Ban Quan Shou Fa)

Other peoples hand methods are mostly in a straight line,

Walk forward with a half-step and wait leisurely.

Even if pointing straight and striking obliquely,

Just walk with another half-step to avoid it.

Commentary: In ordinary boxing skills, the hand comes and goes straightly. When
I attack, I go to the side to avoid the center in order to strike obliquely. Even if the
opponent points straightly and strikes obliquely I can walk aside with another half-
step to strike obliquely continuously. This footwork mainly comes from the circle
step and is supposed to attack the opponent, on his two sides and back – around
him.
23、整圈法

四⾯面敌⼈人我在中,

穿花打柳柳任⻄西东。

⼋八⽅方凭势⻛风云变,

不不守呆势不不守空。

23. Whole Circle Hand Method (Zheng Quan Shou Fa)

When I am in the center surrounded by enemies on all four sides,

Pierce the flowers and strike the willow freely either in the west or in the east.

No matter how the wind and clouds change in the eight directions,

Don’t remain in one place, and don’t step without purpose.

Commentary: When surrounded by enemies don’t be frightened, and don’t remain


in only one posture. It is necessary to play with the opponents in movement. Use
the nine palace methods to pierce, thrust and strike. With active and nimble body
work avoid the real attacks and strike back when a weak point appears. Keep
walking and spinning to conquer the enemy.

24、⼼心眼法

⼼心如⼤大将眼如法,

⻅见景⽣生情能制他。

最忌⼼心痴眼不不准,

⼿手忙脚乱费周折。

24. Heart-Eye Method (Xin Yan Fa)

The heart is like a general, the eye is like a method,

You can conquer him by responding to the situation.

Avoid being obscure in intention and inaccurate in the eyes,

And avoid the ineffectiveness of busy hands and chaotic footwork.

Commentary: In fighting against an enemy, hand, eye, body method and step are
all important everywhere, and none of them can be omitted. But the most important
thing is that the intention is dependent upon governing and leading the whole
situation. When you observe carefully with a peaceful mind, you are able to
respond according to the situation. Therefore in fighting, when hand arrives, foot
arrives, and waist and leg arrive and when the intention is real, the spirit is real and
the force is be real, then the spirit will not be scattered in the movements of the
body. In this way, the hand and the foot will not move chaotically.

25、定眼法

四⾯面⼑刀枪乱如麻,
⼜又当昏夜⽉月⽆无华。

矮身定睛招路路⼴广,

步步弯⾏行行必赢他。

25. Staring Method (Ding Yan Fan)

Sabers, spears from four sides, chaotic as tangled strings,

In the dim night without moonlight.

Lower the body and keep staring for responding to many techniques

Surely, defeat him with every curved step.

Commentary: When surrounded by enemies the mind must be clear. In fighting in


the night time, one should lower the body when you are unable to see clearly. It is
necessary to observe by the moonlight to clearly see the coming attacks. In fighting
one should use the curved step, do not go and come in a straight line. In using
curved steps, if he comes leftward go rightward and conquer the opponent by
continuous movement. Therefore it is said, “to defeat a person, everything depends
on the footwork.”

26、接器器法

⻓长短单双器器固精,

算来不不如两⼿手灵。

铁掌练来兵⼀一样,

⾁肉⼿手偏我肱腕⾏行行。

26. Weapon Greeting Method (Jie Qi Fa)

Even if long, short, single and double weapons are very skillful,

They are not as good as the nimbleness of two hands.

Once the iron palm is trained, it is like a weapon,

Just extend the hand to find the arm and wrist.

Commentary: Even if various kinds of weapons are trained perfectly and efficiently,
they are no better than the skills in the palms. When the enemy attacks with a
weapon, I just play with him using piercing, dodging, cutting, and blocking
techniques. Iron palm here means training the “iron sand palm.” Extend the palm to
strike his wrist and damage the tendons and bones. When the palm is trained well
it is like a weapon.

27、保身法

以强胜弱不不⾜足夸,

弱能胜强⽅方是法。

任他离弦煎快硬,
左右磨身保⽆无恙。

27. Body Protecting Method (Bao Shen Fa)

Don’t boast about strong conquering weak,

That the weak can conquer the strong is the [skillful] way.

No matter how fast and tough he is, like an arrow leaving the bow,

No mistakes made in protection by rubbing the body leftward and rightward.

Commentary: Martial arts are combination of attacking and defending techniques.


Not only can the strong conquer the weak, the weak can also conquer the strong.
Therefore attacking skills are needed. No matter how fast or how tough the
opponent is, you can protect yourself and defeat him using the body sticking and
rotating method of Ba Gua Zhang, with twisting (ning), wrapping (guo), drilling
(zuan), overturning (fan) and dropping (zui) methods, as in the techniques of the
hawk drilling to the sky and removing the clouds to see the sun.

28、乱⼈人法

⼼心乱先从眼上乱,

千招不不如掌⼀一穿。

对准⿐鼻梁梁连环使,

跨步制⼈人左右还。

28. Person Confusing Method (Luan Ren Fa)

Confusion of the heart starts with the eyes,

Thousands of tricks are not as effective as one palm penetration.

Pierce toward the nose continuously,

Walk and defeat the opponent by changing postures left and right.

Commentary: This is a method to make the opponent worried and confused.


Once you want to confuse and worry him, it is necessary to first confuse his eyes.
No tricks (techniques) are better than piercing the palm back and forth towards the
nose and eyes of the opponent, so as to make the opponent unable to respond.
The most important technique in Ba Gua Zhang is the piercing palm. In piercing the
palm, it is necessary to change postures by walking leftward and rightward.
Therefore it is said. “The most skillful arts under heaven fear the three
penetrations.” and “A thousand tricks are not as effective as one penetrating palm.”
This technique can defeat an enemy and win the victory.

29、开合法

欲合先开是⼀一般,

⻅见开防合不不⼆二传。

诈败佯输知卷⼟土,

指东打⻄西意中含。
29. Opening and Closing Method (Kai He Fa)

Generally, open first before closing,

Without doubt when you see him open, you must prevent closing.

Faking defeat and pretending failure, he will return like whirling dust,

Intention is contained in pointing to the east and striking west.

Commentary: Opening and closing techniques are mentioned in various martial


arts. As a general rule, if you want to close, first open. Therefore when you see that
the opponent opens, you have to prevent him from closing. For example when the
enemy is defeated and walks away, you have to be careful that he does not come
back again and attack you when you are not ready. In attacking and defending you
have to be sure if he enemy does not move, I do not move. If the enemy wants to
move, I should move first.

30、定南法

任他千⼿手千眼快,

守住中⼼心是枉然。

不不到要时不不伸⼿手,

伸⼿手就要发⼿手还。

30. South Orientating Method (Ding Nan Fa)

No matter how fast he is is in hands and eyes,

Protect the center of the body.

Don’t extend the hand, if the right moment does not come,

Once the hand extends outward the hand must return.

Commentary: In attacking an defending, no matter how skillful the opponent is, or


fast in hands and eyes, don’t be afraid, just keep the position of your body. Remain
calm and observe the movements of the opponent. Do not hurry in using
techniques, or use techniques without careful consideration. Once the hand goes
out, it must be effective. Make the opponent scared so that he has to draw his
attacking hand back.

31、求近法

封闭固是护身招,

躲过他⼈人⾃自逍遥。

切忌远出尺步外,

开⻔门绕道法不不牢。

31. Approaching Method (Qiu Jin Fa)

Blocking is a technique to protect the body,


Once you avoid the opponent you can be leisurely.

Don’t be to far beyond the step of one chi (1/3 meter),

Opening the door and walking inside will not be an effective method.

Commentary: Blocking and dodging are the effective techniques to protect yourself.
Once you can effectively protect yourself and avoid the opponent’s attack surely
there will be no failure. So when you are protecting yourself, get closer to the
opponent. Do not exceed the step of one third of a meter then opening the door
and walking inside will not be an effective method (i.e.: then the techniques of Ba
Gua Zhang will not be effective).

32、六路路法

他⼈人六路路是空⾔言,

我之掌法六路路观。

动步即能⼋八⽅方顾,

瞻前顾后⾃自⽆无难。

32. Six Direction Method (Liu Lu Fa)

The six directions for others is empty talk,

My palm method observes the six directions.

Moving the step attends to eight directions,

Looking forward and backward is surely not difficult.

Commentary: In fighting enemies it is necessary to observe the 6 directions and


listen to the eight directions. This means one must be alerted to every move of the
opponent. To ordinary people this method is not easy, but it is easy for the
practitioners of Ba Gua Zhang because walking circles is required in Ba Gua
Zhang. Eight directions mean the four cardinal directions and the four diagonal
directions (the 8 compass points). Six directions refer to up, down, left, right, front
and back. In the attacking and defending I rotate leftward and turn rightward and
look forward and look backward. It is not difficult for practitioners of Ba Gua Zhang.

33、不不⼆二法

法不不准兮不不妄发,

发不不中兮第⼆二发。

任他⻤鬼神多灵妙,

不不钩魂兮亦裂⽛牙。

33. Only One Method (Bu Er Fa)

If the method is not proper, don’t use it,

If the first attack misses, attack again.

No matter how marvelous the god or devil,

He will break his teeth (be frightened) even if his spirit is not frightened from his body.
Commentary: It is required to be stable, accurate and hard (tough) in using the
techniques. No trick should miss, every trick should be purposeful and meaningful.
If the first attack misses, keep attacking and don’t let the opponent have a chance
to breathe.

34、防滑法

冰天雪地步难牢,

前横后直记⼼心梢。

转动须⽤用⼩小开步,

切忌挺身法打⾼高。

34. Slip Preventing Method (Fang Hua Fa)

Stable steps are difficult on ice or snow covered ground,

Remember the front foot must be sideways and the back must be straight.

To turn the body use small steps,

Avoid straightening the body and striking high.

Commentary: In attacking and defending, if there is snow or ice on the ground or if


the street is slippery after rain it is necessary to remember how to avoid having
your foot slide or slip. If you slip you are defeated. The method to stand stable is,
the front foot turns horizontally (sideways) as it walks forward and the back foot
walks straight forward. The step should not be too big. At the same time remember
not to stand up high in order to strike high. Squat down (bend the knees) and strike
the lower part of the opponent.

35、稳步法

步不不稳兮身必摇,

脚踏实地胜千招。

进取⾜足趾退悬踵,

不不扣步兮莫回瞧。

35. Stable Step Method (Wen Bu Hua)

If the steps are not stable the body will sway,

Standing on the ground firmly is better than thousands of techniques.

Walk forward with the toes curved and retreat with the heel lifted,

Don’t look back (turn around) without Kou Bu.

Commentary: In fighting, the body weight should be stable to avoid swaying. Your
attack and defense skills will not be good, if the body weight is not stable. If you
cannot stand firmly and with stability, even if you have thousands of techniques and
tricks, they are useless. In walking forward, it is necessary to be curved in the toes
and empty in soles in stepping down and to grasp the ground with the ten toes. In
retreating, lift the heel and slide along the ground with the tip of the foot. It is
requested in Ba Gua Bhang not to turn back without kou bu.

36、⼩小步法

回身转步必须⼩小,

步⼤大舍身不不灵脚。

欲要转身迈半步,

⼈人难擒兮⼈人不不晓。

36. Small Step Method (Xiao Bu Fa)

In turning the body, the step must be small,

When the step is big the body will sway and will not be nimble.

To turn the body, use half-steps,

It will difficult for others to seize me and know my intention.

Commentary: In fighting, use the small step method. If the step is big, you will not
be nimble and you will be easily controlled by the enemy. It is necessary to walk
with half-steps in advancing and retreating. This is also the ordinary fighting step in
Ba Gua Zhang. This stepping method is not easily noticed by the opponent and
makes it easy to attack.

37、掌法

掌法虽分上中下,

上下不不过是掌架。

圆转⾃自如唯中盘,

⾼高下全从此变化。

37. Palm Method (Zhang Fa)

There are upper, middle and lower positions in the palm method

The upper and lower positions are just postures of the palms.

Turning freely is only in the middle position,

From where changes in the upper and lower positions take place.

Commentary: In Ba Gua Zhang there are upper, middle and lower palms. This
means the position of the palm is high or low. The position, whether high or low,
depends on the individual person. Generally, the middle position is often used. It
needs more skill if the position is lower and in fighting, the middle position is most
suitable because in the middle position there is more freedom to turn and greater
opportunity to make changes in fighting with taller or shorter people.

38、忌俯法
低头如同眼不不开,

亦且身易易往前栽。

低头猫腰中枢死,

全步全掌使不不来。

38. Avoid Bending Method (Ji Fu Fa)

Lowering the head is the same as keeping the eyes shut,

And the body is likely to fall forward.

In lowering the head and bending the body the middle axis is dead,

So that whole foot and whole palm cannot be used.

Commentary: In fighting one must not lower the head and bend the body. In
lowering the body it is not easy to observe the movements of the opponent. If you
bend forward it is easy to fall forward. There is a saying in martial arts: “It is not
skillful if the head is lowered and the body bent.” Moreover, lowering the head and
bending the body does not look good, and does not show spirit.

39、忌仰法

紧背空胸静中求,

挺胸袒腹悔悔难收。

迭肚吸腰来不不及,

最怕转身不不⾃自由。

39. Avoid Backward Leaning Method (Ji Yang Fa)

Uplift the back and empty the chest, to seek calmness,

Throwing out the chest and abdomen brings regret.

By holding in the belly and withdrawing the waist, it is too late,

Not rotating freely causes great fear.

Commentary: In the fighting and training of Ba Gua Zhang it is necessary to avoid


leaning forward and bending backward and it is necessary to empty the chest, uplift
the back, sink the qi to dantien and relax the body naturally. These are the
requirements for nei jia quan. If the chest and the belly are thrown out, qi will rise
upward, leading to instability in the body. This is detrimental to health preservation
and fighting.

40、正身法

全身⼒力力量量在中枢,

⾃自身歪斜⼒力力不不周。

别看步弯身必正,
发⼿手如箭不不停留留。

40. Upright Body Method (Zhen Shen Fa)

Whole body power lies in the middle axis,

The power will not be complete if the body is not upright.

Even if the steps are curved, the body must remain upright,

Shoot the hand like an arrow without any pause.

Commentary: No matter what kind of martial arts you do, the waist is the most
important position. Therefore the waist is called the governor. In fighting, the power
comes up from the foot and goes to the waist. Only by the release of the power in
the waist and the hip can power be transmitted to the tip sections. So therefore it is
necessary to maintain an upright and comfortable back and waist. In this way, the
hand can shoot out like an arrow.

41、辅身法

身如君王腰腿⾂臣,

君正⾂臣强可制⼈人。

进退躲闪凭身法,

若⽆无腰腿不不⽣生神。

41. Body Assisting Method (Fu Shen Fa)

The body is like the king and the waist like a minister,

An upright king and strong minister can control the people.

Advance, retreat and evasion all depend upon body method,

No spirit will be produced without the waist and legs.

Commentary: The body and waist are at the center and coordinate the actions of
the rest of the body. If they are aligned and move correctly the body can turn and
move freely in combat. All the movements in boxing (for example: advance, retreat
and evasion) rely on the proper coordination of the body and waist. If the
movements of the waist and body are coordinated with the legs and arms, there
can be whole body power, the spirit can be clear and the techniques precise.

42、扭身法

⼈人来制我已贴身,

此时⼿手脚不不赢⼈人。

左右吸收⽤用扭法,

化险为夷把⼈人擒。

42. Body Turning Method (Yao Shen Fa)

If the opponent adheres to me to control me,


I cannot conquer the opponent with my hands and feet.

By the turning method, take in the waist left or right,

The danger can be reversed to seize the opponent.

Commentary: In fighting, if I cannot use my hand and foot, because the opponent
is close to me (adheres to me), it is advisable to adopt the chest withdrawing and
waist turning method. Only in this way can the danger be avoided, and the
unfavorable situation be reversed. In training of the Ba Gua Zhang it is requested
to “twist the hip and close the knee,” and “bend the knees, follow the hips to turn
the waist to its utmost, watch the three directions and not sway the body.”

43、跨步侧身法

穿梭直⼊入势难停,

先发制⼈人显他能。

若遇⽐比⼿手接连退,

不不如跨步侧身灵。

43. Step Walking & Body Turning Method (Kua Bu Ce Shen Fa)

When the attack does not stop, coming directly like a shuttle,

Starting first takes control and is advantageous.

Rather than retreat continuously when meeting an opponent,

It is better to step aside to regain the initiative.

Commentary: This method says that when the opponent attacks continuously like a
shuttle (back and forth, continuously), do not worry and do not just retreat
continuously. It is necessary to find a chance to attack by stepping aside. This
means to avoid the power point of the opponent and leave the space to the
opponent, so as to strike him from the oblique position, just like lion rolling the ball
in the 64 forms.

44、左右甩身法

闪躲东⽅方⻄西⼜又来,

摇身⼀一变甩身开。

左右连环皆如此,

前推后捋腰安排。

44. Left and Right Swinging Body Method (Zuo You Shuai Shen Fa)

After evading East, West comes again,

Swing the body to make changes and avoid by stepping aside.

Repeat continuously left and right,

Pushing forward and pulling backward lies in the arrangement of the waist.
Commentary: In fighting, when the opponent attacks me from the left and then the
right direction, I cannot just dodge leftward or rightward. I must fight the opponent
by the swinging method. It is necessary to fake to the East and strike the West,
turning the body and stepping aside to use the whole body power after pushing
forward. It is necessary to use the waist as the governor and pierce the palm
toward the opponent, left and right. Attack him by continuous change.

45、蹲步沉身法

身⾼高架⼤大路路上三,

举⼿手招封势所难。

蹲步沉身使就下,

⼊入我机关⽤用法宽。

45. Step Squatting & Body Sinking Method (Dun Bu Chen Shen Fa)

With a tall opponent in high position there are three upper passes,

It is difficult to raise the arms to block and use techniques.

Squat down and sink the body forcing him to come to the lower position,

Trapped by my tricks, many methods can be used.

Commentary: In fighting if you meet a tall person, and fight with him in the top three
paths, surely you will lose. It is advised to deal with the enemy by squatting and
sinking the body. The enemy must give up the upper position and come to the
lower position. His favorite situation now becomes a bad situation. Once the
opponent gives up the high position and comes to the lower position, it means he is
trapped by my tricks. Then I can punch him as I like, with the Ba Gua palm method.

46、忌拿法

⼋八卦之⼿手不不讲拿,

我拿⼈人兮我亦差。

设若⼈人多不不⽅方便便,

直出直⼊入也堪夸。

46. Avoiding Capture Method (Ji Na Fa)

Ba Gua hand does not talk about seizing,

My skill is poor if I seize a person.

It is not appropriate if there are many opponents,

Direct attack and direct withdrawal are required.

Commentary: In fighting against enemies, we do not use the seizing method to


control people because the seizing method is not as fast as striking. Moreover, if
you want to seize a person, you can only seize one and your own hand is also
stuck. Therefore it is said, “my skill is poor if I seize a person.” If a group of
enemies surround me, it is not easy to use the seizing method. The enemy can
only be conquered by simple and practical techniques.

47、忌站法

浑元⼀一⽓气⾛走天涯,

⼋八卦真理理是我家。

招招不不离脚变化,

站住即为落地花。

47. Avoiding Standing Method (Ji Zhan Fa)

Travel to the remote places under heaven with entire Original qi,

The truth of Ba Gua is in my home.

Every technique depends upon changes in steps,

Standing still is like a flower on the ground.

Commentary: Ba Gua Zhang is characterized by changes of the palm methods


and circle walking. Therefore walking the circle is the basic skill in Ba Gua Zhang
and also where its essence is. In training or in fighting it is requested to walk, and
change continuously with the two feet and not to stand still. Walking the circle
continuously can effectively strengthen the body and prolong life.

48、太上法

⼒力力要⾜足活招要准,

即或使空三不不紊。

招套招兮⽆无穷极,

精神法术在乎纯。

48. Great Ultimate Method (Tai Shan Fa)

Force must be sufficient and techniques must be accurate,

Even if technique is missed, don’t be confused in three.

There are infinite techniques within techniques,

Spirit and method must be perfect.

Commentary: This method means to train the techniques perfectly. In order to


reach this level, first of all, in the fighting the force must be complete and full, the
energy must be active and the techniques must be accurate. In fighting, not every
technique can be effective. Once the technique is missed, remain calm in intention,
in hand, and in foot (don’t be confused in these three). In the attacking skills of Ba
Gua, there are techniques within techniques and hands within hands, and an
infinity of changes in the palm methods. In training it is requested to train the spirit
fully, train the power fully, and train the palm methods and striking methods
perfectly.
******

歌诀赞 Ge Jue Zan

In Praise of Song-Rhymes

四⼗十⼋八法意真切,Si Shi Ba Fa Yi Zhen Qie,

练练说说不不为神。Lian Lian Shou Shou Bu Wei Shen.

要得所穿神功到,Yao De Suo Chuan Shen Gong Dao,

⼏几⼈人三年年试验深。Ji Ren San Nian Shi Yan Shen.

四⼗十⼋八法甚难求,Si Shi Ba Fa Shen Nan Qiu,

⻅见招使招不不⾃自由。Jian Zhao Shi Zhao Bu Zi You.

⼗十年年纯功研究到,Shi Nian Chun Gong Yan Jiu Dao,

单⼈人凭艺遨五洲。Dan Ren Ping Yi Ao Wu Zhou.

The implications and intentions are precise and marvelous in forty-eight methods,

And would not be mysterious by training and study.

For high level achievement to be attained,

Their profound meaning must be tested and examined by several people for three
years.

Forty eight methods are extremely difficult to strive for,

It is not always at your will to use a trick after seeing a trick.

Ten years study and investigation to reach pure achievement,

A single person can rely on his skill to travel the five.

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