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GUITAR TECHNIQUE

20 min. Guitar Scale Workout


https://www.youtube.com/watch?v=ETOQwQp_MxQ
By Andrew Wasson
Visit: www.creativeguitarstudio.com

SECTION ONE:
Speed Learning - The Major & Minor Scale Patterns...
A HELPFUL 20 MIN. ROUTINE FOR LEARNING SCALE SHAPES

Not having enough time to practice is a very common problem with guitar players. And, it
becomes a big issue when a practicing guitarist starts feeling more serious about learning a
specific area of technique for fingerboard theory. A good example of this is learning all of the
Major and Minor Scale patterns.
For a lot of players, scales can be a long neglected area of study. Most guitar students will
admit that they have a lot more fun learning; songs, guitar licks and popular guitar solos. But,
the study of scales is what truly hones our musician’s skills on the instrument, (and that goes
for any instrument - not just guitar).
This means we need a comprehensive daily practice routine. Most importantly, the routine
must zero in on helping the player learn how all of the scales’ root notes connect. As aspiring
musicians we also need to develop the best technical skill for playing scales. This is why our
routine is so important. Plus as the shapes evolve, they must be well understood across the
neck. Learning ways for connecting one scale pattern into another on the fingerboard is a key
component for the memorization of guitar scale patterns.
Obviously, it will take time to achieve all of this. But, with daily practice any guitar player
running through this material will get better. And, this is where an organized 20 min. workout
will come into play as defining a really great approach.
Through this lesson, I will break down a helpful 20 minute routine for drilling in on the
fingerboard scale shapes using a simple compressed workout approach. We will begin by
sorting out a drill on octaves, (which form the root notes of our scales). We will study the idea
of picking a specific tone and drilling on the Major and Minor Scales with in-position fingering
patterns for each scale. Then, we will connect Major and Minor scale patterns using a lateral
scale approach.
This may sound like a lot to get done in only 20 min., but I think you’ll be surprised at how
much work you can flow through when you have a solid plan and an organized approach.

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Copyright © 2015 Creative Guitar Studio
20 min. Guitar Scale Workout

SECTION TWO:
Practicing Octave Patterns for Scale Key (Tonic) Notes...
In getting started we will study one of the most important aspects of learning scales on the
fingerboard. This study is based upon building the ability to quickly and easily grab the scales
key note (Tonic) anywhere we need it on the guitar neck - at any moment in time. As you
might imagine, this skill is very important for not just building a melody line, but it is also critical
for improvisation. In example one, (a), we’re going to take the “G” tone and build it’s octave
relationships
Majoracross
Scale the entire span of the fingerboard. Begin by understanding its layout,
developPattern
it until1it is memorized,
Patternthen
2 turn on a Pattern
metronome
3 and play the patterns
Pattern 4 in time.
Pattern 5
Example #1b). Practice the “Bb” across the neck
`
Example #1a). Practice the “G” across the neck

V
(G) (B )

V V V V V V V eV eV V V V
1
I 44 V V V V V V eV V V V eV V V V
V eV V V
Major Pentatonic Scale
Pattern 13 Pattern 2 15 Pattern 3 6 Pattern 4 6 Pattern 5
T 8 8 11 11
12 12 12 3 3 3 15
A 5 5 5 8 8 8
B 3
10 10
15
1
6 6
13 13

Our next step will be working through the study of, “in-position,” scale layouts. In example two
(a), weMajor
have the commonb3
Pentatonic five
rd
octave patterns for the Major scale. Select a key note and play
Scale
each shape at as
Pattern 1 fast of a tempo
Pattern as
2 possible with a metronome.
Pattern 3 Then
Patternstudy
4 the MinorPattern
shapes.5
Example #2a).
Major Practice the Major patterns below.
Scale
Pattern 1 Pattern 2 Pattern 3 Pattern 4 Pattern 5

Major
Example Pentatonic
#2b).
Minor Practice Scale
Scale the Minor patterns below.
Pattern 1 Pattern 2 Pattern 3 Pattern 4 Pattern 5
Pattern 1 Pattern 2 Pattern 3 Pattern 4 Pattern 5

b rd
Major Pentatonic 3 Scale
Minor Pentatonic Scale
Pattern 1 Pattern 2 Pattern 3 Pattern 4 Pattern 5
Pattern 1 Pattern 2 Pattern 3 Pattern 4 Pattern 5
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Copyright © 2015 Creative Guitar Studio
20 min. Guitar Scale Workout

SECTION THREE:
Developing “Along the Neck” Linear Scale Runs...
In example three, we’re going to study different ways to connect scales. Example three covers
a pattern connecting several layouts of the “C Major” scale. It begins from the 5th string third
fret and travels all the way up the neck to the 8th and 10th frets of the 1st & 2nd strings. This
pattern will connect several positions and it will also apply some sequences as the pattern
situates itself over various fret-board locations.
Example #3). Practice playing the Major linear scale run shown below.

VVVVVVVV VVVVW
(C)

1
I 44 V V V V V V V V VVVVVVVV VVVVVVVV

7 8
T 5 6 8 6 5 5 6 8 10 8 8 10
2 4 5 7 5 4 4 5 7 7 5 7 10 9 10
A 2 3 5 7 5 7
B 3 5

V V eV V V V V U
(Gm)

eV eV V V V e V
I 44 3 V V e V V V V V V V V V V e V V V V V V V V
3 3
3 3
6

V
ExampleV four e V uses the connecting system to3 link together
3 3
3
a Minor 3 pattern off of the root of “G.”
of how this is going to get done is still the same process. We’ll take sectionsW of
V10 Vfret of
3

V 10Vnote
(C) 3

V V V Vfrom off VofV aV “G” V V 10V 11the V3rd


V 11
The concept
1 T 4 V V V of Vthe
V V V V V V V V V V
13
I 4 V V V
multiple scale patterns “G Minor” scale, starting 11 13 (at
V
11
the V
A 6th Vstring). Then we will apply linear7playing
8 10
7 8 7
combined
10
7 8 10 12
8 10 with a few short sequences that
12

B enable
will 3 5 6
the3pattern
5 6 8 we’re
6 5
8
creating
5 6 to easily flow across the length of the neck. The main
8 10

difference in this layout will be the rhythmic duration. This phrase5 is going to operate 7 8 all
using
T 5 6 8 6 5 6 8 10 8 8 10
2 4instead
5 7 5of4straight4eighth-notes.
5 7 7 5 7 10 9 10
A
eighth-note triplets,
2 3 5 7 5 7
B
Example
3 5
#4). Practice playing the Minor linear scale run shown below.

V V eV V V V V
(Gm)

V V V e V U
I 44 V eV V V V V V eV
V V V eV V
3 3

eV V V V V V V
3 3

V V eV V V
6 3
3 3
3
3 3
3 3
10 11 13 11 10
T 10 11 13 11
7 8 7 7 8 10 12 12
A 7 8 10 10 8 10
B 3 5 6
3 5 6 8 6 5
8
5 6 8 10

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Copyright © 2015 Creative Guitar Studio
20 min. Guitar Scale Workout
Video Opening Guitar Jam
Stop the Music
by Andrew Wasson
A Intro
P = 98
d d d c
Bm7 Cmaj7 Bm7 A/B Bm7 Cmaj7 Bm7 A/B

gV V VV l j V V V l gVV k VV k gVV l j V V V gVV k VV k VV l j V V V l gVV k VV kgVV VVV V V V


I 44 VV k VV k V
V
V V V V V V V V V
V V V
1

V V V V V V V V V
T 7 7 8 8 10 8 7 7 5 5 7 7 8 8 10 8 7 7 5 5
7 7 9 7 7 6 6 7 7 7 9 7 7 6 6 7
A 7 7 9 7 7 7 7 7 9 7 7 7
B 7 7 8 7 7 7 7 7 8 7 7 7
sl. sl. sl. sl. sl. sl.

c c
Am7 G/A Bm7 A/B Cmaj7 G A

V
I VV k VVV k VVV VVV V V V gVVV k VVV k gVV VVV V V V VVV Pz V V gV V V V
V V V V V l V l zP V V V gV V
V
5

V V VV V V VV

T 5 5 3 3 7 7 5 5 8 8 10 7 8 10 8 7
5 5 4 4 5 7 7 6 6 7 9 9 7 7 7 9 9
A 5 5 5 7 7 7 9 9
B 5 5 5 7 7 7 8
sl. sl. sl. sl.

B Verse
b b G A
P gV Pz V V V
Bm7 Gmaj7 F m7 Em/G G Fm

9
I z V V V V l V l zP gV W gV V V l V l zP V W VV gVV VV VV

T 10 12 10
9 11 12 7 7 7 9 9 11 6 6 7 7 9 7 6 7 9
A 9 7 9 7 9 11
B
b
sl. sl. sl. sl.

P gV Pz V V V V V V V l V l Pz gV V V V V V gV V V l V l P V V VgV V V gVV VV gWW


Bm7 Gmaj7 Em/G G A F m7

13
I z z
2x
T 10 12 10 8 7 8 7 7 8
9 11 12 7 7 7 9 9 11 9 7 6 6 7 7 9 9 7 7 9 6
A 9 7 7
B
sl. sl. sl. P P sl. P P

F Bridge

gV gVVV VVV VVV VVV l VVV lgVVV WWW gVVV VVV VVV VVV l VVV lgVVV WWW
G A Bm A Bm A

l l V V l V lgV V V V
17
I VgV V V V V V VgV V
7 7 7 7 7 5 7 7 7 7 7 5
T 5 7 7 7 7 7 7 5 7 7 7 7 7 5
4 4 6 7 7 7 7 7 7 6 7 7 7 7 7 6
A 5 4 5 7 7 5 4 7 4 7
B
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
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Copyright © 2015 Creative Guitar Studio
20 min. Guitar Scale Workout
Video Opening Guitar Jam

Song Title - Artist Page 2 of 2

C Chorus

V gV V V V V V V V gV
D Bm G A

V gV V V V V V V V lgV l V V V V V
21
I V gV V l l V gV V l V l V V gV V

T 5 7 5 5 7 8 5 7 5
7 6 7 7 6 4 4 6 7 6 4 4 6 7 7 6
A 7 7 5 4 5 7
B
b
sl.

V l gV V V V V gV V V l gV l V V V V V
D Bm G G Fm G A

25
I V gV V l V V V l gV l V V V V V VV gVV VV gVV

5
T 5 7 5 8 7 5
7 6 7 7 6 4 4 6 4 4 6 7 6 4 4 2 4 6
A 7 7 7 5 4 5 7
B
sl.

D Breakdown

c
Bm A Am7 G Bm7 A Am7 G

V k V k VVVV VV k VV k VV VV V V V gVVV k VVV k gVVV VVV V V V VV k VV k VV WW


29
I gVV VV gVVV VVV V V VV V V VW
Rocku Lead Guitar Soloing u- Part 2 u
• The idea of combining; Scales, Arpeggios and Pentatonics to create
T 3 3 2 3 2 5 5 a wide
3 array of color
3 when 7 improvising
7 5 or 7 5
composing5lines.5Three
3
4 4 2 4 2 5 5 example
4 2 are
4 demonstrated
7 7 and
6 the Tab and
7 Music
5 Notation
5 4 is
A 4 4 2 5 5 5
licks
7 7 7 5 5 5
B provided for each lick in the handout.
P P H embellishments, with a focus
• Application of P on; Slides, Bends,

b
Hammer On’s, Pull Off’s, and Vibrato. Concise explanations are given
E Outro

P gV zP V V V
in the handout.

V V V
Bm7 Gmaj7 Em/G G A F m7

V V V V l V l Pz gV V V V V gV V V l V l P V V
Your download includes:
gV gV
V V V V gWW
33
I z z
• [10: 46] Video (in DivX .AVI format).
• Three-page handout with explanations, Tab & Music Notation.
• Bonus PowerTab Document of a complete song you can record and
T 10 12 10 then practice8 soloing
7 over at home. 8 7 7 8
9 11 12 7 7 7 9 9 11 9 7 6 6 7 7 9 9 7 7 9 6
A 9 7 7
B
b b G A Bm7
sl. sl. sl. P P sl. P P

PgV zP V V V U
Bm7 Gmaj7 F m7 Em/G G Fm

I z V V V V l V l Pz gV W gV V V l V l zP V W VV gVV VV VV gUUU
37
gUU
7
T 10 12 10 7
9 11 12 7 7 7 9 9 11 6 6 7 7 9 7 6 7 9 7
A 9 7 9 7 9 11 7
B 5 9
7
sl. sl. sl. sl.
Copyright © 2015 Creative Guitar Studio
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
5
T 5 7 5 8 7 5
7 6 7 7 6 4 4 6 4 4 6 7 6 4 4 2 4 6
A 20 min. Guitar
7 Scale 7 Workout 7 5 4 5 7
B Video Opening Guitar Jam
sl.

D Breakdown

c
Bm A Am7 G Bm7 A Am7 G

VV k VV k VV VV gV V VVV
29 V k V k
I gVV VV VV VVV
gV VVVV V V VV V V V VV k VV k gVVV VVV VV k VV k VV WW
V V VW
u u u
T 3 3 2 3 2 5 5 3 3 7 7 5 7 5 5 5 3
4 4 2 4 2 5 5 4 2 4 7 7 6 7 5 5 4
A 4 4 2 5 5 5 7 7 7 5 5 5
B
P P H P

E Outro
b
P gV Pz V V V V V V
Bm7 Gmaj7 Em/G G F m7 A

I z V V V V l V l zP gV V V V V gV V V l V l P V V gV V V gVV V gWW
33
z

T 10 12 10 8 7 8 7 7 8
9 11 12 7 7 7 9 9 11 9 7 6 6 7 7 9 9 7 7 9 6
A 9 7 7
B

Fb m7 G Fb m G
sl. sl. sl. P P sl. P P

PV V V U
Bm7 Gmaj7 Em/G A Bm7

P gV z V V V V l V l Pz gV W gV V V l V l Pz V W VV gVV VV VV gUUU
37
I z gUU
7
T 10 12 10 7
9 11 12 7 7 7 9 9 11 6 6 7 7 9 7 6 7 9 7
A 9 7 9 7 9 11 7
B 9
7
sl. sl. sl. sl.

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

Thank you for your donations & Generous Support - Andrew Wasson

Music Reading • Phase One


33 Page eBook (plus nineteen MP3 audio examples) CLICK HERE

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Copyright © 2015 Creative Guitar Studio

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