Вы находитесь на странице: 1из 10

MEDIA ➔ SOURCE - where the message came

from
COMMUNICATION - people or group of
➔ ENCODING - process by which a
people imparting or exchanging messages thru
message is translated before it its
speaking, writing, gestures
transmitted
FORMS
➔ TRANSMITTING - actual act of
VERBAL - use of sounds and words in
sending the message
expressing oneself
➔ CHANNELS/MEDIUMS - lines that
NON-VERBAL - expressing oneself using
enable the act of sending or
different means
transmitting
● Gestures
➔ DECODING - receiver translated the
● Haptics - touch
source’s thoughts so they can have
● Proxemics - space
meaning
● Sign language
➔ RECEIVER - one who gets the message
● Oculesics - eyes
➔ FEEDBACK - response generated by
● Facial expression
the message sent to the receiver
● Posture
➔ NOISE INTERFERENCE - mechanical
● Chronemics - time
sound more resonant than the
MESSAGES - collection of symbols that appear
message/messages with conflicting
purposefully organized to those sending or
tones drowning the original message
receiving them
LITERACY - ability to read and write
SOURCES OF MEDIA
TYPES
● INDIGENOUS - created and controlled
1. INTRAPERSONAL - individual talking
by a community
to himself/herself
○ Authentic, legit
2. INTERPERSONAL COMMUNICATION
○ Costly and risky
- involves 2 to 3 individuals interacting
○ Separate from either
thru the use of their voices and bodies
private(commercial) media,
3. MEDIATED INTERPERSONAL -
state-run media
communication with others thru the
● LIBRARY - collection of sources of
use of devices such as pen,
information
telephone/computer
○ Community of reference
4. MASS COMMUNICATION
● PRINT
a. ORGANIZATIONAL -
● BROADCAST
communication in a working
● MASS
environment
● INTERNET
b. PUBLIC - speech before an
MEDIA LITERACY - information technology,
audience
ability to access, analyze and respond to a range
of media
ELEMENTS
❖ ACCESS - denotes the knowledge
❖ ANALYSIS - thinking reflectively and
critically
❖ RESPONSE - ability to experience and FORMATS OF INFORMATION
explore the pleasures of the media text 1. PRINT - materials produced from print
MASS COMMUNICATION - original means: resources(books, newspapers)
print (magazines, journals, newspapers), 2. DIGITAL FORMATS - stored in an
publications electronic format on a hard drive(CD-
*EMPOWERMENT - idea of power ROM)
COMMUNICATION BREAKDOWN - 3. AUDIO AND VIDEO - collected using
misinterpretation of the receiver to the analog technology in video(TV,
message recordings)
4. MICROFORM - have been
INFORMATION LITERACY - set of individual photographed and developed in
competencies necessary to identify, evaluate reduced size film strips
and use information in an ethical way
C.R.A.A.P. - current,relevant, authority, TECHNOLOGY LITERACY
acknowledge, purpose
DOMAIN NAMES COMPUTER LITERACY - set of skills needed
1. .edu - educational institution, contains to understand and operate the basic functions
reviewed information of information
2. .com - commercial entities - Ex: removing batteries when not in use
3. .org - non-profit organizations ● Hardware literacy - ex: knowledge on
basic features of a machine
● Software literacy
Technology ● Internet literacy - ex: skills in
understanding basic ICT features,
researching about the credibility of a
website
● Digital literacy - ex: converting videos
to MP3
Internet(gat Computer(pro
4. .gov - government org
5. .net - internet service providers
SOURCES OF INFORMATION
➢ POPULAR PUBLICATIONS - general
public as its target readers
➢ SCHOLARLY PUBLICATIONS - found
mostly in academic journals
➢ TRADE PUBLICATION - meant for
players and specialists of a specific
industry
*MEDIA CONVERGENCE - merging of EVOLUTION OF MEDIA
communication outlets/ interconnection of
information and communication 1. PRE-INDUSTRIAL - 1700S
a. Cave paintings - ancient people ➢ DIGITAL ETIQUETTE - appropriate
b. Clay tablets in mesopotamia - and respectful behavior
sumerians ○ Ex: appropriate comments to a
c. Papyrus in egypt - ancient post
egyptians ➢ DIGITAL LAW - legal environment,
2. INDUSTRIAL - 1900-1930s Magna carta for internet freedom
a. Typewriter - Sholes and Gidden ○ Ex: being informed about data
b. Telephone - Alexander privacy act
Graham Bell ➢ DIGITAL WELLNESS - protection of
c. Motion picture photography users
3. ELECTRONIC - 1930-1980s ○ Ex: compromising time for
a. Television - Philo Farnsworth, exercise, study and sleeping
John Logie Baird ➢ DIGITAL SECURITY - entire gamut of
b. Transistor radio - John safety precautions that information
Bardeen, Walter Brattain, technologies invoke
William Shockley ○ Ex: availing anti-virus software
c. Personal computers - apple - MAGNA CARTA FOR PHILIPPINE INTERNET
Steve Wozniak, Steve Jobs, FREEDOM
(Ronald Wayne) ★ House bill no. 1086(Congresswoman
4. INFORMATION - 1980-present Kimi Cojuanco)
a. Websites - Tim Berners- ★ Senate bill no. 53(Sen. Miriam Defensor
Lee(world wide web) Santiago)
b. Vlog and blog - (vlog) Dan Zen, ★ Crowd-sourced document
(blog) Ian Ring ★ Product of advocacy
c. Smartphones - Republic act 10175 - Cybercrime prevention act
of 2012
IDEAL SITUATIONS
CODES
➢ DIGITAL ACCESS - all have full - Systems of signs and symbolic meaning
electronic participation embedded in a media
○ Ex: Low internet bandwidth - 3 main types:
➢ DIGITAL COMMUNICATION - - Visual - fonts (types: written
electronic exchange of information thru and verbal)
platforms and channels - Technical - camera angles(wide
○ Ex: facilitating discussions shot, medium close-up),
through Edmodo and TEDx framing, photography
➢ DIGITAL COMMERCE - sale and - Symbolic - colors, facial
purchase of goods and services using expression
digital platforms *SEMIOTICS - study of signs and symbols
○ Ex: online shopping (buy and CONVENTIONS - established and socially
sell) accepted ways of doing things
- Traditions, cultures
- Standardized content objectively
- Developed from daily experiences and - Uses 3rd person POV
social norms - Chargen - device that
(CODES + CONVENTIONS = GENRE) incorporates text in the
GENRE - french word for class/kind television
● NEWS screen(Television news
○ Stories that have critical reporting)
importance to community and - SOFT NEWS - lifestyle and
national life travel news, articles offering
- DIVISIONS best tips in doing something,
- HARD NEWS - usually found in video clips presenting the POV
the first page of a newspaper of ordinary folks,etc
- Values 2 elements: - ‘Human interest
- Seriousness - stories’
topics/issues that are - FEATURES - extensions of soft
critical to the lives of news in a sense that the human
the community and interest angle is played up and
body politic presented in a longer and
- Timeliness - stories elaborate format
that cover current - US - ‘literary
events journalism’ (journalism
- Objectivity - notion speaks of objectivity
invoked by and commitment to
journalists(fair, standards of accuracy;
balanced and impartial literary implies
stance) enjoying liberties with
- Inverted pyramid - language as its defining
acceptable structure of characteristic)
the news story told - Covers usual topics
such as pressing issues
of the day
Concise recounting - Requires more research
of details and reflection from the
writer
Supporting - EDITORIALS AND OPINION -
facts, evidence,
consists of opinions against
hard news
Additional - COLUMNS
quotes & - Opinion articles and
editorials express an
Other individual/organization
releva al POV
*EDITORIAL commercial in nature and
- Can argue for a certain utilize explicit messages to get
issue and calls on a the consumers to purchase a
person/entity to act on product/patronize a service
the issue ■ Carmina commercial
- Meant to throw ○ SOFT-SELL
adulation to an ADVERTISEMENTS -
individual, associative in nature
organization, policy/act ■ Implicitly conveyed
exercised by the ■ Soda company
government associated its product
- Meant for with the happiness
entertainment (parody) derived from family
- POOLED EDITORIAL togetherness
- significant issues ○ INFOMERCIAL - derived from
confronting the nation information and commercial
is presented to the ■ Combine the need to
public inform/educate and the
*OPINIONS intent to sell a product
- Reflect the views of the ■ Used in campaigns,etc
writer/ the stand of 1 ● ENTERTAINMENT - french word
organization entretenir (to hold the attention, keep
- Opinion pieces, 1 busy/amused)
conceptualized and ○ 4 sub-genres:
perhaps written ○ FESTIVAL
collectively and the ■ Parades (Secular and
other written by an nonsecular)
individual ○ DRAMA
● INVESTIGATIVE REPORTS - have a ■ Workplace
very specific relation to power because ● Dramas about
it focuses in finding, reporting and professionals
presenting news which the authorities (hospital
try to conceal dramas)
- PCIJ - Philippine Center for ○ GAMING
Investigative Journalism ■ Sports
(started by journalists who ● Professional
were very active during the sports (NFL
Marcos era) football)
● ADVERTISEMENTS - messages ○ COMEDY
created to sell a product/service ■ Situation comedy
○ HARD-SELL
ADVERTISEMENTS -
● Work-based ■ Wikispaces Classroom -
and hospital- social writing platform
based sitcoms for education
● INFORMATION - all about the raw ○ PODCASTS - digital audio file
material that circulates around us and made available on the internet
from where news as another genre is for downloading to a
generated computer/mobile device
○ Anything that provides us data ■ Typically available as a
about the world series
○ BLOGS - derived from web and AUDIENCES
log - Group of people exposed and
■ Consists of web entries experiencing media
by an individual, - Not always plural for there are
displayed in reverse instances when it’s an individual solely
chronological order, exposed to the media
providing - A highly valued concept in media and
commentaries on information production
something TYPOLOGY of audience by Nightingale
■ MABS - multi-author A. EXPOSED
blogs (blogs with ● As “THE PEOPLE ASSEMBLED” -
information sites for paying attention to a media being
their activities and performed
platform of advocacies) ● As “THE PEOPLE ADDRESSED” -
○ WIKIS - application that allows group of people who were imagined by
the modification, revision, the communicator (target audience)
extension and even deletion of B. EXPERIENCING
its content ● As “HAPPENING” - experience of the
■ WIKIPEDIA -( most reception alone/with others as an
famous wiki) interactive event (live streaming,etc)
encyclopedia project ● As “HEARING/AUDITION” -
that relies on a global participatory audience experience
community of users to (noontime shows,etc)
contribute for content *MASS AUDIENCES - convenient term applied
generation, revision to huge numbers of people who constitute the
and elaboration audiences of popular/mass culture
■ Serves as an *AUDIENCE FRAGMENTATION - used to
information hub, describe the creation of smaller and less
information heterogeneous
dissemination, AUDIENCE SEGMENTS
introduction to a topic, - Treating audiences as sets of
etc consumers aggregated according to
characteristics instead of treating them - USES AND GRATIFICATION
as an undifferentiated public APPROACH - argued that the
- Segmenting audiences tailor the audience access media and
content to a specific segment of society information bringing with them
thus improving the quality of the their own needs and desires
content that structures the way how
media is received
THEORIES - KINDS OF GRATIFICATION:
❖ PASSIVE AUDIENCE THEORIES - INFORMATION -
➢ HYPODERMIC NEEDLE through public affairs
THEORY - emerged in the late program, internet and
1920s and gained prominence news genre
after WWII - PERSONAL IDENTITY
■ Asserts that media and - through television
information messages, - INTEGRATION AND
like a hypodermic SOCIAL
needle, inject their INTERACTION -
messages directly to through the
their audiences information we get
■ Media is the powerful from media
conduits of messages - ENTERTAINMENT -
■ Audiences are the for enjoyment,
passive recipients of satisfaction/just to fill
the message time
■ Audience are - CRITICISMS:
homogeneous and - Social dimension of
undifferentiated (same viewership is totally
reaction from all kinds absent
of audiences) ❖ CULTURAL EFFECTS THEORY
■ HAROLD LASSWELL ➢ George Gerbner - 1976
➢ TWO-STEP FLOW OF ➢ Television cultivates in its
COMMUNICATION - emerged viewers a way of sensing and
from the studies of:(when they seeing the world
analyzed how voters make their ➢ Regular usage of television over
electoral decisions in the 1940 extended periods of time can
US presidential campaign) shape people’s opinions, views
■ Paul Lazarsfeld and behavior
■ Bernard Berelson ➢ (Living with Television: The
■ Hazel Gaudet Violence Profile-co-authored
- OPINION LEADERS - group of with Larry Grossman) high
people who exert particular frequency viewers of television
influence on the voters are more vulnerable to the
violence expressed in its how the listeners
messages and images perceive it
➢ CULTIVATION ANALYSIS - ➢ Encoded in the media and
focused on prolonged television information texts are dominant
viewing and how it sought to perspectives/messages that
develop empirical means to emanate from the main
assess the relationship between institutions of the society,
amount of viewing time vis-a- including the established codes
vis behavior, the attitudes and and practices that create
opinions of the viewers preferred meanings (e.g. how
➢ CRITICISMS: women should play out their
■ Presents a very role in the society)
mechanical model, ➢ POLYSEMIC TEXT - prefix
similar to the direct (poly) implies multiplicity,
effects of paradigm, while semic is derived from the
that overvalues greek ‘sema’, meaning
television as opinion audiences see various meanings
and attitude shaper in the signs from the media and
■ Indirectly dismisses information texts
other factors in the ➢ An individual’s interpretation is
social environment shaped by the social
❖ ACTIVE AUDIENCE THEORIES circumstances surrounding
➢ Stuart Hall’s framework for him/her and by the contexts
encoding and decoding that govern his/her existence
messages ➢ Social factors as the triumvirate
➢ Encoded in the construction of of class, gender and ethnicity
media texts are the ➢ Context - set of conditions that
organizational and contextual locate a media and information
factors surrounding the text in a particular historical
production of media and period
information text ❖ RECEPTION AND RESISTANCE
■ IDEOLOGICAL - for ➢ David Morley - (derived from
instance, it is the term Stuart Hall) articulated 3 modes
used for the latest of reading media texts on
music video of the #1 television(1980)
song in the top 40 ■ DOMINANT READING
chart, and that the - reader fully shares
meaning of the song is the text’s codes and
largely an interaction accepts and reproduces
between what the the PREFERRED
creators intend and READING
● Shampoo to turn women
commercial into passive
that features consumers
the luscious ➢ Audiences can resist the
hair of the messages of media and
endorser which information texts in very
made some creative ways through the
women social positioning of the
purchase the audience
product
■ NEGOTIATED *TARGET AUDIENCE - specific group of people
READING - audience identified and aggregated from selected
partly shares the text’s population segments
code and broadly - Intended users
accepts the preferred ATTRIBUTES OF AUDIENCE
reading, but sometimes ● G - gender
resist and modifies it in ● E - ethnicity
a way which reflects ● A - age range
one’s own position, ● R - region/nationality
lived experiences and ● S - socio-economic group
opinions ISSUES IN MEDIA
● A woman may INTELLECTUAL PROPERTY - creations of the
think that the mind
endorser is - RA 8293
naturally - Inventions, literary and artistic works,
endowed with designs and symbols, names and
luscious hair, images
but still buys TYPES
the product and ● COPYRIGHT
uses it ● PATENT - exclusive right granted for
sparingly an invention
■ OPPOSITIONAL ○ Provides right to decide
READING - audience how/whether the invention can
takes a directly be used by others
oppositional stance to ● TRADEMARKS - distinction sign of
the dominant code of goods /services of an enterprise
the texts and resists it ○ TRADEMARK INFRINGEMENT
completely - violation because they are
● Seeing the using the same concept of other
advertisement logos
as a sham, a
blatant attempt
● INDUSTRIAL DESIGN - HAPTICS TECHNOLOGY - used in virtual arts,
ornamental/aesthetic aspect of a such as sound synthesis, graphic design and
product animation
● GEOGRAPHICAL INDICATIONS AND - Gaming, movies, etc
APPELLATIONS OF ORIGIN - specific CONTEXTUAL AWARENESS - hard and soft
geographical origin: qualities, sensor suited for the user’s needs
reputation - Taking control of the remote control
○ Includes the name of the place EYE TRACKING TECHNOLOGY - law
of origin of the goods enforcement
FAIR USE - responsible use of copyrighted - Lie detection, airport security, health
material, without a license, only for certain care, human interaction, safety
purposes - Measures eye positions and movements
- Include: commentary, criticism, which are analyzed through computer
reporting, research, teaching applications
- Guidelines: majority of the content
must be your own, give credit to the
copyright holder, don’t make money off
the copyrighted work
- ATTRIBUTION - ask for full permission
- NON-COMERCIAL
- NO DERIVATIVE WORKS - no
modification
- SHARE A LIKE - you can modify your
work

CREATIVE COMMONS - american non-profit


organization
- Expanding the range of creative works
available for others to build upon
legally and to share
- Work may be used without permission,
under certain circumstances

CURRENT TRENDS IN MIL


INTERNET GLASSES - building schemes,
virtual recipes, giving speech
- Display images directly on the retinas
while not blocking the sense of sight
VOICE AND TONE RECOGNITION - security
healthcare, mobile applications
- Detection of person’s emotional and
health condition

Вам также может понравиться