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This page lists common progressions and the very well known standard songs that use them.
II V I and unresolved II V
Too numerous to actually list songs with this progression. The V to I, Dominant to Tonic chord
movement IS the most common progression in western music.
Occurs either major or minor. Examples: Dm7 G7 Cmaj7 (Major), Dm7b5 G7 Cm7 (Minor)
I VI II V
* I Got Rhythmn
* Blue Moon
Backdoor Changes
Based on the minor third substitution principle, a bVII7 is a substitute for a V chord. The II (IVm7
or IVm6) of the bVII is typical. A quasi II V Used to return to the key center after a IV chord. Can
also be used unresolved
* A Foggy Day
* All The Things You Are
* Blue for Alice
* Cherokee
* Donna Lee
* I've Grown Acoustomed to Her face
* Just Friends
* Just The Way You Are
* Lil' Darlin
* Meditation
* Misty
* Moon River
* One Note Samba
* There Will Never Be Another You
* Wave
Sub for V or II V
* Desifanado
* Four On Six
* Joy Spring
* How High The Moon | Ornithology
* Lady Bird
* Valse Hot
I II7 II V
* Desafinado
* Jersey Bounce
* Take the 'A' Train
* The Girl From Ipanema
* Watch What Happens
Confimation Changes
TRIGGER: I ↓ m2 II V backcycle to IV
* Afternoon in Paris
* Alone Together
* Bluesette
* Call Me
* Cherokee (bridge)
* How High the Moon
* Invitation (bridge)
* Once I Loved
* One Note Samba (bridge)
* Recorda-Me
* Solar
* Tune Up
* Watch What Happens (bridge)
* Wave (bridge)
* What Is This Thing Called Love
TRIGGER: I ↑ P5 II V I
V of IV Seconday Dominant
* I Got Ryhthm
* Misty
* Scrapple the Apple
* Stompin' At The Savoy
* Sweet Georgia Brown
* The Flintstones Theme
TRIGGER: ↑ P5 II V I ↑ M3 ur(II V) TB to kc
* Satin Doll
Wave Bridge
TRIGGER: ↑ P5 II V I prime' II V I TB to kc
* Love Man
* One Note Samba
* Tune Up
* Wave
Piardy Third
* Bluesette
* How High The Moon
* What's New
Rhythm Changes
TRIGGER: I ↑ P5 II V I
* Oleo
* Scrapple the Apple
* I Got Ryhthm
* Stompin' At The Savoy
* Sweet Georgia Brown
* The Flintstones Theme