Contents

C' est La Vie 4

The Endless Enigma Part I 18 The Endless Enigma Part II 24 From The Beginning 28

I Believe In Father Christmas 49 Karn Evil 9 (Ist Impression Part II) 66 Lucky Man 52

Still ... You Turn Me On 13 Take A Pebble 32 Trilogy 56

4

C'est La Vie

BY GREG LAKE AND PETER SIN,FIELD

Moderately

Om add9

'\
~
11
I
tJ -.J_' .. .. -.J_ ~' • .. -.J_ ~' . - . ~
) mp with pedal throughout
I .
Cadd9

•

Gm61B~

II

'\ I I -
~
C'est la 1. vie, have your
2. night, do you
~ -:J.' .. .. -:J. -.J_' .. .. -:J. -:J.' .. .. ~
I ~ - - - • - '-....-
leaves all turned to brown, _ will you scat - ter them a - round
light a lov - er's fire, _ do the ash - es of de - sire _
,

~ li'" .. .. • li li'· .. • .. li li'-,j • • li ..
. Copvrieht © 1977 by Leadchoice Ltd.

C9

II

Dm add9

5

II 1
.; -z:» r;; • • r;;
you C'est la vie. Do you
-- for you - re - main? Like the
II .. ,.--- 31---,
~ ~' . • - • iJ • ~' .. .. ~ ~
. u Cadd9

II

~ 1 ~
..
love and then how am I to know_
sea there's a love too deep to show,
f1_ _..
I
~ ~' • - . ~ ~' • - . ~ iJ'· • - .. .. ~
. u Gm61B~

II

C9

•

~ --
.. ~ - • - ~ • (JI .. ..
-- if you don't let your love show L, for me, C'est la
-- took the storm be - fore my love flowed for you, C'est la
.. ~' ..... .. ... ~ ~'-J .. - • ~ .. ~'... .. - . - ..
""II Dmadd9

Gm7

II

II ---
.. r;;
vie. ! Oh,
vie. ----------
rt -- _..
I
~ ~' • - . ~ ~' • - . ~ u .. .__,.
mf

I

~ 6

Dm add9

~ --
~ ~
_ C'est la vie. _
,--..
~ I ~ ---
I
• '-"~ - "- / L J I I r - / L r [ I r -

.
- "ill "ill Gm7

•

Dm add9

- -
• ~.
Oh, C'est a vie. __
" I r--,
.. "IT .. .... _ v'" - -: r_ r [ I r -


I

~ - "ill ~ -
~ - '-" <;»
Who knows,_ who cares _ for me.
~ ---
~ / r J [ 1 r - ~' .. .. . ~ #' .. .. ~ ~

I

"ill -& -& Em7b5

II

E7

II

1.

Asus4

II

A

II

Dm add9

• '-"~---- .. .. ~
C'est la vie.
" - »<>
I
~ -:jJ.' .. .. -:jJ. ~ 'mf

~r- ~ ~ -
.
~ I ..... --~~----------~----------

7

" I
. iT· In the
~ ,--3 ~
,--3---, ~3-----, r--3~ .. . .. ~ r--3~
" ? !'- !'- .. . .. I
I
~ ~~-~
~ f:- ~ !'- ~ f:- ~- !'-~
;-1 - ;-1 - ;-1 -
- - - 2. Dm add9

~ Q
vie. ~----- ----=:
" I »>: ..
tJ .. r _,..
,._ f:- ~ !'- ~ f:- ~ !'- ~ f:- ~ !'-
.
I
rl - rl - rl -
- - - DmlC#

II

"
tJ
~J .N ------ •
I
• I 3
~ f:. ~ !'- - !'- f:. ~ !'- ~ f:. ~ !'-
-
j
r I . 3 - 3
- DmlC

1m

G7/B

•

Gm6/B~

II

A7

]I

. .: (b~ 3 7,-_,._
.--3---;~ .. ...---3__'" .. . - __ 3~ ,
I
~ ___. J I
,._ f:- ~ !'- ~. ,-3---, f:- ~ . ,-3---, f:-~
....J .J
- 3

3

3

,.

8

Dm add9

DmlC#

II

~
~. ~
II I ~ - .~ 1#-. _ -.........._
I
-.J ~ J 3 I
L-3____J
~.~ ~ ~ ._ ~ ~ ~ ~ ~ ~ ~
f .
- I - 3 DmJC

II

3

3

G/B

II

Gm6/B~

A7

"
~
~~ r-~-; (~~3") ~3---r
~ - -.......__ 1It.
~ 3 I I I -- 3 -
~ ~ ~ ~ ~ .. ._ ~ ~ ~
- r- _
~ 3 - ~ J I 1 J J
- 3

3

3

3

Dm add9

Gm6

II

LJ
-.l ,--3~ ,3,
" J ~ lbj)J ~
-.l 3 ~ j L J I r ...
3 -
~ ~ .. ~ ~ ~ .. .. ~ ~ ~ ..
.
J J 3

Dm add9

t
3----' ,3, ,--3---"1 ,3, ~~
" r- ~ :\ I ~ .. ---=:::::::::::
I
-.l '-""- I ----- -----
• .1':_ r_ Ill. .. .. ~ ~ ~ .. ~ r:- ~ ~ ~ r:- ~ ~
.
.
J J - - 3

3

9

Gm6

•

~
iT ~3 ~~g3~ :::::----- ~ 3 "I
~J ~.~
1'1
.
j ~ ~
tJ '-' ~ ~ ~
~ ~ ~ ~ _,,_ ~ ~ _,,_ _,,_ ~ ~ . • _._
•
. J J
7
, -v -3
- 3

Dmadd9

ill

~ ..J
~
In
~
--.J ---=:::::::
~~
- • """
1'1 r-- 3 -------, ,--3""
II I - 3 -----
tJ r r
fl- f:: ~ fl- ~ ~ _,,_ _,,_ ~ ~ fl-
fl- ~ .fII- • ..
.. ..
J - 3 - 3
, J Em7~5

II

~
.J
~J .......------J ~3"1
_.-3 ..
(~~
'-'L-3___j L3-J I
• ~ ~
~ ~ fl- .fII- ~ (~) fl- ~ ~ fl- • fl-
.fII- .-
~ . s 3 .1
3
- -3 3

Asus4

•

I
"'lII"
"n -v
rc
-.
II
IT
~~t.:
~ - poco allarg.
tJ I ~ fl- ~
~ (f:) ~ ~ -- ~
fl-~ ~ • •
•
-no I ...1- J
j I 1_ J
, j - 3 - -
- -7 3

A

II

Dm add9

a tempo

" I_
•
Like a song,
1':\
" ,. -- • "ft-
• I
----===
f
~~ ~ J J r ~ -fL
1':\ ...;.
I ·
I I 3 11 3

Cadd9

II

"
•
out of tune and out of time. ;
fI It.;,. a- 0·
~ -::::::::: --::::::::: ~
J J ~ ~ -fL - J ) J ~
11 ~ Gm6/B~

Ii

C9

II

1\ -
_~ .... - ,. - ~ ,. v • •
- all I need - ed was a rhyme _ for you, C'est la
1\ t':). • - I
I
..r GO • -
--
--=== - ~ --:::::: l ~ J~~ ~ -~
T_JJ ~ -fL .,. I ~]_~-fL ..
·
~ i ~ Dm add9

1\ _l _j_
.. t;;
vie. Do you give,
r--3~ ~: ,.~
1\ ,. . r---
~
~~~~ /'",._ ~ ~~~~ ..;.
·
·
rl -r I ~ I +

Cadd9

II

1

II - -
tJ - -
do you live from day to-day, _ is there
r-.,. ,--- 3 _____, e ~---1If- r--,,_. '" 3 _____,
II - ,._ . ,._ ~ ~ ~~ ,_
~ -
--:::::1 ; 1 ~ ~ --::::1 ; 1 ~~
~~ ~ ,_
,
r_1 • • Gm6/B~

111

Dm add9

C9

II

~
~ • ~ . ~ • • ~
no song I can play _ for you, C'est la vie.
.-: • ,--- 3 _____, •• ,---3~ J~
. ~ f':)
I
~
;::-:IJ 1 ~ --::::: 1 J 1 ~ ~
~~ ~ ,_- -
,
• ~ -rl Gm6/B~

111

II -- ----
tJ ~.
Oh, C'est a vle._
r-., -------------- a:: ~
I
~
< ~~ ~ ,_- =-:» ~ ,_~ ~,,_ ~,_~
I
-rl Dm add9

Gm6add9

II

~ I
~ Oh,
-
J J -------------- .~
II I I J I I I
~
~~~~ ~~~,_
~,,_ r s,-;
r_1 ,_ I 12

Dm add9

" ...... I ~
.. ~ .
- C'est a Vle. __ Who knows,
I " ~: ~ J I I J~I
..
~ .. ~~~ ~~~~. ~~~~
·
·
- rl rl Em7b5

II

E7

II

Asus4

II

"
tJ ...__. '-" ------ ------ .
-- who cares_ for me,

1\
I
tJ v v ~
mf
.>; "'-~~ Cb .. ,._ ~ ~ ~"'-~~~
·
r r I I
- Asus4

II

Dmadd9

1\
tJ <;» .. .. r,;
_ C'est la vie.
f:'I
--- J
1\ 1':\
, ~ =. ~ !~
tJ ~ ~
poco rit. p
~~ ~ 1':\
.
, .
I I -,J -
--- 77 poco rit.

Slowly

13

Still ... You Turn Me On

BY GREG LAKE

Moderately G

•

Dm7

1m

" ~
... .. .. r
1. Do you want to be an an - gel, do you want to be a
2. Do you want to be the pil - low where.L I_ lay my
" ~
I
... .. .. I r
smoothly
f'- Ill. Ill. ~ f'-
• • - -
.
.
r I r_

- G

II

Dm7

II

"
t.J I .. ..
star? Do you want to play some mag - ic on my __ gui - tar?
head? Do you want to be the feath - ers lying in __ my bed?
"
I
t.J I .. ..

• f'- • Ill. ~ ~ I'-
.
.
r I r
G

II

Dm7

1m

G

•

- ,.....,
.. .. .. I r I "f -
Do you want to be a po - et do you want to be my spring? You could
Do you want to be the COy - er of_ a_ mag - a - zine? ere - ate a
-
.. .. .. I r I 1.....1
• I'- • Ill. ~ tt- l'- • I'- •
r I - r r I
- A J

r

14

G7sus4ID

II

Bm7b5addll

•

1\
.J Iiiiiiiii; h. -
be an-y t mg. Do you want to be the
scene. Ev- 'ry day a lit - tIe
II
I
..., Iiiiii;;; -
~n _hn -
"1 - J ) - J ) - Ill. ~ .,._ -
I ·
·
TI" TI" Bbmaj7# 11

II

Gm6/Bb

111

"1 .'" r---, r----., -
.. I -
loy - er of a - noth - er un -der- coy - er, you could e - yen be the
sad - der, a lit - tIe mad - der, some - one
1\
... -
,._ ~ f'- • ~ f'-
·
· Asus4

•

Dsus4

II

II I ~ .h I
..., - • •
man on the moon. Do you
get me a lad - der. Do you
1\
.J - - - • •
,._ "1 hn - - II "1 ~n - ~ II
I F

•

II I I -
,_
...
want to be the play - er, Do you
want to be the sing - er, Do you
II I I -
I
...
- ,.. ~ .,... • ~ .,...
·
\'1'j I r I 15

Om

II

Bb maj?

11

~. _j ...-00'1 I ... ...
tJ r
want to be the string, Let me tell you some - thing,
want to be the song, Let me tell you some - thing,
1\ I ...-00'1 I ... ...
t.J 1 J J J 1 J (J) J r
n 1£1 1 -J
~ ~ 1 J I~ J
"1 - ~
- - - - Asus4

II

A7

11

I\._ ~ J """-- ==-""'" I ... I
tJ it just don't mean a thing. You see it real -
you just could' nt be more wrong. __ You see I real -
fl_ ~ I """-- ==-""'" I ... I
tJ -
!If. ~. "f_ 1\ r:J d "1 ~ r1 J
-
- Om

II

1\ _lI.. J.. -. -
t.J ly does n't mat ter when you're
- -
ly have - to tell __ you that it
1\ I ... ... -
t.J
!If. ~ f- f'- ,. ~ .. !If. ~ IIf._ B~6

II

Cadd9

•

Om

II

II. I ... "! ~
tJ r r
bur - ied in __ dis - guise, __ by the
all gets so __ in - tense, __ from
II. ...
I
t. r r I
IIf._ !If. f'- ~ f- f'-
I Cadd9

til

Dm

II

16

II
-.J r
dark gloss on your eyes. __ Though your
my ex - per - i - ence. __ It just
" -
I
-.J r
) .. !ll- l'- ~ ~ I'-
I ·
Cadd9

til

Dm

II

E~maj7

II

A ]'"'-,
-.J I - ~
flesh has crys - tal - ized _ ! Still.. .
does - n't seem to make sense.L,
"
I
-.J I p~
!Il- !ll- l'- ~ f:. I'- . 1,.1 1 .. ~ . 1 •
·
· >

>

>

>

II
.. ~' ~
you tum me on.
" ..
I
-.J ~' ~ - <z:» • • <:::
mJ
J£
.
.
-,J -,J -,JI -,J Dm

II

E~maj7

II

II
~ .. -------
Still ...
(

, - .~\> >/ p-------
>
'~ ~ .. ~ i- 1 .. :::=:::1- I_ l-
I .
.
-,J -,J "" ... ... Ii

Dm

II

I

II J
.J ~' "-'"
you tum me __ on. __
" -
.J ~' "-'" - .. ~ .. .. <:»
.~
·
.,; .,; ";' .,; >

>

>

>

1. E~maj7

II

~ -------
Mmm
" -
~ - .. ~~> :/ p-----
>
\~ ~ 1,1- I- .. ~I- l- I-

·
.,; .,; >

>

r

>

add9 C'no S

II

II
.. W' -- -
you tum me on.
II
.. ~' :L_5 "1 V "1 V "1 ~ .fi!P
~-R
~ V V V 2. E~maj7

II

Dm

II

" 1':1
.J ....._.....- ~' .. .. " ___ '" 1':1
)n>
Mmm you tum me on. __ (R.H. .J.
II
t.J p""'_""'- ~' .. .. .. f: (L.H·)W C
1,1- .~. > > 1;1
I- .., .. l- I- .hfl 1':1
· r

18

The Endless Enigma Part I

BY KEITH EMERSON AND GREG LAKE

As fast as possible Tacet

Moderately fast

3

3

3

3

3

3

3

3

3

(\ ~ Ii r-3---, ~ - 3 u _~~f_ 1*- _
.
~ -# ~~ ~ S-- • 1'"1' l' ~ 3 3
.
'r-J.
;09- ~09- ~-0- Copyright © 1971 by Leadchoice Ltd.

Administered Worldwide bv Camnhell ~nnnpl!lI I']" C» T td T nndnn

19

3

3

3 3--,

3

3

3

3

3

3

3

3

3---,

3

fI I ~ 3 1r. r:- • -=---- ~ ~
.
@J ~ • ._._ I l.-~ • . ....
3 3 3 3 3 3 3 3 3 3 3 3
......... - - - ,..,_, ,..__, ,..__, ,..,_,
·
·
=- - - =- ~ - ~ ~ =- - -: - -#-= _._- _._~ ....
... ... ~ -4 ~ 3

3

3

3

(I I r-t-, 3_ f'-. r-r-,
I • -_._
~ ~ • ._. • --r - ~ ~
3
<
3 3 3 3 3 3 3 3 3 3 3 3
f - - - - - - - -
·
·
~ ~ ~ ~ ~ ~ - -: ~ - - _._~ _._~ _._~ #-
... ~ ~ fI I ~ ~~ ~~ ::L~ ~~ ~~ ~~ ~~ ~
• ~ • •
~ --r- ut -j"'" ~ ~ ~ - --"3 ff"t ~ i~ ~~~"i
< 3
~ ~
~_ I I
I~x
_._ ~ CI • b"~ • T - _._ +t;_,_ ~ t f!~ qt 20

f\ L ,3--, I' -, l .L( ~~ ~ ____ .o , .........,
-
@) ~(~ ft'"' ~.:: l' _, , #~~ ... ""- .... q-.L~
) ~~b. ',..~/ -
cresco
· J ... "r.. 1/
I ·
. .
- T "I- ~ ~~. l~·
~ 3

Slowly in 2

Gb Ebm

(J.=d) tim mirfr.

Db

,_.-....

g4fr.

II I I ~
·
·
~ I - .,
Why do you_ stare, do you
Why do you_ think I be -
- ~~1'!. ~1L
f1 i r" I J -
·
·
@... "I I - I rJ ...
-
p
·
-" · ·
·
. .
~'~. ~=
~?; • Gb/Bb cb

mE

Gb

Db

- g4fr.

Gb/Bb cb

liE

,fI L ~
@) "'J U I .....__, ... «:»
think that I_ care? You've been mis - led by the thoughts in your_
lieve what you've_ said? Few of your_ words ev - er en - ter my_
II I I ~
I
~ u _. ... ... -8 I u ... IJ _. ... ...
·
1-7. 3

Dbsus2/F cb

;We

3

Gb

cb

f\ I r-- ----, r-- --, ~ ~
@... rJ I V I I I
head. Your words waste and de - cay; noth - ing you say reach-es my
head. I'm tired of hyp - 0 - crtte freaks with tongues in their cheeks, turn - ing their
.- 3---, r-- 3--, r- 3----'1
fI I I I I I I
, @... # :: f ~ I r r r
"if
I ·
·
- ~ =d: ~ --d- -6- v ~ G~sus4/E~

x

96fr•

E

m

D

1m

II • • • fIo_ - flo .....
@: -
ears an - y - way. You nev - er spoke a word of truth.
eyes as they speak. mJ They make me sick and tired.
1\ .-3~ >- I -t jJ n __flJ " j l flo .....
@) ~i f .... . .a. (- I I I
r- ir
>-
·
·
~ --,J- ~ J~ ~ --,J- 4 ~. q~ ~"O E

o 00

m

D~

,.-....

1m4fr.

3

Are

you con - fused

in your mind;

to the

point

3

!I L -
~ -- <::>
thoughyou'reblind,_can't you see you're wrong?_ ~qJ 1
J
!I L I - , --- r ~
~ I I ~ ~ r I I
·
'CT.
" I I "I • .. ~T ~T 22

" I r: "'""-
.
.
@) I r 1
-
Won't you re - fuse to be used e - ven though you may know I can see you're
_bd _h I I I rI -
~I J ). ,........ I I I I l
.
.
@) 1 I I r I --- I 1 f
<
·
·
" ~ I Ebm Bbrrr/Db cb Gb/Bb Abm Ebm Db/F Gb

g6ftmlrfr'g miE4fmlffre tim

" .......-.. 0 ~ .. ~~ Q
@) ....__,. Please, please, __
wrong?_ ~
" L ~ ) --- ~ ~. J. ijd
.. Ir: 0
~ I I
f
·
·
I '" ~. ~' :;. =J
. ~ )I)~~I' I - I I :d I I

~
please o - pen their eyes. __ Please, please,
J. j=j d
" I. d ~~ J ~. • ..---....c; - 0
~ {' '1IIoIIiOiO! ./

·
·
I)'V (J ~ ~. ~ ~ ~. ~ " I r: '!- ~ • .---n r--- 3 .!----,
@) { I've .1
please don't give lies. ruled all of the
me I've
seen pau - pers as
J -~ ~ I 3 \
" I. ~~ -----=------ I': .L 1 I
,
~ r ~ V r f f ~

·
·
I)'V v ~ ~ =d: ~ fi_ _l
@) I I
earth, wit-nessed my birth, cried at the sight of a man,
kings, pup - pets on strings dance for the chil- dren who stare; rTJJ
fi_ L r-4~ r--- 3~ .----- 3---, >- I
I
@_, ~ f r r qr f r~ ~ ,..

·
·
-d -o OJ ~ ~ -,J- ~ ~ -:J_ -,J- Db Ebm

!E4fr.g6fro

r:-- 3--,

Dbsus2/F cb

emm

r;--3--'

23

Gbsus4/Eb

x

e6fro

E

o 00

II

D o

m

>-......._,.

C# sus4 C#

e4fr. g4fro

fi_ _l • • • ~ II
'/k-
@_, don't know
and still I who I am. }
you must have seen them ev - 'ry - where.
fI I "I j) ~ ~ ~ J L I J I ~ ~ .
.
.
.
@; I I I I )'~~I fI' r
·
·
v -o- ~-#- g:i qu #:t :? E

o 00

1m

11. A B

me

Db 112. A B

mIrfr. mm~mIt : II

Db

".-..._

~4fr.

I

-

-

fI L r-3-, ~ I I , ~ 11
I ,I., [\.,.-~ L
·
·
@; q:i[~." l' ., 1.-1....1 'I" I ., - ~
3
· .u.
· ·
·
q-d ~-(')- I I " ., Tempo I No chord

3

Repeat ad lib. gradual cresco

r-

r-

r-

i

r-

3

F~

tE

8va -3- - - - - - - - - - - - - - - - - - - - - - - - - -:::>-1

3

ff

The Endless Enigma Part II

BY KEITH EMERSON AND GREG LAKE

Moderately fast

Tacet

fI I L ~: ~I- k~ t L • 1'- • L b: ~i
@) ~~ ,.,_. - ~~
f!~ 1.>- b; I.::>
.
.
• qll ~
::> fI L b~ 1= ~ .. If.. • ( = )>-
::> >- ::> >- L::>
,@) --- - q ~ ~ ~ q ~ ~ ~
~ . • • .. • .. .- • .. •
I .
\ ~-. /I I >- =:: >- >- >- b. ~.~ ~ ..- 1.."- ~ ~
- - - -
@)
l~)_' _. _. _. _. _. _. _. _. _. ~_. ~ ~ ~ _. ~_. ~ ~ _. ~
- - - -
, ·
·
\ " 1

fI t _,,_ >- >- t _,,_ .. ::>
I .. I.. __ .. >- .. ::> I- ::>
•
@J , ....., I .J::iiiOj L I
>- ::> r ...... ,,_ s: >- >-
_,,_ 1'- _,,_ E= _,,_ f'- ;:
·
·
" Copyright © 1971 by Leadchoice Ltd.

Administered Worldwide by Campbell Connelly 6- Co., Ltd., London

Rights in the u.s. and Canada administered by Music Sales Corporation (ASCAP) International Copyright Secured. All Rights Reserved.

2_

f\ I. :> .:> l
@) - ~I I • r c.. ........ -;;:u I I
-
~ :> ::> mp
...--.._,. _,. P-
, ·
·
" r; r; u u u 8va - - - - - - - - - - - - - - - - -

1\ 1 - -
J - I ....., -
--- 1 1 I r r r .. I r r r ..
~ ·
·
/\ - ~- r---,_ - - .,_ - -
1 I J ~ -
@) I r r r" I r r rOP I r r r" I r r r"
t ·
·

" -d. -#- (Sua) - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 1

oco I I 11 r11 I I r1
111 - -
.
I . . .
@) --- (- I V V V V ---
"""'""
I ·
·
I T -d-. _. - I ___.. I\_L 11 I. ,.--- ....... 1 r-1 ri 1.....- - I • r1
( .
. . .
--- r V V V V (- (' - - r
gradual cresco rit.
·
·
___.. I -d. _. _. -d. ~ -d. ~ -------------------- ......

26

Majestically Gb Cbmaj7

Db Bb /D Gb /Bb

mmrfr'g 1m

fI I !'"'""'""I
@) •
Each part_ was played though the
fI I ~ I 1 "'"'-
0
@) ..... - ':) p- ~ ~! (~!
< rall,
I "!f
0
0

-do ~ -do =i - ~ ~ ~-. -
?; 11 d/A d/pb

o

;mE

Gb dmaj7

Db Bb /D Gb /Bb

mfrfr·mmmm

fI 1 -
~ -#-.....J r.,; I - •
play was not shown; ev - 'ry - one_ came, but they
- I
fI I -
~ ~ f -#- • # ':) ~ ~! (~)!
<
j
0
0
\ ~'~ IJ'~ == == ~ 1:: ~-. ~
~~ ?:: 1:: Gb Db /cb Gb /Bb d

WIt EEn3

Db d/Eb

~ .--...

1E4frm4fr.

3

1'1 I r-- ~ r-- ~
~ - -#- 0 I I
all sat a - lone. The dawn o - pened the play, break - ing the
r-J; ,-- 3----,
fI I I '
--
@; ~ f -#- # :: f r r r
<
0
0
~~ "'::- == ~ - :(; 1:: -6
~:(; ?:: Ab ~ ~2~~~f, r I j j ~J I - I

@)
day, caus - ing a si - lent hoo - ray.
r-- 3----, 3 T3l13~
f\ I I ,--3~ ::> rr1
I

~ r r ~r f r=:_:: Pf r I I
<
0
0
c.. ~ :::; -. = = ~ -.
-6 -. 11 Cbsus4/Eb

x

E

o 00

D o

C# sus4 ...-.....

C#

-

D o

E

o 00 27

" I IIIffr• .. ~ • ~ mtlrfr. tlm4fr.;m m
. ..
@) T) dnll break an-oth-er
day.
" "f ~ I ~ . 3 r-+-, I rr: 3, 3_ I
·
· -
~ I I I I I~i tfCj ~~'''1.'' l'
·
·
v ~ ~-4 '- ~"O #~ ~ ~?; ~~
I~ A B

o 0

me

cb Cbrnaj?

1\ I ,_._
~ •
Now that.; it's done I've be -
1\ I I ,~\ ---..... ---~ I ,..._
~ ., p ;- ~ "1! I~~
< 3
~ ~.
I ·
·
~~ ___ -:o..__......"o = ~ ?; ~~ II r.=i
'z 1\ I ~ .- '<, .- .....
~ I I
gun to see the rea - son Whr I'm here.
1\ I I I I ~ . -~ .. b ••
· ·
. · · ·
. · · ·
·
'!_, -¥ • ., ~ _._ "1 • "1 • ., 1'f I TT
gradual raZZ.
·
·
'- - ., -= 1+~ ~~ q~ ~]I #~ ~~. ~~. 1+~ • q~ •
~=-F# b=-C/E ~i 1=
F##=4 C/E ~=- ~=i := == #=4. ~i. ~=4 • ~ -. .
1-- :11 d/A Db/Ab A/C D/F#

emir4fr·mm mE

F# C/E

o 0 0

me

Tacet

I\. I ~ .~ ...... " .
~
1\ I ~ ... I .~ ... I • 1 ~ ~ ... L ~1'-.
· · · .
· · · · .
· · · · · ·
· · .
@) T T I~{~re~~ ~~ · T ~ " r .
·
,1.. ·
· .
· ·
· · .
·
1+~. q~. f+~. q~. ~=i. ~II. • • # =-. ~=i •
# =4 • I~ • #~. -
III • fI I
~
~~ .--------...... ~_c;
11 I : ___ -- .. ~- .... 1.: . :--- __ -_c; . '_c; ·
.- .- ·
. . . . ·
·
~ .f~~ t "D I "D I D I "D I D I 'ID I D
·
·
. · . . .
'- - - - -
~. ~. ~. ~. ~. 28

From The Beginning

BY GREG LAKE

Freely

Em

II

Am9

•

fUf
tJ
" ,u. - f':\ ~
I
.. I - I I ~ r ../
- -
mp
~
I .
. Dadd9

lllOfl

B~add#41D

XXO 0

mlOfr

" .,
..;
6 6 6 6
,u. , I I ,
.. TP- ~ ~ ~ ~
moving ahead
.
I I I I Dm9

Dm9

•

A tempo - moderately fast

Am9

•

xxc 0

gSfr

" ..
tJ
II., r----6 ~ .------- 6 ~
f':\
I
tJ "* "* ~ *~ ~ / .. ~
~
poco rit. mf
f':\
.
.
I I I >- L

Copyright © 1972 by Leadchoice Ltd. .

Administered Worldwide by Campbell Connelly & Co. Ltd., London

Rights in the u.s. and Canada administered by Music Sales Corporation (ASCAP) International Copyright Secured. All Rights Reserved.

2~

Dadd4

Am9

•

Dadd4

Am9

•

Dadd4

1. There might have

2. __ May - be

3. Instrumental solo

been I

things __ might __

I have

missed, _ changed _

c

II

Fadd9

•

G

Ii

GIB

II

but don't be un - kind,_ and not been so cruel, _

it don't mean I'm blind., not been such a fool. _

Dm7

II

G

Ii

Am9

•

Per-haps there's a What-ev - er is

thing, done,

30

Dadd4

II

c

II

O/B

II

F add9

•

~ .if - 1
tJ r - -
_ or two,_ I think of ly - ing in bed._
_ IS done, _ -- I just can't re - call __
1\ ..
.. .. r- .. r-" r- ~' - ~ ~' ,., ~ ~ ~ .. .. ~ (~) ~
~ .. ~~ .. ~ ..
'-'"
1 --- 1 ----
I

~,., o

•

Dm7

1m

o

•

1\ .. &f ~ ~
.. r - but th~it
I should-n't have said_ IS.
it does-n't mat - ter at all._
.. .--.
.. (i) • ,., ,., . - • .. .. .. .. .,,-/.' ~ .
"'II
--- ' ---
I - -d. ~"'II I - - - Am9

•

D add4

DE

Am9

•

~ .if
..
fI.if
I
tJ ... ;_; ...... ~~i~~ "',-/'" ...
'-/
I
-- -- "* 711 ,-",?i 711 -- 'I'T' ~. ~ -- "* 711,-, Dadd4

Dm7

1m

09

II

fI.if -- -- ,-31-----,
.. .~ r I
You see it's all clear you were
You see it's all clear you you
1\ ..
tJ .. I- .. I- .. l- e- 'tt
~ .. ---:~ .. ~ ..
...._...,
,....__
'-'u 711· 711 .' 31

Dm7

II

Bm7~5/E

Ii

.. ,..----- - .
---::::::::=:J
~ I r I I
were meant to be here
were meant to be here rit.
II .. 1':\
.. -e- \ IJ/ .,-._./
a tempo
,...._" 1':\
-.. -.J I - >- 3

r

1.,2.

Am9

1m

Am9

1m

D add4

..
~
From the be - gin - ning.
From the be - gin - ning.
" ..
~ __. ~---- ---- ~--:~ ~ -..~-.. -..
'-""
·
· 3.

Am9

1m

Dadd4

D add4

II ..
..
II ..
.. -1It-- :.. r- _. r- __.~-.. -.. ~--~ ~~
~~ ••• iIr
'-"' -41~-4I __
· Am9

II

D add4

II ..
...,
Instrumental solo
II .. - 1':\
I
.. # ______ 11-- _, :I~. ;; 1Jii&
1':\
--- --- ~ -.J, /?J -. --- ". repeat ad-lib

Am9

II

32

Take A Pebble

BY GREG LAKE

Moderately slow

Tacet

fl_ L
-1
@)
f\ L * + + + + +, + + + + + + + + + + + + + + +
@) ~~ i-"~ ~~ ~".J ~ ~ -- I ~ ~ ~ <;» I
~
mp
.
.
v ~ fI L
@)
fI + + + + + + + + + + + + + + + + + + + +
L -
@) ~ ~ -:J. "-..J ~~ -:J. .,.._., ~ ~ -:J_"'_" I ~ ~ ~ ..__, ,
-
· .
·
4 _._. r .: o· fI I
·
·
@.;
+ + + + + + + + ~F + + C;.i-;; +
fI , _.~_._. _. _,.--:. _. _. ~ -S-SS ~ S
-- -
I ·
·
~
<
~
·
· · .
·
v 4 _._. .... C.I _., * A cross (+) indicates that the key is to be depressed so that the hammer does not strike the strings.

The strings are then. to be plucked with a plectrum from inside the piano. (Do not depress the damper pedal, or all strings plucked will sound. )

Copyright © 1970 by Leadchoice Ltd.

Administered Worldwide by Campbell Connelly & Co., u«, London

Rights in the us. and Canada administered by Music Sales Corporation (ASCAP) International Copyright Secured. All Rights Reserved.

Ebrruadd F)

1m

33

take of on

a peb

our mem

your shoul

Just Shreads sad-ness

ble 'ries ders

like

and are a

R.

L.H.

cast it ly - ing worn - out

to the sea, __ on your grass;_ o - ver - coat.

In

- 1 loco

Ebmtadd F)

then watch the

wound -ed words of

pock - ets creased and

rip laugh tat

pl es ter tered

hang

that are the

-e-

* First time play written accompaniment; second and third times improvise around written accompaniment.

34

un - fold in - to grave-yards of the rags_ of your

me. past._ hopes._

8va - - - - - - - - - - - - - - - - - - - - - 1

loco

My

The

A~sUS 4 sus 2

94fr.

G~

~ &~~& 0 C E E I ~ C· i I cr . r qr r r'-="-j
r: .
~ " C {-
face spills so gent - ly in - to_ your eyes,_
Pho - to-graphs are grey and torn, scat-tered in your fields._
-
day - break is your mid - night; the col - ours have all died,_
-
/\ I ~l ~ IlL' r-=
· -
.
I --- ·
.
· -
.J q~r I ._. -0::::::: =====---
tempo assai -- --
< J...--
". -. ~.
.
.
" '-- -- -
Pd e .

*

To Coda,.

/) L _...-...
--. . .
.
@; I - -
-- dis - turb - ing the wa - ters of our
-- Let-ters of your mem - 'ries
-- dis - turb - ing the wa - ters of our
~I =1
1'1 I ""'I - I ~-
~ ---..
'-'
@) -jJ ---------r - .. ,
..__. quasi ad lib tempo assai
,--.. .. , ..... -.
. --
1-7-' .
.._ <, - l

35

E bsus4

1m

112. Bbm7

cb ___

mit 1m

Ebsus-l

1m

~ ~~&~~& ...- ~I r."I f ~ r."I
r E I - :11 IT E I II
~ ~
lives. are not real.
L'1 I ~-R r."I ~-R r."I
·
·
@._, c;; c;;
r."I rt-.
·
· ·
·
v =6 ::c; -& =6 ~ --&
- -
- - No chord

II
~
II ~~. •• ~ _ .. .---n .-.."
.
I .
'-'
~ - ...., L. I ~ -=.;;,r
< -
· t;;-
·
~-& , f\ I
~
f\ I
@;
< f#- IlL ~ e: • -f#--- f#- ~.-f#--- ~ ,,_
-f#---I=-f#--- -.-f#--- ~I=-f#--- -f#---I=-f#--- ~I--~-I--.-f#---
·
I ·
- - - - f\ I
-IJ
~
f\ I ----- . --.. .
. .
@._, I
~ II- -f#---~-f#--- e:.-f#--- ~ ,,_ -f#--- ~-f#--- ~. -f#--- /
-f#---f--f#---t-.~ -f#---I---f#---f-.-f#---
·
·
- - - - 36

"
@)
rJ ;"l J m J 1 J J I J n
" I
°
~ / t.J Uri -. ....... I V ro 1 -
<
, : •

'--- =i ~ ~1I -4 q~ -II " I
~
f\ I -e- e: e. ~ -f'- hi _,_ .. J J J •
l- ii= -- ~ ~ . -
eJ -4 -4
<
-e- T I I
°
°
111 -ill • ~ 11 v ~ = • = .. - =i
::;jj 11 ~ f\ I
~
" I _0 r~ ~_. ~ ~: _,,_ c,_ ..
-
0
@_) ., 3 - I I
c ~ ~ ~ ,,_ ~ _,,_ ~ t -f'- ~ ~ _,,_~_
~t--~ .~ ~f-~f- .. #-
°
0
~o - f\ I
@_)
" I ° Ct:t: • ~ ~:
.._
0
@)
q -f'- q ~ -f'- ~ ~ -f'- ~ 3
#- ~#-~.#- #-~#-~.~
.
0
- - .. 37

3

~I

3

38

1\ "
@..
1 "1 ~ q::~
1\" I _ -- -------
@)
< ~ ~ b--
-f'- ,,_ ,,_
I ·
·
- - I - I
- - - - 1\ " -
-
@;
1\ ",..-.... Sua - - - - - - - - - 1 loco
. .---. .---. ~ . • -
. ,
.
@) --
<
._ ,,_ .._ j J 1 1 L I
I ·
·
I ..... I ~ r \ ..J r L ..J r 1 l-J r I l-J ~-4I -ill
- -
- - - - fI ~ .
~
fI " J J.------ _____.1";'\
. . ---\9-
. ~ •• . ___ (; c..l J ~-r r' I ..'
-
-
I I I I I I 1";'\
·
·
~-4I -ill U U U '-------------

Ped.

*

fI ~ ----------rt
@)
Alt - --
I ---
~
< p t- r ~ ppp
+ + + + + + + + + + + + +
·
·
I I I I I I I 39

-

r-

- -

- -

- -

----~~r

(8va).- - - - - -.- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 1 loco n 1'J

&'#f Fe t Ifrffvc Pin ~~c 1£ .nl

@) ~

gradual cresco -0=

-0 ____________

Moderately

q- -- -

~r

* Tune 6th string down one whole step to D.

Tune 3rd string up one whole step to A. (DADA BE)

40

.. , -

i

-

i

-

i

1\ ~ , , , - , , , -
@) - • - • - • .. - - - • - • - • - I'" - -
- - - qr r- - - - q( i-
i i i i i i i i

Freely

,-# tr~· I tr~r

4*# mQJwEU Iwmmto ,E2t&rPEbI

3 3 3 3 3 3

gradual aeeel.

'-"
::> 0 ::>
_o _o _o
e- e- e- o 0
~ e- -e-
e- e- 41

(d = J)

f\ j.j.
~
1\ j.j. -- e: ~ ~ I.. q~ ~ ~ -
@) - - -
I pp gradual cresco ~ ~ .- ~ ~~ q e: ~ !: _,.
... ~ ... - ~ - ~
·
·
- - - # - I - II ~~ - I - I

~
.q~ • . ~. • !: • • e:. ~! •
f\ j.j. I..
/
, ~ - - -
< ~ ... ~I~~ IL b}/~~ • t= ~~ mp ~ ~~ !:.~ _,.~~ e:.~
, ~=~
·
· f\
~
if:: f'~ ~~D
I f\ 1iJ-. ~ ~ -
\ ~ .
~~~~.~ ~ ~ ~ ~r
< IL
~ ~~ -.~ ~ - ~ . ~ ~r-~-.~
·
·
- - - f\
~
--... t= ~ ~ t r-f'----f'-.
D ~ n......--..... .. ~f'-
Ii -
I
, ~
< ~ ~ ~ ! • ~ ~~~e:._,.
~t--~ .~ 11- == 11-
·
· 42

____j
II
-7--..
~
1
fjr~. .. . . .
l~ -,
~ ~.~
~ ~ ~~ ~ - ~ ~ E=~
~ ,,_ ~ ~E::~ ~-~
~~~ 1--. --
~.
-.y.
P'L:7 ---I
II
T7
I--t..
rt'V
~
:-:..
:::> :::> .
~ :::> -I .
:::> :::>
II - r
L~--" -- fL- ~ ~~~-~.-
~ - ~ ~-~ ~I=~I--~
@) ~ ~~ ~ . ~ ~1=~
-
1*1": -
d::: L:7 II
~
71'
T1¥i:
if . ~~ ~ r .
-
1
II
,~ . ~~~~.~_._
==== - -- fL-
@) ~~~ t. ~ ~E::~l-.~
~~~~.~ +-- +-
,~:
--r
- 43

44

fI
@)
f\ --- ....--....... 0 I ~ 1 • • _o
@) ~ 3
< ~ ~~ ~. ~ ~~~ (!:_.~ ~ f- .. ~~_,_t.~
~I=#- #-
0
0
- fI
~
~ f_r- 3-, r-- 3-,
fI ~ q~ t-'~ ~t- ~ ~~ ~.- _I
0
@) 3 - II" --- ...._.
~ ._ t • ~ ,,_ ~ #- ~ • ~
1*- = 1*- 1*- 1*- f-- ~ I- • ~ #-
I 0
0
- .. ~ - I - I - I - I

@)
8va- - - - - - 1 loco t:~ ..
fI ~h. 1 ,._p~ .1 1 ~
0
~ ..__... - -
< ~ t ~ f- ~ f- ~1*-t.1*-
~ t- 1*- • 1*- ~ t-~ • ~ ~l-#- .~ #-
I 0
0
- - - 11
~
fI 1 - I
I 0
@) " - - - - ....__,
< ~ ~ ~ . ~ ~ e: .. #- ~ #- ~ •
~ ~ ~ #- #- ~
0
0
, - I

t

1

45

f\
~
f\ ~ I .-(/#--(l-f:_-(/#- • -(I#- -(l- • -(I#-
~ ....__"
, -(/#- ~-(I#- ~ .-(/#- -(I#- ~-(/#- ~ .-(/#- -(I#- ~-(I#- ~.-(I#- -(I#- ~-(I#- ~ .-(1#-
·
·
- - f\
~
(8va )- - - - - - - - - - - - - ------_-_- ---------_- - - - - - - - 1
t-f--(I#-. _ -(1#-.-(1- loco
11 -(I#- • - • -(/#- •
@; -
-
) -(I#-!:-(I#- ~ -(/#- ~-(I#- ~ .-(1#- -(l#-t!=-(I#-~.-(I#- -(I#- ~-(/#- ~.-(I#-
f-.-(/#-
·
·
\ -- fl
<!.-
f\ - -
-- .
<!.- -
(~) f:- -(I#-~-(I#-~.-(I#- Improvise ad lib over left hand pattern.
-(/#- t= -(I#- .-(/#-
·
· 46

---l
.o:
JI_
- - - - - -
IY1T - - - - - - - -
- - - - -
@) - - - - - -
- .. - - - - -
- - - - - - ,._
8va - - - - - - - ...... P- ,
~ r ,
1~~ , ~ ~~ r
, I r
r J!:_ ~ J!:_ ± _._ 1:_ 1:_ F 1'- ..,._ ___
~ ~ r= 1:_ _t __._ 1:_
~ f
1:_ ~ J!:_ r _._1:_
~:
17
-= -
1l_
lL
~.
~ loco
-.Cl
11 (8va) - - - - i, - 1 ~ ,,__ ~.,._
I
I~ , ~ ,,__
I .,._ ~.,._ ~ _._ ~ .,._ ~.,._ ~ • 1'- .,._ i= L r • 1'-
~ ~ 1'- ~ • .,._
-
I~: -
\2-. - -.j
11
- - - - - - - - -
III" 8va - - - - !
~ 1
~ _t:_ 1 !_ ~1 ~
~~ ==±=:-----1
1 ...
1l_
(~ I L~1'- ~.1:_ 1~ ,,_ ~
I ~ f 1..i=1.. r_._ ~
~ ,,_ 1'- ~ ~ r _L~
1.. 1= _1'- r .. _~
. ..0'
~'
\ -------
-'
11 - - - - - - -
- - - -
- - - -
.LJ. -IS .. - - - -
- - -
- - - - -
!YlL - - - - - - - -
@J (8va)- ______ 1 - - - - -
1 ~ ~._ e: ~~ ~~ ~ ~ ~ ~
,J ~ £ ~ ~ ~~ £
q~ ~
II
,~ L~1':.1=.1:_ .,._~1'-±_ .1:_~
~ f
~~~ ~ _._1.. 1:_ F= 1.. r _._ J!:_
,
,
.L
\.::.. 47

48

-----------

D. sJs al Coda'"

Coda

•

cb

Bbm7

tim

II I

II
@J
lives,
1\ I
~ c..
<
.
.
" ~ ~ -,JJ

Wear

f1_ J_

"0, _ ••

.....____....

Ebsus-l Eb

cb Bbm7 Abm7 Gbm~ 9 Fbrnaj 9

mit a 4frm g4fr. mm

~ '_

II I --- ,.............. ~ riftr . '
. FE I F r I F r I ]. !
~
~ - .,
- of our lives, __ lives,_ lives, of our
II L btl " " 1";\
I .
@) I I c. C. 'U', __.'U'
< rit.
1";\
.
.
" -& =6 ~ :::; == V'.u _u
- -
- ~ ?; - - "0 Ebrruadd F)

1m

~-& -&

"'---------

r
1";\
-& -& -&
U U U
Ped. * ,

I

I !

f

t

49

I Believe In Father Christmas

BY GREG LAKE, PETER SINFIELD AND SERGE PROKOFIEFF

" ,jj. r: I I I I
I
..., I I I I I I
mf
!'- "1 !'- !'- "1 !'- !'- "1 !'- !'- "1 !'- !'- "1 !'- !'- "1 !'-
I .
.
I ~

I 1I,jj.

I I I I

110M- I I I I I ! ! ! !
I
tJ P ~ ~ p ~ ~ p ~ ~ p ~ ~
<
!'- "1 !'- !'- "1 !'- !'-"1!'-!'-
I ·
-.J -.J -.J -.J v

v

v

v

G/D

m

D

1m

G/D

m

D

1m

G/D

m

D

1m

110M- ~ .. ~ ..
.. .. .. <:» ..
1. They said _ there'll be snow at Christ - mas. They said _ there'll be
2. They sold_ me a dream of Christ - mas. They sold L, me a
110M- ~ .. ~ ..
I
tJ .. .. I .. <:» ... .. ..
I ·
· Copyright © 1977 by Leadchoice Ltd.

Administered Worldwide by Campbell Connelly & Co., Ltd., London

Rights in the u.s. and Canada administered by Music Sales Corporation (ASCAP) International Copyright Secured. All Rights Reserved.

"Excerpt from LIEUTENANT KIJE by Prokofieffincluded by permission of the Copyright Owners Boosey & Hawkes Music Publishers

50

GID

•

D

II

GID

m

D

II

GID

m

D

II

GID

mm

D

II

~,!l ~ _j
.. - .. "v(;; -- .. .. -v r ..
peace on earth; But in- stead it just kept on rain - ing A veil of tears for the
sil - ent night; and they told me a fair- y sto - ry Till I be-lieved in the
~.w- I!!""'-I ~
I
.. I .. ~ :r:. .. .. , v ... r .. ..
·v~
I
,f:; ~111 - U U U GID

•

D

II

Am71D

11

"I

D

II

.w- I.. - - -
.. .. -'-"(;; - I I I
L.__3----1
Vir - gin birth. _ I re -mem- ber one Christ - mas morn - ing_ A
Is - rael - ite __ and I be-lieved In Fa - ther Christ - mas. _ And I
A,!l ,,__ ~3----, - - -
I
..; -I- _. :r:. - - '-"- ..
~ ,-,,is
,-z; ~1II 111 -z; -z; ?; -z; Am71D

II

GID

•

D

II

I .w- I.. I ... I I I
.. r r I ". I i....--l - -
win-ter's light _ and a dis - tant choir. _ And the peal of a bell and that
looked to the sky with ex - cit - ed eyes. _ Till I woke with a yawn In the
}... ~ I ~ r-3~
Ll.ltt i"I 1 L I I I
,
1 ..; - 1II ~ I ~ '--!' .. ..
r
\ -z; f:; ?;
-z; -z; f:; I I

! f

G

D

GID

]I

D

•

51

t

_3

I

Christ-mas tree first light of r-3--,

I 1 1

•

smell, _ And their eyes dawn, _ And I saw

• -,; .",_"t;,; . ._ __ ---.

tin - sel and fire. _

full of

him and through his dis - guise. _

-

3

1

t

~ D

•

"?; GID

]I

I I I I I I I ~
I 13. GID Dsus2 D Am l l D I
xxooo xxo 0 xxo xooo 0 xxo
II II II II II
ten. ten. t:'I
D.
II~ c:-. c:-: c:-. 1 1 it
tJ P P P .. .. .. - I~I
-: ~ -: ~ -: ~ ten. ten. cresco if
-
.
~ ~ -,; ~ "ill ~ ~ .. ~u G

D

•

D

•

1

*~ ..........

I I l

I

I

I

L

I

I

I

I

I I I I
11.,2.
GID D
xxooo xxo
r-,II II c:-.
1 1 GID

B

_I

I

1

-

* Excerptfrom "Lieutenant Kije' by ProkoJieffincluded by permission of the Copyright Owners Boosey & Hawkes Music Publishers.

3. I wish you a hopeful Christmas I wish you a brave New Year All anguish, pain and sadness

Leave your heart and let your road be clear, They said there'd be snow at Christmas They said there'd be peace on earth Hallelujah Noel be it heaven or hell

The Christmas we get we deserve.

r

Lucky Man

BY GREG LAKE

Moderately slow G

•

Gadd9

D!F#

•

"LoI!_
..
,Ij.
I
.. - -." .,..". =Ii 11" ., 11 ~ .,~
~~
p
I I I
.
\ r' G

•

D

II

G

•

" ,Ij.
tJ - ., ..".' ., .,~., ..". .,
I. He had white hors - es and la - dies by the
2. White lace and feath - ers they made up his L,
3. Instrumental solo
,Ij.
I
1 .. p: f: ., ., .."., F: ., ., ..". .,
np
I .,. ...,. - I - D

II

G

•

D

II

,Ij.
.. <:» ~ ., . ....._......, ., ., ., ..".,
score. _ t All dressed in sat - in and
bed,_ a gold COy - ered mat - tress on
Of
.. - ., ., . ..... -. • • ~ • ., ..."
r: r: f:
-,J. ..., .. • - I - ..., . I Copyright © 1970 by Leadchoice Ltd.

Administered Worldwide by Campbell Connelly & Co., Ltd., London

Rights in the u.s. and Canada administered by Music Sales Corporation (ASCAP) International Copyright Secured. All Rights Reserved.

53

G

•

D

II

Am

II

., I I I!!!!!!!!!!!!I
~ .,-",. <:»
wait - ing by the door. _ ! Ooh, what a
which he was led._
~ ., ~ ~ !!!!!!!!!
.; r: • .• -___..., -= .. .•. f:
r:
mp
- -
I - -.J -.J r ... I
- Em7

II

D

II

., - ...-..
~ ;;iiiiiiI ;;iiiiiiI
luck- y man he_ was._
_fl.., pili I I ~ ~I -
.; j' I !____-/ ::: :: :: !____-/
-
·
... ... -,i. ,-,i f Am

II

Em7

•

/I., I I!!!!!!!!!!!!!! ~
... ;;;iiiiiiiiiiii ;;;iiiiiiiiiiii
Goh, what a luck - y man he __
'I ., I I!!!!!!!!!!!!!! -=== ~
~ !: • • .~. .___",
'I
~ ... ... ~ ... ... 1.,2.

3.

D

II

/I., ....-.....
...
was._ He
'I ., ~
.
~ <:» ~ ::: .~ ::: :: :: ::
·
· .
-,i. f -,i. f -d. 54

G

•

D

II

G

II

" ,Mo ---..
.. ~ ., * If l r ~ ., ., ., . .,

I. went to fight wars __ for his coun-try and his
2. bul- let had found him, his blood ran as he
,Mo --- -
I
.. r: f: ., '., . ., f: ., -., . .,
mp
I
I .,. •• I D

II

G

II

D

II

~ ,Mo
t. <:: & :s ., ., ., ~
king. _ hon - or and his glo - ry the
~01!_ cried. _ No mon - ey could _ save him so he
t. = ., -., . ., f: ., -., - = .,. -., .'
r: r:
•• • ... ., I • • I G

•

D

II

Am

•

",Mo ~
.. ., .,___..., .,~ <:»
peo - pIe would sing._ I Ooh, what a
" ,Mo laid down __ and he died. _
~
t.J f: ., ., ., - ., . -., . r·
r:
-
I • • r I
- Em7

•

D

II

!

'I,Mo --- .-...,_
t. ;;;iiiiii ;:;iiiiiii
luck-y man he_ was._
1I,jf ~ l I ~ ~I -
t.J I· I ~ ::: :: :: ~
-
... ... •• ~ . I 55

Am

•

Em7

II

~ .. I I !!!!!!!!!!!!!!! ...----.
tJ ;:;;iiiiiiiiiii ;;;;iiiiiiii
Ooh, what a luck - y man he_
I " .. I I !!!!!!!!!!!!!!! -= ~
\ ~ ~: - - ----=---- .___."
) f -
f

~ ... 4- ~ ... ... 1.

2.

D

II

" .. ,.-..._
~ •
was._ A
, ~_..p ~
,
) 4t <:» ~ :::~:: • ::: :: :: ~
J - -
f ·
·
.,. I ., . ., ., . ., Am

•

Em7

II

'" ..
4t
Ah!
a__..p 1 I
tJ .. r J r I: r .J r ~ r r i ~ i .I i
'"'
·
4-. D

II

repeat and fade

.. ~
4t --
~ .. I
~ i· s i ~ ::: :: :: ~
- -
.,. ., ... ... ., 56

Freely Tacet

8~3·~

P legato

Trilogy

BY KEITH EMERSON AND GREG LAKE

cresco

Moderately slow B

Em7 000

9

mp

B/P#

AIG

x

m

I've tried to mend

the love

that end

ed

long a - go; al-though we still pre-

Copyright © 1972 by Leadchoice Ltd.

Administered Worldwide by Campbell Connelly & Co., Ltd., London

Rights in the us. and Canada administered by Music Sales Corporation (ASCAP) International Copyright Secured. All Rights Reserved.

57

A/D o 0

Gmaj7 xooo

B/F#

tim

Em/F#

x 000

m 1m r+±+P
f\ ., oi'! r - aLL!:]\.
- I
@. J \,,~~ .. end, / r
tend, __ ur 1 e is sure-ly com-ing to an don't
ClIf_Jl _Q_~ --- - - /1
@. J - - ~ ~ "U
J.l J.
·
·
" I 'I- • • • • u B/F#

F# sus4

B

Em7 o 0 0

m

B/F#

A/G

a

f\ ., +! - ~
.
.
·
@) • • r I
waste the time you've got to love a - gain. We tried to lie, but you and I know
f'I ., oi'! r-- - I -
~.J 1j- 1;- 0& ... '- ~ .. flCooI ~q:J .... -,;-
.LI. • I I I I, I I
·
·
" <.0 ... u I - ... • 'I
- A/D Gmai7

mlm

B/F#

f\ ., oi'! - -
r- I • ....,._ I
.
@.i I I' • •
bet -ter than to let each oth -er lie; __ the thought of ly-ing to you makes me
_11jf__! c-. --- ~
@.i I I I I I --- if
.LI. L
· .
· .
.
l' I I "\ • • • • _ fl ., oi'! -
I ---,
@.i .. .. _~
cry, count-ing up the time that's passed us by I've
~ 8va - - - - - - - 1
f\ ., +! ,,_ _h._ ~ ~I loco ,
f-
I
@. ~~~ ~ - ~ ~ ?'JT: ,_
- i ~
-".L
· .
·
'JI U • • • • Co· • Em/F#

d

B/F#

F# sus4

58

Em7 A7 D G

mmam

F#m7

G

xooo

HIm

F# sus4 Em7 A7 D G

mmmmaM

- -
" ~ +I rT I L I I
@; ~ .. I ... "1"
{;\ lent this ,let-ter hop-ing it will reach your hand, and if it does I hope that you will
Cl!':'/ - _r:::::"l
fI +I ~. '- .. ' I... I""""" 1 J r- 1 I
@. i ~-I- _._ • • "I '" -,;. "1-.- .. • •
< (}.C£l /1 11fi
~ I. I'l _k L 'n
·
·
'Jl .. ~-, ., • ., • -4 ~1I ., F#m7 G

x 000

em HIm

A

o 0

mm

B

Em7 o 0 0

mm

B/F#

mit

A/G

m

fI ~ rl r--.. 1"""""l I
.
.
.
l! ..._... l,....-I ~ I
un - der - stand that I must leave in a while, and though I smile, you
fI +I rl ~ ....... - -t- (/'1\ P('"'1-- _ I -
=}-
@; "1 . ., .. ... 1+~ . . - ~ .. ft"" ~~ :J - .-;
.~- W~1_.1- I I I
L
·
•
'Jl • , '1 -4 • , A/D Gmai7 o 0 x 000

am

B/F#

" oj, +I -
I I • ~ j '-,
@) ~I .. •
know this smile is on-ly there to hide_ what I'm real-ly feel-ing deep in-
fI ~ ~ b~ _....--.. ~ '~""
I .
@; I I I J J j""..Iiiiiiii - ~ -J-:

r ],
·
·
,., I I , - • • • • Em/F#

x 000

mm

B/F#

F# sus4

fI ~ +I - No chord
I "-n
@." ., .,
side, ~\. t. /' \, just a face where I can hang my pride.
1.\ VI ~', L ) ~ L~ S:1 -
fI ~ rl ... ~~ ... ~~. ,__ I ~ ~~_ 1 J -
,- -- . -- +--
'II ..-. r-- t-
@; ~ ......... -t L.H. ~ '\ ~-J~.~
,~! l • f
,l =- _k_~ i!- I
I ' ·
·
". • • • • c. - Fed. .*.

59

f'I ., ., (#) e: 11-11- ~~~ f:-~~ .~
( ~ - IiiiiiiiiiIiiii - - ~. ~ ...
< _t t t f .. I._.
_Q
·
I I
:y ~ I I
l' - N.C.

8 - - - - - - 1

va - - - - - - - - - - - - - - -

loco

~ ---- . ~ ~~:g ~ ~
f'I_jf_f!
j *!~
~
,1 . _,_ t" f'\
-..T~
7"
l' _ .. .. '""
"1 Ped.

*

~~: b~ tr.q>--- I"""T'-' - - . ,~~. - ~
" ., +I .
~J! ~
X.Jz: -t 3
~ 11ff
L
1\ 01 ~ .
• .
U"!"I: -c. ... q"1l "I
\ @J ./- ",...-
f\ 01 f! . ..4-
IT
I r I
__x r good bye. __
~ Good - bye , __
e:_,__,._ b-i- · ~
\ :. ~ · ~
·
-
.. . q=t ~: mp
;;.
I u 1.1 Y ·
· . ~
· !
\ l' 'It ~, ~ ~.
~ 60

loco -
1\ #
J.IJ .J
I"l ,. -t -t -t I I .J J."1 11 ~ _:11 -
I
@ r I r r i " {¥r. •
decresc. ~
·
I ·
I , ~ ~ ~- ~ ~ ~
/ ~
I"l ~ L~ ~ ,,_ I=~ I=~. ~
@ "1'.1+-1 ... -1 , 111 I / , v ~
11ff I
( .J\Ar
J -, o: /'\.;
J .
·
·
, .
\ / /

I f~

." \

/ \

8va--1loco

r. - j,j. __ _LJ. • .It I .It I
@ • .. ~ " - l'
< rubaio
~ -1'-. -f'- ,..~~ _£:_
•
·
(iiIII"'" ~ '" "6 8va - - - - - - - - - - - - - - - - - -

(8va)# IJ.. - - - - ( - - ~ - - - - -1- - - - 1

~~f: ... ~ ... i~ loco ~ -
I"l .It_ .It 3 ..1 ,......,. I
\ ~ 3 3 --~ ~ " . ~ .. ~ 1 ~::t ":: •
a tempo J
<
I"l !: --- -f'-
:
@u I ~ = tI
II , 61

loco

1\ ~I ,...L _3 3 l
I ~#i+~ ~*~ ~
@) ~ T' -#- (~f~T#~~ ~ ~ I~~
f
·
·
- z. ~ "i ~ ~
"1 'I L
\ ~ •
•
p~~ ~#i+:! ~ ~~.,~ ~#~ ~ p~~ ~#~ !
<
ff
· ·
• ·
~ ~ ~ ~ ~ ~ 1- ~ I~ ~ ... ft .. 62

Synthesizer

1\ I - •
·
@.I f", ~ r I I I
A\
. -, !
1\ I f !
I
·
I@ I~~ I ~#~ ~ IP~~ ~#~ ~ I~~~ ~#i+~ !
\ .c \ \ \tt
.
. ·
~ ~ b~ ~ .... i+. ~ ~ ~1J: ~ .... jt .. ~ ~ ~~ ~_.. jt .. Repeat ad lib for improvised solo

. -------

63

'" L .p.. . ¥ ~ -f'- P_' . _E-
.
I @) I 1
, , l f 1
."" ~,' 1
V
•
I · ' ....... , .
11 '" L ~,L
..._
I
@) \J ',J I" If I" If
~ • • • ••• 1.. • ..IL ._ • • •
·
· .
--
., Moderately, with a strong beat

'"

-

i1L .
,I - .... -
I .

@) T --,I-#- .. .,~ - -., --- -J- "1~ "1 L. I I L I I:
- _,
,
I I
·
· .
~. ~ .... -,I ~. -#-J T ~. .J =J. -#-J 1\ I
·
·
@)
1\ I ~I ~ r--I I I 1\1 ~ r---I I I
·
@) '-" • .. .. • • "* '-" • -111 11 - . • "*
•
· ·
_ -u-.

-0'

-0'

1"1 r--, __.., ,..._
@. ~ ~ I
We'll talk_ of plac - es that - we went and times that we have
You'll see_ the day an - oth - er way and wake up with the
You'll love_ a - gain, I don't_ know when, but if you do I
1\ L r--, __..., I ,..._ I --
@) ~ --." •
·
-:J:. <:» -,I. ~ ~ ~. -*_-* -,I. ~ -:j f'J L r ·
@) • r I
spent to - geth - er pen - ni - less and free.
sun- shine pour - in' right down where you lay.
know that you'll be hap - py in the end.
1'\ I - 4 1
·
·
·
@ • r I ~ ., v • I
·
-:J:. .J T' ~' ~ ~. "'37. H --;_. -'J -J. .J 4 1

To Coda. 1.

fI I
- I :9

@)
1"1 I •
·
·
@ ~ I I I' I' I I l~)· T -= ~
- - ..
· ~
• ·
·
.
~. -u - ~J T. ..._-. -i. . .._." . ~-4' 65

I Cora

2. * D. s. ~ (no repeats) al Coda. 1It

f\ L •

, @.

'~~~$.4".~~~r;.I~. ~~

f"I I • " I I ....-
~ I (~'" T~:~ '--" .. ... ...
< -
.
.
~-4. r;.I" -
. /) L J~'j I I ~ I I ,....... ~I I
\ @. .. .. -* <::» .. ... ... .. .. -# -i- .. ""I .... -t- .,~
, · ---+-=--
·
- - - -:i. ~T
o· U· U· f"I I - I -
•
~ .,;-. .. T -#- -t- '\~ '\ I... I I I .. TT .. I
-
·
·
1. -#...__,,-# --- - ~. "J -:i. -*J ~. TJ .. () I. - .L"1 r-'1 c::::c::::cI -- ... ... ~~ b.-1'-~-!~_'_· ~
\ ~ ......... '--"
<
· --
·
1. "'J ~~. D~ ~ - -
......... U Freely

* Play extended improvisation based on 8b7+9 chord before returning to;S .

r

66

Karn Evil 9 (Lst Impression Part II)

BY KEITH EMERSON AND GREG LAKE

Bright rock

N.C.

" I ~ .. .. .. r-... • ---.. ---
~ - - ~
-
Wel-come back , my friends _ to the show that nev-er ends. __ We're so
I ~-~
I i ~

~
mf synth.
I . tend come m

side,

come in

side.

I ~. • .1'"'\. • ----... ---
~ ~
-
There be - hind , the glass __ stands a real blade of grass, _ Be
" I r--- - r:f"'" ~ - r:f"'"
t.J 41!' 41!' 41!' 41!' 41!' '!' 41!' 41!' '!' 41!'
piano Copyright © 1973 by Leadchoice Ltd.

Administered Worldwide by Campbell Connelly &- Co., Ltd., London

Rights in the us. and Canada administered by Music Sales Corporation (AS CAP) International Copyright Secured. All Rights Reserved.

61

'\ I ~. • ~ I
t I
care - ful as you pass __ move a - long, move a - long.;
'\ I ,,-- - ..... ,,-- -
I _. -;;
,
) t II!' II!'" II!'" '":' II!" II!" '":" II!' '":" '-/
-
< -
(
1\ I ~ ~
tJ - .. ... I I
Come III - side the show's a - bout to start. _ Guar - an - teed to
I I .. r-- ~ 1 •
1\ .- - -
tJ - I '":" - • v =. I I
I
~ J I - •
t -
blow your head a - part..., Rest as - sured you'll get your mon-ey' s worth.i;
r-- I r--- ~ r---
I - - P" -
I la._
t '":' - . -Ji ~-Ji • I I ~.
I
I • ~ ,...-..._
t Great in
- est show heav - en, hell, or earth. _ You got - ta see the show,
1 - I
fI I - - r- -
I
tJ I I I 9-
. u >

68

Eb sus4 Eb Eb sus4

R(>lclI(>I;ROIC

cb/Gb

II

,,--..

!

" I ,--,. ~ .. ~ • • .~
.. it's dy - You got-ta the show.
- a na - rno._ see
~ I ~ =""""'I r---"'I r--- ~ ...--
~ '-' '-" t7~. II- '-'- ~~ .... ~ •
I
,,~ Eb Ebsus4

1161C .61,

cb/Gb

II

cb/Gb

II

" I ~ ~. • ~ ••
-.J it's rock and roll. _ Oh,
" I r---"'I =""""'I ~ r--- ~ ...--
..; <;» '-" t7 ... II • '-/- ~~~ . . ~ •
I
.
,,~ Ob/Ab Ab

RHr1l41'

Ab/Eb Ob/Ab Ab

1141'1I4IcII4Ir

1

1\ I b. ..1'"\ .. .. ---- -
..; =:=!!!.
-
Right be - fore _ your eyes __ brings the laugh - ter from the skies,_ and he
" I ,.,..- I=""- ,.-- ,.,..- .... ,.--
-;;;; -;;;;
-.J • • • • • • • •
:::: - .... ....... :::: - .... .... ...
-6 •• -6 •• Ob/Ab Ab

114i'1I4IC

-------

Ab/Eb Ob/Ab Ab Eb/Bb Ab

1141, 1141r1l41r1l61r 1141r

" I b. - ~ I
.. ~ I
-
laughs un - til he cries __ then he dies, then he dies.i.
" I ,....... ~ rr-- ,....... -
_. -;;
-.J • • • • - • - <;»
..... -
-
= - .... ....... ~ ~ . ~~
-6 ••• " I • - •
..
Come III - side the shows a - bout to start. _ Guar - an - teed to
"I I I - r--- iii" - • r--, L -
I
.. I I I '1- ~ - - I I I
I
"IT >

~-----------

Ebsus4 Eb Ebsus4

.6fr .6fr .6fr

" I - - - _r-.__ - - - -~- - -
..
blow your head a - part. _ You got - ta see the show.L it's a dy - na -
r--- I "'-
" I ~ =-' "'-
-.J '1- >'-" '5 5
- -# :* > .. >

cb/Gb GblDb Cb/Gb

•• II

Ebsus4 Eb Ebsus4

.6fr .6fr .6fr

1\ I ~. ~ • • .. ~ ~. •
-.J
mo.L, You got-ta see the show, __ It's rock and
1\ I --- "'- ~ '"
.. ~~~~ ~. ~ >'-"- > >
>
.. ,,,,.,,,
.
I
":>'-"- > :> .. .. .. Cb/Gb

II

GblDb Cb/Gb

••

" I ~. ~ ••
..
roll. _ Oh!
" I ~
I
.. D~~" II~' ~ '!' '!' ~ ~ i'* ~. .. ._,.. -:J_
_......,
I .
>

>

70

_AI
tJ
I
t. ~ ~ ~ ----=- 9~,-,," [I" ~ ~ ~ ~ ~. ",-,," ~ -
I
N.C.

I
t.
I I Instrumental solo-repeat ad-lib
I
._ ~ ~ ~ ----= 9~,-,," [I" ~ ~ ~ ~ ~. ",-,," ~

I
- I r " I .. 1l:
t.
II I - solo continues-play four times .. 1l:
I
._ ~ ~ ... -----=. 9 ~ ,-," II" ... ~ ~ ~ ~. ",-," ~

I r I r A

Ii

EtA

•

BIE

II

E

11

A,jj.±!:
tJ
/I .. 1l: =:--"'! -
Iii
t. - .J!! !_ ~ ... ___/ '!T" -
f
u,
.6J. ~ 71

A B

••

A/C# B/D# G#sus4

II IIhfr 1141,

A

•

B

•

C# BID#

1141'1161,

1\ .. -It
..,
~ .. -It ~ -- -::-:- ~
I .J • G~ ~ -... --. - ... ~ r
) .., I
< --------
I I I

I I -,; E F# G#

II II il4ti

E E/D# C#m

.71, .6fr .4fr

C#/B Ebsus/Bb Eb

II Hhl' 116ti

.. -It I
~ ~
ru!o +t ------------- ~ I I ., ............ I
I
.,J r #r ~ ~ r f _, _, .. P~~r r- ~
) ....___..
u I I
, ,

.. ,. -:» .. -,; ~ ~ I ~ Ab

Gb

Db/F

II

Db Eb

Db/F

~ I
~
" I > > r--, - -
I
.,J ~'-.,_/ .. ~ ~ C!f~ -.r~. :4 • ,. -:
:;I' ~v"i >'-.,_/ ~
>
I ,

> ">v ~'-.,_/_ -.;, ~~ -.'-.,_/-.r >

>

Eb/Bb

.61;

N.C.

B/E

•

AlE B/E

••

AlE

•

fl I
~
-----=------- >FJ I
1\ I r"' I , I
~ .' . '-../. ,. . ,--",. .,
I -
""I
, ..,
¥ .. ' 1 >

B/E AlE B/E AlE

••••

E~ID~ D~ E~ID~ D~

II •4hll .41'

EPID~ Db EP/D~ D~

II •41rll .41r

'I I
.. n. n.
>F1 J 1".J J~ J J 1" .J~J
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