MariaL

ind

四RMI打LUNG “MEDIATION” IN GERA品N一-signifies a transfer 丘om o ne

part ytoa nother,thep四gmatic t四nsmi田ion ofam essageI tals ostand
s
forattemp也 at r e
concili
ngpartieswhod i
sagre
eons omething:nations,fo
r
instan
.ce
,o rp e
ople111 c
onf
lict.Althoughthe日 is ana b
un d
ance,e venau
ov erproduction,oft四ditionally d
idact
ica c
tiv
iti
esw i
thina rtinsti回目ons
today,Ib elievethatnow1 st het imetothinkmo田 and h ardera boutt h
e
medi目白on ofcontemporarya r
t.Aboutwhomwea sartis白 and c ur
ator
s
wantt ocommumcatew ith,andt hea s
socia
tedquest
ionsofhowa rtac出
ally 白nctions i
ncontempo四ry c ul
ture
.Iti
saseemingp aradox
:ane xces
sof
did act
icismands mml
ta n
eousl yarenewedneedf o
rm edi
at i
on

The 回o di伍erent c ondit

ionst oacco u
ntforhere,b eforet hed ance
wi tht heq uest
ionofm edi ationc anbe g
in,occupydi旺erent p ositio
nsm
disc u
ssion
sa bo
uta r
tandc urati
ng.Thef i
rsti
sg e
neral
lyc onside re
dmo田
an noyingt hanusef
ulbyt hepro加10nal c onununi
ty.Thes e condi sbycon
trastlit
tle-di
scus
sed
,e venbelowt heradarofmostpractitione目。 I amr ef
er
口ng t othee ducat
ionalandp e
dagogicalapproache
st h
ata r
ei npl aceatmost
artm stit
uti o
nsOnt h
eonehandt heyc anbeo v
erbearing,andt heymay
ev eno bscuretheart
.Ont heotherhandt hereistheincreasingb1白rcat10n
betweene x p
eriment
al,c utting-ed
g eartandcu四回1g, andt hea m bi
t io
nof
inst!回tions t
os pr
eadartbeyonds o
cialandeconomicb oundari es .Aneff
ect
oft h
el a
tterc o
nditionisagrowmgs ens
eofi sol
atio
nbetweens phere
sof
interes白 and act
ivi
tie
si nt he紅白， not t omentionana lmostt otall ac
kof
me diationbeyond 田latively c
losedcir
clesint h
emoree xp erimen talarena
s

Theonei ns
titutiont h
ath asplaye
dag reat
err olet hana nyo ther
insettingt hes t
andardform叩1stream museume ducat
i onist heMuseum
ofModernA rti nNewY ork.Themodelt hati白 founding d ire
ctorA lｭ
fre
dB ar ri n
stigate
di nt he1 930sd idnotaddpedagogya tt heendoft he
exhibiti on-makingp r
ocess,a sicing
-ont hecak
e,b utra theri n
tegra
te dit
int
oe ver ye xhib
ition
.I nt hebrill
iantbookSpa日s o
fExperience:ArtGallery
In伽orsf rom1800 臼 2000, t hearthist
oria
nCharlot
teKlonkd emonst
ra tes
tha
te対libitions a tMoMAh avealwa
Y.'beenco n
sciouslyd i
dact
ic,p roｭ
motingB ar
r'sf ormal
istviewofa rt
.H i
sm坦n p urposewast or e
finet he
a田thetic sensib出ty ofvisito白 and tomoldamodeofs pectator
shipba sed
 onwhatsheca
ll
s“ the e
duca
tedconsumer.,” m c on tra
stt ot he1 9thc en
ｭ philosophyandt h
eorie
sa boutart 田 an eman
cip a
tor yacuv1t
ywithg町at
tu
ryide
alofth
espectato
rasa“工·espons1ble citizen.” Despite B
arr
'sfamous poten
tialtos timu
latepoli
tic
alparticipa
tionindemoc四tic s oc
ieti
esp l
ayed
ch
art
s ofst
yl
is
ticd evelo
pment
s and w e ll-wr itt
e n,a cc
ess ib
le catalo岡崎 ac e
rtainrol
e.N ev
erthel
ess,m thec ase
sofb othB a
rr'se duc
atedconsumer
町ts, the 仙cational 明mι andD ’ Amico's p
artic
ipan
t,ah eig hte
neds en
seofm dividu
alitywasp ro
ands p
atialtha阻n dis
curs
iveThepain包ngs werehunglowont hewhit e motedT hiswasm arkedlyd旺erent fromt hecollect！羽田 approach田 to
wa
ll,andnumerouspar凶10ns c
s re
atedmorew a
llspac
eThes elec
tionof spec胞団四hip, in丑uenced b yC o
ns trucuvism
,t hataroundt h
esamet ime
アorks andt h
ed i
spla
ys t
rat
egi
es配m凶es wereofu tm
ostimpo巾nce. ande venbefo肥 we回 promoted byartis白 such asElLissi阻ky andcu四回目
Poin白” were madei ntheexhi
bit
ions
:f o
re xampl
e,inthe1936exhibト su c
ha sAlexan derDorner,bothi nEurope Collect
i vespectat
orshi
pwas
ion じubis.m a
t ndA bs
tra
ctA叫配地nti五cation ofhis町ical andnon-Wt開－ inspir
edbyt h eR us
sianR evolutionandbyE in
stein
'st heoryofr e
lat
iv
ity
.
ernV lS
uals ourcesf o
r2 0
thcentuηF Western geo
metric abst四cl:lon Ite nc
ou r
agedav ar
iedanda ct
ivee xperie
ncet hroughdynaimce x
lubiti
on
d田ign, wheret hing
sl ookedd旺erent from 岳民自nt a ngl
es,whilesimult
aｭ
Thef actt hatMoMAfromt heou白et quitelit
era
llysitua
teditself ne o
uslye mphasizingthetota
lit
yoft heins
tal
lat
ion.Italsopromotedi dea
s
asam e diat orbetweeni ndu
stria
lp rodu
cersandd ist
ribu
tors(ap owerful o fsha
red,collect
lveencounte
rsw i thar
t.
m町田t groupw地 a S仕ong p r
esenceon 配 1ラoard oftru
ste
es)anda “bm、」
ing＂叩di叩 nee cann仙e un e sti
n Today,B紅白 didactic m odelof “ educated consumerspectato目hip”
techniquesf口Jill d epartme ntstor
esando thercom mer
cials e
tting
s.And c aneasi
lybei de
ntifiedm t heo peratlonsofmostmajormuseumsand
vis
ito
rswerec o nside
redn otJUS
tc onsumers,whoi nc onjun
ctio nwit h o t
here xhib
i tinginstitut
lons
,fromMoMAi nNewYorkt oTateModern
ce山m e x
hib itionscoulde venbuyt hedisplay
eddes i
gno b
ject
si nthemuｭ inLondont otheModernaιfoseet i nStockholmThei d
eaof“ Construc-
seums h
op,b utt astem
akerswhoweree xpecte
dt obecomer esponsib
l e tivi
stspectatorship” has beenlarg
elyl eftbehind,a lthoughi
th ibe r
nated
membersoft heemergmgs ocie
tyofc onsumption.Thusm arkets t
rat
e ands urvivedi nt heworko fGroupM at
e r
ial,t hegrouparoundS h edh
alle
g i
esandb u
s i nessintere
stsmergedands hapednewi dea
lsofspectato目hio. inZurichi nt hel a
te1 990s,andartls白 such a
sDom.imqueG onzalez-Foｭ
GivenMoMA吉凶uen回1 s印刷s，出 approach wast akenupa tinnumeょ e r
ste
r,P h
i l
ip peP arreno,andLiamG illic
k.Atthe 日me t ime
,museum
やle o加 art i nst
itut
ionsi nd 品役rent p ar
tsof 配 world. Thei deaof p r
acticeint heUmtedS ta
teshas
,s incet heearly2 0t
hcen回ry, promoted
"winningp e op leover;’ of p
e r
suadingthem,wasc en
traltoMoJ\,仏ち di­ 1白elf 回目aching o utt oaw idera udienceEuropeanw e
lfarestateshave
dactic
sfromt heou臼et, jus
ta sitwasi nthecontemporaneousa dvertis
ina donesomeofthe 回me m t hepos阿ar p eriodandi nthenameofe quali
ty
M附q whichwas 附lf comingof 平 and transformingfor 由 new h avesupport edb othb roaderacc
esst oh ighc u
ltureandr efo
rmulationsof
アodern er~： Wi出n t hi
sl argel
yc ommercialscheme,u ncon
ventionaland whatconst山間 high cul回目 Educational c oncernsa r
ei mp
ortant,may
mnovatlve· ’ art wasa cceptedasl ongast h
ei nnovati
onsrem旧ned ona bee vene s
sentia
l,m d emoc
ratics oci
eties Butt hisattit
udeofte nclas
h
;ormall ev
elandd idnot 山de t o
,letaloneP工ovok山yp四山al o ve
r e swi t
hh igh -moderni stideasabouta rtn otimposing 出elf oni白 VleW·
be仰e叩 n thes ph eeof 制 and ぬe s
r phe
reofs o
cialandp ol
iti
calacti。； e白一一that i
ti s
,o ra tl e
asts h
ouldb e,st r
ongenought os tan
don1白 own
fee
tands peakf ori白eぜ，自moved 丘om "external” contex白．京fhich l ead
s
T
inss
hou
ldr
ingmoret
hanoneb
ellf
ort
hos
efa
mil
iarwithιcon todecontextualized “ What doyous eeandwhatdoyoufeel” pedagog下
tempo四ry a
rtmuseumsandc
ura
tin
g.A
not
herf
ami
lia
rphenomenoni
sth
e
concep
toft heeducationorpe da
go g
icaldepartment.Despitethefac
tt h
at Againt heartinqu回ion d oesnott y
pica
llychall
engeth es回出s
MoMAも particular b四nd ofc ur
a ti
ngwasb asedp rimar
ilyoninteg自民d quo;iti sa bout叫oyment andj u d
ging.Wec ancal
lthismethod “ the 静
dida
cti
cism
,i n1937as e
parat
ee d uca
tiondepartl n
entwass ta
rte
dUnder 岡.blislunent ofth :’
ecanon relying most
lyond evel
opmentsinter nalto
thelea
dersh
ipofV ict
orE tdeviated 丘om B
.D ’Amico, i ar
r'sidea
sa bout ar
tandc ertai
nlye c
hoingBa
rr'si de
as.Thismethoda .
i1
1
1Satprod u cinga
amoreo rles
sd etachedspec回tor andpromo肥d v is
ito
rp a
rtic
ipati
onI n geneal ogyofa rt
is
ts
,andt oac ertli
nd egre
ea l
soas equen
ceofa cc ept
ed
ste
adof'.'m
phas
izinge可oyment o rjudgmentoft heartont h
ew a
ll,i
te nｭ themes,whoseworkc a
nbemcludedi nam a
sternar四回e oft heh is
to.
ｭ
cou四ged v
isi
tor
st oexplore 制rown C削ivity. JohnDewey'sp ragma
ti lγof a口 Impor臼nd日 however, t in
smaneuverh appensattheexp e nseof
86
87
morei n
vestigat
iveapproach
eswhereas tateda mbi ti
on1
st oc o
nt extuaz e handss e
lectin
ganda rr
angin
g.I na d
ditiontothetypeo !curatmgd eｭ
ar
tis
tcp四ctice andt
i ostudyandq ues
t ionc urr entphenomenaandinheト scri
b e
da bove-(t
hed i
dacti
ce stabl
ishmentofthecanon,withn arrative
ite
dnormsandp ro
ceduresI notherwor ds,todecodeandr ecodeartifac目 informa回n addedon），叩iong t hemostcommonmodesofin日中11；ト
andacti
vitie
st hatper白in t
ocontemporarylife，伊iided morebywhati s tionina r
te ducatin.w出m e
o '1 b
it
i1
mte目sting andrele
vantthanbywhatis “pleasu四ble，”“good," and “l田町1g ” pa目i a
t fo口mat pron
Nowadayst hismodelc anitsel
fbec onte xtualizedwith叩 the wid esp
r ead tou悶 and workshopswherev is
itor
sarea sk
edtosha
rewhatt heys eeanα
ca
llforcan o
n sofcu
ltur
e,bluepr
intsof“ eternal quali旬、o beimplemented whatthey 伽ik a~d f e
elaboutwhatd町 see, todiscover “ the creator'’
inschoo
landu nive
rsit
yc ur
ricula int hem
selv
e s,arepartandparcelofthi
s.

Sowhatd oe st h
ish avet odowithm ediation?A l
loft hea bove Thed ivisionofl abori nl argera r
tm stitut
ionsinvolvest hee duｭ
c oun tasf ormsofm ediation,employedmoreo rlessco n
sciously:inteｭ cationalandp e dagogicaldepartmen白 taking 田sponsibility f o
re ducating
g ratedd id
actici
sm,s uppl e
m e
n t
a ryp articipat
orye duc
ati onandpedagoｭ thea udience,ine ss
encefor “ fixing” what oughtt obet li
er espo
nsibil
ity
gy ,a nd
,f in
all
y,n a
r rati
vei nform a
tio nd eployedbothi nsideando utside ofo出er s ocialinstitutions 山h a ss cho
ols,college
s,andu nive
rsitie
sThe
t hei ns
titut
ion.Thisl astwash isto
ricallyg enera
tedbye ducationaland collect i
onsandt emporar yexhi bitio
n sdepartmentst a
kec areoft hemore
p edagogicald epartmentsb utnowadaysi tcomesmoreandmorefrom oersuas i
ve,inte日rated, andthereゐre p robablymoree ff
icie
ntd i
dacti
cs.An
PRandmarketingp e
ople.Whereast headdedp a
rticipatoryeducationis i~terestin~ feat~re ofD ’Amico-style f or
matsw油m t h
iss chemｰ.is 伽t
b asedonana田ump臼on t h
att here1sad efici
encyamongt hevisi
tor
s a t heya ree asyt oavoid-wedon’t h avet oJoi ninu n
lesswer eal
lywant
gapt obebndged,ah o l
et obef ill
ed,o revenac onfli
ctt obesolved-the to a sopposedt oBarr'sm od el,whichi sbakedi nt
ot hei nsti
tutionor
ot hertwoa r
econcernedmorewithap erceivedlackofc ontactbetween e xhibitionT hisisa ls
ot hecasew itht h
emanyo ve
rlysimpli五ed ando ft
en
parties,a“ misunderstanding” or ac onflicttobes tr
aightenedo ut The oromononalw alltex白， brochures, ando therp肥sumably g enerousnar四一
id eathatas or
tof “ datmg servi
c e"isneededt op utther ig
htp eopleand ~ive techniq田s, whichtendt or enderartatthe 田町 time n
“ things” m touchwitheacho ther.Att hesamet i
me,m ediationc an more 叩ect;cular. Thep urepromotionhas 田ached a lmosto bsceneleve
ls,
bemuchmoret hant hi
sI tise ssen
tiallya boutcreatingcontacts ur
face
s partic1加ly i np附 rele田es. M此eting 叩d PRdep町tments h avegradu~
betweenworksofa rt
,c uratedpr•句ects, andp e
ople,a boutva口ous f or
ms all
vt akenoverr espon
sibiliti
est hatu sedtobes har
edbetweenc ur
atorsand
andi nt
ensit
iesofcommunicatinga bo utandarounda rt
.Asaterm,“me ed~cators. Inmanya rtinstim匂on
diation” seems t
obeopenenought oa l lowforawiderv arietyofmodes addedn arrat
ive,andt heyc anf orexampled eciden o
tt op ro
videwnt町n
ofapproachmge xchangesamonga r
t,i nstit
utio
ns,andt heo uts
i d
eworld info口nation a boutaspとcific P町ect, e venthoughi tisupandr unning,
Ins hor
t,m ediationa ppearst op rovi deroomf orlessd idact
icism,les
s be causeitd抗日C白 attention from 出e b lockbu
s te
rs.Iti
sn o tunknownf or
sc hoolingandp e
rsu a
sion,andmorea ctiveengagementt hatd oesn o
t m arke ti
n gandPRp eopl etoi nterf
erewitht h eprog四m 出elf, even.
ha vet obeselιexpressive orcomp ensato ry
.
Butdower eallyneedmorem edia tion?Maybewhatwes houl d
Letu sreturnforamomentt ot h
ec urrentabundanceofd i
dact
iｭ 印H 伽 is d iffe
re ntt yp ;
sofm e
diation,andi notl町 contex白 As w e
lla sa
cism.I tisane xcessthatperta
insm e qu
alm easurestowhati styp
ical
ly heightene daware nessoft hespe
cif
icf or msofm ed iatio nt ha
ta r
ea lready
consi deredt h
ev erynucleusoft h
ec r
aftofc ur
ating(fo
rexampleBarr’s em~loyed i ni nstituti o
ns,notleas
tt hepe目uas問 me
modelofs ele
cti
ng,m s
tallin
g,andi no therwaysc ont
extualizmgwork) withint l
ietraditior>al c
raf
tofcurat
ing.Wea spr、ofessionals wouldcertain一
andwhati staggedontoac uratedpr句ect (g
alle
rytoursandw orks
hops, lybenefit 丘om methodst h
athel
pu sr右flect uponwhatwedoandhowwe
doit,asaformofconsciousness戸悶ising. Furtherr工iore, mostoft hemethod s
wallt ext
s,l a
bel
s,aud10g u
ides,etcet
era
)Whereast helat
teri
sf r
equen
tly
deemedo ver-
dida
ctic,t h
eformeri snotcommonlyt hough
tofa s“dト ofm~d肌on i
r
dactic” at a
llbutratherascommonp四ctice, t henormalt hingtodo.It t旧nedin 四d正ally di旺er tways 山n contemporaryp
rac
tic
e.Formatsd e
e
i
sa l mostn ot-
vis
ible,likecuratin
gb efo
reHaraldSzeemann-invisible riv
edfromoneparadigma r
eb einga
ppli
edtoartfromadif
fer
entparadigm

88 89
 Hutmosti mp orta
n t
ly,itist imet oconsid
erandt akes e
rio
uslythe o
ne,whichwec antermt h
e“oveトcollaboration；’ involves c lo
sec ollabｭ
f a
ctt h
att h
ea r
tandc uratedprojec白 at tefore仕ont ofexperimentaロon,
h or
ationbetweenthec urato
r/stud
entandana rti
stw i tht hepu rposeof
wh凶 ~ormulate newqu叩ons 叫 create news torie cr
eati
ngneww o
r k
.Althought herhetorici nvolves“avo凶ng t raditionｭ
c reasmgyremote 丘om t
l hem ainstreamTh白e s idstrでams, manyofwhic
e I1 a
ln ot
ionsofauthorship” and “自caping individuality;” this i
ntenseinteト
t'.
'
stva口。us ゐrms of“Construe耐st 恥ctatorship," t即kle fu巾er and 五u ac
tionbetweent h
etwoplaye白 0仕en e ndsupb ei ngc losetoas ymbi ｭ
ti官r awayfromthe 山1a回nswhe問 most p eop
leencoun町 art andcuraト o
sis
.O thesa田 kept OU白川e, andt
r here s
ultisa “ super artistic”叩句ect
eelP町ec白＿（large insti出町1S i nb igc山es), andh er
em edia ti
on,wh町ver who has 即o bodiesi nsteadofoneandi ss urpris ing lyselιexpressive.
匂peitmゲ be, isma宅叫This k ir ofstra白gic 詑pa四ti i si
r
asurvival 町ategy ino rdert ogu ara
nte eo t
herproportionsofs el
｣d e
terｭ I
nb othsitu
ations,at 11i
rdterm-awedget ot r
iggerad ial
ecti
cal
mination;themains tr e
amisn otpartic
ula r
lywelcomingt ot heside
stre
ams, dyna1msm-ism iss
in g.I ns t eadt hereislitt
leexterior町， almost noo utｭ
andt hesidest
reamsp refertosticktot hemselves.
Andy etth eine
vit
ablere一 si
deandv e
ryfew “ others .'’ Again, t
hisistl1
eo ppositeoft het he
oret
ical
四It i
ss e｣m咋inalization, whereo
l nly山 already-c;nverted a rerea
ched. openarmsst四tegy ofm ai n streama rtinstit
uti
ons.Thec urator/s
tudent
cre
atesasepar
ateuriiver
sef o rher/ himse
lfandh er/hisideasora r
tis
tbudｭ
. Another 陀ason f o
ra sk in
gwhat1 st h
egoodofm ediation More dy
.Ofc ours
ea nyshowi n v ol
vesd e
tail
edworkt hatn e
edst ot akeplace
andmoreo verthelatdee地， I h
s aveobservedi nemergingcu問ors a n d behindc l
oseddoors,b utIb e
lievet hattli
emomenth ascomet oins
ist
studen臼 of curatmgar el
ativ
e lylirmt
edi n
terestinco町立nunicating abo u t onexpenmentationw hiles imultaneouslya tt
emptingt od evelop new
a r
tbeyondp r
ofess
ionalcir
clesT hispa町ern stand
si nstar
kc ontr
astt ot he formsofmediation-toc o n si
dere a
rnes
tlyt hequestionofwhata r
td oes
d eve lopme
nt sinm ainstreami n
stit
utio
nsd iscuss
eda bove,wluchs uffer incultu
re,what1白 function c anbei nsocie
ty,andt obemoreg enerous
fromt oomuch( andt omuchonトsided) d
o ida
ctici
smT ogetherm出 a witht h
em at
eria
lathandAndt oslu丘 the term
soft 11
ee xis
tingf or
msof
numberofc oll
eaguesIamp art
lyt obl田ne f orthi
sd evelopment,ha、」 mediationinm ain
s treami nsti
tutionsino rdert omakeroomf orother
i ngs up
portedi de
asarounda llk i
nds of自主perimentation, both 町tisti叩 typesofe x
chang
es,andp o s siblya ls
ot oletartu s
emoreof出 potential
callyandcu四torially, advo
cat ingthen ec
essityt otryo uttheunknown
w ith outhavingt oc onst
antlyg l
ancea t the 配ception We h avebeen Givent hatconsumption1 soneoft hemostw id e
lyknownandac『
".1otiva凶 by 配 need t oc reateo t
herw叩 of t hin
kingandacting-a ce ptedf o
rm sofengagementwitht hesuロounding r eal
ity
,wes ho
ulda sk
曲目ct r eact
iont oap erceiveds t
asi
samongm ainstreaminst山tions~ inｭ whetherd ismissin
gMoMA'smodelofthe “ educated consumer” is n ecesｭ
e luding制r o verlyd凶C臼C modesofa dd
ress.Theexpe口n saril
yagoodthmgI sitactuallyt hefas
testandmoste f ficien
tmeansbywhich
mo問。r l e
sso nlybeenp ossibleint hes出町ams. A;dIw illc ontinue tor eachnewa udiences,or，四ther, t od evelopadifferent “ exteriority”?
top~rsue i t
,b utwhile 町ng t ok eepmo田 of ane yeonhowwhatwe Mostl ikelythismodelc anb eu s edino therw ays
,f ord iff
erentp u
rpose
s.At
町 domg mightbeconmm 叩riic edbeyondt heconfi口med beli閃rs. On th esamet i meIwonderi fweh aven ota lreadysee nt heemergenceofy et
howm ediationcanc rea
tes pa c
ef ore xch
a ngew ithsomething “ other.'’ an othe rmod el,thatof“ the entertainedc onsumer;'wherev i
sitorsar
riveat
th emuseumw itht heexpectati onthatt heymustbec onsta
ntlyamusedand
Thisl im
itedi nter
esti n communicationbeyond t h
es electa u en tertainedAndy etthec o
llectiv
ists pectatorsh
ipa d vocatedbyt h
eCon
d ienceofo n
e'speersmaru岳山臨lf i ntwotend肌阻s amongy~~ng­ structivis也 continues t
oh a veana llur
eThet heoretic ianIri
tRogoffh asar
ｷ
ercurato目 and s t
ud ents Onef o
r egr
oundssmartcurat
orilconcep白 and
a guedf orar elatedversionofs pectator
ship,o rrather “ terms ofengagement,”
an otherpriv品eges c ollaborationandnewp ro
ducti
on.Thef ir
ston e.let’s inwhicht h ephysicalparticipationthatisp artofth e2 00-yearo ldath
r a
biｭ
call 氏 the “C四torial pirouettes円oc附S on 耐池田 of 由 curator. Here tusc arriesth enucleusofaq ualitati
velyb ette
rformofdemocracyt hanthe
artt endst obei nclu dedb ase doni ll
ust
rat
iveorrepre
senta
tiona
lg rou nds sepa四tiono旺ered b yrep田sentatlve d emoc racy.Ifwet akeRogoffse口ously,
M 配 outcome i su suallyat hematicgroupe x
hibit
ion.Inthis~atee:o­ “ reaching newaudiences” is less 肥levant thanchangingt het ermsinwhich
巧 we C阻 also i nclu desomeof 耐 mo町 selιref!e氾ve c ura
tori
alm~d­ wet alka bouthowwet ogeth erproduceap u
b l
i co rs emi-publicspace
e
ls,whicht endtof ocusonr eworkingstJ
ｷuc
tur
esandf orm
atsThes eco nd t hankst o,wi th
,andarounda rt,c uratedprojec白， institutions, andbeyond.
90
9
1