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phenomenon we sense; it is also the physical represent the threshold of hearing, and it is evident
property that we can measure with microphones. that at lower levels our ears are less receptive to the
The sound pressure resulting from a given AHU- lowest frequencies.
generated sound power depends on: With this in mind, a sound measurement scheme
– A-weighting – is sometimes used to filter
• Distance from the AHU to the room microphone sound pressure readings to reflect
• The size of the room human sensitivity, and give an overall sound
• The absorptive properties of interior furnishings pressure readings, in dB(A).
• Attenuating elements such as silencers, duct
liner, duct branches, elbows, etc. 5
0
Propagating sound creates pressure fluctuations -5
63
0
in the air, which vibrate the microphone diaphragm
12
25
50
0
10
20
40
80
-10
and cause it to make a voltage output proportional to -15
the pressure. We use an RMS (Root Mean Square) -20
value of the pressure fluctuations to obtain a -25
logarithmic measure, expressed as Lp. -30
Sound energy can occur over a broad frequency A-WEIGHTING CURVE
range, and the human ear is sensitive from about 20
Hertz (Hz) to 20,000 Hz. We can measure the This suggests that noise at 125 Hz would sound
overall level, the sum across all these frequencies, 15 dB quieter than 1000 Hz noise at the same sound
but it is usually helpful to break this down into pressure level, to most listeners.
frequency bands. As in music, an octave band Again considering the analogy relating sound
convention was chosen. Each progressive band has power to BTUs and sound pressure to degrees, we
double the bandwidth of the previous. The center are fully aware that temperature is only one measure
frequencies assigned for the bands for the full range of comfort. We use the temperature-humidity-index,
of human hearing are: 31.5, 63, 125, 250, 500, 1000, THI, as a measure of humidity and temperature;
2000, 4000, 8000, and 16000 Hz. Usually, we further, ventilation flow patterns and on/off cycling
disregard the last band. also affect our comfort.
We can show the range of human hearing in a Similarly, our perception of noise depends on a
plot of sound pressure against octave band combination of sound level, spectral content, and
frequencies. modulation. Sometimes the overall level is just too
loud, but generally, if the noise has a balanced
1000
2000
4000
8000
31.5
250
500
63
100
are emphasized. These are often defined as:
80 *Rumble – when the 31.5, 63 and 125 Hz bands
60 are especially loud. The effect of this is to induce
40 fatigue. The “6-o’clock” phenomenon is the
20
sensorial relief we sometimes experience when the
HVAC system shuts off for the day.
0
*Hiss – when the 2000, 4000, and 8000 Hz
-20 bands are emphasized. Typically caused by
Octave Band Frequency (Hz) undersized diffusers. This sound is rather irritating.
*Tonality – when a particular octave band is
RANGE OF HUMAN HEARING more than 5 dB above its adjacent bands, often
caused by the blade pass frequency of the fan in the
At the highest levels, noise above 120 dB can AHU. Most people find this particularly annoying.
cause instant hearing damage. The lowest levels
Sound Power, Sound Pressure, and Octave Bands Explained (page 3 of 3)
For more information on our 39M Air Handlers, contact your local Carrier
representative, call 1-800-CARRIER, or visit our website, http://www.carrier.com/
2004 Carrier Corporation, Syracuse, NY Printed in U.S.A. GUD-04-002