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CONCERTO D'AMORE

Clarinet in B  1 JACOB DE HAAN


Arranged by JUAN A. PÉREZ

                            
Maestoso 

   
 3
3

                    
       
5 rall.


3
3

Allegro molto  


    
9

     


              
 
21

  
     

  
 
     
26

     


              
31

         

                   
            
  
37

 


                          
42


2 CONCERTO D'AMORE


                   
47 1. 2.

    

  
                     
53

 
  
59
                       



       
Quasi alla breve 
 
molto rall.

    
64

         

 
rall.

   
70

 

Adagio 

                  


75

  

      
81

           


             
88

     
 poco a poco cresc.

                         
94

     
  
CONCERTO D'AMORE 3

        
      
99

    
 
 Swing  
      

                   
104

 
 rall. 

                     
      
   
121



                    
              
127


         
               
132

   
   

                         
138

            
              
144



     
                 
149

 

                 
              
  
155


4 CONCERTO D'AMORE

   
                  
160



               
Adagio 
 
    
164


            


 
169

 

  

              
 
      

174 rall.

 
CONCERTO D'AMORE
Clarinet in B  2 JACOB DE HAAN
Arranged by JUAN A. PÉREZ

      
                  
Maestoso 
  

            
Allegro molto 
          
6 rall.

                   
11

            

       
16

                     
 


                 
21

    
 
26

 
   
      

    


32

   
 

                         
38

   

2 CONCERTO D'AMORE

     
43 1. 2.

              

         
        
50

       

                 
56

        
 

   
Quasi alla breve 
             
         
62 molto rall.

    
 


                  
69


rall.



75 Adagio 
 
           

               


 
82

 
   

           


        
87

 


                
91

   
 poco a poco cresc. 
CONCERTO D'AMORE 3

        
98

    
   

    

           
104 rall. Swing 
 
 
                 
     
110

         
 
                          
115



                  
     
120

   
 

    
126

  
         


                    
132

 
  

      
137

                 

  
143


                       

4 CONCERTO D'AMORE

     
     
147

      
3 3 3

      
 
153

               
    

   
       
158

           
        

    

Adagio 

                          
163


  

                 
168


         


                 
173 rall.


CONCERTO D'AMORE
Clarinet in B  3
JACOB DE HAAN
Arranged by JUAN A. PÉREZ

 
Maestoso 

                      
  
 3

          
6 rall. Allegro molto 
     
         

            
11

   
                 

      
16

     
                 
  

 
21

      
            
          
26

          
             
           

         
31

              
         

 
             
36

    
2 CONCERTO D'AMORE

    
41

       
 

    
    
48 1. 2.

               
  

          
54

      
      
 
      
  
           
60 molto rall.

     
  

67 Quasi alla breve 

    
   


rall.

Adagio 


75


             

81

 
             

88

           
       
 poco a poco cresc.

 
95

                   

CONCERTO D'AMORE 3


              
100

            
 
Swing 

     
                
105

  

rall.  

                    
110



                              
115

       

            
            
120

   
 

    
126

   
         

 
        
132

    
                  
  

              
137

                        

       
142

   
                  
4 CONCERTO D'AMORE


      
147

              
 
153


                 

  
           
159


       
 
164 Adagio 

                   

172

        
rall.

     
 
CONCERTO D'AMORE
Bass Clarinet JACOB DE HAAN
Arranged by JUAN A. PÉREZ

Maestoso 

               
 
         

    
Allegro molto 
 
6

            
rall.

    

   
                
11

     

          

 
16

                
    
        

 
                   
21

           

   
26

                 
             

         
31

   
                 
    

 
            
36

         
    
2 CONCERTO D'AMORE


   
41 1. 2.

                   
 

                    
52

   
            

 
57

         

                
         

 
              
62 molto rall.

        

67 Quasi alla breve  


 
     
  
 rall.

Adagio 
                 
75

               

                
80

   
                  

         
86

  
                  

          
91

     
             
 poco a poco cresc. 
CONCERTO D'AMORE 3

         
96


             
         

    
     
101

     
      
         rall.  

  
Swing 

                   
106

  
     
 

                        
123

  
  

   


128


   
 

                     
133

          

                
139

         
  


       
145

      
    
   

           


151

      
4 CONCERTO D'AMORE

                        
156

            


      
161 Adagio 

                
 
167

    
                    
173

  
                
rall.

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