Вы находитесь на странице: 1из 57

Под небом Парижа

q =180 Tempo di Valse


З.Жиро

            
Флейта   
mf

          
Кларнет B 1  
mf

          
Кларнеты B 2,3  
mf

         
Саксофоны-альты Es 1,2   
mf

     
Саксофон-тенор В
    
mf

        
Валторны F 1,2   










  
mf


         
       
Валторна F 3

mf


Трубы B 1,2             
mf

   
       
Тромбоны 1,2  
mf

  
  
Тромбон 3      
mf


Малый барабан   
         
  
mf

       
Тарелки и
Большой барабан    
 

 

   
 
mf

  
Корнет B 1            
mf

 
Корнет B 2            
mf

     
Тенор В 1    
mf

 
Тенор В 2                
mf

     
Баритон В    
mf

  
  
  
  
Басы 1,2

mf 
        
Бас-гитара  
mf

        
    
7
2
Fl.  

     
      
Cl. 

       

Cl. 

   
       
A. Sax. 


    

T. Sax.     

  
Hn.               

  
     
     
Hn.

    
Tpt.          

    
       
Tbn.  

     
 
Tbn.
    

       

     
Perc.    

       
Perc.  
 

   
   
 

     
Cnt.          

 
Cnt.    
    

      
Euph.     


Euph.             

     
Bar. Hn.       

 
         
Tba.

 
        
Bass   
$ 
 
13       
Fl.    3

  
  


Cl.  
f

   
 
Cl.  
f

        


A. Sax.  
f

   
  

T. Sax.
 
f

     
Hn.              
f p

 
Hn.      
 

 
   
 
f p

      
Tpt.       
f

      
       
Tbn. 
f

     
 
Tbn.      
f

   
Perc.

 
          
f
p

Perc.       


 
p
f

        


Cnt.  
f


Cnt.        
f

       
Euph.      
  
f mp

    
Euph.             
f p

     
Bar. Hn.        
  
f mp

 
 
     
Tba.
  
p
f

      
Bass     
f p

 
19 
4
Fl.      
mp

  
Cl.      
mp


      
 
Cl.
mp

 
 
A. Sax.     
mp

  
T. Sax.
     
mp

                   
Hn.  


Hn.     

 

 
        

 

Кл. 3

    
 
Tpt.
mp


       
Tbn. 
mp

  
 
Tbn.      
mp

                  
Perc. 


     
Perc.
           

   
Кл. 1

    
 
Cnt.
mp


      
Кл. 2

 
Cnt.
mp

   
Euph.         

      
Euph.             

   
Bar. Hn.         


     

       

    
 
Tba.
 

                    
Bass 
   
25

Fl.        5


Cl.        


Cl.        


A. Sax.      




T. Sax.     

     
Hn.                


Hn.                    

  
     
Tpt.


        
Tbn. 

   
 
Tbn.     

Perc.
                  

Perc.  
 

 

 

 

 

 

  
Cnt.      

  
     
Cnt.

    
Euph.           

          
Euph.         

    
Bar. Hn.           

 
               
  
 
Tba.

                
Bass   
 
   
1
31
     
6
Fl.   
mp

     
     
Cl. 
mp

       
   
  

Cl.
mp
   
      
A. Sax.  
mp

  


T. Sax.    

             
Hn.        
mp


Hn.                    
mp

      
     
 
Tpt.
mp

       
   
Tbn.     
mp

        
Tbn.
      
mp


Perc.


               
mp

     
Perc.  
 

 

 

 

 

 
mp

        
     
 
Cnt.
mp

  
         
  1
Cnt.
mp


Euph.        

  
Euph.                 
mp


Bar. Hn.        

   
  
           
Tba.
     
mp

                  
Bass 
mp

  
 
    
37

Fl.    7

  
       
Cl. 

          


Cl. 

  


       
A. Sax.  

 
 

T. Sax.   
mp

         
Hn.            


Hn.      
 
           

   


         

Tpt.

            
       
Tbn. 

            
Tbn.
        

                  
Perc. 

           
Perc.  
 

 

 

 

 

 

   
 
Cnt.        


       
  
 
Cnt.

   
Euph.    
mp

        
Euph.           

      
Bar. Hn.   
mp

   
  
            
Tba.
     

                  
Bass 
            
43
8
Fl.  

       
   
Cl. 

        
  
Cl. 

     
    
A. Sax.   

  




T. Sax.   

         
Hn.            


Hn.                    

    
Tpt.         

              
       
Tbn. 

            
Tbn.
        


Perc.


               

           
Perc.  
 

 

 

 

 

 

     
Cnt.        

 
Cnt.            

   


Euph.    

         
Euph.          

  
      

Bar. Hn.

     
              
  

Tba.

                  
Bass 
  
2
  

49

Fl.            9

     
Cl.          

    
     
     

Cl.

 
A. Sax.     

 

T. Sax.         

     
Hn.              


Hn.          
 
  
  

  
Tpt.     

       
Tbn. 


Tbn.
        

               
Perc.  

Perc.   
 

 

 

 

 

   
Cnt.     


Cnt.  2      


Euph.           

    
Euph.             


Bar. Hn.           

 
 
              
Tba.
  
  
                 
Bass  
  
        
   
55
10
Fl.     

            
   
Cl. 

  
      
Cl.     

   
       
A. Sax. 


   

T. Sax.        

       
Hn.              


Hn.           
        

    
Tpt.          

     
        
Tbn. 

       
 
Tbn.      

                  
Perc. 


     
Perc.
           

       
Cnt.       

 
Cnt.         

    
Euph.          

      
Euph.             

    
Bar. Hn.          

 
Tba.
              

    
    

                 
Bass    

Ø 
 
61      
Fl.    11

f

      
 
Cl. 

f

   
 
Cl.  
f

        



A. Sax.  
f

     

 
T. Sax.
 
f

                   


Hn.  
f p


Hn.         
 

 
   
 
f p

       
Tpt.      
f
        
       
Tbn. 
f

        
 
Tbn.     
f

   
Perc.


             
f p

Perc.  
 
    
 
f p

        


Cnt.  
f


Cnt.    Ø    
f

       
Euph.      
  
f mp

      
Euph.             
f p

     
Bar. Hn.        
  
f mp


          
 

Tba.
p
f

       
Bass      
f p

 
67 
12
Fl.      
mp

  
Cl.      
mp


      
 
Cl.
mp

 
 
A. Sax.     
mp

 


T. Sax.    
mp

             
Hn.        


Hn.     

             

 

Кл. 3

    
 
Tpt.
mp


       
Tbn. 
mp

 
   
Tbn.     
mp

Perc.
                  

Perc.  
 

 

 

 

 

 

   
Кл. 1

    
 
Cnt.
mp

 

    
Кл. 2

 
Cnt.
mp

   
Euph.         

      
Euph.             

   
Bar. Hn.         

 
  
              
Tba.
     

                    
Bass 
   
73

Fl.        13


Cl.        


Cl.        


A. Sax.      




T. Sax.     

     
Hn.                


Hn.                    

  
     
Tpt.


        
Tbn. 

  
  
Tbn.     


Perc.
                 

Perc.  
 

 

 

 

 

 

  
Cnt.      

  
     
Cnt.

     
Euph.          

         
Euph.          

     
Bar. Hn.          

 
               
  
 
Tba.

                
Bass   

   
79
3
14
Fl.         
mf
  
   
Cl.      
mf

  
    
Cl.      
mf


A. Sax.     

   
mf


 

T. Sax.        
mf

 
Hn.                  
mf

 
Hn.         
 

 

 
mf

    
Tpt.          
mf

  
       
Tbn.  
mf

   
Tbn.
         
mf

               
Perc.  
mf

     
Perc.  
 

   
 

 

 
mf

     
Cnt.          
mf

    
Cnt.          
mf

  
Euph.         
mf

 
Euph.                
mf

  
Bar. Hn.         
mf

  
  
           
Tba.
    
mf

                  
Bass 
mf

  
85

Fl.        15

  

Cl.       

  
 
Cl.       


A. Sax.   

     

 

T. Sax.        


Hn.                   

      
           
Hn.

   
Tpt.          

  
      
Tbn. 

   
Tbn.
       

                  
Perc. 

           
Perc.  
 

 

 

 

 

 

    
Cnt.          

   
Cnt.          

 
Euph.         


Euph.                   

        
Bar. Hn.  


  
              
Tba.
     

Bass
                  

91      
16
Fl.        

     

Cl.       

      
Cl.       


A. Sax.   
   
  
 



T. Sax.            


Hn.                   

      
           
Hn.

  
Tpt.            

       
      
Tbn. 

      
Tbn.
       

                  
Perc. 

           
Perc.  
 

 

 

 

 

 

   
Cnt.            

  
Cnt.            

 
Euph.            


Euph.                   

        
Bar. Hn.     


  
              
Tba.
    

Bass
                  
    
97
     
Fl.   17

p cresc.

          
Cl.  
p cresc.

    
Cl.        
p cresc.

  
A. Sax.          
p cresc.

  

T. Sax.    
p cresc.


Hn.                   
p cresc.

      
Hn.
           
p cresc.


         
Tpt.

p

          
      
Tbn. 
p cresc.

          
Tbn.
       
p cresc.

                  
Perc. 
p cresc.

           
Perc.  
 

 

 

 

 

 
p cresc.

 
Cnt.              
p cresc.


Cnt.              
p cresc.

  
Euph.     
p cresc.


Euph.                   
p cresc.

          
Bar. Hn.  
p cresc.

 
  
              
Tba.
   
p cresc.

                 
Bass 
p cresc.

           
103
18
Fl.  f

       
   
Cl.  f

        
 
Cl.  f

           
  
A. Sax.  f

       
T. Sax.

f

     
Hn.             
f

           
Hn.
     
f

         


Tpt.  
mf f

        
        
Tbn.
f

          
 
Tbn.       
f

           

     

  
Perc. 
f

       
Perc.  
 

 

 
  
 
f

       
Cnt.      
f

 
Cnt.          
f

       
Euph. 
f


Euph.                  
f

     
        
Bar. Hn.
 
f

  
    

  

   



Tba.

f

            
Bass 
f
 $Ø 

  rit.    

109

Fl.  19

mf

    
 
Cl.       
mf

     
  
Cl. 
mf
 
       
A. Sax.  
mf

    

 
T. Sax.

 
mf

 
Hn.            
mf


Hn.            
mf

  
      
Tpt.  
mf

       
Tbn.
    
mf

       

  
Tbn.   
mf

 
Perc.

            
mf

     
Perc.  
 

 

   
mf

  
 
Cnt.       
mf

  
       

Cnt. rit.
mf

  
      
Euph. 
mf

 
Euph.            
mf

   
Bar. Hn.           
mf



     
    
 

Tba.
 mf


Bass
           
mf
Под небом Парижа
Баритон В

q=180 Tempo di Valse


З.Жиро


             
mf

$
       
11

           
 
f mp


19
   
           

 
27

    
      

 
1
       
34

    
mp

2

49


           

Ø
   
56
   
        


62

                  
 
f mp

   
70

        
     
V.
Баритон В

 
3
2 79
  
            
mf
89
  
     
       
p cresc.

       
99

         
 
f

  $Ø rit.
 
    
107

    
    
mf
Под небом Парижа
Бас-гитара

З.Жиро
q=180 Tempo di Valse

        
   
mf

$
  
9
       
 
f

   
17
              
      
p

         
25

              

33
1
                  
      
mp

          
41
  
         

49
2
        
            

Ø
  
56
    
            

  
62
               

f p
Бас-гитара

      
2 70
                 

78
3
                   
 
mf
85
                  
   
92
                     
p cresc.

   
99

               


106
  
rit.
    

          
f mf
Под небом Парижа
Басы 1,2

q=180 Tempo di Valse З.Жиро

    
     
mf 
7
     
     
 
13 $
     
    
 p
f
19
         
    

    
   
25
             
     
 
31
1
            
   


 
  mp 


37
      
   

   

  
   

      
43

       
      

 
49
2
      
           
    
Басы 1,2
2 55
   
            

   
    

61 Ø
        
    
 p
f
67
         
    

    
   
73
             
     
 
79
3
              
    
 mf 
85
      
 

  

     
   
91

     

    

    
  
97
  
  

          


p cresc.
 
103
           
   
  
f

109

rit.

        
 
 mf

Под небом Парижа
Валторна F 3

q=180 Tempo di Valse З.Жиро


         
       
mf


7

    

 


   
$

13

      
 

 
   
 
f p


19

     
 

 
        


25

                 
 
1
 
31


        
         
mp


37

    
            
 


43

           
 
   
 
2

49

         
 

 

 
Валторна F 3
2 55

                   

Ø

61

             
     
f p


67

    

 

 
        

 
73

                  

3
 
79

         
 

 

 
mf
85

      
           
91

      
           
97

   

 

 

 

 

 
p cresc.

103

   
  
 

  

   
f

$Ø rit.

 
109

         
mf
Под небом Парижа
Валторны F 1,2

З.Жиро
q=180 Tempo di Valse
       
         
     
mf


7

              

$

13

                    


f p


20

                       


27

                       

1

34

                   
mp

 
40


               

2

45

              
Валторны F 1,2
2 50
          
         

Ø

56

                   


62

                       


f p


69

                   

 
75

                   

81
3
                      
mf

89

                     

96

            
 
  
       
p cresc.

$
 
103

                  
f

Ø rit.


110

         
mf
Под небом Парижа
Кларнет B 1

q=180 Tempo di Valse З.Жиро

         
 
 
mf

   
       

7


$ 
       

13


f

23
     
  
mp

1
      
33
      

mp

     
  
  
39



     
2
 
45

   

 
       
51

        
Кларнет B 1
2

 Ø 
        
57
    



f

     

63

 
mp

 
 
3
   
73

   
mf

       

84

    

 
  
92

      

p cresc.

99
           


       $
  
105

  
f

Ø
   

    
110


Под небом Парижа
Кларнеты B 2,3

q=180 Tempo di Valse З.Жиро

       
   
 
mf

       

7



$     
13
 

f

23

 

     

mp
 
1
       
  
33
  
  
mp

           


39


2
45
      
    

 
     
51

           

  Ø
57
    
 
f
Кларнеты B 2,3

2
   

63

   

mp


3
  
    
73

   
mf

   
    
84

    

92
     
       
p cresc.

  
99

         

    $
   
105
 
 f

Ø 
   

110


Под небом Парижа
Корнет B 1

q=180 Tempo di Valse З.Жиро


             
mf

  
8

          

$  
         
13 Кл. 1

 
f

mp

    
1

31
   
  
     
  mp

 
  
40

   
  
       

 
2
    
49

       

Ø
      
60
 

f

 
    
65 Кл. 1

 

mp

Корнет B 1
3
2 80
      
           
mf


88
        
         
 


97

               
p cresc.

  $
   
104

      

f
Ø 
   
110


Под небом Парижа
Корнет B 2

q=180 Tempo di Valse З.Жиро


            
mf


7

        


13

$ 
      
f


  

   
23
Кл. 2


mp
  
1
  

33

         
 
mp


39


        
    


2

45

       

52
 
        

Ø

59

       
f
Корнет B 2

 
   
2 65
  
Кл. 2


mp

3
  
80
  
          
mf


86

      
   


92

           
   


98

         
  
p cresc.
$
  
104

     
    
f

Ø
 
110

     
Под небом Парижа
Малый барабан

q=180 Tempo di Valse З.Жиро

 
           
 
mf

   
    
7

     

 

13 $
                
     
f
p

     
21

            

                  

27

1
                 
   
34

mp

                     
41

49
2
 
Малый барабан

2
    
 
50
           

Ø
     
56

            

   
                   
62


f p

                      
70

3
                 
78

 
mf

                    
85

                    
92


p cresc.

      
99
           

$
     
   
105
  
    

 
f

 
Ø
   
110

    
mf
Под небом Парижа
Саксофон-тенор В

q=180 Tempo di Valse З.Жиро

         
   
mf

$
 
        
11

  
f

      


 
18


mp

 
1
34
      
 
mp

2

49

           

Ø
   
56

            

62
          
 
f mp
2 Саксофон-тенор В

  
3

81
        
   
mf

92
 
            
p cresc.

    $
       
101
 

f
Ø 
    
110

 
Под небом Парижа
Саксофоны-альты Es 1,2

q=180 Tempo di Valse З.Жиро

          

 
mf

     
    
7

  

  
$ 
      

13

 
f

    


   
23

 
mp
1
33
       
     
mp

      


  
39

  



2
  
   
45

 

52
       
 

      
Ø 
   
 
59

 
f
Саксофоны-альты Es 1,2

2
      
  
65


mp

 
3

81

 
   

   
mf
89
  
       
  


97

          

p cresc.

 
103
         
   
f

 $ Ø  

rit.
    
   
109


mf
Под небом Парижа
Тарелки и Большой барабан

q=180 Tempo di Valse З.Жиро

       
   mf

 

 

   
 

7
       
   

   
   
 

$
       
13

         
f p

     


  
22

          

     


28

             

1
34
             
       
             
mp

41
       
   

 

 

 

2
45
       
   

 

 

  
Тарелки и Большой барабан

     


  
2 50

          

Ø
     
  
56

          

         


62

         
f p

      


   
71

           

3
        
   
78

   
         
mf

85
             
    
 

 

 

 

 

 

92
                    
              
p cresc.

99
             
       
             

$ Ø rit.
        
  
106
   
       
f
mf
Под небом Парижа
Тенор В 1

q=180 Tempo di Valse З.Жиро

    
   
mf

    
7
 
    

$
  
13
    
    
 

f mp


19
  
        

 
25


          
 

 
1
   
31

     
mp

2
   
46

           
Тенор В 1

  
55
 
         

Ø
  
61

          
 
f mp


67
  
        

 
73

           
 

 
3
 
79

        
mf

87
  
            

    
96

       
p cresc.

    $Ø rit.   

    
105
 

f mf
Под небом Парижа
Тенор В 2

q=180 Tempo di Valse З.Жиро

              
 
mf


7

            

$

13

                
f p


19

                  


25

                  

1

31

                  
mp


37

                  


43

                  

2

49

                
2 Тенор В 2


55

                  

Ø
     
61

             
f p


67

                  


73

                  

3
 
79

                
mf


85

                 


91

                  


97

                  
p cresc.


103

                 
f
$Ø rit.
 
  
109

       
mf
Под небом Парижа
Тромбон 3

q=180 Tempo di Valse З.Жиро

             
 
mf

$
    
 
11
          

f mp


1
     
           
25


mp

         
38
         


         
44
       

 Ø
2
       
49
      

 
       
  
62

   
f mp

 
81
3
       

mf

88  
        

Тромбон 3

        
2 95
         

p cresc.

 
102
             

f
$ Ø
  

        
107 rit.

    
mf
Под небом Парижа
Тромбоны 1,2

q=180 Tempo di Valse З.Жиро

      


      
 
mf

11
  
$ 
      
      
  f

     1        


     
24
    

mp mp

38              
      


44            
     


49
2
         Ø
    


          
 
62
    
 
f mp


81
3


Тромбоны 1,2

          
 
83

     
mf

93               
       

p cresc.

         
 
102
      

f
 
108   $ Ø rit.      
     
mf
Под небом Парижа
Трубы B 1,2

q=180 Tempo di Valse З.Жиро


            
mf

  
8
 
        

$  
  
    
13 Кл. 3
  

     
f mp

   
1
31
   
       
      
mp

   
40

    
   
   
   

 
2

49

           

Ø
   
60
    
    
f

 
  

65 Кл. 3

  

mp

3
2 80
    Трубы B 1,2
  
           
mf


88

      
       

94
 
          
  
p
 $
     
104
     
      
mf f

Ø
    

110 rit.

     
Под небом Парижа
Флейта

q=180 Tempo di Valse З.Жиро

            

 
mf

   
8
        

 

   $ 
        

13

  
f mp

   


      
1
 
   
31


 
mp

         
  
   
40

 

2
   
         
49

       

             Ø
 
56

    

 
       

62

  
f mp
Флейта
2
3
81           
    
mf

92     
     
     
p cresc. 
         
 
101

 f


 
rit.
     $Ø    

107


mf