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Prologue
Natasha, Pierre & The Great Comet of 1812 Dave Malloy
PIERRE: Em F♯°7/ E
4
4
There's a war go ing on out there some where and An drey is n't here
5 D♯°7 Em
There's a war go ing on out there some where and An drey is n't here
9 Em
There's a war go ing on out there some where and
S
A
There's a war go ing on out there some where and
T
B
There's a war go ing on out there some where and
12 F♯°7/ E D♯°7
An drey is n't here There's a war go ing on out there
S
A
An drey is n't here There's a war go ing on out there
T
B
An drey is n't here There's a war go ing on out there
15 Em
some where and An drey is n't here
S
A
some where and An drey is n't here And
T
B
some where and An drey is n't here And
18 Em
S
A
this is all in your pro gram, you are at the op era
T
B
this is all in your pro gram, you are at the op era
20
S
A
Gon na have to stu dy up a lit tle bit if you wan na keep withthe plot 'Cause it's a
T
B
Gon na have to stu dy up a lit tle bit if you wan na keep withthe plot 'Cause it's a
22 A°7
3 3
S
A
com pli ca ted Rus sian no vel, ev ery one's got nine dif ferent names So
3 3
T
B
com pli ca ted Rus sian no vel, ev ery one's got nine dif ferent names So
24 A♯°7 G/B C G C
S
A
look it up in your pro gram, we'd ap pre ci ate it, thanks a lot Da da da
T
B
look it up in your pro gram, we'd ap pre ci ate it, thanks a lot Da da da
2
26 G C G C B7 Em
S
A
Da da da Da da da Na ta sha
T
B
Da da da Da da da Na ta sha
29
C G D7
NATASHA:
Na ta sha is young, she loves An drey with all her heart
S
A
She
T
B
She
32 Am Em B7 Em
3
S
A
loves An drey with all her heart. Na ta sha is young and An drey is n't here
3
T
B
loves An drey with all her heart. Na ta sha is young and An drey is n't here
35
C G D7
SONYA:
3
So nya is good, Na ta sha's cou sin and clo sest friend
S
3
A
Na ta sha's cou sin and clo sest friend.
T 3
B
Na ta sha's cou sin and clo sest friend.
3
38 Am Em Am Em B7 Em
S
3 3
A
42 44
So nya is good, Na ta sha is young and An drey is n't here
T 3 3
B 42 44
So nya is good, Na ta sha is young and An drey is n't here
41
B7 C G
MARYA:
Mar ya is old school, a grand dame of Mos cow. Na
43 D7
ta sha's god mo ther, strict yet kind
S
A
Na ta sha's god mo ther, strict yet kind.
T
B
Na ta sha's god mo ther, strict yet kind.
45 Am Em Am Em Am Em B7 E
S
3 3
3
A
Mar ya is old school, So nya is good, Na ta sha is young and An drey is n't here And
T 3 3
3
B
Mar ya is old school, So nya is good, Na ta sha is young and An drey is n't here And
48 Em
S
A
this is all in your pro gram, you are at the op era
T
B
this is all in your pro gram, you are at the op era
4
50
S
A
Gon na have to stu dy up a lit tle bit if you wan na keep withthe plot 'Cause it's a
T
B
Gon na have to stu dy up a lit tle bit if you wan na keep withthe plot 'Cause it's a
52 A°7 3
3
S
A
com pli ca ted Rus sian no vel, ev ery one's got nine dif ferent names So
3 3
T
B
com pli ca ted Rus sian no vel, ev ery one's got nine dif ferent names So
54 A♯°7 B G/ C G C
S
A
look it up in your pro gram, we'd ap pre ci ate it, thanks a lot Da da da
T
B
look it up in your pro gram, we'd ap pre ci ate it, thanks a lot Da da da
56 G C G C B7 Em
S
A
Da da da Da da da A na tole
T
B
Da da da Da da da A na tole
60
C G D7
ANATOLE:
An a tole is hot, he spens his mo ney on wo men and wine
S
A
He
T
B
He
5
62 Am Em Am Em
3
S
A
spens his mo ney on wo men and wine. An a tole is hot, Mar ya is old school,
3
T
B
spens his mo ney on wo men and wine. An a tole is hot, Mar ya is old school,
64 Am Em Am Em B7 Em HÉLÈNE:
42
44
Hél
S
3 3
A 42 44
So nya is good, Na ta sha is young and An drey is n't here
T 3 3 2 4
4 4
B
So nya is good, Na ta sha is young and An drey is n't here
67 C G D7
3
ène is a slut. An a tole's sis ter, mar
ried to Pi erre
69 Am Em Am Em
S
3 3
A
An a tole's sis ter, mar ried to Pi erre. Hél ène is a slut, An a tole is hot,
T 3
3
B
An a tole's sis ter, mar ried to Pi erre. Hél ène is a slut, An a tole is hot,
71 Am Em Am Em Am Em B7 Em
S
3
3
3
A
Mar ya is old school, So nya is good, Na ta sha is young and An drey is n't here
T 3
3
3
B
Mar ya is old school, So nya is good, Na ta sha is young and An drey is n't here
74 B7 C G D7
DOLOKHOV:
3
Do lo khov is fierce, but not too im por tant. An a tole's friend, a cra zy good shot
6
77 Am Em Am Em
S
3 3
A
An a tole's friend, a cra zy good shot. Do lo khov is fierce, Hél ène is a slut,
T 3
3
B
An a tole's friend, a cra zy good shot. Do lo khov is fierce, Hél ène is a slut,
79 Am Em Am Em Am Em Am Em
3 3 3
S
A
42
An a tole is hot, Mar ya is old school, So nya is good, Na ta sha is young and
3 3 3
T 2
B
4
An a tole is hot, Mar ya is old school, So nya is good, Na ta sha is young and
81 B7 Em B7
2
S 4
A 4 4
An drey is n't here Chan de liers and ca vi ar, the
2
T 4
B 4 4
An drey is n't here Chan de liers and ca vi ar, the
84 B7(♭9) Em
S
A 86
war can't touch us here Mi nor char ac ters
T
B
86
war can't touch us here Mi nor char ac ters
87
C G B7/ F♯ Em
MARY:
6
8
And Ma ry is plain
BOLKONSKY:
6
8
Old Prince Bol kon sky is cra zy
7
92 C D7 G
An drey's fam ily, to tally messed up
BALAGA:
An drey's fam ily, to tally messed up And Ba
95 B7
44
la ga's just for fun!
S 4
A 4
Ba la ga's just for fun! Ba
T 4
B 4
Ba la ga's just for fun! Ba
99 Am Em Am Em Am Em Am Em
S
4 3 3 3
A 4
la ga is fun, Bol kon sky is cra zy, Ma ry is plain, Do lo khov is fierce, Hél
T 4 3 3
3
B 4
la ga is fun, Bol kon sky is cra zy, Ma ry is plain, Do lo khov is fierce, Hél
101 Am Em Am Em Am Em Am Em
S
3 3 3
A
ène is a slut, An a tole is hot, Mar ya is old school, So nya is good, Na
T 3 3 3
B
ène is a slut, An a tole is hot, Mar ya is old school, So nya is good, Na
103 Am Em B7 Em
S
3
A
ta sha is young and An drey is n't here And
T 3
B
ta sha is young and An drey is n't here And
8
105 Am Em7 B7(♯9)
3 3 3
S
A
what a bout Pi erre? Dear be wil dered and aw kward Pi erre?
3
3 3
T
B
what a bout Pi erre? Dear be wil dered and aw kward Pi erre?
T 2
B
4
What a bout Pi erre? What a bout Pi erre?
111 Am A9
S
2 44
A 4
What a bout Pi erre?
T 2 44
B
4
What a bout Pi erre?
9
8 7.3 THE OPERA (PART 3)
44 ff f
° bb 3
S & b œ bœ œ œ Œ ˙ Œ
œ œ œ
Scream-ing and shout - ing Bra - vo Bra -
ALL
f
b
&b b ∑ Ó Œ
œ
Ch Bra -
f
? bb ∑ Ó Œ œ
¢ b œ
Bra -
b œ œ nœ œ œ œ œ œ œ œ œ œ œ œ œ œ nœ œ œ œ œ œ œ œ œ œ œ œ
&b b œ œ œ œ
?b
{ bb
œ #˙ ™ w
46 E
° b ˙™ ˙™
S &b b œ b˙ Œ œ
œ
vo bra - vo Bra - vo bra -
˙™ œ
b
& b b ˙™ œ b˙ Œ œ
œ
˙™ œ
Ch vo bra - vo Bra - vo bra -
™ ˙™
? b ˙˙™ œ b˙ Œ œ ˙™
œ
¢ bb œ b˙ œ œ
vo bra - vo Bra - vo bra -
3
b
& b b #n œœ ˙˙ bœ n œœœœ b # œœœ #n n œœœ bnn ˙˙˙ #nœœœœ #n œœœœ bnnœœœœ#bnœœœœbn#˙˙˙˙
œœ n ˙˙ nn# œœœ nœ bœ ˙ continue descending and ascending
diminished chords ad lib...
97
7.3 THE OPERA (PART 3) 9
49
° b mp
S & b b b˙ Œ ˙™ œ b˙ Œ ‰ j
œ œ
vo Bra - vo bra - vo And
˙™
bb b˙ Œ œ ˙™
œ b˙
Ó
& b b˙ œ œ b˙
Ch vo Bra - vo bra - vo
? b b˙ ˙™ œ b˙
Œ œ ˙™ Ó
¢ b b b˙ œ œ b˙
vo Bra - vo bra - vo
b
& b b œœ # n œœ b˙ #n œœœœ n ˙˙˙˙ nbn#œœœœ
n œœ b œœ nn# ˙˙˙ n œœœœ b # œœœ #n n œœœ bnn œœœ nb œœœ
nœ bœ œ #œ
52 attacca
° b 3 3
S ¢& b b j ‰ Œ ‰™ r ‰ j Œ Ó
œ œ œ œ œ œ œ œ œ œ œ œ œ œ
then a rush of cold air and An - a - tole en-tered the box
b U
& b b œœœ ˙
#n ˙˙˙ nbn#œœœœ œœœœ #˙ nœ œœ n ˙˙˙
œ n ˙˙˙ #nb œœœ œœ ˙ n#b œœœœ
fading away, free rhythm...
U
? bb œœœ #n ˙˙˙ nbn#œœœœ œœœ
{ b œ ˙ œ #˙˙
n ˙˙ #nbnœœœœ œœœ n˙˙˙
œ ˙
bœ
n# œœœ
98
10A. Dust and Ashes
Natasha, Pierre & The Great Comet of 1812 Dave Malloy
86
12
Pierre
8
They say we are a sleep un til we fall in love, we are
S
12
8
A
Ah
T
12
B
8
Ah
88
P
chil dren of dust and a shes But when we fall in love we wake
S
A
Ah Ah Ah
T
B
Ah Ah
91
P
up and we are a God and an gels weep
S
A
Ah
T
B
Ah Ah
94 2
2 2
P
But if I die here to night I
S
A
Ah
T
B
Ah
96 B♭ B♭M7 B♭7 E♭ D7
6
P 8
die in my sleep They say we are a sleep un til we
Ah Ah
S
A 6
8
Ah
Ah Ah
T 6
8
B
Ah Ah Ah
100 Gm B♭7(add4)
P 86 15
8
fall in love
6
S 15
A 8 8
T 86 15
8
B
2
14. Letters
Natasha, Pierre & The Great Comet of 1812 Dave Malloy
9 Am
S
4
A 4
In nine teenth cen tury Rus sia we write let ters, we write let ters.
T 44
B
In nine teenth cen tury Rus sia we write let ters, we write let ters.
11
S
A
We put down in wri ting what is hap pening in our minds
T
B
We put down in wri ting what is hap pening in our minds
13
S
A
Once it's on the pa per we feel bet ter, we feel bet ter. It's
T
B
Once it's on the pa per we feel bet ter, we feel bet ter. It's
15 PIERRE:
P
Dear
S
A
like some kind of clar i ty when the let ter's done and signed
T
B
like some kind of clar i ty when the let ter's done and signed
17
3 3
P
Andrey, dear old friend, how goes the war? Do we march on the French
20
3 3 3 3
P
splen didly? Doour cannons crack and cry? Doour bul lets whist le and sing? Does the
23
3 3
P
air reek with smoke? I wish I were there withdeath at my heels.
27 Am
3 3
P
Do lo khov is re cov er ing, he will be al right, the good man. It shouldhave been
S
A
Ha Ha
T
B
Ha Ha
29 Dm
3 3 3
P
me, I am a most ri dic u lous man and Na ta sha is in town. I
S
A
Ha Ha Ha Ha Ha Ha Ha
T
B
Ha Ha Ha Ha Ha Ha Ha
32 Am
3
P
hear she is more beau ti ful than e ver. How I en vy youand your hap pi ness.
S
A
Ha Ha Ha Ha Ha Ha Ha
T
B
Ha Ha Ha Ha Ha Ha Ha
2
35 Am E7 Am E7
P
Here at home I drink and read and drink and read and drink, and I
S
A
Ha Ha
T
B
Ha Ha
37
3
P
fill my mind with rot while my heart is emp ty. And
S
A
Ha Ha Ha ha Ha ha
T
B
Ha Ha Ha Ha Ha ha
39 Am E♭°/ C Em B♭°/ G
3
P
I've bee stu dying the Ca bal andI've cal cu la ted the num ber of the beast:
S
A
Ha ha Ha ha Ha ha Ha ha
T
B
Ha ha Ha ha ha Ha ha ha Ha ha ha Ha
3
41 Bm 3
F°/ D F♯m C°/ A
3
P
it is Na pol e an. I will kill him one
S
A
Ha ha Ha ha Ha ha Ha ha
T
B
ha ha Ha ha ha Ha ha ha Ha ha ha Ha
S
A
Ha ha Ha ha Ha ha Ha ha
T
B
ha ha Ha ha ha Ha ha ha Ha ha ha Ha
S
A
Ha ha Ha ha Ha ha Ha ha
T
B
ha ha Ha ha ha Ha ha ha Ha ha ha Ha
4
47 Fm B°/ A♭ Cm F♯°/ E♭
3 3
P
mat ters, ev ery thing mat ters, it's all the same. If
S
A
Ha ha Ha ha Ha ha Ha ha
T
B
ha ha Ha ha ha Ha ha ha Ha ha ha Ha
49 Gm C♯°/ B♭ Dm G♯°/ F
3 3
P
on ly I could not see it, this dread ful ter rib le it.
S
A
Ha ha Ha ha Ha ha Ha ha In
T
B
ha ha Ha ha ha Ha ha ha Ha ha ha In
51 Am NATASHA:
N
We write let ters
P
We write let ters
S
A
nine teenth cen tury Rus sia we write let ters, we write let ters.
T
B
nine teenth cen tury Rus sia we write let ters, we write let ters.
5
53
N
Dear
S
A
We put down in wri ting what is hap pening in our minds
T
B
We put down in wri ting what is hap pening in our minds
55
3 3
N
An drey What more can I write af ter all that has hap pened? What am I to
59
3 3 3
N
do if I love him and the o ther one too? Must I break it off? These ter tib le
62
N
ques tions. I see no thing but the can dle in the mirror No vi sions of the fu
P
I see nothing but the can dle in the mirror No vi sions of the fu
65 Dm MARY: Am
M
Dear Na ta sha,
3
N
ture. So lost and a lone. And what of Prin cess Ma ry?
P
3
ture. So lost and a lone.
6
69 E7 Am E7
3 3 3 3
M
I'm in deep des pair at the mis un der stand ing there is be tween us. What
S
A
Ha Ha
T
B
Ha Ha
71 Am E7 Am E7 Dm A7
3 3 3
M
ev er my fa ther's feel ings might be I beg you to be lieve that I can
S
A
Ha Ha Ha Ha Ha Ha Ha
T
B
Ha Ha Ha Ha Ha Ha Ha
74 Dm A7 Am E7 Am E7
3
3 3 3
M
not help lov ing you. He's a ti red old man andmust be for giv en. Please come
S
A
Ha Ha Ha Ha Ha Ha Ha
T
B
Ha Ha Ha Ha Ha Ha Ha
7
77
M
se us a gain.
3 3 3
N
Dear Prin cess Ma ry. Oh, what am I to write? How do I choose? What do I do? I shall
S
A
Ha Ha Ha Ha
T
B
Ha Ha Ha Ha Ha
80 Am E♭°/ C Em B♭°/ G
M
I'm so a lone here
3 3
N
ne ver be hap py a gain.
3
P
These ter rib le ques tions
S
A
Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha
T
B
Ha Ha ha Ha ha Ha ha ha Ha Ha ha Ha ha ha Ha
8
83 Bm F°/ D F♯m C°/ A
M
And I see no thing ↘
N
So a lone in here I see
P
So a lone in here I see
S
A
Ha ha Ha ha Ha ha Ha ha
T
B
Ha ha Ha ha ha Ha Ha ha Ha ha ha Ha
88 C♯m G♯°7 Am
M
N
lone.
P
lone.
S
A
Whoa, whoa, whoa. In nine teenth cen tury Rus sia we write
T
B
Whoa, whoa, whoa. In nine teenth cen tury Rus sia we write
9
90 NATASHA: MARY:
We write let ters. We write let ters
ANATOLE:
PIERRE: ANATOLE:
We write let ters. We write let ters Dear
S
A
let ters, we write let ters. We put down in wri ting what is hap pening in our minds
T
B
let ters, we write let ters. We put down in wri ting what is hap pening in our minds
93 Am Dm/ A G♯°7/ A
A
Nat a lie A love let ter. A love let ter. A
96 Am
3
N
A let ter from him, from the man that I love
DOLOKHOV:
3
love let ter. A let ter which I com posed
S
A
A
T
B
A
99
S
A
love let ter, a love let ter, a love let ter, a love let ter, a
T
B
love let ter, a love let ter, a love let ter, a love let ter, a
10
101 HÉLÈNE:
H
A love let ter
S
A
love let ter, a love let ter, a love let ter, a love let ter, a
T
B
love let ter, a love let ter, a love let ter, a love let ter, a
103
3 3 3 3
A
Na ta lie, Na ta lie, Na ta lie, I must love you or die
H
A love let ter
S
A
love let ter, a love let ter, a love let ter, a love let ter, a
T
B
love let ter, a love let ter, a love let ter, a love let ter, a
105
3 3 3 3
A
Na ta lie, Na ta lie, Na ta lie, if you love me say yes and I will come
H
A love let ter
S
A
love let ter, a love let ter, a love let ter, a love let ter, a
T
B
love let ter, a love let ter, a love let ter, a love let ter, a
11
107 3 3
A
and steal you a way, steal you out of the dark
H
A love let ter
S
A
love let ter, a love let ter, a love let ter, a love let ter, a
T
B
love let ter, a love let ter, a love let ter, a love let ter, a
109
3 3 3 3
A
Na ta lie, Na ta lie, Na ta lie, I want no thing more
H
A love let ter
S
A
love let ter, a love let ter, a love let ter, a love let ter, a
T
B
love let ter, a love let ter, a love let ter, a love let ter, a
12
111
3 3 3 3
A
Na ta lie, Na ta lie, Na ta lie, I must love you or die
3 3 3
MARY/SONYA
MARYA
Na ta lie, Na ta lie, Na ta lie
3 3 3
P
Na ta lie, Na ta lie, Na ta lie
H
A love let ter
S
A
love let ter, a love let ter, a love let ter, a love let ter, a
T
B
love let ter, a love let ter, a love let ter, a love let ter, a
113 3
3 3 3
A
Na ta lie, Na ta lie, Na ta lie, if you love me say yes and I will come
3 3 3
M/S
MD
Na ta lie, Na ta lie, Na ta lie
3 3 3
P
Na ta lie, Na ta lie, Na ta lie
H
A love let ter
S
A
love let ter, a love let ter, a love let ter, a love let ter, a
T
B
love let ter, a love let ter, a love let ter, a love let ter, a
13
3
115
3
A
3
and steal you a way, steal you out of the dark
M/S
MD
Huh Huh Huh Huh
P
Huh Huh Huh Huh
H
A love let ter
S
A
love let ter, a love let ter, a love let ter, a love let ter, a
T
B
love let ter, a love let ter, a love let ter, a love let ter, a
117
3 3 3
3 3 3 3
A
Na ta lie, Na ta lie, Na ta lie, I want no thing more, just say yes. Just say yes. Just say yes.
3 3 3
M/S
MD
Na ta lie, Na ta lie, Na ta lie
3 3 3
P
Na ta lie, Na ta lie, Na ta lie
H
A love let ter
S
A
love let ter, a love let ter, a love let ter, a love let ter,
T
B
love let ter, a love let ter, a love let ter, a love let ter,
14