Вы находитесь на странице: 1из 58

1.

Prologue
Natasha, Pierre & The Great Comet of 1812 Dave Malloy

PIERRE: Em F♯°7/ E
4 
 4                 
    
There's a war go ing on out there some where and An drey is n't here

5 D♯°7 Em
 
                     
  
There's a war go ing on out there some where and An drey is n't here

9 Em

              
    
There's a war go ing on out there some where and

S
  
A           
       


  
There's a war go ing on out there some where and

T           
        
B    
   
There's a war go ing on out there some where and

12 F♯°7/ E D♯°7
 
                 

An drey is n't here There's a war go ing on out there

S
   
A                 
    
  
An drey is n't here There's a war go ing on out there
             
T         
B      

An drey is n't here There's a war go ing on out there
15 Em
  
        
     
some where and An drey is n't here

S
    
          
A       

some where and An drey is n't here And
  
T             
B   

 
some where and An drey is n't here And

18 Em
S
  
                
A   
this is all in your pro gram, you are at the op era

T  
                
B   
this is all in your pro gram, you are at the op era

20

S
 
A                        
 
Gon na have to stu dy up a lit tle bit if you wan na keep withthe plot 'Cause it's a

T 
                 
B        
Gon na have to stu dy up a lit tle bit if you wan na keep withthe plot 'Cause it's a

22 A°7
       3 3 
S             
A 
 
com pli ca ted Rus sian no vel, ev ery one's got nine dif ferent names So
      3 3 
T             
B   
com pli ca ted Rus sian no vel, ev ery one's got nine dif ferent names So

24 A♯°7 G/B C G C
S
 
         
A           
  
look it up in your pro gram, we'd ap pre ci ate it, thanks a lot Da da da

T 
   
B   
            
 
 

look it up in your pro gram, we'd ap pre ci ate it, thanks a lot Da da da

2
26 G C G C B7 Em
S
   
     
A 

 
 
 
     
Da da da Da da da Na ta sha

T             
B    
 
 
  
Da da da Da da da Na ta sha

29
C G D7
NATASHA:

                   
   
Na ta sha is young, she loves An drey with all her heart

S
  
      
A 
She

T        
B  
She

32 Am Em B7 Em
     3
S              
A    
loves An drey with all her heart. Na ta sha is young and An drey is n't here
    3
T              
B    
loves An drey with all her heart. Na ta sha is young and An drey is n't here

35
C G D7
SONYA:
 3
             
    
So nya is good, Na ta sha's cou sin and clo sest friend

S
          3    
A  
Na ta sha's cou sin and clo sest friend.

T          3    
B  
Na ta sha's cou sin and clo sest friend.

3
38 Am Em Am Em B7 Em
S
   3    3   
A 
 
 42      44  

So nya is good, Na ta sha is young and An drey is n't here

T   3      3   
B   42      44  

So nya is good, Na ta sha is young and An drey is n't here

41
B7 C G
MARYA:
  
        
    
Mar ya is old school, a grand dame of Mos cow. Na

43 D7
   
        
ta sha's god mo ther, strict yet kind

S
    
           
A 
Na ta sha's god mo ther, strict yet kind.

T     
         
B  
Na ta sha's god mo ther, strict yet kind.

45 Am Em Am Em Am Em B7 E
S
   3  3
  3    
           
A      
Mar ya is old school, So nya is good, Na ta sha is young and An drey is n't here And

T   3  3
  3    
           
B      
Mar ya is old school, So nya is good, Na ta sha is young and An drey is n't here And

48 Em
S
  
                 
A   
this is all in your pro gram, you are at the op era
   
T                     
B 
this is all in your pro gram, you are at the op era

4
50

S
 
A                         
 
Gon na have to stu dy up a lit tle bit if you wan na keep withthe plot 'Cause it's a

T                           
B      
 
Gon na have to stu dy up a lit tle bit if you wan na keep withthe plot 'Cause it's a

52 A°7 3
       3 
S        
A 
            
com pli ca ted Rus sian no vel, ev ery one's got nine dif ferent names So
3 3
T                    
       
B  
com pli ca ted Rus sian no vel, ev ery one's got nine dif ferent names So

54 A♯°7 B G/ C G C
S
 
A 
                       
  
look it up in your pro gram, we'd ap pre ci ate it, thanks a lot Da da da

T         
                 
B           
look it up in your pro gram, we'd ap pre ci ate it, thanks a lot Da da da

56 G C G C B7 Em
S
 
         
A     
    
Da da da Da da da A na tole

T          
         
B      
Da da da Da da da A na tole

60
C G D7
ANATOLE:
            
      

An a tole is hot, he spens his mo ney on wo men and wine

S
   
   
A 
He

T   
  
B  
He

5
62 Am Em Am Em
   3
S                  
A  
spens his mo ney on wo men and wine. An a tole is hot, Mar ya is old school,
  3
T                  
B  
spens his mo ney on wo men and wine. An a tole is hot, Mar ya is old school,
64 Am Em Am Em B7 Em HÉLÈNE:
   
42
 44  
 
Hél

S
   3    3   
A     42      44  

So nya is good, Na ta sha is young and An drey is n't here

T   3    3    2 4
  4      4  
B   
So nya is good, Na ta sha is young and An drey is n't here
67 C G D7
 3
 
              
ène is a slut. An a tole's sis ter, mar
ried to Pi erre

69 Am Em Am Em
S
   3    3
                 
A  
An a tole's sis ter, mar ried to Pi erre. Hél ène is a slut, An a tole is hot,

T   3   
         
3
       
B  
An a tole's sis ter, mar ried to Pi erre. Hél ène is a slut, An a tole is hot,
71 Am Em Am Em Am Em B7 Em
S
   3  
3
    3    
       
A   

Mar ya is old school, So nya is good, Na ta sha is young and An drey is n't here

T   3  
3
    3    
       
B    
Mar ya is old school, So nya is good, Na ta sha is young and An drey is n't here
74 B7 C G D7
DOLOKHOV:

        3         
     
Do lo khov is fierce, but not too im por tant. An a tole's friend, a cra zy good shot

6
77 Am Em Am Em
S
   3    3
                
A  

An a tole's friend, a cra zy good shot. Do lo khov is fierce, Hél ène is a slut,

T   3      
    
3
    
B      

An a tole's friend, a cra zy good shot. Do lo khov is fierce, Hél ène is a slut,

79 Am Em Am Em Am Em Am Em
      3 3 3
S      
A 
    

     42

An a tole is hot, Mar ya is old school, So nya is good, Na ta sha is young and
     3 3 3
T                 2
B   
4
An a tole is hot, Mar ya is old school, So nya is good, Na ta sha is young and

81 B7 Em B7 
 2 
S    4               
A  4  4 
An drey is n't here Chan de liers and ca vi ar, the
2   
T 4               
B  4     4 
An drey is n't here Chan de liers and ca vi ar, the

84 B7(♭9) Em
S
     
A                   86
war can't touch us here Mi nor char ac ters

T             
B
 
       
    86
war can't touch us here Mi nor char ac ters

87
C G B7/ F♯ Em
MARY:
6  
 8        

And Ma ry is plain
BOLKONSKY:
 6          
 8    
 
Old Prince Bol kon sky is cra zy

7
92 C D7 G
  
      
 
An drey's fam ily, to tally messed up
BALAGA:
        
    
An drey's fam ily, to tally messed up And Ba

95 B7
        44
  
la ga's just for fun!
    
S         4
A       4
Ba la ga's just for fun! Ba

T                  4
B      4
Ba la ga's just for fun! Ba
99 Am Em Am Em Am Em Am Em
S
  4  3    3   3
            
A  4   
 
la ga is fun, Bol kon sky is cra zy, Ma ry is plain, Do lo khov is fierce, Hél

T  4  3      3      
3
      
B  4     
la ga is fun, Bol kon sky is cra zy, Ma ry is plain, Do lo khov is fierce, Hél
101 Am Em Am Em Am Em Am Em
S
   3  3 3
               
A   

ène is a slut, An a tole is hot, Mar ya is old school, So nya is good, Na

T   3  3 3
               
B    
ène is a slut, An a tole is hot, Mar ya is old school, So nya is good, Na
103 Am Em B7 Em
S
   3  
     
A      
ta sha is young and An drey is n't here And

T   3  
     
B      
ta sha is young and An drey is n't here And

8
105 Am Em7 B7(♯9)
  3 3 3
S     
A               
what a bout Pi erre? Dear be wil dered and aw kward Pi erre?
3
    3 3 
T             
B   
what a bout Pi erre? Dear be wil dered and aw kward Pi erre?

107 Am Em7 B7(♯9)


  3 3 3
S     
A               
What a bout Pi erre? Rich, un hap pi ly mar ried Pi erre
3
    3 3 
T             
B   
What a bout Pi erre? Rich, un hap pi ly mar ried Pi erre

109 Am Em7 Am Em7


S
      2
      4
A       
 
What a bout Pi erre? What a bout Pi erre?

T          2
   
B   
4
What a bout Pi erre? What a bout Pi erre?

111 Am A9
S
 2 44
  
A  4   
  
What a bout Pi erre?

T 2      44   
B 
 4 
What a bout Pi erre?

9
8 7.3 THE OPERA (PART 3)

44 ff f
° bb 3
S & b œ bœ œ œ Œ ˙ Œ
œ œ œ
Scream-ing and shout - ing Bra - vo Bra -
ALL
f
b
&b b ∑ Ó Œ
œ
Ch Bra -
f
? bb ∑ Ó Œ œ
¢ b œ
Bra -

b œ œ nœ œ œ œ œ œ œ œ œ œ œ œ œ œ nœ œ œ œ œ œ œ œ œ œ œ œ
&b b œ œ œ œ

?b
{ bb
œ #˙ ™ w

46 E
° b ˙™ ˙™
S &b b œ b˙ Œ œ
œ
vo bra - vo Bra - vo bra -
˙™ œ
b
& b b ˙™ œ b˙ Œ œ
œ
˙™ œ
Ch vo bra - vo Bra - vo bra -
™ ˙™
? b ˙˙™ œ b˙ Œ œ ˙™
œ
¢ bb œ b˙ œ œ
vo bra - vo Bra - vo bra -

3
b
& b b #n œœ ˙˙ bœ n œœœœ b # œœœ #n n œœœ bnn ˙˙˙ #nœœœœ #n œœœœ bnnœœœœ#bnœœœœbn#˙˙˙˙
œœ n ˙˙ nn# œœœ nœ bœ ˙ continue descending and ascending
diminished chords ad lib...

? bb #nœœœ n˙˙˙ nn#bœœœœ #nœœœœ #nœœœœbnnœœœœ#bnœœœœ #b˙n˙˙˙


{ b œ ˙ nœœœœ bn#œœœœ #nbnœœœœ bnn˙˙˙
˙ 3

97
7.3 THE OPERA (PART 3) 9

49
° b mp
S & b b b˙ Œ ˙™ œ b˙ Œ ‰ j
œ œ
vo Bra - vo bra - vo And
˙™
bb b˙ Œ œ ˙™
œ b˙
Ó
& b b˙ œ œ b˙
Ch vo Bra - vo bra - vo
? b b˙ ˙™ œ b˙
Œ œ ˙™ Ó
¢ b b b˙ œ œ b˙
vo Bra - vo bra - vo

b
& b b œœ # n œœ b˙ #n œœœœ n ˙˙˙˙ nbn#œœœœ
n œœ b œœ nn# ˙˙˙ n œœœœ b # œœœ #n n œœœ bnn œœœ nb œœœ
nœ bœ œ #œ

? b nœœœ #bnœœœ n b˙˙ #nœœœœ n˙˙˙˙ nbn#œœœœ


{ bb œ œ n#˙˙ nœœœœ bn#œœœœ #nbnœœœœ bnnœœœ n bœœœ
œ #œ

52 attacca
° b 3 3
S ¢& b b j ‰ Œ ‰™ r ‰ j Œ Ó
œ œ œ œ œ œ œ œ œ œ œ œ œ œ
then a rush of cold air and An - a - tole en-tered the box

b U
& b b œœœ ˙
#n ˙˙˙ nbn#œœœœ œœœœ #˙ nœ œœ n ˙˙˙
œ n ˙˙˙ #nb œœœ œœ ˙ n#b œœœœ
fading away, free rhythm...
U
? bb œœœ #n ˙˙˙ nbn#œœœœ œœœ
{ b œ ˙ œ #˙˙
n ˙˙ #nbnœœœœ œœœ n˙˙˙
œ ˙

n# œœœ

98
10A. Dust and Ashes
Natasha, Pierre & The Great Comet of 1812 Dave Malloy

86
 12   
Pierre 
 8               
They say we are a sleep un til we fall in love, we are

S
  12 
 8      
A          
Ah
T 
  12        
   
B 
 8  
Ah

88
       
P        
            
chil dren of dust and a shes But when we fall in love we wake

S
         
               
A   
Ah Ah Ah

T                 
B         
Ah Ah

91
              
P  
up and we are a God and an gels weep

S
    
A       
            
Ah

T            
      
B  
Ah Ah
94 2
2 2
          
P      
 
But if I die here to night I

S
  
A       

Ah

T 
      
B  
Ah

96 B♭ B♭M7 B♭7 E♭ D7
         6
P                 8
die in my sleep They say we are a sleep un til we

Ah Ah
S
    
A                           6
8
   
Ah
Ah Ah

T         6
                  
  8
B   
Ah Ah Ah

100 Gm B♭7(add4) 
    
P   86      15
8  

fall in love

  6   
S 15 
A   8   8       


T   86   15 
   8      
B 

2
14. Letters
Natasha, Pierre & The Great Comet of 1812 Dave Malloy

9 Am
S
 4     
           
A  4    
         

In nine teenth cen tury Rus sia we write let ters, we write let ters.
T 44                
B     
          
In nine teenth cen tury Rus sia we write let ters, we write let ters.
11

S
    
       
A       
     
  
We put down in wri ting what is hap pening in our minds
T      
B 
         
        
  
We put down in wri ting what is hap pening in our minds
13
  
S       
A         
            
 
Once it's on the pa per we feel bet ter, we feel bet ter. It's

T        
B 
         
             
Once it's on the pa per we feel bet ter, we feel bet ter. It's
15 PIERRE:
 
P    

Dear

S
    
       
A        
     
   
like some kind of clar i ty when the let ter's done and signed
T      
B           
        
   
like some kind of clar i ty when the let ter's done and signed
17
3 3
P               
       
Andrey, dear old friend, how goes the war? Do we march on the French
20
3 3 3 3
P                           
splen didly? Doour cannons crack and cry? Doour bul lets whist le and sing? Does the

23
3 3
P               
       

air reek with smoke? I wish I were there withdeath at my heels.

27 Am
3  3
P                         

Do lo khov is re cov er ing, he will be al right, the good man. It shouldhave been

S

A     
 
Ha Ha

T      
B 
Ha Ha
29 Dm
3 3 3 
            
P           

me, I am a most ri dic u lous man and Na ta sha is in town. I

S

A              
      
Ha Ha Ha Ha Ha Ha Ha

T                 
B       
Ha Ha Ha Ha Ha Ha Ha
32 Am
                3
P       
hear she is more beau ti ful than e ver. How I en vy youand your hap pi ness.

S

            
A       
Ha Ha Ha Ha Ha Ha Ha

T                 
B       
Ha Ha Ha Ha Ha Ha Ha

2
35 Am E7 Am E7
       
P             
Here at home I drink and read and drink and read and drink, and I

S

A     
 
Ha Ha

T      
B 
Ha Ha

37
3 
          
P   
  
fill my mind with rot while my heart is emp ty. And

S
  
      
A    
 
Ha Ha Ha ha Ha ha
T         
B    

Ha Ha Ha Ha Ha ha

39 Am E♭°/ C Em B♭°/ G
 3
             
P      
I've bee stu dying the Ca bal andI've cal cu la ted the num ber of the beast:

S

A      

 

 

   
Ha ha Ha ha Ha ha Ha ha

T   
B 
            
   
Ha ha Ha ha ha Ha ha ha Ha ha ha Ha

3
41 Bm 3
F°/ D F♯m C°/ A
3
       
P         
it is Na pol e an. I will kill him one

S

A             
   
Ha ha Ha ha Ha ha Ha ha

T 
B 
   
        
   

ha ha Ha ha ha Ha ha ha Ha ha ha Ha

C♯m G°/ E G♯m D°/ B


43
3 3 3 3
P               
day. He is not a great man, none of us are great

S

A      

 

 

   
Ha ha Ha ha Ha ha Ha ha

T     
B            
   
ha ha Ha ha ha Ha ha ha Ha ha ha Ha

E♭m A°/ G♭ B♭m E°/ D♭


45 3
3 3
           
P      
men. We are just caught in the wave of his to ry. No thing

S

A       

 

 

   
Ha ha Ha ha Ha ha Ha ha

T   
B 
            
   
ha ha Ha ha ha Ha ha ha Ha ha ha Ha

4
47 Fm B°/ A♭ Cm F♯°/ E♭
3 3 
P               
mat ters, ev ery thing mat ters, it's all the same. If

S

A             
   
Ha ha Ha ha Ha ha Ha ha

T
B 
       

   

   

ha ha Ha ha ha Ha ha ha Ha ha ha Ha

49 Gm C♯°/ B♭ Dm G♯°/ F
3  3
P
               

on ly I could not see it, this dread ful ter rib le it.

S
  
A      

 


 
 
    
Ha ha Ha ha Ha ha Ha ha In

T  
B 
              
   
ha ha Ha ha ha Ha ha ha Ha ha ha In

51 Am NATASHA:

N
 
    
We write let ters

P
     

We write let ters

S
    
           
A            
 
nine teenth cen tury Rus sia we write let ters, we write let ters.
T        
B         
            
nine teenth cen tury Rus sia we write let ters, we write let ters.

5
53

N
  


Dear
S
           
A        
     
  
We put down in wri ting what is hap pening in our minds
T      
B 
         
        
  
We put down in wri ting what is hap pening in our minds

55
3 3
N        
               
An drey What more can I write af ter all that has hap pened? What am I to

59
3 3 3
N      
            
 
do if I love him and the o ther one too? Must I break it off? These ter tib le

62

N                         
ques tions. I see no thing but the can dle in the mirror No vi sions of the fu

P                       

I see nothing but the can dle in the mirror No vi sions of the fu

65 Dm MARY: Am

M
     

   
Dear Na ta sha,
 3
N                    


ture. So lost and a lone. And what of Prin cess Ma ry?

P
      3      


ture. So lost and a lone.

6
69 E7 Am E7
3 3 3 3
M           
         
I'm in deep des pair at the mis un der stand ing there is be tween us. What
S

   
A   
Ha Ha

T      
B 
Ha Ha

71 Am E7 Am E7 Dm A7
3 3 3
M             
        

ev er my fa ther's feel ings might be I beg you to be lieve that I can
S
           
A    
      
Ha Ha Ha Ha Ha Ha Ha

T                 
B       
Ha Ha Ha Ha Ha Ha Ha

74 Dm A7 Am E7 Am E7
3
 3 3 3

M        
          

not help lov ing you. He's a ti red old man andmust be for giv en. Please come

S

              
A       
Ha Ha Ha Ha Ha Ha Ha

T                 
B       
Ha Ha Ha Ha Ha Ha Ha

7
77

M
 
    
se us a gain.
3 3 3
N       
                  
Dear Prin cess Ma ry. Oh, what am I to write? How do I choose? What do I do? I shall

S
 
A   
   





Ha Ha Ha Ha

T          
B 

Ha Ha Ha Ha Ha

80 Am E♭°/ C Em B♭°/ G

M
      

    
I'm so a lone here
3 3
N   
      
ne ver be hap py a gain.
3
        
P   

These ter rib le ques tions

S

            
A          
 
Ha ha Ha ha Ha ha Ha ha Ha ha Ha ha
T                     
B      
Ha Ha ha Ha ha Ha ha ha Ha Ha ha Ha ha ha Ha

8
83 Bm F°/ D F♯m C°/ A
 
M        
And I see no thing ↘
 
N         
 
So a lone in here I see

    
P        
So a lone in here I see

S
 
A    
 

 

 

   
Ha ha Ha ha Ha ha Ha ha

T      
          
B     
Ha ha Ha ha ha Ha Ha ha Ha ha ha Ha

85 C♯m G♯7 C♯m G♯7 C♯m 3


G♯7
M              
N                               
nothing but the can dle in the mirror No vis ions of the fu ture. So lost and a
                          3 
P   
nothing but the can dle in the mirror No vis ions of the fu ture. So lost and a

88 C♯m G♯°7 Am
M   
   
N
lone.
   
P   
lone.

S
 
        
A          
  
   
Whoa, whoa, whoa. In nine teenth cen tury Rus sia we write
T      
         
B      
    
Whoa, whoa, whoa. In nine teenth cen tury Rus sia we write

9
90 NATASHA: MARY:
 
        
We write let ters. We write let ters
ANATOLE:
PIERRE: ANATOLE:
    
       
We write let ters. We write let ters Dear

S
       
A                       
        
  
let ters, we write let ters. We put down in wri ting what is hap pening in our minds
T          
B                
      
      
let ters, we write let ters. We put down in wri ting what is hap pening in our minds
93 Am Dm/ A G♯°7/ A
  
A                  
Nat a lie A love let ter. A love let ter. A

96 Am
3
 
N    
         
A let ter from him, from the man that I love
DOLOKHOV:
 3

              
love let ter. A let ter which I com posed

S
  
    
A

A
T   
   
B  
A

99

S

A 
               
love let ter, a love let ter, a love let ter, a love let ter, a
T    
B               
              
love let ter, a love let ter, a love let ter, a love let ter, a

10
101 HÉLÈNE:

H
      
   

A love let ter
S

A     
           
love let ter, a love let ter, a love let ter, a love let ter, a
T    
B 
             
              
love let ter, a love let ter, a love let ter, a love let ter, a

103
 3   3   3     3 
A   
Na ta lie, Na ta lie, Na ta lie, I must love you or die

H
     
    

A love let ter
S

A    
            
love let ter, a love let ter, a love let ter, a love let ter, a
T   
B                
              
love let ter, a love let ter, a love let ter, a love let ter, a

105
 3   3   3     3 
 
A       
Na ta lie, Na ta lie, Na ta lie, if you love me say yes and I will come

H
     
    

A love let ter
S

A 
               
love let ter, a love let ter, a love let ter, a love let ter, a
T     
B              
              
love let ter, a love let ter, a love let ter, a love let ter, a

11
107 3 3

A                

and steal you a way, steal you out of the dark

H
    

     
A love let ter
S

A     
           
love let ter, a love let ter, a love let ter, a love let ter, a
T    
B 
             
              
love let ter, a love let ter, a love let ter, a love let ter, a

109
 3   3   3     3 

A    
Na ta lie, Na ta lie, Na ta lie, I want no thing more

H
     
    

A love let ter
S

A 
               
love let ter, a love let ter, a love let ter, a love let ter, a
T   
B                
              
love let ter, a love let ter, a love let ter, a love let ter, a

12
111
 3   3   3     3 
A   
Na ta lie, Na ta lie, Na ta lie, I must love you or die
3 3 3
MARY/SONYA 
MARYA           
Na ta lie, Na ta lie, Na ta lie

 3   3   3   
P 
Na ta lie, Na ta lie, Na ta lie

H
     
    

A love let ter
S

A    
            
love let ter, a love let ter, a love let ter, a love let ter, a
T   
B 
              
              
love let ter, a love let ter, a love let ter, a love let ter, a
113 3
 3   3   3           
A    
Na ta lie, Na ta lie, Na ta lie, if you love me say yes and I will come
3 3 3
M/S 
MD           
Na ta lie, Na ta lie, Na ta lie

 3   3   3   
P 
Na ta lie, Na ta lie, Na ta lie

H
     
    

A love let ter
S

A 
               
love let ter, a love let ter, a love let ter, a love let ter, a
T     
B              
              
love let ter, a love let ter, a love let ter, a love let ter, a

13
3

115
   3             
A   
3
and steal you a way, steal you out of the dark

M/S
MD     
   
Huh Huh Huh Huh

P         
Huh Huh Huh Huh

H
     
    

A love let ter
S

A       
         
love let ter, a love let ter, a love let ter, a love let ter, a
T      
B 
           
              
love let ter, a love let ter, a love let ter, a love let ter, a
117
3 3 3
 3   3   3     3  
A          
Na ta lie, Na ta lie, Na ta lie, I want no thing more, just say yes. Just say yes. Just say yes.
3 3 3
M/S    
MD           
Na ta lie, Na ta lie, Na ta lie

 3   3   3      
P 
Na ta lie, Na ta lie, Na ta lie

H
       
   

A love let ter
S
   
A 
              
love let ter, a love let ter, a love let ter, a love let ter,
T            
B                  
love let ter, a love let ter, a love let ter, a love let ter,

14