Академический Документы
Профессиональный Документы
Культура Документы
Oscars
IN THE HOMESTRETCH
● WILLEM DAFOE Triumph
of a Hollywood nomad
● High stakes for the studios
#METOO HITS
MOVIE DEALS
Battle over morality clauses
R.I.P. OFFICE
ROMANCE
Dating post-Harvey
SONY SHAKE-UP
New CEO, new sale buzz
HOLLYWOOD’S
MOST TOXIC
BROMANCE
EMBRACE LIFE
EMBRACE STRENGTH
EMBRACE E A
ACH OTHER
F O R Y O U R C O N S I D E R AT I O N
THESHAPEOFWATERFYC.COM
Issue No. 6, February 7, 2018
FEATURES
54 Willem Dafoe: Triumph 64 The Doomed Bromance
of a Hollywood Nomad of Lenny and Charlie
Despite a hundred credits He’s a burnout major
and three Oscar nominations leaguer and an ex-con, but
— the most recent for The that didn’t prepare Lenny
Florida Project — the actor Dykstra for his friendship
remains a shape-shifting with Charlie Sheen, a man
enigma who eschews fame he alleges is a dangerous
and comfort: “I remember criminal about to be taken
my life by my movies.” down by the Feds.
54
“I never thought acting
could be a profession,”
says Dafoe, photo-
graphed Feb. 2 at Siren
Studios Orange in Los
Angeles. He looks back at
some of his iconic roles
(and the time he played
Marilyn Monroe in a
Super Bowl commercial)
at THR.com/video.
Ralph Lauren sweater,
Dolce & Gabbana pants,
Jimmy Choo sneakers.
2
CONGRATULATIONS TIMOTHÉE CHALAMET
WINNER
BEST AC TOR
LONDON FILM CRITICS’ CIRCLE
Issue No. 6, February 7, 2018
23
THIS WEEK ON THR VIDEO CORRECTION Sufjan Stevens received “I still have a bit of shame around being
Watch Cummings rave about a best song Oscar nomination for “Mystery the boss,” says Cummings, photographed
her comedic hero, Paul Reiser. of Love” (THR 1/31). Jan. 26 at Harlowe in West Hollywood.
49
Chloe Nomade
with plum,
freesia and oak
moss notes;
$132, at Sephora
64
“I am not a saint,”
says Lenny Dykstra,
photographed Nov. 8
in New York City.
Stephen Galloway Jennifer Laski Jeanie Pyun Erik Hayden Lacey Rose David Katz
EXECUTIVE EDITOR, FEATURES PHOTO & VIDEO DIRECTOR DEPUTY EDITOR NEWS DIRECTOR EXECUTIVE EDITOR, TELEVISION EXECUTIVE EDITOR, ARTICLES
FILM
FILM EDITOR Gregg Kilday • SENIOR FILM WRITERS Borys Kit, Pamela McClintock, Tatiana Siegel
TECH EDITOR Carolyn Giardina • STAFF WRITER, FILM Mia Galuppo • INTERNATIONAL FILM EDITOR Deborah Young
TELEVISION
TELEVISION EDITOR, EAST COAST Marisa Guthrie • TELEVISION EDITOR, WEST COAST Lesley Goldberg
SENIOR WRITER, TELEVISION Michael O’Connell • TELEVISION WRITER Bryn Elise Sandberg • MEDIA & POLITICS WRITER Jeremy Barr
REVIEWS
REVIEWS EDITOR Jon Frosch • CHIEF FILM CRITIC Todd McCarthy CHIEF TELEVISION CRITIC Tim Goodman
CHIEF THEATER CRITIC David Rooney • TELEVISION CRITIC Daniel J. Fienberg
CONTRIBUTING EDITORS
Kareem Abdul-Jabbar • Jonathan Handel • Austin Hargrave • Bill Higgins • Wesley Mann
Miller Mobley • Gavin Polone • Joe Pugliese • Ramona Rosales • Michael Wolff
T H E HOL LY WO OD R EP ORT ER 6 F E B R U A R Y 7, 2 01 8
“TRIUMPHANT, AUDACIOUS AND
IMPOSSIBLE TO FORGET.” — Justin Chang, LOS ANGELES TIMES
BEST PIICTURE
BEST ACTOR BEST DIRECTOR
Daniel Day-Lewis Paul Thomas Anderson
BEST SUPPORTING ACTRESS
Lesley Manville
BEST ORIGINAL SCORE
Jonny Greenwood
BEST COSTUME DESIGN
Mark Bridges
F O R Y O U R C O N S I D E R A T I O N
ADVERTISING
EXECUTIVE DIRECTOR, INDEPENDENT FILM & TALENT Debra Fink
EXECUTIVE DIRECTOR, FILM & TELEVISION Carolyn Bernstein • EXECUTIVE DIRECTOR, TELEVISION Scott Perry
EXECUTIVE DIRECTOR, LUXURY REAL ESTATE & REGIONAL SHELTER Sue Chrispell
EXECUTIVE DIRECTOR, EDUCATION, ASSOCIATIONS & FILM COMMISSIONS Lori Copeland
EXECUTIVE DIRECTOR, BRAND PARTNERSHIPS Hillary Gilmore • DIRECTOR, SPONSORSHIP & WEST COAST CONSUMER SALES Karbis Dokuzyan
DIRECTORS, BRAND PARTNERSHIPS Jackie Horn, Gabrielle Koenig, Amy Jo Lagermeier, Justine Matthews
MANAGING DIRECTOR, MUSIC Aki Kaneko • DIRECTOR, EAST COAST SALES Joe Maimone • MANAGER, BRAND PARTNERSHIPS Jamie Davidson
DIRECTOR OF BUSINESS DEVELOPMENT Cathy Field • BUSINESS DEVELOPMENT COORDINATOR Dominique Angell
EXECUTIVE ASSISTANT Ashley Lyle • SALES COORDINATORS Mitchell Brown, Katie Pope, Andrea Rico, Kendall Stempel
ACCOUNT DIRECTOR, ASIA Ivy Lam • INTERNATIONAL ACCOUNT DIRECTOR Tommaso Campione
ACCOUNT DIRECTOR, NEW ZEALAND & AUSTRALIA Lisa Cruse
DIGITAL MEDIA
GENERAL MANAGER, VIDEO Michael Palmer
VICE PRESIDENT, DIGITAL REVENUE OPERATIONS Gina Perino
DIRECTOR, PRODUCT Reed Hallstrom • INTERACTIVE ART DIRECTOR Rett Alcott • SENIOR DESIGNER Andrew Elder
DESIGNER Ady Chng • EXECUTIVE DIRECTOR, MUSIC STRATEGY & BRANDED CONTENT Alyssa Convertini
DIRECTOR, ADVERTISING OPERATIONS & AUDIENCE REVENUE Daniel Eberle • DIRECTOR OF PARTNERSHIPS Shira Brown
MANAGER, BRANDED CONTENT Ryan Katon • AD OPERATIONS ASSOCIATE DIRECTOR Cheryl Kampanis
SENIOR AD OPERATIONS MANAGERS Ninash Delgado, Maureen Vanterpool • AD OPERATIONS MANAGER Samantha Turpen
DIRECTOR, ACCOUNT MANAGEMENT Shameka Frank • SENIOR MANAGER, ACCOUNT MANAGEMENT Renee Giardina
SENIOR ACCOUNT MANAGER, FILM & ENTERTAINMENT Greg Johnson • DIGITAL ACCOUNT MANAGERS Tracy Cayaban, Sarah Seo, Casey Shulman
ASSOCIATE ACCOUNT MANAGERS Allie Hedlund, Chelsea Sageer, Tal Zaiet • ASSOCIATE DIRECTOR, ANALYTICS Katherine Shaoul
SALES ANALYTICS SPECIALIST Lauren Kim • VIDEO ANALYTICS SPECIALIST Stephanie Kurse
EDITORIAL ANALYST Kelsey Weekman • SEO SPECIALIST Matt Albrecht • ASSOCIATE DIRECTOR, SOCIAL MEDIA Stephanie Apessos
SOCIAL MARKETING MANAGER Dervla O’Brien • QA ENGINEER Robert MacCracken
MARKETING
EXECUTIVE DIRECTOR, STRATEGY Anjali Raja
EXECUTIVE DIRECTOR, MARKETING & PARTNERSHIPS Laura Lorenz
DIRECTOR, BRAND MARKETING & PARTNERSHIPS Erika Cespedes • DIRECTOR, TELEVISION DEVELOPMENT Joanna Zwickel
MANAGERS, STRATEGY Ross Figlerski, Jonathan Holguin • STRATEGY EXECUTION MANAGERS Briana Berg, Kwasi Boadi
MARKETING DESIGN MANAGER Kim Grasing • MARKETING COORDINATORS Steven Huizar, Sarah Lombard, Claire McMahon
BRAND MARKETING COORDINATOR Erica Daul • EXECUTIVE ASSISTANT/MARKETING COORDINATOR Matthew Baum
EXECUTIVE DIRECTOR, CONFERENCES & EVENTS Curtis Thompson • ASSOCIATE MANAGER, EVENT MARKETING Anush Yemenidjian
LICENSING
VICE PRESIDENT, BUSINESS DEVELOPMENT & LICENSING Andrew Min
ASSOCIATE DIRECTOR, INTERNATIONAL BUSINESS & LICENSING Anuja Maheshka • DIRECTOR, LICENSING & MARKETING Amy Steinfeldt Ulmann
MAGAZINE REPRINTS Wright’s Media (877) 652-5295, email PGM@wrightsmedia.com
OPERATIONS
GROUP FINANCE DIRECTOR David Aimone
EXECUTIVE DIRECTOR, FINANCE & OPERATIONS Jerry Ruiz • HUMAN RESOURCES DIRECTOR Alexandra Aguilar
EXECUTIVE DIRECTOR, GROUP PRODUCTION Kelly Jones • DEPUTY PRODUCTION DIRECTOR Mary Bradley • PRODUCTION MANAGER Maya Eslami
SENIOR DESIGNER Suzanne Rush • EXECUTIVE DIRECTOR, AUDIENCE DEVELOPMENT & CIRCULATION Katie Fillingame
SENIOR MANAGER, EMAIL MARKETING & CIRCULATION Meredith Kahn
PROCUREMENT MANAGER Linda Lum • IMAGING MANAGER Brian Gaughen • IMAGING SPECIALIST Michael Sullivan
HEADQUARTERS
5700 Wilshire Blvd., Suite 500 • Los Angeles, CA 90036
PHONE (323) 525-2000 • EDITORIAL EMAIL THRnews@thr.com • ADVERTISING (323) 525-2013
New York 340 Madison Ave., 6th floor, New York, N.Y. 10173
PHONE (212) 493-4200 • FAX (646) 654-5637 • NEW YORK SALES OFFICE (212) 493-4193
SUBSCRIPTIONS
U.S. (866) 525-2150 • OUTSIDE U.S. (845) 267-4192 • hollywoodreporter.com/subscribe
John Amato
PRESIDENT
Severin Andrieu-Delille Gary Bannett Dana Miller Michele Singer Jim Thompson
CHIEF TECHNOLOGY CHIEF FINANCIAL CHIEF MARKETING GENERAL COUNSEL CHIEF AUDIENCE
OFFICER OFFICER OFFICER OFFICER
T H E HOL LY WO OD R EP ORT ER 8 F E B R U A R Y 7, 2 01 8
BAFTA WINNER WINNER WINNER DGA
NOMINEE SUNDANCE FILM FESTIVAL SUNDANCE FILM FESTIVAL CRITICS’ CHOICE DOCUMENTARY AWARDS NOMINEE
DOCUMENTARY SPECIAL JURY PRIZE LONDON BEST SPORTS BEST DIRECTOR
(THE ORWELL AWARD) AUDIENCE AWARD DOCUMENTARY BRYAN FOGEL
CONSIDER T UTH
T H E T H R I L L E R T H AT T O O K D O W N A N E M P I R E
↑ Moguls
Sony Shake-Up
Does the new CEO care
about Hollywood? p. 12
Film
The Re ort Behind the Headlines
Clint’s Casting
Eastwood on why he hired
non-actors for 15:17 p. 14
Heat Index
Charles Harder
The litigator for Donald
Trump, Harvey Weinstein and
Hulk Hogan sees partner
Douglas Mirell quit, saying
he was “uncomfortable” with
the firm’s client list.
YOSHIDA: KAZUHIRO NOGI/AFP/GETTY IMAGES. BENIOFF: JEFF KRAVITZ/FILMMAGIC FOR HBO. HARDER: COURTESY OF SUBJECT. WALDEN: GREG DOHERTY/GETTY IMAGES. CIRRINCIONE: JOHNNY NUNEZ/WIREIMAGE.
M
oral turpitude? It’s a has had standards of conduct to Brett Ratner to Jeremy Piven
concept that showbiz that it asks employees and talent since October, when Harvey
talent soon will be well- to adhere to and that it’s review- Weinstein first was outed as a
acquainted with. The term, which ing its approach in the new predator. Netflix took a $39 mil-
Vincent Cirrincione means “an act or behavior that era. At the same time, several lion write-down following
The producer and manager gravely violates the sentiment or smaller distributors have begun numerous assault accusations
of Halle Berry and Taraji P.
Henson shutters his company accepted standard of the commu- to add a clause in their long- involving House of Cards’ Spacey,
after nine claims of sexual nity,” is popping up in contracts of form contracts that gives them who also was poised to play
harassment are reported by
The Washington Post. actors and filmmakers in the an out if a key individual in a Gore Vidal in a movie for the
wake of the #MeToo movement film — whether during or before streamer. CFO David Wells didn’t
that has rocked Hollywood. the term of the contract — com- name Spacey or The Ranch star
Showbiz Stocks Fox is just one of the studios mitted or is charged with an act Danny Masterson, who left the
that is trying to insert broad considered under state or federal Netflix series following rape
morality clauses into its tal- laws to be a felony or crime of accusations, but said the write-
$220.88 (+2.9%)
THE MADISON SQUARE ent deals, giving it the ability to moral turpitude. down was “related to the societal
GARDEN CO. (MSG) terminate any contract “if the Studios and buyers are reset around sexual harassment.”
The venue owner posts strong
quarterly earnings thanks to talent engages in conduct that responding to the real financial Similarly, All the Money in
robust ticket sales.
results in adverse publicity or losses incurred in the aftermath the World financier Imperative
notoriety or risks bringing the of a flurry of sexual harassment Entertainment had to pony
$1,005.80 (-10.2%)
ALPHABET (GOOG) talent into public disrepute, and assault accusations and up $10 million to replace Spacey
Google’s parent loses contempt, scandal or ridicule.” admissions that have enveloped with Christopher Plummer for
$3 billion in the latest quarter
after taking a one-time A Paramount source says it long everyone from Kevin Spacey eleventh-hour reshoots on the
tax charge of $9.9 billion to
account for recent changes
in the U.S. tax code. Illustration by Zohar Lazar
Jan. 29-Feb. 5
T H E HOL LY WO OD R EP ORT ER 11 F E B R U A R Y 7, 2 01 8
The Report
In the event
SCRIMINATION.
HA RASSMENT; DI allege d
MORA LS; SEXUAL a vi ol at io n or
ri bu to r be co mes aw ar e of an y ke y in di- Behind the Headlines
Dist by
n of Di st ri butor’s policy oc cu rr ed prior
violatio violations
r or not such provided, or
vidu al whethe rv ic es we re
af ter such se ha s co m-
to, du ri ng or a Key Elem ent
ri bu to r be co mes aw ar e th at t co ns id er ed under
Dist ac
or ha s be en ch arged with an cr im e of moral
mitted
la ws to be a felony or to:
ignominy. On the flip side, Fox “Everyone is trying to cover
de ra l ri gh t
state or fe all have the Searchlight lost millions on the
Distributor sh delete any their asses as much as possible,”
tu rpitude, then e Pi ct ur e; (i i)
ri bution of th on with release of The Birth of a Nation says one distribution exec whose
(i) cease dist t in connecti
give n to su ch Key Elem en an d/ or reshoot
cr ed it
or (i ii) mo di fy, ed it the Key
after revelations that star-film- company recently began adding
e an d/ mo ve
the Pict ur cessar y to re maker Nate Parker had stood trial morality clauses to its contracts.
the ex te nt ne
the Pict ur e to
the Pict ur e. for rape when he was a college One producer insists that
Elem ent fr om
student (Parker was acquitted) restrictive clauses will spark an
and that his accuser later took inability to finance movies.
One film distributor recently began adding this “morality clause” language to its contracts. her own life. “If there is anything downstream
In the post-Weinstein land- that impedes the ability of a finan-
Sony film. Spacey did not have a of liability affecting Hollywood, scape, a number of distributors cier to recoup his investment, the
morality clause in his contracts, and studios and buyers are have been left in vulnerable financier will not invest,” says this
according to sources, and was scrambling to figure out how to positions. YouTube Red dropped producer, adding that bond com-
paid for the entire final season handle it. Naturally, talent reps Morgan Spurlock ’s Super Size panies do not currently address
of House of Cards — even though are balking. Me 2: Holy Chicken! following the the potential of a key figure nega-
he won’t appear in any of the “I’m all for [#MeToo]. I totally filmmaker’s admission of sexual tively impacting a film because
episodes — and for All the Money support it. But I think [broad misconduct, but of a sex scandal. Film Finances
in the World. morality clauses] create a bad not before paying Inc., the top bond completion
Lawyer Schuyler Moore has precedent,” says attorney Linda $3.5 million that company working in Hollywood,
begun to add a morality clause to Lichter. “It’s one thing to say sources say it likely declined to comment.
contracts in an effort to protect someone is a criminal. It’s another Moore won’t get back. “There’s definitely an oppor-
his distributor clients from being thing to say someone has been The Orchard dodged tunity for a company to come
saddled with the next #MeToo- accused by someone and you can a bullet when its $5 million up with some sort of sex abuse
tainted film. “Any distributor fire them and not pay them.” acquisition of Louis C.K.’s I Love insurance,” says the producer.
can say, ‘I’m not picking up this Others claim studios and buy- You, Daddy became unreleas- That’s a point echoed by Lichter.
film if somebody involved in the ers are hypocritical if they are able after a wave of harassment “The studios should start think-
film has some charge like that.’ unwilling to include a morality accusations were leveled at the ing about whether there’s some
Absolutely. I’m doing it, and clause covering their own execu- comedian. Though C.K. was not kind of insurance for this type of
[these clauses] are enforceable,” tives. Directors and talent endure legally obliged to take back the thing,” she says. “This is a whole
says the Greenberg Glusker part- economic hardship when their film, he wrote The Orchard a new territory.”
ner. “And it’s just a question of films are bought by a company check to reimburse the company
YOSHIDA: KAZUHIRO NOGI/AFP/GETTY IMAGES. SPIDER-MAN: CHUCK ZLOTNICK/SONY PICTURES ENTERTAINMENT. JUMANJI: FRANK MASI/SONY PICTURES ENTERTAINMENT. MOORE: COURTESY OF SUBJECT.
drafting it in a way that works.” whose top execs, like Weinstein, for what it had paid toward the Lacey Rose contributed to
As such, there’s a new version become synonymous with sexual film’s release. this report.
T H E HOL LY WO OD R EP ORT ER 12 F E B R U A R Y 7, 2 01 8
6
A C A D E M Y A WA R D N O M I N A T I O N S
®
INCLUDING
BEST PICTURE
OF THE YEAR
BEST ACTOR GARY OLDMAN
The Report
MOVIE
REAL
LIFE
T
his past spring, Clint Eastwood was ↑ From left: Skarlatos, Stone and Sadler were lauded for haul. Six years later, it endured a bomb with
their bravery by President Obama in 2015. They play themselves
grilling Spencer Stone, Alek Skarlatos in the action thriller The 15:17 to Paris. The Real Cancun, which took in $5 million.
and Anthony Sadler about their take- And Relativity’s 2012 thriller Act of Valor, which
down of an armed Islamic State recruit on budget, Warner Bros.’ 15:17, which earned $81 million worldwide off a $12 mil-
a train heading from Amsterdam to Paris. opens Feb. 9, marks the first time lion budget, starred Navy SEALs whose last
Eastwood was mulling actors to portray the in decades that a major studio has names did not appear in the credits and were
OBAMA: MANDEL NGAN/AFP/GETTY IMAGES. 15:17: COURTESY OF WARNER BROS. PICTURES. STERN: L. BUSACCA/WIREIMAGE FOR SIRIUS SATELLITE RADIO. MEYER: KEVIN MAZUR/GETTY IMAGES FOR SIRIUSXM. EASTWOOD: STEVE GRANITZ/WIREIMAGE.
real-life trio whose story informed his new taken a risk on real-life pro- not revealed in initial marketing of the film.
film, The 15:17 to Paris, when it hit him: “I just Eastwood tagonists leading a moderately In the case of 15:17, Eastwood made up for
thought, ‘I wonder if they could do it?’ ” says budgeted film. the lack of professional actors by doing “a mas-
Eastwood, 87. “The faces just fit,” he added. Eastwood has used nonprofessionals before, sive amount of improvisation.” Now Stone, 25,
The idea isn’t unprecedented, even if talent albeit in supporting roles (in Gran Torino). Given is hanging on tight to his SAG-AFTRA card
might not love being replaced by real people. that film’s box-office performance ($270 mil- and has signed with UTA for all areas, with
Steven Soderbergh has done it more than once, lion worldwide on a $33 million budget), Jason Heyman representing him for acting.
with the indies The Girlfriend Experience (led Warners wasn’t about to raise any objections. “I would love to make it a long career,” Stone
by porn star Sasha Grey) and Haywire (toplined “There might’ve been a little discussion as says. For Eastwood’s next film, which he
by MMA fighter Gina Carano). Gus Van Sant to whether they thought it was a good idea, but hasn’t yet determined, he likely will return to
took a similar route with Elephant as well as nobody expressed it to me,” says Eastwood. employing pros. “I’m not deserting my Screen
with another angst pic, Paranoid Park, each In earlier times, studios groomed real- Actors Guild,” he says. “The Screen Actors
costing $3 million. But with a $30 million life celebrities like figure skater Sonja Henie Guild just has three new members.”
T H E HOL LY WO OD R EP ORT ER 14 F E B R U A R Y 7, 2 01 8
The Report
HAR’EL: COURTESY OF SUBJECT. JUMANJI: FRANK MASI/COLUMBIA PICTURES. WINCHESTER: BEN KING/CBS FILMS. SHAPE: KERRY HAYES/TWENTIETH CENTURY FOX.
1.9 9.4M feeder to Hollywood,” Har’el says.
9. The Shape of Water FOX SEARCHLIGHT Scandal ABC
4.4 44.7(10) -25 4.4*23 19.5 64.2
13. She notes that commercial work for
1.9 7.0M
ALIENIST: KATA VERMES/TNT. GOLDBERGS: ABC/RON TOM. WACO: PARAMOUNT NETWORK/URSULA COYOTE. DUNKIRK: COURTESY OF WARNER BROS.
Director Guillermo del Toro continues to rack up-and-coming female directors —
up wins on the awards circuit, but the film American Housewife (1/24) ABC
fell 25 percent domestically despite upping
14.
Waco PARAMOUNT Reed Morano and Ava DuVernay
its theater count to 2,341. 1.8 6.6M The miniseries’ Jan. 24 debut, which have helmed TV ads — boosts their
earned a solid 1.1 rating in the key
15. How to … Murder ABC demo, coincided with the launch of the careers in two ways: They gain
1.8 5.9M Paramount Network.
filmmaking experience (“They
get to argue with ad agencies and
brands [in ways] that are similar to
Closer working with studios and financiers”)
Look Oscar Best Picture Scorecard and financial security (“Right now,
The nominees’ worldwide grosses so far
[women] can’t sustain their careers
10. Paddington 2 WARNER BROS./STUDIOCANAL 1. Dunkirk WARNER BROS. $525.6M long enough to be competitive”).
3.3 36.5(4) -42 2*31 155.8 192.3 2. Get Out UNIVERSAL $255M The campaign hopes to spur
11. Three Billboards … FOX SEARCHLIGHT 3. Darkest Hour FOCUS $114.6M similar action for moviemaking. “A lot
3 41.8(13) -22 8.3*41 46.3 88.1 4. The Post FOX $104.4M
of great directors spend time coming
I, Tonya NEON/VARIOUS 5. Three Billboards … FOX S. $88.1M
12.
Shape of Water FOX S. $64.2M through advertising as their uni-
2.5 22.6(9) -19 1.6*7 4.5 27.1 6.
versity before going on to conquer
7. Lady Bird A24 $43.7M
13. Padmaavat VIVA ENTERTAINMENT 8. Call Me by … SONY CLASSICS $22M the film world,” says Credle, add-
2.4 8.9(2) -46 2.2*11 8.7 17.6 Dunkirk nabbed
eight nominations. 9. Phantom Thread FOCUS $17.4M ing: “[Alma’s] theory is that if more
14. Darkest Hour FOCUS FEATURES women get into advertising, we can
2.36 48.8(11) -18 7.1*59 65.8 114.6 Source: ComScore
change the game in film.”
15. Star Wars: The Last Jedi DISNEY
2.34 614.5(8) -45 2.8*29 706 1.32B Box-office source: comScore; estimates in $ millions; ( )Weekends in release; *Territories. Broadcast source: Nielsen, live-plus-3, week of Jan. 21. Cable TV source: Nielsen, live-plus-3 scripted series, week of Jan. 21.
T H E HOL LY WO OD R EP ORT ER 16 F E B R U A R Y 7, 2 01 8
ARE OSCAR FRONTRUNNERS
STARTING TO EMERGE?
The action isn’t slowing down yet: The Directors Guild has
weighed in, and the writers are next up on Feb. 11 as the Academy’s
day of judgment draws ever closer By Scott Feinberg
IS NOW
DIRECTOR
DEL TORO: FREDERICK M. BROWN/GETTY IMAGES. PEELE: KEVORK DJANSEZIAN/GETTY IMAGES FOR DGA. DARKEST: COURTESY OF FOCUS FEATURES. MONEY: FABIO LOVINO/FOCUS FEATURES. ABACUS: SEAN LYNESS/PBS. SHOWMAN: NIKO TAVERNISE/TWENTIETH CENTURY FOX.
award to his mantelpiece Feb. 3. Only best thing — the DGA’s prize for feature
seven times in 69 years has the top DGA directorial debut — and earning a stand-
Award winner not gone on to win the ing ovation at the ceremony as he headed
best director Oscar. to the stage.
DIGITAL MEDIA.
where received the fest’s Maltin Master Harrelson and Lesley Manville), missing
Award on Feb. 2. an opportunity for glad-handing voters.
18
FOX SEARCHLIGHT WARMLY CONGRATULATES
FRANCES McDORMAND
WINNER OF THE 9TH ANNUAL
AFRICAN AMERICAN FILM CRITICS ASSOCIATION’S
AWARD FOR BEST ACTRESS
The Report
7 Days of DEALS
Who’s inking on the dotted line this week
CLOVERFIELD: SCOTT GARFIELD/NETFLIX. STUBER: ALBERTO E. RODRIGUEZ/GETTY IMAGES. PROPERTY: GILLES MINGASSON/VERBATIM PHOTO AGENCY/HGTV. BOOK: COURTESY OF PENGUIN RANDOM HOUSE. SPROUSE: MONICA SCHIPPER/WIREIMAGE. MACLAREN: FRAZER
content. Sources say the deal, broached over the who joined the studio six months later, was worried.
HARRISON/GETTY IMAGES FOR ELLE. GRAY: PASCAL LE SEGRETAIN/GETTY IMAGES. SUTTER: TASIA WELLS/FILMMAGIC. IGER: COURTESY OF STRIBLING. DAVIS: COURTESY OF SUBJECT. WATERHOUSE: JIM SPELLMAN/WIREIMAGE. SMOLLETT: ARAYA DIAZ/GETTY IMAGES.
holidays and finalized in January, is worth north of Despite additions to clarify character beats and
tie the film to the franchise’s universe, it was ulti-
FILM
mately deemed unsalvageable despite a cast led by
Suki Waterhouse (CAA,
Gugu Mbatha-Raw, Elizabeth Debicki, David Oyelowo
the U.K.’s Independent,
and Daniel Bruhl. Netflix was an obvious destina-
Untitled, Jackoway
tion, having already taken over international rights
Tyerman) has joined
to the Natalie Portman starrer Annihilation, which
Legendary’s Detective
Paramount will release domestically Feb. 23.
Paradox is Pikachu movie along
the third film Paramount retains rights to future Cloverfield
with Bill Nighy and You’re
in Abrams’ films. Overlord, a World War II zombie pic from
sci-fi horror the Worst’s Chris Geere.
Abrams that has scored high in test screenings, could
anthology
franchise be a contender, although sources say that its fate is
Jim Parsons (CAA,
Cloverfield. undetermined. — BORYS KIT AND PAMELA MCCLINTOCK
Gang Tyre) has joined Zac
Efron in the Ted Bundy
HGTV Lays New Foundation With Property Brothers biopic Extremely Wicked,
Shockingly Evil and Vile.
Amid the looming depar- viewers per episode, is Scott Brothers Discovery Communications. New sibling-
ture of Fixer Upper stars Entertainment’s top series. “They can centric series Restored by the Fords is Riverdale star Cole
Big
Deal Chip and Joanna Gaines, produce and star in an incredible amount retaining 60 percent of its Fixer Upper lead- Sprouse (WME, Authentic,
HGTV is not risking losing of content in a very short period of time,” in, and the network has another 50-odd Greenberg Traurig) is
any more top-tier talent. says Scripps U.S. programming GM Allison pilots (some with the Scotts) in develop- in talks to topline the CBS
Cable’s fifth-most-watched network has Page. “It’s a scale we haven’t achieved ment. — MICHAEL O’CONNELL Films romantic drama Five
inked a multiyear extension with Property with anyone else.” Feet Apart.
Brothers’ Drew and Jonathan Scott (CAA, The exclusive pact comes as the
Canada’s Stohn Hay), who first came Canadian imports become an increasingly Big Boi (UTA, Career
to the Scripps Interactive-owned network in mainstream presence. Drew placed fourth Jonathan Artists) has joined Sony’s
2011. The twins, 39, are responsible for an on the most recent season of ABC’s Dancing (left) and Superfly remake.
atypical share of HGTV output: the original With the Stars, and both frequently appear Drew Scott
have been
Property Brothers, the spinoffs Buying on NBC’s Today to promote their series and spending Michelle MacLaren (ICM,
& Selling and At Home and the competi- licensed products. more time Stone Genow) will direct
tion series Brother vs. Brother — which, HGTV is aggressively fortifying its slate in L.A. and Chris Pratt in Universal’s
onscreen.
with a reach of 13 million cross-platform amid Scripps’ pending $11.9 billion sale to Cowboy Ninja Viking.
Rights Available! Hot new books with Hollywood appeal BY ANDY LEWIS AND TATIANA SIEGEL
Everything Happens for a Reason: Lone Stars (PHILOMEL BOOKS, SEPT. 12, 2017)
And Other Lies I’ve Loved (RANDOM HOUSE, FEB. 6) BY Mike Lupica AGENCY ICM Partners
BY Kate Bowler AGENCY Gotham Group Shopped as Friday Night Lights meets Concussion, this YA
The Duke Divinity School professor chronicles her stage 4 novel from the best-selling sports columnist follows a middle
colon cancer diagnosis at age 35 and how it upended her beliefs. schooler who suspects his beloved football coach, a former pro
Her Jan. 26 New York Times op-ed furthered the conversation. player, is suffering from CTE (chronic traumatic encephalopathy).
T H E HOL LY WO OD R EP ORT ER 20 F E B R U A R Y 7, 2 01 8
103.4M
Big
People who watched the Feb. 4
Super Bowl on NBC (106 million with
Number streaming), down 3 percent from
last year and the fewest since 2009.
MOST
ANTICIPATED
NEW
ADDRESS
Located in the vibrant, walkable center of Sunset Boulevard’s most iconic stretch, AKA offers
stunning new residences with bespoke furnishings crafted by Italian artisans; spacious living
rooms; and full kitchens. Legendary AKA services and amenities include a private screening room;
Technogym fitness center; resident services desk; and a seamlessly integrated indoor/outdoor
lounge, bar, pool and sundeck with views stretching from Downtown LA to Malibu Beach.
STAYAKA.COM 888.887.1569
THE 8500 SUNSET RETAIL PLAZA FEATURES FRED SEGAL AND THE FORTHCOMING TESSE RESTAURANT AND BOUTELLIER WINE STORE
About Town People, Places, Preoccupations
PERSON OF INTER EST
Who Does
Whitney
Cummings
Think She Is?
The prolific TV star/creator helms
her first feature, The Female Brain
By Lacey Rose • Photographed by Coral von Zumwalt
T H E HOL LY WO OD R EP ORT ER 23 F E B R U A R Y 7, 2 01 8
About Town
People, Places,
Preoccupations
then people’s feelings always end feeds would insist on it. change, disruption and public discourse. I realize
up getting hurt. But his feelings I absolutely want to be part of the change, the morals and values, the decency, we’ve perhaps
did not get hurt. I remember being the progress, that is coming. I did not want to be taken for granted, individually and as citizens of
like, “Wow, he’s loving this.” a postscript of evidence of its cause. the world, are in question. Worse, at risk. I do not
After sharing the letter with the network, I pub- take these things for granted.
And net-worth jokes were off-limits? licly denied the claims against me and agreed
Oh yeah. At every roast, some- to participate in any inquiry the network deemed Seacrest is an award-winning TV/radio host and
thing’s off-limits. I love that it appropriate. On Feb. 1, I received notice that an producer and creative entrepreneur.
wasn’t his daughter or his wife,
it was his money.
T H E HOL LY WO OD R EP ORT ER 24 F E B R U A R Y 7, 2 01 8
AC A D E M Y AWA R D N O M I N AT I O N S
®
BEST SUPPORTING ACTRESS BEST CINEMATOGRAPHY BEST ADAPTED SCREENPLAY BEST ORIGINAL SONG
MARY J. BLIGE RACHEL MORRISON VIRGIL WILLIAMS AND DEE REES “MIGHTY RIVER”
“HISTORY-MAKING.”
THE FIRST PERSON NOMINATED FOR ACTING AND MUSIC IN THE SAME YEAR
MARY J. BLIGE
TH E FI RS T B L AC K WO MAN N O M INATE D FO R A DAP TE D S C RE E N PL AY
DEE REES
TH E FI RS T WO MAN N O M INATE D FO R CIN E MATO G R APH Y
RACHEL MORRISON
TO E X P E R I E N CE MARY J. B L IGE'S S ONG, “ M IGHT Y RI VE R ,” V I S I T:
GUI LDS.NE TFLI X.COM/MUDBOUND/MUSIC
“I am canceling
“How you gonna call upcoming public
“100% less Trump.” me, but Oprah appearances
MACAULAY CULKIN ain’t called me? Isn’t because I have
The grown-up child star, revealing
on Reddit why he preferred Oprah your friend?” given enough.”
the first Home Alone movie TIFFANY HADDISH ROSE MCGOWAN
over the sequel, which featured The Girls Trip star, joking to Vanity The activist, tweeting at Barnes &
a cameo by the president. Fair about begging Tyler Perry to Noble after she was “verbally
introduce her to Oprah Winfrey. assaulted” by a transgender woman
during her Brave book tour.
LAWRENCE: JON KOPALOFF/FILMMAGIC. HADDISH: GABRIEL OLSEN/FILMMAGIC. THURMAN: WALTER MCBRIDE/WIREIMAGE. TIMBERLAKE: CHRISTOPHER POLK/GETTY IMAGES. OSWALT: MATT WINKELMEYER/WIREIMAGE.
“Woefully out of
touch with today’s
“Everybody, music, the music
this is not the pilot business, and even “No tripping.”
speaking. This is more significantly, PATTON OSWALT
Jennifer Lawrence.” society.” The comedian, speaking at
the Oscar nominees lunch,
JENNIFER LAWRENCE MICHELE ANTHONY offering advice to potential
The actress, using an The Universal Music Group winners. “Jennifer [Lawrence]
airplane intercom on her flight executive vp, co-signing a owns it. That’s her thing now.”
to celebrate the Philadelphia letter to the Recording Academy
Eagles’ Super Bowl win. with five top female music
execs in response to president
Neil Portnow’s comments
about women needing to “step up.”
T H E HOL LY WO OD R EP ORT ER 26 F E B R U A R Y 7, 2 01 8
ACADEMY AWARD
®
NOMINATION
BEST VISUAL EFFECTS
“Shot for shot, line for line, it’s an
extravagant and witty follow-up, made
with the same friendly virtuosic dazzle.”
VARIETY | OWEN GLEIBERMAN
170 nominated filmmakers — and one
Oscars: The 2018 Class Photo cardboard cutout — gathered for lunch
Feb. 5 at the Beverly Hilton By Gregg Kilday
T H E HOL LY WO OD R EP ORT ER 28 F E B R U A R Y 7, 2 01 8
About Town
The French artist JR, nominated Mudbound’s Rachel Morrison, Best picture nominee Steven Spielberg Most in the crowd didn’t
for the documentary Faces the first woman nominated for brought as his guest Daniel Ellsberg, recognize the name when
Places, brought a life-size cinematography, got one of the whose leaking of the Pentagon Papers is Lonnie Lynn, a best song
cutout of his co-director, Agnes biggest rounds of applause. dramatized in The Post. Ellsberg chatted nominee for Marshall, was People, Places,
Varda, 89, planting it beside it up with writer-director Aaron Sorkin asked to take his place — Preoccupations
Greta Gerwig and Meryl Streep. and his guest, poker queen Molly Bloom. until they realized that, of
course, that’s Common.
109 Tom McGrath 121 J. Miles Dale The Disaster Artist The Shape of Water Blade Runner 2049
The Boss Baby The Shape of Water Adapted Screenplay Supporting Actress Sound Editing
Animated Feature Best Picture
T H E HOL LY WO OD R EP ORT ER 29 F E B R U A R Y 7, 2 01 8
About Town
Allison Janney
and Willem Dafoe
1
5 6
12
T H E HOL LY WO OD R EP ORT ER 30 F E B R U A R Y 7, 2 01 8
3
Party
Bryan Fogel Crawler
(left) and
Frank Marshall
Oscar Contenders
3 Out in Force
THR’s sixth annual
Nominees Night got a jolt
from two Oscar-contending
songs when Miguel (17)
First LastName, First and Common (8)
LastName, First LastName
took the stage for surprise
4 sets. Miguel performed
“Remember Me” from
From left:
Tim Zajaros, Dee Rees Coco. Common and singer
and Sarah M. Broom Goldie (8) belted out
8 “Stand Up for Something”
Common, Goldie
from Marshall as song-
and Kyle Townsend writer Diane Warren (10)
stood by the stage singing
along at Wolfgang Puck’s
Cut at the Beverly Wilshire.
Hosted by THR edito-
rial director Matthew
Belloni (5), the star-
studded event drew Oscar
nominees Jordan Peele (5)
(Get Out); Greta Gerwig
and Laurie Metcalf (6)
(Lady Bird); Timothee
GORDON, DAFOE, MOLINA, SORKIN, OLDMAN, ROCKWELL: ALEX J. BERLINER/ABIMAGES. BELLONI, GERWIG, CHALAMET, WARREN: EMMA MCINTYRE/GETTY IMAGES. SORKIN, DEL TORO, PAUL, COMMON, HORN, PIMENTAL: NEILSON BARNARD/GETTY IMAGES.
Chalamet and Luca
Guadagnino (13) (Call
Me by Your Name); Gary
Oldman (7) (Darkest Hour);
11 Guillermo del Toro (12)
10 and Richard Jenkins (The
David Bar Katz
Diane Warren (left) (left) and Shape of Water); Willem
and Frances Fisher Sam Rockwell Dafoe (2) (The Florida
Project); Sam Rockwell (11)
(Three Billboards Outside
Ebbing, Missouri); Kumail
16 Nanjiani and Emily V.
From left: THR’s Gordon (1) (The Big Sick);
Lynne Segall, Aaron Sorkin (16) (Molly’s
Aaron Sorkin and Game); Dee Rees (4)
Molly Bloom
(Mudbound); and Allison
Janney (2) (I, Tonya),
among others. Inside,
Guadagnino and Chalamet
made a beeline for the raw
9 bar, Star Wars’ Kelly Marie
Disney Studios’ Alan Horn
Tran chatted with Get Out’s
(left) and Sony Pictures Betty Gabriel (15), and
Classics’ Michael Barker The Greatest Showman
breakout Keala Settle (14)
joked of her upcoming
Oscars performance: “I
want to melt Meryl Streep’s
face off.” While honorary
Oscar winner and doc
feature nominee Agnes
Varda (Faces Places) was
not in attendance, her
co-nominee, JR, squired
a cardboard cutout of the
legendary director and her
cat. The Shape of Water
director del Toro posed
15 with the Varda stand-in,
while Doug Jones (12)
Betty
Gabriel pretended to eat the cat.
“It’s just like the movie,”
joked del Toro, referring
to a scene from his film
17 18 featuring Jones’ amphibian
creature and an unlucky
Miguel Adrian Molina
feline. — MIA GALUPPO
T H E HOL LY WO OD R EP ORT ER 31 F E B R U A R Y 7, 2 01 8
About Town
Helmers Honored
With Guillermo del
Toro’s (6) win for direc-
torial achievement in
2
feature film at the DGA’s
From left: Warner Bros. annual ceremony, his
Entertainment’s Kevin Tsujihara, sci-fi fantasy The Shape
Christopher Nolan and Nolan’s
wife, producer Emma Thomas of Water — having also
earned the Producers Guild
of America’s top honor
in January — has consoli-
dated its status as Oscar
frontrunner. Accepting
his award at The Beverly
Hilton, del Toro acknowl-
edged that his film doesn’t
1 fit the awards-season
Jordan Peele and mold and thanked his fel-
Greta Gerwig 3 low directors for “allowing
us as a genre to come
Judd Apatow and into the conversation.”
70th DGA Awards Angela Lansbury
Jordan Peele’s (1) Get Out,
another genre entry, also
Beverly Hills, Feb. 3 was recognized when the
guild honored its helmer for
first-time feature film
directing. “I truly believe
these things we put out
into the world, these stories
of our love and passion,
PEELE, TSUJIHARA, JUDD, DEL TORO: KEVORK DJANSEZIAN/GETTY IMAGES FOR DGA. HAWKINS: FREDERICK M. BROWN/GETTY IMAGES. BACON: JB LACROIX/WIREIMAGE. OLDMAN, ESTEVEZ, RONAN: REBECCA SAPP/ SAPP/GETTY IMAGES FOR SBIFF.
are the greatest weapons
against the hate and the
bigotry,” said Peele at the
podium. The event, hosted
by Judd Apatow (3), also
saw such television winners
as The Handmaid’s Tale’s
Reed Morano, Veep’s Beth
McCarthy-Miller and
Big Little Lies’ Jean-Marc
5
6 Vallee. — GREGG KILDAY
Kyra Sedgwick
and Kevin Bacon From left: Directors
Guillermo del Toro, The Santa Barbara
4
Norman Jewison Show Must Go On
and Jeremy Kagan
Following the deadly
Sally Hawkins Montecito mudslides,
the 33rd annual festival
powered through with
its opening-night gala
Santa Barbara International Film Festival Jan. 31 featuring Emilio
Estevez’s (8) The Public.
Santa Barbara, Jan. 31–Feb. 10 The first two days of
the fest, which runs
through Feb. 10, bestowed
Willem Dafoe with the
Cinema Vanguard Award
and Gary Oldman (7) —
who received a standing
ovation — with the Maltin
Modern Master Award
on Feb. 1 at the Arlington
Theatre. Other high-
lights included Saoirse
Ronan’s (9) Santa Barbara
Award win Feb. 4 and a
THR-led Feb. 6 panel with
8 Oscar-nominated helm-
ers Greta Gerwig (1), Peele,
From left: Emilio Estevez, Alec Baldwin
7 and Che “Rhymefest” Smith del Toro, Christopher
Gary Oldman
Nolan (2) and Paul Thomas
Anderson. — SCOTT FEINBERG
9
Saoirse
Ronan
T H E HOL LY WO OD R EP ORT ER 32 F E B R U A R Y 7, 2 01 8
About Town
SALKE: DAVID LIVINGSTON/GETTY IMAGES. TROPHY: COURTESY OF JENNIFER SALKE. BLAIR: AXELLE/BAUER-GRIFFIN/FILMMAGIC. NOMAD: COURTESY OF BENOIT LINERO. LANSING: FREDERICK M. BROWN/GETTY IMAGES. BALE: JON KOPALOFF/FILMMAGIC.
biggest dream was for the Eagles to win a championship, though prior to thing of the past.” with Hostiles director
this it was never really close,” she says via email Feb. 5 while on a flight Scott Cooper. Shawn
Levy sat nearby.
back to L.A. “When the impossible happened, [NBC Entertainment chair] How Avengers Helmers Helped
Bob Greenblatt invited Henry as his guest.” How’d that Instagram post Selma Blair Come Forward
happen with Henry kissing the Vince Lombardi Trophy? “We were lucky When Selma Blair weighed the
enough to be invited to the postgame celebration, where Henry made decision of whether to share
a beeline for the trophy and asked if he could hold it,” she writes. “As of her claims that filmmaker James
now, it is his favorite moment in his life.” Toback sexually assaulted her
in 1999, she received support
Brian Grazer’s Headshots Palm and Grazer, who dined with from Rachel McAdams, Jessica
Habit Rides Again? outgoing Teen Vogue editor Elaine Chastain and two others. “Really, NEW
Is Brian Grazer up to his old tricks? Welteroth the day his pictures were it was two men who were the HO T NT
AU R A
REST
During a stop at power lunch spotted, did not return requests most comforting to me in say-
hangout The Palm in Beverly Hills, for comment. ing, ‘You’ll be safe, you’ll be The NoMad
THR clocked two heart-framed OK,’ ” Blair tells THR. “That was Mezzanine
photographs of the uber-producer PETA ‘Veg’-ucates Spielberg [Guardians of the Galaxy director] The Quick Pitch
atop the host stand. The pics seem Not everyone is impressed James Gunn and [Doctor Strange Daniel Humm and
to be evidence of Grazer doing a with Steven Spielberg’s gracious writer-helmer] Scott Derrickson. Will Guidara (of NYC’s
designated “World’s
cutesy variation on a prior hobby They reached out and said how Best Restaurant”
of dropping off headshots of important it was to be on this Eleven Madison Park)
himself all over town. THR first side of history.” (Gunn praised are responsible for
reported on his quirky custom Blair on Facebook in October, the dining options at
of depositing photos at colleagues’ calling her “a hero,” adding that the new NoMad Hotel.
Try the duo’s $98
homes and in the lobby bath- he knew she in no way “WANTED signature black truffle
room at Chateau Marmont in 2012, Blair to have to come forward with roast chicken for two
but sightings then tapered off. The this story, but she still did it. with brioche stuffing.
Most of these women (and, yes, The Inside Dish
some men) have nothing to Clearly intent on lur-
ing a certain clientele,
gain by telling their stories ... the hotel poached
They do it for ... the sake of oth- Phil Pavel as its
ers, the future …”) Adds Blair: managing director
“The women have taken it so far, after his two-decade
but it’s been men, too, who have stint as the well-
connected prince of
been supportive, and I have felt the Chateau Marmont.
that. I’m really in admiration of 649 S. Olive St.
Two photos of Grazer at The Palm. women and men.” — GARY BAUM
T H E HOL LY WO OD R EP ORT ER 34 F E B R U A R Y 7, 2 01 8
About Town
Mileposts
The Adventures of
Tom Sawyer, died
Jan. 31 in England.
She was 90.
KOPP: ANGELA GARBOT PHOTOGRAPHY. CHASIN: COURTESY OF SUBJECT. SWERDLOW: COURTESY OF ICM PARTNERS. PARGAC: ANGELICA MARIE PHOTOGRAPHY. SALLING: C. FLANIGAN/GETTY IMAGES.
Kenilworth, Illinois. Farhana Pargac, head development Feb. 1. Chicago. He was 77. died Jan. 25 of lung a longtime accoun-
The couple first of strategy for UTA cancer in Santa tant at Paramount
met while attend- marketing, and hus- Nick Pepper will Louis Zorich, the Monica. He was 76. and Warner Bros.,
ing New Trier band Brian Pargac, head Legendary TV husband of Olympia died Jan. 8 in Laguna
East High School co-executive producer when his contract Dukakis who Ann Gillis, the former Woods, California,
in 1977 and found on Bravo’s Flipping with The Mark Gordon played Paul Reiser’s child star who starred of a heart attack. She
each other again Out, welcomed son Co. ends May 31. dad on Mad About in David O. Selznick’s was 68.
while cheering for James August Pargac
the Cubs in the on Dec. 13 at Cedars.
2016 World Series.
Congrats
Births Tammy Golihew was 1982-2018 his Sunland home recovered more cutting his wrists, according to
Yale Chasin, an agent named director of than 50,000 digital photos and TMZ, before being discovered by a
in UTA’s Independent publicity at Amazon Mark Salling videos depicting child rape, some roommate and rushed to a hospital.
Film Group, and wife Studios on Feb. 5. of the victims as young as 3. Salling L.A.-based criminal attorney Mike
The Glee actor, 35, facing also was to to pay $50,000 in Cavalluzzi, however, says “the court
years in jail for child pornography,
hanged himself Jan. 30 restitution to any victim who came doesn’t have an affirmative duty” to
Bunim/Murray forward. (Now a lawsuit might be safeguard a defendant from himself.
Productions pro- he death of Glee star Mark required to get a piece of Salling’s Family members reported Salling
moted Julie Pizzi
to president of
T Salling — which came ahead
of a March 7 sentencing
$1.91 million estate.) There are
questions as to why the actor was
missing the morning of Jan. 30 after
they hadn’t heard from him since
date for pleading guilty Sept. 29 to left unattended — especially after 11:30 p.m. the previous day. Six
entertainment keeping a vast trove of child por- he had attempted suicide Aug. 22, hours later, after spotting his 2007
and development; nography — will go down as one of Infiniti M35 parked on a roadside,
Farnaz Farjam the darkest downfalls in Hollywood police found his body hanging from
Chazan to senior vp history. Salling, who for six seasons a tree in Big Tujunga Creek, a
entertainment and played the bully turned glee club remote riverbed in the San Gabriel
member Puck on the Fox show, was Mountains. — SETH ABRAMOVITCH
development; Sasha expected to get between four and
Alpert to executive vp seven years for his crimes, discov- ← Salling died of “asphyxia by hanging,
The Pargac family entertainment and ered after a December 2015 raid on suicide,” the L.A. coroner said Feb. 1.
T H E HOL LY WO OD R EP ORT ER 36 F E B R U A R Y 7, 2 01 8
COMPETITIVE
FINANCIAL
INCENTIVES
THE SHAPE OF WATER — 13 OSCAR® NOMINATIONS
INDIAN HORSE MOLLY’S GAME — OSCAR® NOMINEE THE BREADWINNER — OSCAR® NOMINEE
ONTARIO
PRODUCERS
MAKE GREAT
PARTNERS
GRIZZLIES LITTLE ITALY
SHOOT IN ONTARIO
“We shot most of Molly’s Game right here on stages in Toronto. I have to say, I’ve never worked
with a better crew. They are phenomenally talented.”
—Aaron Sorkin, Molly’s Game, Director & Writer
#ONcreates
@OMDCtweets OMDConline OMDConline
The Business Executive Suite
Steve Bersch
The veteran film exec sounds off on the
state of indie moviemaking, taking over
Screen Gems and the surprising most
profitable division at Sony By Tatiana Siegel
I
t’s an impressive stat that Greyhound. On Jan. 19, Bersch’s ↑ Bersch, photographed Feb. 1 at his
Culver City office on the Sony lot, says,
comes with a small aster- purview expanded even further “The job of acquisitions when you’re
isk: Sony Pictures Worldwide RÉSUMÉ when he took the reins of Screen buying at the script stage is twofold: to
predict execution and marketability.”
Acquisitions president Steve CURRENT TITLE Gems following the announce-
Bersch, 61, runs the most profit- President of Screen ment that Clint Culpepper was the Nick Offerman-led Hearts
able division within the studio. Gems and president exiting after a 28-year run at the Beat Loud. The company had pre-
of Sony Pictures
The caveat is that with just 20 genre label. viously nabbed a wide swath
Worldwide Acquisitions
employees, SPWA doesn’t carry PREVIOUS JOB
There was little time to of international territories for
the same overhead as, say, COO, 20th Century Fox celebrate considering that Bersch Paul Dano’s directorial debut,
Columbia Pictures, given that it is Home Entertainment was busy negotiating a slew of Wildlife, which was well reviewed
not a releasing entity. Still, dur- BIG HIT deals on the ground at Sundance, after its Sundance premiere.
The Insidious
ing his 10-year stint, SPWA boasts where he acquired worldwide Bersch, a Berkeley grad (“I’m a long-
horror franchise’s four
films such as Arrival, the Insidious films have grossed rights to the John Cho internet suffering Cal fan”) and father of
GROOMING BY SU HAN AT DEW BEAUTY
franchise, Spotlight, Whiplash, $517 million worldwide thriller Search for $5 million, and two, talked to THR about his busy
Foxcatcher, Don’t Breathe and the all international rights to Debra festival, the most profitable SPWA
upcoming Tom Hanks-starring Granik’s drama Leave No Trace and film and Screen Gems’ future.
T H E HOL LY WO OD R EP ORT ER 38 F E B R U A R Y 7, 2 01 8
SPINVFX
T H E HOL LY WO OD R EP ORT ER 40 F E B R U A R Y 7, 2 01 8
TORONTO’S LARGEST
PURPOSE-BUILT STUDIO
The leading destination facility for film and TV production
Talk to us:
t: +1 416 406 1235 e: megan.guy@pinewoodgroup.com
For further information on our studio, please visit:
www.pinewoodtorontostudios.com
The Business
Legal
P
aparazzi long have ↑ From left: Simpson, Hadid and Kardashian While neither celebrity pho- than see stars using my images
have been sued for posting paparazzi
built lucrative careers on photographs on their social media accounts. tography nor social media is without a watermark after not
capturing candids of new, experts say the ability for having purchased the image or
Hollywood stars, but now they’re “Paparazzi take pictures of them influencers to now monetize giving any credit to the photogra-
exploring a new source of rev- without authorization but then their posts is most likely what’s phers — or major publications
enue: suing those same stars for get irritated when the people they driving the legal clashes. “Social reposting it from the star’s social
posting their pics on social media took pictures of use the pictures. media is actually a business for media, again, without financial
without permission. This is a form of trolling — where celebrities,” says attorney Jeffrey compensation,” she says.
Khloe Kardashian, Jessica paparazzi see a new medium Greenbaum, who specializes While other photographers
Simpson and Gigi Hadid have each to try to monetize their work.” in advertising and intellectual may share Keenan’s outlook, attor-
recently been sued for copyright Dan Taylor, a spokesman for property law. “It’s not surprising neys still recommend caution.
infringement after paparazzi BackGrid, a celebrity photo agency that photographers are saying, “This is an area where celebri-
photos of themselves were shared formed in 2016 when Xposure, ‘If you’re going to make money off ties and their representatives
on their official social media AKM-GSI and FameFlynet USA your social media feed, it’s not should be extremely careful,” says
accounts. On Feb. 1, NFL star Odell merged, says his company out- fair that you’re going to take my Greenbaum. “Giving credit might
Beckham Jr. sued Splash News sources its copyright enforcement photograph and not pay for a in some circumstances make the
SIMPSON, HADID: SPLASH NEWS. KARDASHIAN: AKM-GSI. KEENAN: JESSE GRANT/WIREIMAGE. REYNOLDS: TODD WILLIAMSON/GETTY IMAGES FOR THR.
for extortion after to a Beverly Hills-based outfit license to use it.’ ” photographer less aggravated by
reportedly receiving called Okularity, which scans the While the suits have been geared the use, but it’s unlikely to change
a $40,000 demand internet and print publications toward street photos, awards-sea- the analysis that using someone’s
for sharing an for clients’ photographs. Okularity son red carpet images could spark photograph without consent most
Reynolds image of himself on then determines whether tak- the next wave of lawsuits. of the time is going to be copy-
Instagram. ing action is appropriate or if an Sharing a photo registered right infringement in this kind
Typically, paparazzi unauthorized use qualifies for with the U.S. Copyright Office of situation.”
pics can easily be an exception under copyright laws. could trigger damages of as
licensed for a couple Xposure is the company suing much as $30,000, even absent a Natalie Jarvey and Chris Gardner
Keenan of hundred bucks Kardashian, and Taylor says finding that the infringement contributed to this report.
a pop. But if a star unlicensed sharing shouldn’t
sees a photo online and shares it be tolerated.
without permission, the move “It always hurts the licensing
could lead to six-figure damages if market because it’s rarely trans-
What a Following Is Worth
A sponsored post can be very lucrative — if you’re popular
it was willful. formative and it’s displayed to the
“These lawsuits are ironic and same audience and with the same Khloe Kardashian 72.1 M followers $406,700 estimated value
unfair,” says Neel Chatterjee, a purpose as BackGrid’s paying cli- Gigi Hadid 38.1 M followers $215,000 estimated value
Silicon Valley-based intellectual ents,” says Taylor. “Unauthorized Jessica Simpson 4.1 M followers $23,400 estimated value
property litigator who has han- distribution virtually destroys
dled big-ticket suits for Facebook. the licensing value of an image.”
Source: Inkifi; based on $5.70 per every 1,000 followers on Instagram
T H E HOL LY WO OD R EP ORT ER 42 F E B R U A R Y 7, 2 01 8
CANADA
AT YOUR
FINGERTIPS.
Editorial content
SEE BIG.
And much more!
RDVCANADA.CA
WHAT’S AT
STAKE IN
CATCHING
OSCAR
Forget about the talent:
It’s the execs running the specialty
labels who’ll really be sweating
this year at the Dolby Theatre
By Stephen Galloway and Gregg Kilday
T
he Oscars won’t just determine
the future of individual winners
and losers this year. They could also
have a real impact on the future
of specialty-film distributors. After stealing
the luster from studios when it comes to the Searchlight, led by longtime heads Stephen prime target for acquisition by an internet
awards, they’re now fighting for their lives Gilula and Nancy Utley, has proved its uncanny giant, especially after Kaz Hirai’s departure as
in a radically changing media landscape, with eye for promising material. But will that mat- CEO, they’ll need to prove that their modest
streaming giants Netflix and Amazon threat- ter once Disney absorbs Fox? In terms of box returns have added dividends.
ening to gobble up the talent they’ve relied on office, no. Shape has earned $55 million world-
to make a splash in awards season. wide and Billboards $75 million, but those hits ANNAPURNA Megan Ellison’s stand-alone indie,
Such studio subsidiaries as Fox Searchlight, have to be balanced against such flops as Battle which has gone from financing films to dis-
Universal’s Focus Features and Sony Pictures of the Sexes, with its $12.6 million to date. On tributing them, had a box-office dud in Detroit
Classics were set up in the 1990s with three the other hand, Disney’s planned streaming (a non-contender this awards season). But even
goals: (1) develop the kind of filmmakers who service will need high-visibility content, and though it declined to finance Phantom Thread
could then be assigned bigger-budget films; Oscar wins (along with the box-office boost itself, it produced the film for Focus. Should
(2) win back some of the box-office gold that they bring) could provide a healthy rationale the movie prove an unlikely best picture or best
had been siphoned away by indie challengers for not just retaining Searchlight but bolster- actor winner, that would burnish the creden-
like Harvey Weinstein’s Miramax Films, which ing its resources. tials of the self-financed company and perhaps
defined the game in the ’90s; and (3) add a help it lure still more A-list talent away from
touch of class to an otherwise crass business. FOCUS FEATURES Two years ago, after experi- burgeoning Amazon and Netflix.
None of these factors matters much today. menting with genre movies with middling
With directors like Colin Trevorrow going success, Focus underwent a course correction A24 Post-Moonlight, the producer-distributor,
straight from shoestring releases (Safety Not under then-new chairman Peter Kujawski, founded by Daniel Katz, David Fenkel and John
Guaranteed) to blockbusters (Jurassic World), who promised to return Focus to its prestige- Hodges, is seeking to maintain momentum as
the specialty divisions no longer function as label roots. It bounced back this season with the hippest indie label around with awards for
breeding grounds for filmmakers; with cor- Darkest Hour ($46.4 million at the domestic Lady Bird. It might need them given that The
porations such as Disney aiming bigger and box office, more than $100 million overall). Florida Project was shut out of the best picture
bigger in terms of theme parks and merchan- An Oscar for Gary Oldman could add fur- race and The Disaster Artist’s James Franco
dising, as well as box office, there’s little need ther lucre and counterbalance the financial was snubbed amid an avalanche of allegations
for the paltry sums most Oscar winners bring; disappointment of The Beguiled and The Book about his past.
and with the studios led by corporate players of Henry.
increasingly removed from the day-to-day film- NEON Launched early last year by Tom
making process, Oscar’s sheen has become all SONY PICTURES CLASSICS Amid the ups and Quinn and Tim League, the company is eager
but irrelevant to the bottom line. downs of their rivals, the veteran duo of Tom to prove itself as the hot new kid on the block
Under pressure for their survival, the Bernard and Michael Barker has maintained and, along with 30West, is betting on I, Tonya,
specialty labels need every bit of help they can a remarkably consistent course, relying on which has earned more than $20 million
get, and so do their art house rivals. Each is shrewd acquisitions rather than sinking money and multiple awards for Allison Janney. Having
playing for high stakes: in pricey productions. They enter the Oscars gone on an acquisition spree at Sundance —
with six nominations: four for Call Me by Your its $10 million buy of Assassination Nation was
FOX SEARCHLIGHT With the two frontrun- Name and two for foreign-language nominees the fest’s biggest deal — Neon could do with
ners for best picture (The Shape of Water and Loveless and A Fantastic Woman. With parent an Oscar victory to prove it’s in the same class
Three Billboards Outside Ebbing, Missouri), Sony Pictures Entertainment looking like a as its more established rivals.
Illustration by Læmeur
T H E HOL LY WO OD R EP ORT ER 44 F E B R U A R Y 7, 2 01 8
CREATE
WITH CANADA.
SOMETHING
OSCAR® NOMINEE
FOR BEST ANIMATED
FEATURE FILM
Ballerina
Eric Summer/ Eric Warin
The Breadwinner Canada / France
Nora Twomey
Canada/Ireland/Luxemburg
RDVCANADA.CA
← As Ego takes human form, the VFX team these building blocks, often over-
used a model of Russell, added layers of bone
and muscle, and blue lightning in lieu of blood. lapping them and playing them
to the framing of each shot. As
Within this CG world — Ego was speaking throughout the
Townsend says it’s the most reveal, we played with the deliv-
complex he has ever created — the ery of dialogue via a skull only or
team staged an epic battle that by half skin/half muscle.”
included live-action characters When Quill finally blasts Ego
such as Chris Pratt’s Peter apart, only to see him regener-
Quill and fully CG creations like ate, Townsend says, “We had to
Rocket and Baby Groot. figure out how to destroy a human
In order for Ego to morph into body, then rebuild it, inside of a
different forms, delicate digital PG-13 rating. We landed on a true
double work was required. “Weta representation of all the organs,
HOW THE GUARDIANS TEAM created a digital version of Kurt, bones, muscles, veins and nerves.
MADE KURT RUSSELL BLEED BLUE down to matching individual
pores and hairs,” says Townsend.
But as the cells were getting
destroyed by the energy blast,
The visual effects in the final battle of this summer’s hit Marvel “When Ego creates his human they would mutate back using the
sequel were a complex undertaking involving mathematics: ‘We had form around his celestial frame- same 3D fractals that were seen
to destroy a human body then rebuild it’ By Carolyn Giardina
work over a sequence of shots, elsewhere in Ego the planet; this
Weta mocked up Ego’s physiology added an alien element, an almost
W hen it comes to super- form of actor Kurt Russell. The with multiple passes — his mathematically derived aspect
GUARDIANS: WETA/MARVEL (6). TOWNSEND: FRAZER HARRISON/GETTY IMAGES FOR BRITISH CONSULATE GENERAL LOS ANGELES.
hero movies, visual effects sequence’s visuals, with Weta skeleton, organs, muscles, skin to what could have been very gory.
don’t always get a lot of respect. serving as lead VFX house, were and finally clothes and hair. We Instead of blood, the celestial
The last time one of these films inspired by the comics, and the experimented with the timing framework’s blue energy was flung
won a VFX Oscar was in 2004, for unique visual style was created and nature of the reveal of each of from the destruction points.”
Spider-Man 2. And this year, with fractals — mathemat-
only one superhero movie, ically generated patterns
Marvel’s Guardians of the — influenced by the work of
Galaxy Vol. 2, fielded a VFX fractal artist Hal Tenny,
team that earned a ticket to Townsend who served as a consultant.
the Dolby Theatre. They’re “To get the computer-cre-
hoping to beat the odds thanks to ated and mathematically derived
the film’s complex effects created aesthetic, we used the algo-
by a dozen vendors. rithms and had to translate them
The degree of difficulty they into a VFX pipeline,” explains
embraced is evident in the mov- effects supervisor Christopher
ie’s final battle, which pits the Townsend. “The final model build
Guardians against Ego, a “Living for planet Ego was about half a
Fractals, mathematically constructed geometric forms (inset),
Planet” that also takes the human trillion polygons.” were used to construct the “living planet” known as Ego.
•
•
•
•
•
•
MOVING PICTURES TO THE WORLD
2
Mon Guerlain Florale
has a bouquet of lavender,
jasmine, peony and iris;
$124, at Saks Fifth Avenue
4. Ferragamo
Amo Ferragamo’s woody and
sweet notes of rosemary,
sandalwood, jasmine and black
currant mingle into a light oriental
floral; $125, at Bloomingdale’s
1
5. Proenza Schouler
Floral meets mineral with
predominant notes of iris root
and white cactus flower in
Arizona Eau de Parfum; $130,
at Saks Fifth Avenue
4
3
That Touch
of Pink
Just in time for Valentine’s Day, new
blush-hued scents hit all the right
5
PROP STYLING BY DAPHNA GUTTIN
T H E HOL LY WO OD R EP ORT ER 49 F E B R U A R Y 7, 2 01 8
Style
Relationships
get him to make a move. Neither one of us knew dealbreakers you didn’t know you had. (When hope that by next Valentine’s Day, they’ll find
how to navigate this new post-Weinstein world. they asked if I’d date someone who voted for me someone who thinks I’m smart, funny
and — just maybe — pretty enough to be an
Illustration by Eleanor Taylor L.A. waitress.
T H E HOL LY WO OD R EP ORT ER 50 F E B R U A R Y 7, 2 01 8
Style
KIdman
Rae
Nyong’o Brown
Britton Thompson
ith Time’s Up pins “I don’t think it will return to Armani at the SAG Awards), but at the Grammys making head-
W outshining diamond being a one-dimensional conver- it still stacks up as a big winner, lines, unlikely faves have
jewelry and designer sation about fashion on the red dressing such “woke” A-listers as emerged, including Lingua
name-dropping on the red car- carpet,” says Time’s Up founding Lupita Nyong’o. Her gray gown at Franca, Rachelle Hruska
BAUER-GRIFFIN/FILMMAGIC. BROWN: JOHN SHEARER/GETTY IMAGES. AMERICAN: COURTESY OF ABRAMS BOOKS (2). PURSE: COURTESY OF 18008456790.
BRITTON: JOE SCARNICI/GETTY IMAGES. THOMPSON: PHILLIP FARAONE/GETTY IMAGES. RAE, NYONG’O: STEVE GRANITZ/WIREIMAGE. KIDMAN: AXELLE/
pet at a minimum, is fashion this member Amanda de Cadenet. the SAG Awards reached 713.5 mil- MacPherson’s New York label
awards season’s biggest loser? Although most designers lion readers, at a PR value of of hand-embroidered cash-
“After the mad dash for black at understand why the gender equal- $13,084,612, says Jones. Notes CEO mere. After Connie Britton wore
the Golden Globes and media ity message takes precedence, Michael Russo, “Time’s Up has a “Poverty Is Sexist” sweater at
conversations directed toward even feminists like Prabal Gurung added a new dimension to the red the Globes (Tessa Thompson
the #MeToo movement, designer are “wish[ing] actresses got asked carpet for brands.” later wore a version with first
brands are not the winners,” says why they chose to wear the par- Gurung received multiple names of female directors), “we
Stacy Jones, CEO of entertain- ticular designer.” Luxury brands, inquiries from potential custom- got hundreds of emails,” says
ment and fashion marketing firm of course, still are moving heaven ers about Issa Rae’s dramatic MacPherson. Reese Witherspoon
Hollywood Branded Inc. and earth to dress stars. “We’re black gown at the Golden Globes. ordered 20 Lingua Franca “Time’s
The cancellation of E!’s Fashion seeing the fashion discussion According to retail analytics Up” sweaters for Eva Longoria
Police in November — then moving more to the digital space, company EDITED, sales of black and other supporters. Converse
Beyonce and Lorde skipping the where designers, publicists or dresses increased by 225 per- enjoyed the rare shout-out at
Grammy carpet in response to stars themselves are pushing out cent from Jan. 1 to 18 compared the SAG Awards by Millie Bobby
an antiwage inequality petition info about styles,” says Jones. with the same period last year. Brown, who wore Chuck Taylors
calling for an E! News boycott — British house Ralph & Russo With all-black at the Globes — with her pink Calvin Klein dress.
may signal the end of an era for may have gone unnamed during also planned for the Feb. 18 “Converse are cool!” says Jones.
preshow fashion commentary. preshows (as did Nicole Kidman’s BAFTAs — and all-white onstage Now, even more so.
“You are literally being manhandled until they push you out on the runway … it’s a live performance,” says Cindy Crawford of NYFW in American Runway.
T H E HOL LY WO OD R EP ORT ER 52 F E B R U A R Y 7, 2 01 8
PROMOTION
A
D
Here is a typical day in the life 1
PREVIOUS SPREAD: PROP STYLING BY KYLE SCHUNEMAN AT THE REX AGENCY. GROOMING BY SONIA LEE FOR ALBA1913 AT EXCLUSIVE ARTISTS. THIS SPREAD: FLORIDA: COURTESY OF A24. PLATOON:
Orlando’s Disney World — lounges on a shady second) and zoomed around New York on a where it is). Fans let him wash his under-
terrace at a hotel overlooking downtown flying hoverboard as the Green Goblin in pants in peace at laundromats. Dafoe insists
ORION PICTURES/PHOTOFEST. SHADOW: LIONSGATE FILMS/PHOTOFEST. CHRIST: UNIVERSAL PICTURES/PHOTOFEST. SPIDER-MAN: COLUMBIA PICTURES/SONY PICTURES/PHOTOFEST.
Santa Barbara, where he’s about to take another 2002’s Spider-Man (and its two sequels). And he doesn’t want to be a bigger star than he
lap around the awards season circuit as it that’s just scratching the surface of his résumé already is and prefers that nobody know about
hurtles toward the finish line. He’s dressed — there’s also his lesser-applauded perfor- his offscreen life. He says it makes it easier to
mances in 1993’s Body of Evidence (in which “disappear into roles.”
Madonna dripped hot wax onto his naked Still, disappearing isn’t exactly a winning
body) and in Lars von Trier’s 2009 drama strategy when you’re up for an Academy Award.
Antichrist (in which Charlotte Gainsbourg So he slouches into his chair on his hotel ter-
crushed his testicles), along with a slew of race, gives his gray beard a couple of tugs and,
other roles big, small and occasionally com- for a few of hours anyway, lets a stranger rum-
pletely overlooked. Over the past 37 years, mage in his laundry bag.
Dafoe has racked up credits on more than 100
films, churning out two, three or sometimes FOR STARTERS, HIS REAL NAME IS NOT WILLEM.
even four or more a year (last year, he did six, It’s William. As a teenager in Appleton,
a personal best, plus voiceover narrations on Wisconsin, he was called Bill, or sometimes
two documentaries). Billy, and there was a period during his early
But here’s the thing about Willem Dafoe. childhood when his older brothers teased him
Despite his prodigious output and near- with the nickname “Bleeblob” (for reasons
ubiquitous onscreen presence during the past no family member will reveal but which they
four decades, he’s never quite popped as a hint are hugely embarrassing).
full-fledged movie star. He’s gotten plenty of He was the seventh of eight children, all
nominations, and the critics adore him. But crammed into an overstuffed colonial where
With Brooklynn Prince in The Florida Project. nobody gossips about him. Photographers there was almost zero adult supervision.
T H E HOL LY WO OD R EP ORT ER 56 F E B R U A R Y 7, 2 01 8
to act. “But I never thought acting could be a
2
profession,” he says. “I didn’t know anybody
that made their living in the entertain-
ment industry. It was just something I liked
to do, something I had fun with, a social
thing. I thought maybe I’d end up joining the
Merchant Marines or the Army.”
He started taking acting more seriously
when he came to New York in the mid-1970s.
That’s around the time he gave his name
a Dutch makeover, dropping the “ia” and
adding an “e” (although “William” is still on
his driver’s license and passport). “It’s not
like I was looking around for a stage name,”
he says, “But I knew that I didn’t want to be a
William or a Bill or a Billy.” It turned out to
be a smart move; the new cool moniker helped
him fit in with the downtown crowd he was
hanging with. Before long, he was the youngest
actor in the Wooster Group, a theater com-
pany in an old metal stamp factory in SoHo
4 that mounted wacky experimental produc-
tions, like a version of Our Town with all the
actors in blackface while sex videos played
on monitors on the stage. The critics weren’t
always kind, and money was always a prob-
lem (Dafoe made extra bucks by doing figure
modeling for art classes), but it was here that
he met his mentor and muse — and, for a long
time, his partner. Theater director Elizabeth
1 From left: Dafoe with
Sheen and Tom Berenger. LeCompte was 33 and Dafoe was 22 when they
2 As Max Schreck in began a relationship that lasted for nearly
Shadow of the Vampire.
3 The Green Goblin in three decades (their child, Jack Dafoe, is now
Spider-Man.
4 On the set of The a 34-year-old public policy researcher) until
Last Temptation of Christ they parted in 2004, after Dafoe met Italian
with Scorsese.
director Giada Colagrande, 42, while shooting
The Life Aquatic in Rome. “I wasn’t looking for
anything, but I fell in love,” he says matter-of-
factly. “And so my life changed.”
After the breakup, Dafoe was “excom-
Dafoe’s dad was a doctor and his mom Laguna Beach who drove up to Santa Barbara municated” from the Wooster Group, where
a nurse, and because they were seldom at for the film festival. “He was always doing LeCompte remains as director. But for
home, he was raised mostly by his five sis- crazy stuff to create a stir. I remember once many years, that small theater was Dafoe’s
ters. “My parents started out as Eisenhower when he was 10 or 12 years old, he got ahold center of gravity, even as Hollywood beck-
Republicans,” he says, “but by the time I of a gorilla costume and climbed the side of oned. Technically, the first film he shot, in
came around they had loosened up.” Luckily, a building in downtown Appleton, like King 1980, was The Loveless, a low-budget biker
he thrived on the chaos. Once, when he was Kong.” Adds brother Richard, 65, a commercial drama co-directed by Monty Montgomery
8 years old, he shut himself into a closet litigation attorney in Dallas who also attended and a young first-time auteur named Kathryn
for two days. He wasn’t hiding or depressed. the Santa Barbara ceremony, “He was always Bigelow. But that film’s release was delayed
He just wanted to feel what it was like to doing creative things. If he got a term paper for two years, so Dafoe’s first appearance in
be confined in a small space for a long period assignment, he’d find a way to act it out in class movie theaters ended up being a small part
of time, like the astronauts in the Gemini instead of writing it.” in Michael Cimino’s much more high-profile
rockets on the news. “Nobody in my family Occasionally, Dafoe’s creative spirit landed Heaven’s Gate. Dafoe spent three months
noticed,” he remembers. him in hot water, like the time he borrowed on the set of that infamous train wreck as a
“He was always a performer,” says his his high school’s video camera to shoot “glorified extra” before getting fired. “We
brother Don, 67, a transplant surgeon in a documentary and got expelled for making were standing on the set in full costume and
what the principal called “pornogra- makeup and they were adjusting the lights,
phy” (“There was a bare bottom in it,” and the woman next to me whispered a joke,”
“He got ahold of Dafoe says). But he didn’t want to stick he says. “I laughed too loud. Cimino whirled
T H E HOL LY WO OD R EP ORT ER 57 F E B R U A R Y 7, 2 01 8
“I never thought
acting could be a
profession. I thought
I’d end up joining the
Merchant Marines.”
Valentino coat, Frame Denim jeans, Rag & Bone shoes.
1
Dafoe never had the face of 1 Dafoe (left) with were announcing the nominations. My son’s
Spalding Gray and
a leading man — “I’m like the other Wooster Group babysitter called to tell me I was nominated.”
boy next door, if you live next actors in 1979. One change he particularly likes, though, is
2 With his wife,
door to a mausoleum,” he once director Giada the rise of the #MeToo movement. “I’ve worked
Colagrande, in 2018. with a lot of women directors,” he points out.
said of himself — but even
in his 20s and 30s he had the “My wife is a female director. I see the inequali-
2
right bone structure and wild ties. I see how difficult it is. And it’s having an
intensity to play villains, like effect on me because I can see how things are
the counterfeiter in William shifting. When I read scripts now, red flags
Friedkin’s To Live and Die in L.A. go off sometimes. Like, if I’m reading a script
He was even talked about for the and all the women are taking off their clothes,
Joker in 1989’s Batman, until Jack Nicholson I’m like, ‘OK, what is this?’ What can I say? I’m
snagged the role. “[Screenwriter Sam] Hamm being educated.”
said something about how physically I would
be perfect for the part,” Dafoe recalls, “but they “I LIVE A NOMADIC LIFE,” DAFOE OBSERVES,
never offered it to me.” nodding at the leafy surroundings of the
It was a much more angelic character hotel terrace. “Last year it was five months
that would put him on Hollywood’s radar. in Australia, two months in England, three
“Originally, the part was supposed to be months in France …”
for a Native American,” says Oliver Stone of He and his wife have homes in New York
Sgt. Gordon Elias, the kindly G.I. who gets and Rome, but he rarely spends more than a
riddled with machine gun fire in a rice paddy month or two at either. For most of the year,
at the end of Platoon. “But we couldn’t find he’s on the road, hopping from one film set
a Native American actor for the part. So we to the next. Sometimes his wife travels with
changed the character to white and looked him, sometimes not (“She is my home,” he
around for an actor who had a different sort says). But the constant movement has given
of face. We didn’t want to cast a classically Dafoe a unique sense of continuity. While
handsome actor.” Stone, who later cast Dafoe mobile tenants in The Florida Project, a film the rest of the world measures their lives in
in Born on the Fourth of July opposite clas- that had him practicing his craft with a moments — birthdays, anniversaries, wed-
sically handsome Tom Cruise, believes it’s parking lot full of 6-year-olds and first-time dings, deaths — he measures his in film
precisely because of Dafoe’s unusual features actors. “When I cast Willem, everyone was productions. “I remember my life by my mov-
(The New York Times once described his face like, ‘Oh no, he’s a villain, he’s a bad guy,’ ” ies,” he says.
as looking like a “demiurge as rendered by a says director Sean Baker, whose most famous Later in the day, at the Arlington Theater in
cubist”) that he’s had such a durable career. previous work was his 2015 iPhone-shot Santa Barbara, a couple hundred people turn
“He’s not a movie star,” Stone says. “He’s not Tangerine. “But Willem made the character out — including his two brothers, who don’t
good looking in that way. But that’s why he’s his own. He came down to Florida a week have nearly as fantastic hair but do bear a fam-
still working. He hasn’t fallen into the movie early and picked out his wardrobe — he’s the ily resemblance around the eyes — to watch
star trap. He’s stayed an actor.” one who came up with the sunglasses — Dafoe get his Vanguard Award. Just before he
After his nomination for Platoon, Dafoe and met with actual hotel managers around steps onstage, Dafoe gets to watch his whole
was offered just about everything — and, judg- the area, looking for inspiration. And he was life-slash-movie-career flash before his eyes.
ing from his rambling credits, he didn’t turn great with the kids. Very casual with everyone. There’s a five-minute pre-ceremony clip reel
much away. Dafoe gives lots of reasons for why Very approachable. He never played the diva.” of his greatest moments. Or at least what
he picks the projects he does — “Sometimes For Dafoe, working with children was a bit somebody thought were his greatest moments.
it can be a very simple thing, like, ‘Wow, I like experimental theater. “Since the movie is “They mostly showed my studio movies,” Dafoe
want to ride that motorcycle and wear those from the kids’ point of view, you have to invite points out afterward, a little disappointed.
clothes’ ” — but in truth it’s not always easy the chaos,” he says. “The biggest challenge “They left out a lot of other films.”
to discern a guiding logic behind his choices. was to stay calm and be patient. I was ready to Of course, a more complete reel would last
He’s the kind of actor who can shoot a high- grab the wheel if we were going to crash, but [I] longer than one of von Trier’s movies. And
brow drama like 1997’s Affliction one month had to let the kids drive [the movie].” Dafoe is constantly adding titles. He reportedly
WOOSTER: NANCY CAMPBELL/COURTESY OF SUBJECT. COLAGRANDE: MICHAEL KOVAC/GETTY IMAGES FOR MOET & CHANDON.
and turn around and make Speed 2: Cruise Dafoe doesn’t chew any scenery or have has signed on for an adaptation of Jonathan
Control the next. “Oh, I turn down things,” he any over-the-top outbursts in The Florida Lethem’s crime novel Motherless Brooklyn, about
insists. “I won’t say which ones, because that’s Project — on the contrary, he gives such a a 1950s detective with Tourette’s syndrome,
not nice to the people I’ve turned down.” quiet, low-key performance that his acting is that Edward Norton (who’ll be directing as well
As he’s grown older, Dafoe’s pace hasn’t practically invisible. That makes it a surpris- as starring in the lead role, with Dafoe play-
slowed. In the past year, he’s starred in Kenneth ing choice for the Academy, which usually ing his brother) has been trying to get made
Branagh’s remake of Murder on the Orient nominates more robust roles. Dafoe himself for years. “I’m always working on some-
Express; done a dystopian thriller called What seems a little taken aback by all the attention. thing,” Dafoe says, demonstrating his gift for
Happened to Monday; nearly appeared in Justice Or maybe it’s just that it’s been a while since understatement. “I don’t always know what’s
League (his underwater scenes as Nuidis his last go-around on the awards circuit and right for me, but I know what turns me on and
Vulko got cut from the final print, but he’ll be he’s feeling out of practice. “It’s changed so what makes me happy.”
back as the character this year in Aquaman); much since my first nomination,” he says of It turns out there’s not much in Dafoe’s
learned to paint like Van Gogh (Schnabel was this year’s race. “It’s so much more developed anything-but-typical, laundry-loving life that
his personal tutor); and, of course, performed and sophisticated, with a lot more outlets. My makes him unhappy these days.
his nominated turn as the father-figure motel first nomination for Platoon, I didn’t even have “To tell you the truth,” he admits, “I’m not
manager who looks after his downwardly a publicist. I didn’t even know what day they crazy about folding.”
Find out what Dafoe’s 7-year-old co-star Brooklynn Prince taught him at THR.COM/VIDEO
T H E HOL LY WO OD R EP ORT ER 59 F E B R U A R Y 7, 2 01 8
W
IE
V
B
E
E
R
R
P
L
IN
A
After several shaky movie mar-
kets in an industry plagued by
seemingly constant transition,
distributors and sales outfits
are heading to Berlin’s European
Film Market on Feb. 15 in an
upbeat mood after Sundance. In
Park City, newer buyers (Neon,
30West, MoviePass, Annapurna)
snatched up titles, and the studios
returned in force to the indie-
pickup business, with Sony taking
worldwide rights on the John
Cho starrer Search, its SPC label
nabbing Puzzle and Lionsgate BACK TO BASICS
IN BERLIN
boarding the Sundance opener
Blindspotting. “There is some real
breadth in the market,” says
Protagonist Pictures CEO Dave
Bishop. “That’s encouraging With Netflix and Amazon lying low in Sundance, this year’s European
because it’s not just focused on
Film Market may continue a return to more traditional sales models —
and dealmakers couldn’t be happier BY SCOTT ROXBOROUGH
two players.” He’s referring to
Amazon and Netflix, neither of
which bought a film at Sundance.
Alison Thompson of Brit sales
outfit Cornerstone Films also GREEN BOOK HER SMELL JOHN WICK: CHAPTER 3
sees an ongoing shift away from SALES FilmNation SALES Endeavor Content/Bow SALES Filmnation
TAYLOR-JOHNSON: SLAVEN VLASIC/GETTY IMAGES. ALI: CHRISTOPHER POLK/GETTY IMAGES FOR TNT. PORTMAN: JUN SATO/WIREIMAGE. REEVES: BENNETT RAGLIN/WIREIMAGE. BELLUCCI: ERNESTO RUSCIO/GETTY
IMAGES. MOSS: CHRISTOPHER POLK/GETTY IMAGES FOR TURNER. WEDEL: ISA FOLTIN/WIREIMAGE. KNOL: DAVE BEDROSIAN/GEISLER-FOTOPRESS/PICTURE ALLIANCE/NEWSCOM. AISLES: COURTESY OF BETA CINEMA.
the traditional presales market DIRECTOR Peter Farrelly and Arrow DIRECTOR Chad Stahelski
“toward what the business was CAST Viggo Mortensen , DIRECTOR Alex Ross Perry CAST Keanu Reeves
like when I started in the 1990s, Mahershala Ali CAST Elisabeth Moss The third entry in the shoot-
where buyers wait to bid on fin- Moonlight’s Oscar winner Ali The Handmaid’s Tale star Moss ’em-up franchise, starring
ished movies.” Her Cornerstone plays a virtuoso jazz pianist has signed on to play Becky Reeves as the assassin who just
partner Mark Gooder agrees: “The who forges an unlikely friendship Something, a maniacally destruc- can’t quit the life, is about the
presale market isn’t dead, but it’s with his blue-collar Italian- tive punk rock star engaged closest thing possible to a bull’s-
getting harder to hit that bull’s- American chauffeur (Mortensen) in a yearslong war against eye in the action movie space.
eye.” Several days out, new Berlin during a 1962 tour of the racially sobriety in this new drama from STATUS Preproduction
projects are thin on the ground, segregated South. The film’s Golden Exit director Perry.
though most expect a handful of dramatic tone is a departure for STATUS Shooting later this year A MILLION LITTLE PIECES
big-name titles to come together comedy specialist Farrelly SALES Sierra/Affinity
just before the EFM opens. (Dumb and Dumber, Kingpin). IN THE AISLES DIRECTOR Sam Taylor-Johnson
THR’s 11 titles to watch: STATUS Filming SALES Beta Cinema CAST Aaron Taylor-Johnson,
DIRECTOR Thomas Stuber Billy Bob Thornton, Giovanni Ribisi
CAST Sandra Huller, Franz Rogowski Fifty Shades of Grey director
German helmer Stuber fol- Taylor-Johnson teams up with
lows up his award-winning her husband, Aaron (Nocturnal
Hubert (2015) with this low- Animals), to take on James
key romantic drama featuring Frey’s rehab memoir, which was
Toni Erdmann’s Huller and the source of a literary scandal
up-and-coming German actor back in 2003 when it emerged
Rogowski, who will make his that Frey invented many of the
Rogowski
and Toni U.S. debut in Terrence Malick’s events described in his struggles
Erdmann’s Radegund next year. with alcohol and crack addiction.
Huller in In
the Aisles. STATUS Finished STATUS Preproduction
T H E HOL LY WO OD R EP ORT ER 60 F E B R U A R Y 7, 2 01 8
Wishbones, an ordinary family
who transform into monsters
to save their friends and the world
from an evil Monster Huntress.
STATUS Preproduction
B
biopic about the relationship erlin wears its politics on its sleeve. In 2002, his first year
between early 20th century as Berlinale director, Dieter Kosslick made “Accept
British painter L.S. Lowry and Diversity” the festival motto. “And we meant it,” Kosslick
his mother, Elizabeth. tells THR. “Diversity of all sorts: all colors, all sexualities, all cultures.”
STATUS Filming This year, in the wake of Harvey Weinstein, #MeToo and Time’s
Up, Berlin is trying to live up to that pledge. The fight for equality,
ONLY GOD CAN JUDGE US whether based on gender, race or sexuality, will be in focus at both
SALESGlobal Screen the festival and Berlin’s European Film Market (EFM).
DIRECTOROzgur Yildirim At the festival, Berlin will introduce what it calls a “safe space
CAST Moritz Bleibtreu policy” that will include coordinating a hotline for visitors to report
The crossover success of Fatih cases of discrimination or harassment they experience or witness.
Akin’s In the Fade could bode Sundance took a similar tack this year, updating its code of con-
well for this German thriller, set duct to try and prevent any inappropriate behavior and introducing
on the mean streets of Frankfurt a new 24-hour hotline to report offenses.
and featuring Bleibtreu (Run Lola The policy’s urgency was brought home by the recent case of
Run) as a gangster trying to German director Dieter Wedel. Several women have accused the
make a final score in order to famed film and TV helmer of abuse — ranging from harassment
escape his life of crime. to assault — going back decades. Wedel denied the initial charges
Clockwise from top left: A Million Little STATUS Finished brought forth by three women but since has gone
Pieces star Aaron Taylor-Johnson; Vox
Lux’s Portman; Reeves, returning for John silent and has resigned from his job as artistic direc-
Wick: Chapter 3; Moss, who will play a SPIDER IN THE WEB tor of the Bad Hersfeld Theater Festival, citing health
self-destructive punk rocker in Her Smell;
Spider in the Web star Bellucci; and Ali, SALES Film Constellation concerns resulting from excessive media attention
who plays a jazz musician in Green Book.
DIRECTOR Eran Riklis Wedel on his case.
CAST Ben Kingsley, Monica Bellucci, At the EFM, the focus will be on analyzing the
THE MISEDUCATION OF Itay Tiran problem of discrimination and presenting workable
CAMERON POST This espionage thriller from the solutions for the industry. Vivian Yvonne Hunt of
SALES Elle Driver award-winning Israeli director consulting firm McKinsey & Co. will present the latest
DIRECTOR Desiree Akhavan of The Lemon Tree centers on an Wouter Knol finding of her study “Delivering Through Diversity,”
CAST Chloe Grace Moretz, aging spy (Kingsley) on the trail originally unveiled in late January at the Davos World
Jennifer Ehle, Quinn Shephard of a supposed chemical weapons Economic Forum in Switzerland. In a debate hosted by THR on
Akhavan’s comic drama, about sale to a Middle East dictatorship Feb. 17, Hunt will break down her analysis of the diversity gap and
Christian teens wrestling with while being followed by an ambi- what it means for the global film business.
gay-conversion therapy, picked up tious Mossad agent (Tiran). At Berlin’s Co-Production Market, the Austrian Film Institute
the Grand Jury Prize at Sundance STATUS Shoots in the spring will present a case study of its remarkably successful initiative to
and won acclaim for its delicate address the gender gap among film producers by boosting subsidy
treatment of a hot-button topic. VOX LUX support for projects with higher female participation.
STATUS Finished SALES Sierra/Affinity The Swedish Film Institute, a leader in the push for gender
DIRECTOR Brady Corbet equality, will also present in Berlin the latest findings in its 50-50
M O N S TE R FA M I LY 2 CAST Natalie Portman, Jude Law initiative, which, in just three years, achieved gender parity in terms
SALES Timeless Films Corbet’s drama about the rise of film funding between men and women directors.
DIRECTOR Holger Tappe of a singer from national tragedy “We are a market — we are interested in the business, not
The sequel to the 2017 ani- to pop superstar is back on the politics,” says EFM director Matthijs Wouter Knol. “And when
mated movie, which featured the track, with Oscar winner Portman it comes to audiences, there are a lot of people out there, a lot
voice talents of Emily Watson, replacing Rooney Mara in the of groups, who see themselves underrepresented in the content
Nick Frost and Jason Isaacs and leading role. Sia provided original onscreen. What’s changed is that these groups are becoming more
grossed more than $26 million songs for the soundtrack. outspoken and, most importantly, have shown they are willing to
internationally, returns with the STATUS Filming pay for more diverse content.” — S.R.
T H E HOL LY WO OD R EP ORT ER 61 F E B R U A R Y 7, 2 01 8
W
IE
V
B
L
IN
also hard to read
really good reviews,”
says Van Sant,
photographed
Jan. 19 at Sky Strada
in Park City, Utah.
hen it comes to mak-
ing a European debut,
W
director Gus Van Sant
has experienced the
highs, taking home the
Palme d’Or at Cannes
for the Columbine-
esque school massacre drama Elephant in
2003. And then there were the lows, like 2015’s
Sea of Trees unveiling at Cannes, where it
was savaged by critics. Based on the Sundance
reaction to his latest, the Joaquin Phoenix
starrer Don’t Worry, He Won’t Get Far on Foot,
the 65-year-old filmmaker should receive
a warm reception when the movie screens in
competition at the Berlin Film Festival. The
Amazon Studios title, which centers on a
paraplegic cartoonist struggling with sobri-
ety, is based on John Callahan’s memoir. The
two-time Oscar nominee spoke to THR from
his home in Palm Springs about his film
and his relationship with the Phoenix family,
which began when he directed the late River ‘IT’S A
Phoenix in 1991’s My Own Private Idaho.
T H E HOL LY WO OD R EP ORT ER 62 F E B R U A R Y 7, 2 01 8
The Best Veggie
Bowls in Berlin
The city of curry wurst has discovered
its inner lust for quinoa and beetroot
Vollbluth
Vollbluth, which just opened in September, takes
the veggie bowl to the next level with its seasonally
adjusted selection of salads topped off with millet, To keep things from getting stale,
My Goodness rotates its menu daily.
black lentils or hulled wheat. Non-vegans can add a
portion of pork belly, duck sausage or salmon mari-
nated in maple syrup. Welserstrasse 10-12 My Goodness
Also a short trip from Potsdamer Platz, this brand-
Daluma new power-food spot with an adjunct yoga and
Just a short cab ride from the festival center, this spinning studio (Becycle) in the same building lets
is the spot to get your superfood fix in Berlin. Try the you pack in a workout and a detox meal in one go.
legendary acai bowl or a breakfast chia pudding. Everything — from the breakfast sweet bowls to the
Top it all off with a guilt-free cold-pressed smoothie. lunch salads of kale, quinoa and artichoke — is fresh,
Weinbergsweg 3 surprising and delicious. Brunnenstrasse 24 — S.R.
T H E HOL LY WO OD R EP ORT ER 63 F E B R U A R Y 7, 2 01 8
Speaking of the sweep
of his relationship with
Sheen, Dykstra grasps
for words. “It can be
described as a tragedy,
a meltdown, a calamity,
a cataclysm,” he says.
He was photographed
Nov. 8 in New York City.
T H E HOL LY WO OD R EP ORT ER 64 F E B R U A R Y 7, 2 01 8
THE DOOMED
HOLLYWOOD
He’s a burnout
major leaguer
nicknamed ‘Nails’
and an ex-con
hustler who made
(and lost)
millions, but
BROMANCE
none of that could
have prepared
LENNY DYKSTRA for
his friendship
with wild man
Charlie Sheen,
who he alleges is
a dangerous
criminal about
to be taken down
OF LENNY AND
by the Feds
CHARLIE
By GARY BAUM
Photographed by
WESLEY MANN
T H E HOL LY WO OD R EP ORT ER 65 F E B R U A R Y 7, 2 01 8
L
Lenny Dykstra, the ex-con and former major Like his ex-pal, Dykstra has a public reputa- his role as reliever Rick “Wild Thing” Vaughn
league center fielder, relishes his wild man tion so sullied that Newsweek referred to him for Major League II — cold called him at the
reputation, and relishes running his mouth as a “scumbag” after he had a Twitter dustup clubhouse with an invitation to his Malibu
about it even more. With roughly Pete Rose’s with Lena Dunham. Yet Nails, who speaks home. “I was a huge fan of Wall Street,” says
chance of making it to Cooperstown, he’ll talk with a lisp due to a jailhouse beating that left Dykstra. “Turns out he’s a serious baseball guy:
about gobbling Human Growth Hormone with him with many missing teeth, is self-aware He has a cage lit up like a pro stadium. I told
his cereal during his playing days just as easily enough of his notoriety (and so eager to instill him, ‘Dude, you can hit!’ He could.”
as he’ll open up about how, in his mid-50s, confidence in his tale) that he insists on pro- That first evening, Sheen uncorked a $3,000
he’s developed a post-prison side gig as a silver- viding the password to his personal email bottle of red wine (“I spilled half”) and then,
haired gigolo to Beverly Hills grandmothers. account for full disclosure. “Look at whatever once “hammered,” showed off what Dykstra
But over lunch in a corner booth at The Beverly you want,” he says. “I’ve got nothing to hide.” describes as his “legitimate fucking gun-
Hills Hotel’s Polo Lounge, it’s another wild man, Press Dykstra about his rationalization for nery” and suggested they fire off automatic
more famous and even more hard living, once selling out his former friend, and he’ll tell you weapons together. Dykstra passed, but the two
his best buddy but with whom he no longer that Sheen took his wise counsel for granted, became buddies. “He’s funny, he’s smart,
speaks, who has him gabbing. Dykstra explains ignored it and left him with nothing to show he knows about everything,” says Dykstra.
that he believes his onetime friend Charlie for it. No surprise, Dykstra is hoping to drum Dykstra, who last played in the majors
Sheen is on the verge of being prosecuted, in up interest in a possible stand-alone Sheen in 1996, retired at age 33 to a notoriously
a roundabout way, for knowingly spreading documentary project as well as a multipart checkered business career. He was involved
his HIV — and that the actor is under federal docuseries about his own over-the-top life — in car-wash dealerships, quick-lube centers,
investigation for tax and wire fraud. What’s he envisions it in the sweeping, kaleidoscopic jet charters and stock picking. By 2008, he
more, Dykstra claims to know this because it terms of O.J.: Made in America. “There are so was worth $58 million. The following year, he
was his own semi-accidental whistle-blowing
to the government that got the Internal Revenue
Service sniffing around in the first place. “I
don’t know why Charlie doesn’t try to leave the
country,” he says.
Dykstra, 54, nicknamed “Nails” decades ago
for his relentlessness on the field — parts of five
seasons with the New York Mets and eight with
the Philadelphia Phillies — isn’t done. He goes
on to float that Sheen was involved in the sud-
den death of a member of his own inner circle
and beat his pregnant ex-fiancee. The 52-year-
old Sheen, says Dykstra, is not simply the
drug-addled clown the tabloids have been feast-
ing on for years but is truly dangerous.
Dykstra is going public now with this new
info about Sheen, he says, because he’s genu-
1 2
inely sickened by the worst of the actor’s
behavior. “I am not a saint, but I will not toler-
ate a man beating a woman,” he says. Still, many people to interview, from prison guards had filed for Chapter 11 and was reportedly
under questioning, another motive emerges. to my [private plane] pilots to pussy,” he says. forced to sell his Mets 1986 World Series ring
Dykstra was friendly with Sheen for more If Dykstra’s actions mean Sheen gets to help pay off more than $31 million in debt.
than two decades, eventually joining his core burned, so be it. “Charlie is getting what he His problems weren’t merely financial.
clique. Now he’s excommunicated. His allega- deserves,” he says. Sheen declined to speak Between 2009 and 2011, Dykstra was accused
tions against Sheen are telling; his willingness for this story. But Dykstra doesn’t appear at by a former employee of making racist and
to share them even more so. The doomed bro- all conflicted about publicly crossing his homophobic remarks, writing a bad check to an
SPLASH NEWS. COURTHOUSE: MICHAEL ROBINSON CHAVEZ/LA TIMES/GETTY IMAGES. METS: AP PHOTO.
mance of Lenny and Charlie is a glimpse into the ex-friend, even one who once warned him to escort and sexually assaulting his housekeeper.
hedonistic lure of a real-life Entourage, only sad- “watch your front side, watch your backside, He also was charged with indecent exposure, DYKSTRA GROOMING BY LAURA COSTA AT ENNIS INC. SHEEN: GEORGE PIMENTEL/WIREIMAGE. HOUSE:
der, more desperate and ultimately damned — a watch both sides.” Dykstra takes a swig of drug possession, grand theft auto, identity theft
cautionary tale about Hollywood alpha-male Irish coffee, settles into his booth and alludes and filing false financial statements — and
bonding at its most decadent and damaging. to his time at the federal penitentiary in eventually sentenced to three years.
The industry has always been a magnet for Victorville, California. “When you’ve been Before going to prison, Dykstra reconnected
guys like Dykstra: confident outsider-hustlers where I’ve been, I’m not afraid of anything.” with Sheen in February 2011 after having
T
who see opportunity in its chaos, imagin- lost touch for some time. Fittingly, they ran
ing that their accomplishments in other fields he bad-boy pair first hung out when into each other at the UCLA baseball field, as
mean they must have the wits, guts and guile Dykstra’s Phillies were in Los Angeles Dykstra helped his son Cutter, then a minor
to conquer the gilded mayhem. But with Sheen playing the Dodgers during the 1993 league player (and husband of Sopranos actress
and his all-star team of professional handlers, season. Sheen — who dreamed of being Jamie-Lynn Sigler), practice for the upcom-
Nails met his match. a big leaguer as a kid and was then reprising ing season. “Charlie came running up to me,
T H E HOL LY WO OD R EP ORT ER 66 F E B R U A R Y 7, 2 01 8
Sheen warned
Dykstra to
“watch your
hugging me, telling me how much he missed
me,” explains Dykstra. “I could tell he was lit
did not respond to requests for comment.
In a March 21 email to Dykstra reviewed by front side,
up but in good spirits.”
Over just a few frenzied months that spring,
THR, the actor pulled the plug on Planet
Sheen: “The pressure I’m under from my busi- watch your
before being taken into custody in June, ness team to NOT pursue this with you, is
Dykstra found himself operating as a Thomas
Cromwell-style fixer in the erratic Beverly
tsunami-esque.”
Dykstra’s tussles with Sheen’s circle con-
backside,
Hills court of King Charles. When the actor
ended up in an embarrassing cash crunch
tinued after he returned from serving out
his three-year stint. He asserts that Burg,
watch both
while attempting to purchase film producer
Mike Medavoy’s Mulholland Estate house
Klarberg and Sheen’s then-attorney Marty
Singer put the brakes on Dykstra’s most
sides.”
for nearly $7 million, Dykstra claims to have audacious gambit of all: a complex $85 mil-
secured a hard-money lender at the last min- lion play to sell the note on what remained
ute. After Sheen went on Alex Jones’ Infowars of the actor’s Warner Bros. financial package
radio show and disparaged his Two and a Half to solve Sheen’s cash crunch. He insists it “It was right out of a mystery spy thriller, with
Men showrunner Chuck Lorre as “Chaim was sabotaged late in the game when they a sliding bookcase,” says Dykstra. “I walked
Levine,” Dykstra begged him to apologize. realized what the document-review process in and Charlie was standing there with a glass
Sheen didn’t, and Warner Bros. Television fired might expose. Before he could bring anyone dick — a crack pipe — in one hand and his
him soon after. in on the details, “Marty put an NDA together phone in the other. I took one look around,
Despite his best intentions, Dykstra that was so vicious, so stacked, that no one there’s all this stuff, cool paintings and Babe
says most of his efforts to act as the star’s would sign it,” explains Dykstra, still fuming. Ruth’s ring, and I said, ‘Charlie, I have to
1 Sheen and his ex-fiancee, porn star Scottine Rossi, admit, if you’re going to smoke crack, this has
in 2014. 2 The actor bought this estate from Medavoy got to be the best crack den on the planet!’ That
in 2011. 3 Dykstra was arraigned June 6, 2011, at the
San Fernando Courthouse on felony charges, including broke the ice.”
grand theft auto and possession of a controlled By Dykstra’s account, Sheen soon con-
substance. 4 Dykstra played center field and hit leadoff
for the world champion Mets. fessed to him that he had HIV, which
he believed he’d contracted from a transsex-
4 ual partner, and that he was being extorted
for millions over the secret. Dykstra urged
the star to go public about his health,
as Sheen’s parents, Martin and Janet, had
already been urging. “I said, ‘You can’t live
like this anymore — this isn’t even living.’ ”
Dykstra contends that he was crushed
by Sheen’s last-minute decision to pull out
of a news conference he’d helped arrange
that November for his friend to get out in
front of the diagnosis — a full year before
3
the National Enquirer would finally force
the issue. It was to be held at Sheen’s par-
unofficial manager were met with resistance. “I finally get one [potential investor] to sign ents’ house, with Hollywood publicist Larry
He says Sheen, despite his urging, snubbed it and what do they send him? Dick. Nothing Winokur brought in by Dykstra to orches-
a $2 million cameo on the Australian itera- relevant.” trate the crisis management. Winokur,
tion of Big Brother and could not be persuaded Singer disputes the claim as “absurd and whose casting-director wife had hired Sheen
to perform his infamous “Violent Torpedo ridiculous. The NDAs were appropriate,” add- on Major League and Lucas, confirms Dykstra
of Truth/Defeat Is Not an Option” speaking ing, “As far as I understand it, Lenny likely and Sheen reached out to him about the plan,
spectacle as a Las Vegas residency. “He turns had an NDA, too, and I don’t believe he’s living noting the sincerity with which Dykstra
it down to go play a bunch of fucking rinky- up to it.” Dykstra responds that he doesn’t approached the endeavor. “Lenny played team
dink cities. It was crazy.” “give a shit” about breaking its terms “because sports very successfully, and if you’re on
Dykstra also cooked up a series of licensing I was saving Charlie’s fucking life.” Lenny’s team, I think he’d give you the shirt
deals, including a vaping product called Nico- All of this time, Sheen’s drug use was worsen- off his back,” he says.
Sheen and a caffeinated liquor, Sheen Vodka, ing. During the manically loquacious interview By the end of that year, Dykstra had come
which were to be hawked on an umbrella web spree in early 2011 that bequeathed pop to believe Sheen was suicidal. Dykstra was
portal titled Planet Sheen. He says that Sheen’s culture the catchphrase “Winning!” Dykstra reduced to attempting to rein in his buddy
personal manager at the time, Mark Burg, claims the actor was high on OxyContin: via desperate, all-caps-laden text messages.
and former business manager, Barry Klarberg, “When [the pills] are at their peak, it’s a eupho- “Charlie, you are a fucking winner!” Dykstra
kiboshed the whole thing. ria, where you’re smart and you’re creative typed during an exchange on the evening of
“Lenny was a friend of Charlie’s who tried to and you’re quick and you’re invincible.” But by Dec. 21. “Do not quit on me bro! I KNOW YOU
get more involved in his life, and I don’t think summer 2014, Sheen had locked himself in a ARE NOT A PUSSY!” Sheen replied, “I’m too
he ever wanted that,” explains Burg. Klarberg crack den hidden in his mansion for nine days. tired bro going away now where no one can
T H E HOL LY WO OD R EP ORT ER 67 F E B R U A R Y 7, 2 01 8
hurt me ever again fuk tv fuk media fuk the
public fuk cutting deals fuk getting rolled I
own my truth forever adios senior….. x”
D
ykstra appears most solemn when
discussing the summer 2012 death of
Rick Calamaro, Sheen’s recently fired
assistant, as well as the alleged violence
perpetrated against Sheen’s ex-fiancee,
Scottine “Brett” Rossi.
L.A. native Calamaro — known for his years
as the phone-glued-to-his-ear partner at
A-list velvet rope clubs like Holly’s and Ivar —
was discovered July 1 by his maid, lying face
up in his bed beside a bottle of Jack Daniel’s,
in his longtime Fairfax district apartment.
The autopsy report listed “very high” levels of
Fentanyl, the powerful opioid, and noted that
Calamaro, 50, had suffered from depression
and had been taking a mixture of prescription
medication for pain and anxiety. “Based on
the history and circumstances, as currently
Dykstra, who last played in the majors in 1986, once served three years for indecent exposure, grand theft auto and filing false financial statements.
T H E HOL LY WO OD R EP ORT ER 68 F E B R U A R Y 7, 2 01 8
acting out the maneuver. “It was out of Pulp Dykstra knows from experience what it’s like
Fiction. Soon I have her in my car, driving to when the government, patient and powerful,
Cedars, flying down the 405, shaking her: zeroes in on you. “It was a felony if you didn’t
‘Don’t fucking die on me, bitch!’ ” He pauses, tell a woman you have HIV when you know
shakes his head. “I was on probation, dude!” it. Nothing has happened to him since all of
He’s still irritated that “no one knows I those women went public. Think about it,” he
saved her life.” Worse, he adds, getting worked says, proffering his own legal analysis. “This
up, Rossi never acknowledged his heroism. is how he is going to go down.”
D
“The amount of times she thanked me is zero.
Can you believe it?” ykstra and Sheen haven’t spoken since
Rossi confirms the pill incident but says Dec. 21, 2014 — a final two-hour call
that Dykstra — whose ditching of her at the initiated by the actor, whom Dykstra char-
hospital was so abrupt, she was forced to sub- acterizes as downbeat. “He kept on saying
mit to a rape kit (“That’s what happens when how sorry he was,” he recalls. “Charlie said,
some guy just drops you off and goes, ‘Bye!’ ”) ‘Everything you told me was right, they all lied
— should be gallant enough not to ask to be to me.’ ”
recognized as her “knight in shining armor.” Dykstra believes that although they recon-
She laughs. “He’s still talking about that?” ciled during the conversation, Sheen couldn’t
D
bring himself to ever hang out with his old
ykstra began to lose favor in the court of buddy again, since during a heated argument
King Charles — all of those gone-nowhere weeks earlier, Dykstra had revealed he had
deals, all of that advice not taken. And seen Sheen’s allegedly compromising sex tapes.
what he considered his one, momentarily “He couldn’t face me. He knows what I saw.
satisfying victory was, in hindsight, the thing He’s humiliated.”
he’s sure will be Sheen’s ultimate demise. Yet livid texts sent by Sheen to Dykstra
Dykstra long suspected that another man- on Sept. 9 and obtained by THR from another
as she told stories of domestic abuse by Sheen, sion nemesis, Sheen’s head of security, was source point to betrayal, not shame, as the
including battery, false imprisonment and ripping off the boss — charging personal actor’s reason for cutting off his friend. Sheen
that he knowingly exposed her to HIV (all of expenses, including getaways and real estate discovered that Dykstra planned to pocket
which she alleged in a December 2013 lawsuit). taxes, back to Sheen. And he believes he has 5 percent of that Warner Bros. payout deal — a
Rossi told Dykstra and confirmed to THR the AmEx bills (shared with THR) to back it up. cut the star felt had been arranged behind his
that Sheen, concerned over how his crack use The military veteran insists zero embezzle- back. Sheen typed: “bro – I repeatedly asked
would affect the fetus, pressured her to get ment took place and that any and all charges you, (and DO NOT CHALLENGE MY MEMORY)
an abortion. “Right now,” says Rossi, “I would “were made with Charlie’s permission.” ‘Hey Len, what’s in this for you?’ and you
have a 3-year-old running around.” In any case, it wasn’t any purported theft always said; QUOTE: ‘Oh hey man, we’ll figure
Dykstra shakes his head in repudiation. He that led to the employee’s firing. “What did it out something fair later on …’ well now I have
is bothered less by the possibility of Sheen’s is that Charlie went to check his guns,” recalls to re invent what later on means between us.
involvement in Calamaro’s death than what Dykstra. “He calls me drunk, freaking out: Newsflash GasLighter; You FUCKING KNEW
allegedly happened to Rossi. “Killing the guy ‘He took the fucking pins outta my guns! He FROM JUMP STREET WHAT IT WAS … you
that fucking tried to extort him: That’s his put my family in danger!’ He went the most came in here to clean house and also clean my
business,” he says. But what Rossi alleges hap- nuclear I’ve ever seen him.” Dykstra laughs, HARD EARNED CLOCK!”
pened to her is too much for him. “Men, they observing that in spite of his feelings about More than anything, Dykstra wants to pres-
get in rages. But no pummeling.” the security chief, “I would’ve taken those pins ent himself as the ultimate cleanup hitter, an
Dykstra’s evident frustration with how things out too, the way Charlie was [behaving].” unsung hero (OK, antihero) who in selfless
always seemed to go for him when it came Still, Dykstra worried that the terminated service of a buddy went up against Hollywood’s
to Sheen — sideways, to his mind, with him employee would seek retribution and sought most sordid retinue. He can’t countenance
playing the good guy but getting no recogni- to neutralize him. Given Dykstra’s proba- the prospect that he might not have been trust-
tion to show for it — reaches a crescendo as he tionary status, he figured his best bet would worthy, that maybe he was just out to extract
recalls another grim episode involving Rossi be to pass on documents that he believed his piece like all the rest of them.
in November 2014. As he has it, she dialed him incriminated the man to the IRS. On Oct. 8, Or perhaps his initial motive for joining
in tears, having overdosed on Valium in her Dykstra got an email from an IRS agent, ask- Sheen’s team truly was as simple as friendship.
Encino home, which she’d moved into after her ing for a follow-up call. But the investigator This just wasn’t his sport.
breakup with Sheen. wasn’t interested in talking more about the Following that final call on Dec. 21, 2014,
“Scottine says, ‘I’m dying.’ I say, ‘There’s a security chief. He had turned his attention Dykstra texted Sheen once more. “It makes
number for that: 9-1-1.’ ‘No, Charlie won’t like to Sheen. “[The IRS agent] says, ‘What do you me feel so good that you know ‘I AM WHO
that.’ I go over there, she says she needs to go know about these $20,000 cash payments I AM’ and the fact that you know I am your
to the bathroom. It hits me. I run in and she’s for “women of the night”?’ That’s when I REAL FRIEND!” And continued, “FYI — I
swallowing a handful of pills. I tackle her knew they’re going to come at him with tax deleted everything on this phone and nobody
and they go all over, but she gets a lot down.” fraud, wire fraud — everything.” (The IRS knows we spoke tonight.”
Dykstra is an often-demonstrative raconteur, will not comment on particular tax cases.) His signoff: “NAILS OUT!”
T H E HOL LY WO OD R EP ORT ER 69 F E B R U A R Y 7, 2 01 8
A N I M AT E D F E AT U R E
The Boss
Complicated’
FERDINAND: COURTESY OF BLUE SKY STUDIOS. BOSS: COURTESY OF DREAMWORKS ANIMATION. BREADWINNER: COURTESY OF GKIDS (2). VINCENT: COURTESY OF GOOD DEED ENTERTAINMENT. COCO: DISNEY/PIXAR. SALDANHA: STUART C.
the mother of Boss Baby
WILSON/GETTY IMAGES. MCGRATH: FREDERICK M. BROWN/GETTY IMAGES. WELCHMAN: JEFF SPICER/GETTY IMAGES FOR BFI. TWOMEY: JON KOPALOFF/FILMMAGIC. UNKRICH: MICHAEL KOVAC/GETTY IMAGES FOR MOET & CHANDON.
(the suit-wearing infant voiced by
Alec Baldwin) is the foundation
of her family and as such “has her
These nominated animated films introduced audiences to five head on straight. She’s soft and
female characters who could tame a bull, protect their families sweet but also firm and authorita-
and handle a bossy, suit-wearing infant By Carolyn Giardina tive,” says director Tom McGrath,
who adds that for this character, he
“wanted to do some-
T
he five nominees for animated feature have a slew of memorable characters, and, it
thing very stylized and
turns out, many are female. They range from a brave 11-year-old girl living under
be more cartoony”
Taliban rule in Afghanistan to an intimidating Mexican great-great-grandmother and
to fit the film’s style
a bossy therapy goat. When it came to creating this band of colorful characters, the
McGrath yet give her enough
filmmakers had to decide how they would look (including expressive eyes and lovable underbites),
range so that the
dress (such as a buttoned-up mom and a matriarch with an affinity for Victorian-era clothing)
animators could create an emotive
and sound (thanks to voice cameos by an Oscar-nominated actress and a Saturday Night Live com-
performance. “Simplistic but com-
edy queen). Creators reveal how they built these characters from the blank page up.
plicated,” he says.
Universal/DreamWorks Animation’s
I ’m here to calm you now so you
can maim and gore things later,”
Lupe the Calming Goat tells the bull
The Boss Baby is a period film that
merges aspects of the ’60s, ’70s
and ’80s, but McGrath didn’t want
Ferdinand when they meet in Fox/
to overdo trendy clothing. “We kept
Blue Sky’s Ferdinand, an animated
her in pants and with her hair up
tale about a pacifist bull who’d
because she’s a working parent,”
rather smell the flowers
he notes. “When we were design-
than fight in the ring.
ing the family, we also created a sort
Director Carlos
of ‘Sears portrait’ to see how the
Saldanha says the
[characters] play off of each other.”
Saldanha quirky goat started out
Lisa Kudrow completed the
as a male character, but
picture by voicing the character.
the filmmakers changed direction
“The goal was to be charming,
to create a strong female character
not ruthless. We wanted her voice
who could stand up to the bulls.
to feel real,” McGrath says, adding
(They kept the big eyes, underbite
that sometimes the actress would
and exposed teeth.) “We didn’t
improv the lines: “She has great
want a ‘princess’ goat,” he says.
comedic timing and can play the
“We wanted her to be sharp, edgy
serious bits just as well.”
and confident. We gave her an in-
your-face, explosive personality.” Ferdinand
Saturday Night Live’s Kate
McKinnon was cast to voice the
character because she “could
Loving
be strong, funny and warm at the Vincent
same time. I met with her, and I felt
she was a perfect match.”
In the film, Ferdinand is sweet and
earnest, but based on his size, he’s
considered a fighter. Ferdinand’s and
Lupe’s storylines tie into the film’s
“don’t judge a book by its cover”
theme. Says Saldanha: “Lupe’s a goat
that people don’t care about; she’s a
companion to a bull, but she wanted
more. She needed to be the opposite
of a calming goat.”
T H E HOL LY WO OD R EP ORT ER 70 F E B R U A R Y 7, 2 01 8
1 I n creating Parvana, an 11-year-old girl
growing up under the Taliban regime in
Afghanistan who disguises herself as a boy so
frightening experience for a girl. She stands
out with her long hair and bright scarf, but her
body language shows that she doesn’t want to
she can work to support her family, Ireland’s be seen — her shoulders are drawn in to take
Cartoon Saloon and director Nora Twomey up a small space, and she keeps
wanted to work “from the eyes out, with very her eyes down. When she returns,
few lines,” says Twomey. “The fewer lines with dressed as a boy, she blends in,
a hand-drawn character, the more you can and with her body language she
identify with the character because she’s less takes up more space. Coco
Twomey
specific and more universal.” “There’s a warmth and
Indeed, in the GKIDS feature The earthiness to her personality,” says Twomey
Breadwinner, Parvana’s eyes reveal much of of Parvana, who is voiced by Saara Chaudry.
her emotion. For instance, when Parvana “She has flaws, she has humor — she’s fully
goes to the market with her father, it can be a rounded. We wanted a character that was
1 Parvana in disguise.
relatable, even when she does something
2 Parvana with her father, Nurullah, voiced by Ali Badshah. incredibly brave.”
The
Breadwinner
2
T H E HOL LY WO OD R EP ORT ER 71 F E B R U A R Y 7, 2 01 8
Kobe came over, and we down-
loaded YouTube’s “Top 20 Kobe
Bryant Plays” and stop-framed
through every one while Kobe
talked about what was happening
on the court. My mentor — one
of Disney’s Nine Old Men — Ollie
Johnston told me, “Glen, don’t
animate what the character is
doing — animate what the char-
acter is thinking.” So we talked
Toon Contenders
MANUEL CAM STUDIO. RHYMES: COURTESY OF GKIDS. DEKALB: COURTESY OF REED VAN DYK. ELEVEN: COURTESY OF FINCH COMPANY. NEPHEW: COURTESY OF JOE ZAKKO. HOUSTON: AP PHOTO/GEORGE
BRICH. ERLAND: VALERIE MACON/GETTY IMAGES. LORD: PIERRE VINET/NEW LINE CINEMA/PHOTOFEST. LETTERI: DIA DIPASUPIL/GETTY IMAGES FOR SCAD. SILENT, WATU: COURTESY OF LONDON FLAIR PR.
DEAR: COURTESY OF GUNPOWDER & SKY. KEANE: THEO WARGO/GETTY IMAGES FOR TRIBECA FILM FESTIVAL. GARDEN: COURTESY OF MOPA. LOU: DISNEY/PIXAR. NEGATIVE: COURTESY OF IKKI FILMS &
‘I NEVER IMAGINED I GARDEN PARTY LOU
I
had left Disney after nearly around at the draw- letter, “Dear Basketball,” and he
40 years there, and since ings and storyboards called me and asked me if I
then I had been focusing on and little things would be interested in animating
personal, expressive films. on the wall, and I’m it. He goes, “I have my friend John NEGATIVE SPACE REVOLTING RHYMES
An often-away Roald Dahl’s
Kobe had seen this film I did for Keane thinking, “Oh boy, Williams who is going to do the
father bonds darker take on
Google, Duet, and he contacted one here it comes.” And music.” And I go, “Oh, that would with his son by Snow White, Red
of the executive producers, and she he says, “This is perfect. This be really wonderful.” teaching him Riding Hood and
set up a meeting. He came in to is what I want.” We crowded into Right after his last game [in how to pack. more fairy tales.
our tiny studio in West Hollywood, my little office in the back and 2016], where he scored 60 points
which is just in a duplex, and it connected over things we had in and my son and I were in our little about what was going on on the
was so surreal. He drives up in a common. For me, it was leaving studio screaming our heads off, inside. Kobe has an incredible
big black Suburban, and he is just a career at Disney, which was so he texted and said, “Let’s do this.” emotional memory of how he was
in our neighborhood. Kobe Bryant! much a part of me, and for Kobe it I told Kobe, “You’ve got the worst feeling during the plays. Any time
Kobe loves animation; he is an was leaving behind the Lakers. basketball player on earth ani- you are animating, you are liv-
animation geek. So he walked We talked about doing some- mating you.” He said that it was ing in the skin of your character.
in and was standing in our little thing together but didn’t know OK because everything I would For me, I’ve been a mermaid
dining room — but it is actually exactly what it would be. Before learn about basketball was going and a beast, but I never imagined
our story room — and he looked Kobe retired, he wrote this to come through studying him. So I could be Kobe Bryant.
Real-Life
Action
Several of this
year’s live-action
short nominees
were inspired by true
events, while others
tackle complicated DEKALB ELEMENTARY THE ELEVEN O’CLOCK MY NEPHEW EMMETT
relationships Inspired by a real 911 call during a school shooting This Australian short is set during a session A 64-year-old African-American man tries to
By Rebecca Ford in Atlanta, the film follows a man who enters an between a psychiatrist and a patient (who is protect his 14-year-old nephew, Emmett Till, from
elementary school with a semiautomatic rifle. convinced he is the doctor). two white men who invade his home.
T H E HOL LY WO OD R EP ORT ER 72 F E B R U A R Y 7, 2 01 8
HOW DINOSAURS LED
TO CREATING GOLLUM
The wizardly Joe Letteri, busy with all those
Avatar sequels, will be honored with the
Visual Effects Society’s George Melies Award
Letteri
THE SILENT CHILD WATU WOTE: ALL OF US
A deaf 4-year-old, isolated from the world The Kenya-set tale follows bus passengers who
and her hearing family, is taught sign language are attacked by a terrorist group demanding the
by a caring social worker. Muslim passengers identify the Christian onboard.
T H E HOL LY WO OD R EP ORT ER 73 F E B R U A R Y 7, 2 01 8
Film
Black Panther
Ryan Coogler’s Marvel Comics entry
dazzles with smartly staged action, magnetic
performances, genuine suspense and
a bracing sense of novelty By Todd McCarthy
With uncanny timing, Marvel has taken its like a natural idea now, but in July 1966, when vibranium, a source of power akin to nuclear
superheroes into a domain they’ve never inhab- Stan Lee and Jack Kirby birthed the character that Wakanda keeps to itself.
ited before — and is all the better for it. in Fantastic Four No. 52, he was the first black The novelties of the society are fun to behold,
There’s no mistaking you’re still in the superhero to appear in American comics. the streets full of life, the inhabitants happy.
Marvel universe here, but Black Panther sweeps Although director/co-writer Ryan Coogler But this enlightened land remains a monarchy,
you off to a part of it you’ve never seen: a (Fruitvale Station, Creed) sets his fram- and, with his father’s death, T’Challa (Chadwick
hidden lost world in Africa defined by royal ing action in Oakland, California, the film’s Boseman) becomes king in a spectacular
traditions and technological wonders that heart lies in Africa. In one of the tale’s coronation ceremony. There to support him are
open up refreshing dramatic, visual and cast- beguiling inventions, the land of Wakanda his mother, Ramonda (Angela Bassett); sister
ing possibilities. Getting it right where other keeps the world away by posing as one of Shuri (Letitia Wright), a scientist who’s next
studios and franchises — they know who they the planet’s poorest countries and restrict- in line for the throne; chief counsel W’Kabi
are — get it wrong, Marvel and Disney have ing visitors. In fact, it possesses advanced (Daniel Kaluuya), head of security for a tough
another commercial leviathan, although it’ll be technology and has a gleaming metropo- border tribe; mentor Zuri (Forest Whitaker),
interesting to see how it plays in certain over- lis that coexists with natural wonders on the king’s spiritual leader; and the Dora Milaje,
seas markets where industry traditionalists say par with anything in the world. What makes an independent-minded security force com-
black-dominated fare underperforms. this possible is a mined substance called prising shaven-headed women, notably its best
Producer Kevin Feige and the Marvel brain fighter Okoye (Danai Gurira) and rebellious
OPENS Friday, Feb. 16 (Disney)
trust introduced Black Panther into their Nakia (Lupita Nyong’o).
CAST Chadwick Boseman, Michael B. Jordan,
superhero mix in 2016’s Civil War: Captain Lupita Nyong’o, Danai Gurira, Daniel Kaluuya, Letitia Wright Then there’s M’Baku (Winston Duke), who
America with the intention of spinning yet DIRECTOR Ryan Coogler is opposed to T’Challa’s technological beliefs
another franchise around him. This seems Rated PG-13, 135 minutes and challenges him to a mano-a-mano slugfest
that takes place in a lagoon located between
towering brown rocks and a cliff you don’t want
to fall off.
Does this sound like your everyday Marvel
film so far?
It certainly doesn’t look like one. Along
with the color of nearly everyone’s skin, there THR’S SOCIAL CLIMBERS
are vistas, costumes and settings that keep A ranking of the week’s top actors, comedians
and personalities based on social media engagement
the images popping off the screen, even though across Instagram, Twitter, Facebook and more
this Marvel offering is not in 3D.
Black Panther also sets itself apart via an This Last This Last
ideological divide between two camps within Week Week Actors Week Week Comedians
the Wakandan leadership. The royals and 1 ←
→ I 1 I Kevin Hart
1 ↑ I 2 I Dwayne Johnson
traditionalists, including T’Challa, insist that
A week after Millie Bobby 2 ←
→ I 2 I D.L. Hughley
vibranium must remain exclusively in their Brown ended Johnson’s
own possession, as it’s been the secret of their nine-week run at No. 1, he 3 ←
→ I 3 I Joe Rogan
regains the top spot with
success since time immemorial. A minor- the week’s most liked
Instagram post by an actor: 4 ↑ I 6 I Colleen Ballinger
ity believes that this extraordinary substance
A Jan. 28 video of him
should be shared with the world, or at least playing “The Entertainer” 5 ↑ I - I Adam Sandler
with their struggling African neighbors, in on a floor piano with his feet
got 3 million favorites. 6 ↑ I - I Martin Lawrence
the interest of the common good. It’s a potent
political dispute that will presumably continue 7 ↓ I 4 I Marlon Wayans
2 ↑ I 4 I Kevin Hart
to inform the series in further episodes.
8 ↓ I 5 I Mike Epps
In the meantime, a deliciously nasty bad 3 ↑ I 8 I Deepika Padukone
guy, a white South African gangster named
4 ↓ I 1 I Millie Bobby Brown 9 ↑ I - I Kumail Nanjiani
Klaw (Andy Serkis, in a role he introduced three
Nanjiani’s Jan. 29 tweet
years ago in Avengers: Age of Ultron), is keen to 5 ↑ I 7 I Will Smith that art, music, movies and
get his hands on some vibranium himself. That books “have always been
6 ↓ I 3 I Dove Cameron political. Keep your ‘Keep
leads the story to South Korea for a prolonged your politics out of BLANK’
sequence heavy on chases and tough-guy action 7 ↓ I 6 I Jennifer Lopez bs outta my face” garnered
him a 16 percent increase
Boseman’s but rather more conventional than the rest of in retweets and was the
Black Panther 8 ↓ I 5 I Priyanka Chopra week’s most-engaged-with
defends the film.
Wakanda from tweet by a comedian.
But the most challenging threat to 9 ↑ I 11 I Gal Gadot
adversaries
seeking its Wakandian stability comes from another mer-
most precious 10 ↓ I 9 I Noah Schnapp 10 ↓ I 7 I Bill Maher
natural cenary, an imposing African named Erik
resource. Killmonger (Michael B. Jordan). Convinced 11 ↑ I 13 I Finn Wolfhard This Last
that vibranium should be available to all people Week Week TV Personalities
12 ↑ I 16 I Zendaya
(and that he should profit by dispensing it),
1 ↑ I 10 I Jimmy Fallon
this intimidating wannabe usurper challenges 13 ↑ I - I Chris Hemsworth A 406 percent gain in
the king to a duel in the watery arena — one for Facebook post likes allows
14 ↑ I - I Tom Holland the Tonight Show host to
which he cannot wear his Black Panther armor.
reach No. 1 on the chart for
Much intense drama and action follow; 15 ↓ I 12 I Hugh Jackman the first time. One of his top
there’s a real and sustained sense of jeopardy posts was a clip of Fallon,
16 ↑ I 18 I Cara Delevingne as the character Peter,
for the kingdom, and the fighting signifi- singing Journey’s “Don’t
cantly involves the female warriors, who are Stop Believin’ ” while
17 ↑ I 25 I Zooey Deschanel heckled by Will Ferrell.
very cool indeed. Just as he staged the boxing
Deschanel follows her
in Creed with intensity and invention, Coogler chart debut (No. 25, Jan. 31)
by jumping to No. 17 with a 2 ↑ I 6 I Gordon Ramsay
handles the more extensive physical face-
654 percent boost in
offs here with freshness and brio, building to Facebook shares (mostly 3 ↑ I 5 I Mike Rowe
a tensely stirring climax. For such an action- reshares of videos, photos
and memes she had already 4 ↑ I 9 I Jake Tapper
packed modern film, it’s surprising how little posted). She added 413,000
PANTHER: COURTESY OF MARVEL STUDIOS. JOHNSON: JB LACROIX/WIREIMAGE. NANJIANI:TAYLOR HILL/GETTY
blood figures into this combat epic. A brief Instagram favorites after 5 ↓ I 3 I Mike Huckabee
showing off her new haircut.
return to Oakland at the end brings things
6 ↓ I 4 I Tamera Mowry
full circle, while the usual Marvel post-credits
IMAGES. DESCHANEL: AXELLE/BAUER-GRIFFIN/GETTY IMAGES. FALLON: NOAM GALAI/WIREIMAGE.
18 ↑ I - I Bella Thorne
teaser reminds us that its next offering will 7 ↑ I - I Tyra Banks
be Avengers: Infinity War (coming May 4), in 19 ↑ I - I Reese Witherspoon
8 ↓ I 2 I Joanna Gaines
which T’Challa/Black Panther also appears.
20 ↑ I - I Vanessa Hudgens
The actors are all seen to very good advan- 9 ↓ I 7 I Chris Hayes
tage. Boseman certainly holds his own, but 21 ↓ I 19 I Ansel Elgort
10 ↓ I 1 I Chelsea Handler
there are quite a few charismatic supporting
22 ↑ I 23 I Lily Collins
players here eager to steal every scene they can
Data Compiled By
— and they do, notably the physically impos- 23 ↓ I 10 I Jack Dylan Grazer
ing Jordan, the radiant Nyong’o and especially
24 ↑ I - I Shay Mitchell Source: The week’s most active and talked-about entertainers on
Wright, who gives each of her scenes extra leading social networking sites Facebook, Google Plus, Instagram,
Twitter and YouTube for the week ending Jan. 31. Rankings are based
on a formula blending weekly additions of fans as well as cumulative
punch and humor. 25 ↑ I - I Hailee Steinfeld weekly reactions and conversations, as tracked by MVP Index.
T H E HOL LY WO OD R EP ORT ER 75 F E B R U A R Y 7, 2 01 8
Making Her Directorial Debut and
Winner of the NEXT Innovator Prize at Sundance!
Jordana Spiro
and the entire Night Comes On cast and crew
www.pragermetis.com
New York | Los Angeles | London
Tickets are $500 per person and sponsorship and tribute opportunities are
available. For more information, contact the Museum’s Western Regional Office
Media Sponsor at 310.556.3222 or western@ushmm.org.
RSVP at ushmm.org/events/2018-la-dinner.
films to finance based on whether projects ment to overcome these barriers.” Telefilm, when considering funding for proj-
were directed by, or revolved around, women The practical initiatives from Telefilm ects of equal value — determined by such
(among other criteria). include its Talent to Watch program, formerly factors as the script, talent attached and the
T H E HOL LY WO OD R EP ORT ER 77 F E B R U A R Y 7, 2 01 8
Backlot
directed more than a dozen short films before
Canada completing her first and second features, We
Spotlight
Were Wolves and Suck It Up, respectively, says
Telefilm’s Talent to Watch and Fast Track
programs can help open doors in the U.S. and
production team — between a male or female other foreign markets.
applicant, is favoring projects directed and/or “Once you have two features, you’re hope-
written by women. fully at a level where you can access funding
“We want to create a path to success,” says in different countries and team up with inter-
Telefilm executive director Carolle Brabant. national co-producers,” she says.
“We want to reward the success of the first With the various gender-parity initiatives
features by having emerging directors make gaining steam, insiders say the lure of financ-
their second film.” ing is also leading filmmakers to rethink
Take Werewolf, writer-director Ashley projects from the conception point. “In the
McKenzie’s debut feature about youth and drug general community at large, people are just
addiction in a small Nova Scotia mining town. hungry to attach women to projects and slates,
The indie received microbudget financing because it’s smart from a tactical viewpoint.
from Telefilm and became a critical hit on the I’d do the same,” says Molly McGlynn, whose
film festival circuit after bowing at Toronto debut feature, Mary Goes Round, was produced
and screening at Berlin. through Telefilm’s Talent to Watch program.
Now McKenzie is eyeing possible Fast Track Toronto-based director Michelle Latimer says
financing as she develops her second feature. the initiatives help female filmmakers avoid
“There’s a gap for filmmakers to take “going up against the old guard.” After the
the next step after their first feature,” she success of her documentary short film Nucca,
says, adding that Telefilm has helped to
shorten the time she and her producer Nelson
MacDonald need to secure financing for their
which screened at Sundance and Toronto,
Latimer nabbed a yearlong filmmaking
fellowship with Laura Poitras’ (Citizenfour)
T he Baltimore of 1962 is
meticulously re-created
in Guillermo del Toro’s
sophomore effort. documentary unit Field of Vision. multi-Oscar-nominated sci-fi
Brabant says Canada’s push for gender parity “[Telefilm] is democratizing the way we romance The Shape of Water.
has helped alter long-standing perceptions secure film financing, and it’s particularly From an iconic, neon-lit diner
in an industry where female filmmakers have good for younger filmmakers who can’t go to an ornate movie theater, the
become accustomed to discouraging barri- the regular financing route,” Latimer says. film revels in Americana from
SUBJECT. MCLEOD: COURTESY OF JIVE PR + DIGITAL. ENGLISH: COURTESY OF GAT PR. SANCHEZ: LAURENT GUERIN.
ers to the industry. “It has made women realize, The Canadian film sector is also focus- another age, making the fact
BTS: COURTESY OF FOX SEARCHLIGHT PICTURES. SHAPE: KERRY HAYES/TWENTIETH CENTURY FOX. DALE: BARRY
KING/GETTY IMAGES. STOCKHOLM: COURTESY OF DARIUS FILMS. WAPEEMUKWA, FOROUGHI: COURTESY OF
‘Well, it can happen,’ ” she says. ing on hiring more women in key positions that it was shot in and around
“It’s comforting to know you can get your throughout the industry. Jane Tattersall, Toronto all the more
foot in the door,” adds Sonia Boileau, who senior vp at Sim Post Toronto, who super- impressive. The film
leveraged Telefilm investment for her debut vised the sound editing on Hulu’s The marks del Toro’s
feature, Le Dep, to develop her second film, Handmaid’s Tale, says she’s hiring more women third collaboration
Rustic Oracle, about an 8-year-old Mohawk girl as mixers and editors in a traditionally male- Dale with producer —
searching for a missing sister. dominated business. and Toronto native
The push for gender parity has implica- “I’m not being idealistic or doing favors,” — J. Miles Dale and is the direc-
tions beyond Canada. Jordan Canning, who she says. “It’s much more selfish — the work- tor’s fourth consecutive feature
place is more interesting and more normal to be shot in Canada. Dale talked
when you have a mix of women and men.” to THR about why the Mexican
Marjolaine Tremblay, VFX producer and auteur now calls Toronto home
supervisor at Rodeo FX, insists that the and the Oscar odds for Shape
HOW CANADA’S GENDER- Canadian industry needs to allow women to of Water.
EQUALITY INITIATIVES move from management and backroom jobs
ALREADY ARE PAYING OFF to active creative roles, including overcoming Toronto hosted shoots for earlier
In a little over a year, female-led projects technical VFX challenges. Oscar best picture winners like
backed by Telefilm have more than doubled
“I have a great employer now that believes
50 in all of my skill sets and supports me all the
46% 2017
45 44% way,” says Tremblay.
40
2015 Another point of emphasis for Minister
Joly is creating a healthy environment in TURNING A
35
the Time’s Up era. To that end, she says the TORONTO SUBURB
30 Canadian industry now has a zero-tolerance INTO STOCKHOLM
25 policy for workplace harassment. he Ethan Hawke thriller Stockholm
20 22% In November
2016, Telefilm
introduced
“The #MeToo movement for us is clearly a
fundamental change of culture,” she says. “It’s
T chronicles the real-life 1973 bank heist
in the Swedish capital that produced the
15 17%
its initiative term “Stockholm Syndrome” — shorthand
10 to improve changing the way people will interact with
gender parity. each other and make sure there’s more respect to describe when captors and captives
5 form an unusual bond.
between men and women, and ensuring the With a modest budget of $10.5 million,
Source: Telefilm entertainment-sector workplace, as all work- Canadian co-producer Nicholas Tabarrok
Films directed Films written Canada, Women in
by women by women View on Screen places, is much safer.” effectively cobbled together numerous
T H E HOL LY WO OD R EP ORT ER 78 F E B R U A R Y 7, 2 01 8
CANADIAN
DIRECTORS TO
WATCH
WAYNE
WAPEEMUKWA
Wapeemukwa,
27, won the
best Canadian
first feature
Left: Dale (left) on the set of Shape of Water prize at the 2017 Toronto
with del Toro. Above: the film’s stars, Richard film fest with his debut,
Jenkins and Sally Hawkins.
Luk’Luk’I. “Walking away
from TIFF with the best
American city or some generic first feature prize con-
countryside like the Midwest, you firmed for my cast, crew
can definitely do it here. and me that we were
on the right track,” he says.
Why has Toronto become del Toro’s
filmmaking base? SADAF
FOROUGHI
Ever since he did Pacific Rim,
Born in Iran,
Guillermo has been here. He lives Foroughi,
here and his family lives here. 41, studied in
He’s really embraced the com- France and
munity, and he really feels settled in Montreal before
writing and directing Ava,
he’s found a filmmaking home
a coming-of-age drama
subsidies and incentives available north of Sweden, but Ontario Media Development
the border to make the film happen. Corp. chipped in $440,000. Telefilm
The heist flick was shot mostly in Canada also invested at the script stage.
Hamilton, Ontario, allowing the producers The Hamilton locations were so effec-
to nab the province’s 10 percent tax credit. tive that Hawke was the only actor to JASON AND CARLOS
That’s in addition to a separate incen- travel to the real Stockholm to capture SANCHEZ
tive that refunds 21.5 percent of qualified exterior shots. Allure, the debut feature
Ontario production expenditures. “Stockholm would not have been pos- written and directed by
As a co-production with Sweden, the sible without the support of Telefilm, Jason, 36, and Carlos, 41,
film tapped subsidies in both countries provincial and federal tax credits and the Montreal-based still
thanks to the casting of Swedish actors, OMDC,” Tabarrok says. “It’s nearly impos- photographers turned
including Noomi Rapace. Tabarrok won’t sible to finance a film this size without the filmmakers, stars Evan
say how much financing came from support of government incentives.” — E.V. Rachel Wood as a house
cleaner with a dark past.
Samuel Goldwyn Films
← Hawke was the only castmember to shoot scenes in the real city of Stockholm.
plans a mid-March U.S.
release. — E.V.
79
Backlot
SO HOW IS THREE
BAFTA BILLBOARDS BRITISH?
Martin McDonagh’s Midwestern
drama is up for a best Brit BAFTA
W
t the 2017 BAFTA Awards, the out-
ith Stephen Fry hav-
ing given up his hosting A standing British film honor went
to Ken Loach’s I, Daniel Blake, a gritty
duties after a record human tale about a carpenter from
12 editions, BAFTA has turned the north of England and his near-
to arguably an even bigger British excruciating struggle to navigate the
national treasure for its latest U.K.’s bureaucratic benefits system
awards ceremony: Joanna Lumley, after having a heart attack. In other
words, extremely British.
who will be taking the reins This year, among a crop of equally
Feb. 18 at London’s famed Royal British titles sits a rather unusual entry.
Albert Hall. Ahead of the biggest The nomination of Three Billboards
film awards outside the U.S., Outside Ebbing, Missouri, despite
Lumley explains why she won’t be director Martin McDonagh’s burgundy
British passport, has caused a little con-
making any political gags, how fusion in the U.S. Not only is the film’s
the British equivalent of #MeToo main cast almost exclusively American,
might look on the night and but it also was shot in North Carolina,
whether her most famous onscreen is based on a real-life American story
character — Absolutely Fabulous’ and even includes the words “Ebbing,
Missouri” right there in the title. How,
champers-guzzling Patsy — will exactly, is this film British?
be making an appearance. The answer can be found in BAFTA’s
myriad list of rules and regulations.
Do you have any nerves about To qualify for the outstanding
British film category, the rules state
stepping into Stephen Fry’s well-
trodden BAFTA shoes? ‘My Part Is to Be that a film must “have significant
creative involvement by individuals
Stephen is a huge friend of
mine. I shall do my level best to Quite Dignified’ who are British (U.K. passport holders
or permanent resident in the U.K. for
at least 10 years up to and including
fit into those huge shoes. He’s
such a consummate, easy, wel- Joanna Lumley plans her the eligibility period).”
Alongside McDonagh, Three
coming, darling host, but we’re
different. So I shan’t copy him,
because you can’t do that. I’ll just
BAFTA takeover By Alex Ritman Billboards was produced by the British
duo of Graham Broadbent and Peter
Czernin for their Blueprint Pictures
do my best to be me and make (headquartered on London’s Great
everyone welcome. comic. I’m not a satirist. I’m not was the [only] night of wear- Portland Street), with half the funding
coming from Film4, the movie arm of
a political commentator. People ing black to protest. I’ll just see U.K. network Channel 4.
Has he given you any tips? know me because I’ve been bang- whether people are still feeling “A film like this — which doesn’t
He said something terribly funny ing around the block for 100 enough of it to warrant it going look remotely British — does seem
but very true: Nobody has ever years, so why would I be someone on or feeling that we’ve got to to crop up each year,” admits one
complained that an awards cer- completely different? look to the future. We all industry insider.
As it happens, last year there were
emony is too short. He also told British know … it’s all out in the two: American Honey (backed by
Academy Film
me to remember that our job is as You’ve already said you Awards open now. The Golden Film4 and the British Film Institute) and
host. We’re not the main enter- won’t be pulling out any Globes have made every- Under the Shadow (which was in Farsi
Feb. 18
tainment; we are literally the host. Weinstein gags. How Royal Albert Hall one so aware of it. but produced by U.K.-based Wigwam
We’re the silken strands that join about Trump? Brexit? Films). And in 2016, the winner was
Brooklyn, named after the borough but
people together. I’m not really going to do any How about yourself, will you be produced by Brits, written by a Brit and
heavy political commentary, wearing black? backed by BBC Films. — A.R.
Do you think this will be a newer, because for people who do come I don’t think so. But let’s put it like
revamped BAFTAs with you at up and have something to say, it’s this: I won’t be wearing shocking
T H E HOL LY WO OD R EP ORT ER 80 F E B R U A R Y 7, 2 01 8
SJIWFF29 • OCTOBER 17–21, 2018
ST. JOHN’S, NEWFOUNDLAND, CANADA
WOMENSFILMFESTIVAL.COM
Backlot
Awards
Watch
Hers’ Liz Hannah and Josh Singer on really don’t like writing about
something unless I feel like I’m
penning Katharine Graham’s story By Rebecca Ford quite knowledgeable about it.
SINGER: VIVIEN KILLILEA/GETTY IMAGES FOR PALM SPRINGS INTERNATIONAL FILM FESTIVAL. POST: NIKO TAVERNISE/20TH CENTURY FOX. BLACK: DAVE BENETT/GETTY IMAGES.
lived one that I felt deserved to be had terrible fear of not getting the gun and under the pressure that music to drown out the world.
out in the world. For me journalism part right. the first choice is the best choice And then I must have a baseball
personally, it was about WGA West Plus, the needs of a spec and the only choice. cap, because I need blinders.
a woman finding her Awards script and the needs of
voice, finally ignoring all Feb. 11 a Steven Spielberg film
the naysayers — and even Beverly Hilton are slightly different.
herself — telling her she Because with a Steven
couldn’t do it and standing on her Spielberg film, you’re going to “There’s an
immediate
own two feet. The irony is not lost get the highest degree of scrutiny connection as
on me that this is the script I got you can possibly get. Fairly or a woman,
knowing what
noticed on. I found my voice while unfairly, you get held to a pretty it’s like to be
in a room full
she found hers. high bar. We had to make this of men and
as accurate as possible within the not have your
voice heard,”
How did the two of you collaborate? context of telling a good story. says Hannah
SINGER Liz wrote an incredible spec HANNAH I had never written a of Graham’s
story (Streep,
script, but it wasn’t a shooting movie that had been produced center).
T H E HOL LY WO OD R EP ORT ER 82 F E B R U A R Y 7, 2 01 8
PROMOTION
TODAY IN
EN TE RTAI NM EN T We are excited to announce the appointment of
ASHLEY PARTINGTON
NEWSLETTER
to Vice President of the LA Talent Agency.
A DV E RT I S E M E N T
James H. Rich, Jr., age 70, of Tarzana, CA, died peace- Jim was a member of the Producers Guild of America.
fully from the complications of cancer on January 20, He was the executive vice president of Cable and Syn-
2018 with his loving and devoted wife of almost 44 dication at Centerpoint Productions, where he worked
years, Abigail Crow Rich, by his side. for Tom Tannenbaum with production partners Guber-
Each weekday, delivered to your inbox, executive editor Jim was born in Pittsburgh, PA, on December 24, 1947, Peters, Blake Edwards, and Grasso-Jacobson. He won
to James H. Rich and the late Idamae Brody Rich. The an ACE award in 1983 for Sweeney Todd, which won
Matthew Belloni and assignment editor Erik Hayden will date of his birth, he would tell everyone, was the result seven Emmys. In the early 2000s, he produced three
of his mother falling off a ladder while trying to put a two-hour specials to promote the opening of Univer-
highlight what’s news and what’s worth reading from star on the Christmas tree. sal’s theme park in Osaka. The specials featured top
He attended an all-boys prep school, Shadyside Acad- Japanese television stars and Universal stars Meryl
The Hollywood Reporter and other outlets — basically, emy, where, among other activities, he was a member Streep, Gene Hackman and Steven Spielberg.
of the honorary Sargon Society, After retiring, he co-founded
and played on the varsity ten- The Great Beer Company,
anything an entertainment insider or obsessive needs to nis and football teams. Sum- brewers of the award-winning
mers he hung out at WAMO, kölsch-style ale, Hollywood
know to start their day. Exclusives and dispatches from his father’s radio station. After Blonde. He was a practicing
graduation in 1965, he went to Buddhist, worked on the cam-
THR writers, editors, and critics will also be included. Syracuse University to study paign to elect Obama, and vol-
Communications, where he unteered with an organization
lived in the football dorm and for troubled teens.
thought he was going to play Jim loved many things, not
until he was positioned in front the least of which was walking
of Larry Csonka and Floyd Little the dogs at his beach house
at a practice game and was in Ventura, CA, watching
flattened. Pittsburgh Steeler games, go-
Always resilient and practi- ing to the symphony and the
cal, he looked around and real- Hollywood Bowl with his wife,
ized that not only was it safer talking to his father, and brag-
to go into the theater depart- ging about his children and
SIGN UP AT ment, but there were real-live
girls there. And so his show
grandchildren.
His life was marked by an
1 9 833 199 84
4 19
985 1 988 6 19
9 877 199 88 19
9 89 1 990 1991 1992 1993 1994 199 94 199 96 199 97 19988 1 999 9 20
000 2001 20 022 20
0 033
↑ From left: Leon (as Derice Bannock), Rawle D. Lewis (as Junior Bevil), Malik Yoba (as Yul Brenner) and Doug E. Doug (as Sanka Coffie) in Cool Runnings.
BUENA VISTA PICTURES/PHOTOFEST
The Hollywood Reporter, Vol. CDXXIV, No. 6 (ISSN 0018-3660; USPS 247-580) is published weekly; 39 issues — two issues in April, July, October and December; three issues in January and June; four issues in February, March, May, August and September; and five issues in November — with 15 special issues:
Jan. (1), Feb. (2), June (4), Aug. (4), Nov. (3) and Dec. (3) by Prometheus Global Media LLC, 5700 Wilshire Blvd., 5th floor, Los Angeles CA 90036. Subscription rates: Weekly print only, $199; weekly print and online, including daily edition PDF only, $249; online only, $199; digital replica of weekly print, $199.
Single copies, $7.99. Periodical Postage paid at Los Angeles, CA and additional mailing offices. POSTMASTER: Send all UAA to CFS. Non-Postal and Military Facilities send address changes to The Hollywood Reporter, P.O. Box 125, Congers, NY 10920-0125. Under Canadian Publication Mail Agreement
No. 41450540 return undeliverable Canadian addresses to MSI, PO BOX 2600, Mississauga, On L4T OA8. Direct all other correspondence to The Hollywood Reporter, 5700 Wilshire Blvd., 5th Floor, Los Angeles, CA 90036. Prometheus Global Media, LLC: Vice President, Human Resources: Angela Vitacco.
Advertising/Editorial Reprints: Reprints of editorial or ads can be used as effective marketing tools. For details, please contact Wright’s Media: (877) 652-5295 or e-mail at pgm@wrightsmedia.com. Permission: Looking for a one-time use of our content, as a full article, excerpt or chart? Please contact
Wright’s Media, (877) 652-5295; pgm@wrightsmedia.com. Subscription inquiries: U.S. call toll-free (866) 525-2150. Outside the U.S., call (845) 267-4192, or e-mail subscriptions@hollywoodreporter.com. Copyright ©2015 Prometheus Global Media, LLC. All rights reserved. No part of this publication may be
reproduced, stored in any retrieval system or transmitted, in any form or by any means — electronic, mechanical, photocopying, recording or otherwise — without the prior written permission of the publisher. THR.com PRINTED IN THE U.S.A.
T H E HOL LY WO OD R EP ORT ER 84 F E B R U A R Y 7, 2 01 8
PROMOTION
THE PRODUCERS
From Left: Ridley Scott, Jason Blum, Amy Pascal, Eric Fellner, Judd Apatow, Seth Rogen
with
PRODUCERS FEBRUARY 11
WRITERS FEBRUARY 18
CINEMATOGRAPHERS FEBRUARY 25
ACTORS & ACTRESSES (LIVE AUDIENCE) MARCH 4
CABLE 10AM ET / 7AM PT • SATELLITE 10AM ET / 7AM PT
DISH CHANNEL 126 • DIRECTV CHANNEL 557
4 ACADEMY AWARD NOMINATIONS
®
BEST PICTURE
BEST DIRECTOR
JORDAN PEELE
BEST ORIGINAL
SCREENPLAY
JORDAN PEELE
BEST ACTOR
DANIEL KALUUYA
CONSIDER