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WAR MOVIES IN HOLLYWOOD AND

BOLLYWOOD: A COMPARATIVE STUDY

Dissertation

SUBMITTED TO THE

FACULTY OF ARTS AND SOCIAL SCIENCES,

GURU NANAK DEV UNIVERSITY, AMRITSAR

IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR


THE DEGREE OF

MASTERS OF JOURNALISM AND MASS COMMUNICATION

(2015-2017)

SUPERVISOR INVESTIGATOR
CERTIFICATE

This is to certify that the work included in the dissertation entitled “War movies in Hollywood
and Bollywood: A comparative study” submitted to the faculty of Arts and Social Sciences,
Guru Nanak Dev University, Amritsar for the partial fulfillment of the requirements for the
degree of Masters in Journalism and Mass Communication was carried out by xxxx at the
xxxxxxxxxxx under our supervision. This is an original work and has not been submitted in
part or full for any other degree / diploma at this or any other university / institute. This
dissertation is fit to be considered for evaluation for the award of degree of Masters.

Sign. of Supervisor
DECLARATION

The work embodied in the dissertation entitled, “War movies in Hollywood and Bollywood:
A comparative study” has been done by me and not submitted elsewhere for the award of any
other degree. All ideas and references have been duly acknowledged.

(Signature of the Candidate)

Counter Sign. of Supervisor


ACKNOWLEDGEMENTS

First and foremost, I want to place my humble regards and express my thanks to my hon’ble
supervisor xxxxxxxxx , Head of the xxxxxxxxx. It has been an honor and great opportunity to
me to be a student of a richly experienced academician. I appreciate all her contributions to
me taken out from her valuable time as well as ideas. Her guidance has turned my degree
experience both productive and stimulating. The joy and enthusiasm she has been providing
me through her guidance right from the very first day of joining the degree is highly
motivational. As a novice in research, without his guidance and directions, it would never be
possible for me to complete this work.

I would also like to place my thanks and regards to Professor (Dr.) xxxxxxxxxx for his
helping hands extended to me whenever I approached to them for his valuable inputs. I am
also thankful to xxxxxxxxxxx for her guidance, cooperation, help and support during the
course work.

I would also like to thank all the faculty members of the Department of Journalism and Mass
Communication for extending their support to this research work.

I am also thankful to my dear friend and wife, xxxxxxxxxxx for her immense help and mental
support extended to me during the study.

SEHAJPAL SINGH
TABLE OF CONTENTS

SR. NO. TOPIC PAGE NO.

1. CHAPTER-1 : INTRODUCTION 1-10

OBJECTIVES 8

HYPOTHESES 8

RESEARCH METHODOLOGY 9

LIMITATIONS 9

2. CHAPTER-2 : REVIEW OF LITERATURE 11-20

3. CINEMA AND THE WAR FILM AS A 21-46


GENRE

4. HOLLYWOOD AND BOLLYWOOD WAR 47-72


MOVIES : COMPARATIVE ANALYSIS

5. FINDINGS AND CONCLUSION 73-75

6. BIBLIOGRAPHY
INTRODUCTION
REVIEW OF
LITERATURE
CINEMA AND
THE WAR FILM
AS A GENRE
HOLLYWOOD
AND
BOLLYWOOD
WAR MOVIES:
COMPARATIVE
ANALYSIS
FINDINGS AND
CONCLUSION
BIBLIOGRAPHY
BIBLIOGRAPHY
 Anderegg, Michael. Inventing Vietnam: The War in Film and Television.(1991).
Temple University Press, Philadelphia.Pg 98.

 Basinger, Jeanine. The World War II Combat Film: Anatomy of a Genre. (2003).
WESLEYAN University Press, Connecticut. Pg 200-210.

 Battle of Longewala (n.d.). Retrieved from https://en.wikipedia.org/wiki/


Battle_of_Longewala

 Chambers, John Whiteclay and Culbert, David.World War II, Film, and
History.(1996). Oxford University Press, London. Pg 50-62.

 Eberwein Robert. War Film.(2004). Rutgers University Press, London. Pg 205-212.

 Hoffman, Michael (2014, April, 14) The War Film Genre: Assessing Human Nature.
Retrieved from http://www.cinemablography.org/blog/the-war-film-genre-assessing-
human-nature

 Jeanine Basinger( 1998, October) Translating War: The Combat Film Genre
and Saving Private Ryan. Retrieved from https://www.historians.org/ publications-
and-directories/perspectives-on-history/october-1998/translating-war-the-combat-film-
genre-and-saving-private-ryan

 Lidarev, Ivan (2012, August, 21)History’s Hostage: China, India and the War of 1962.
Retrieved from http://thediplomat.com/2012/08/historys-hostage-china-india-and-the-
war-of-1962/

 Luhrssen, David and Jeansonne, Glen.War on the Silver Screen: Shaping America's
Perception of History. (2014). Potomac Books. USA. Pg 28-45.

 Nathan, Ian (1998) Classic feature: the making of saving private ryan. Retrieved from
http://www.empireonline.com/movies/features/saving-private-ryan-classic-feature/
 Ralsey, Robert. The Encyclopedia of War Movies: The Authoritative Guide to Movies
about Wars of the 20th-Century.(2004). Film Facts Reference Library.Pg

 Ramchandani, Avinash (1997). Retrieved from http://www.planetbollywood.


com/displayReview.php?id=032906030842

 Saving Private Ryan (n.d.) In Wikipedia. Retrieved from https://en.wikipedia. org/


wiki/ Saving_Private_Ryan

 Sheffield, Clayton (2001). The War Film: Historical Perspective or Simple


Entertainment

 Vats, Rohit( 2012, April 25) Retro Review: 'Border' is just a good war film.Retrieved
from http://www.news18.com/news/india/retro-review-border-is-just-a-good-war-film-
468396.html

 Vietnam War: History (n.d.). Retrieved from http://news.bbc.co.uk/2/shared/


spl/hi/asia_pac/05/vietnam_war/html/introduction.stm

 Virilio, Paul. War and cinema.(1989). VERSO Publications. New York. Pg 6-8.

 Wallace, Amy (1998, September 7)Ryan Ends Vet Years of Silence. Retrieved from
http://articles.latimes.com/1998/aug/06/news/mn-10608

 Westwell, Guy. War Cinema: Hollywood on the Frontline. (2006). Wallflower press,
London.Pg 26-35.

 Wetta, Frank and Curley, Stephen.Celluloid Wars: A Guide to Film and the American
Experience of War. (1992) Greenwood Press, Westport. Pg 193-198.

 Wetta, J. Frank (1992) Private Ryan's Celluloid War. Retrieved from http://www.smh-
hq.org/gazette/ryan3.html

 World War II History (n.d.). Retrieved from http://www.history.com/ topics/world-


war-ii/world-war-ii-history#

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