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Maryanne Boaz
Ms. Gardner
28 November 2017
Gallagher, Susan V. "Contemporary Literature." Torture and the Novel: J. M. Coetzee's "Waiting
for the Barbarians" 29.2 (1988): 277-85. JSTOR. University of Wisconsin Press, 1988.
writer’s “moral dilemmas” they must face when they incorporate the ambitious and
problematic theme of torture in their work. These dilemmas consist of finding the
balance between representing and ignoring the obscenities of torture and how to
cliches-free represent the torturer. Coetzee’s brilliance gracefully shows torture in the
empire with allegory, allusion, as well as metaphysics and represents the aggressor
faultlessly by eliminating the distinction between “them” and “us”, the evil and
innocent.
Gallagher provides enlightening truth of the unrecognized challenges Coetzee faces that
gives the reader a new respect and perspective on Coetzee’s work. When Coetzee rids of
the problem of representing the torturer, by elimination the distinction of the evil and the
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innocent, he asserts everyone is as guilty as the aggressors -- Joll and Mandel -- and
perhaps that everyone is in need of a spiritual purification. One who allows torture and
Gaydosik, Victoria. “Coetzee, J. M.” Encyclopedia of the British Novel, 2-Volume Set, Second
fiction novels with similar themes of violence, culture, and imperialism, such as Waiting
autobiography. Gaydosik’s elegant article informs of Coetzee’s early life and credibility:
raised in an educated English-speaking family from Cape Town, South Africa, Coetzee
worked his way through a bachelor's and master’s degree and is now a honored,
Gaydosik provides clarity on Coetzee’s life which further developed the novel, Waiting
for the Barbarians, as an authentic South African imperialistic novel. Gaydosik informs
the audience of Coetzee’s South African heritage and residency, strengthening the South
Taylor, Karen L. “Night.” The Facts On File Companion to the French Novel, Facts On File,
Taylor, an inspiring author of nonfiction books, gives painfully honest truth about the
horrors Elie Wiesel and his father faced in the classic holocaust literature piece, Night.
The never ending inhumane torture Elie endured causes one, even a dedicated religious
student such as Elie, to lose faith and question the human spirit. This same wicked, cruel,
and malicious torture makes Elie and the audience wonder how does one continue after
Taylor reminds us of the real terrors of the holocaust, bringing to light a topic that makes
one question the goodness of man and life itself: inhumane torture -- and more
importantly, the monstrous hellions who caused the suffering of so many. The shocking
realities the prisoners lived and suffered through all had to have aggressors, real people
with emotion and guilt, who caused this pain, proving that there are monstrous people in
this world. The evil in the world is revealed as man causes atrocious pain to his fellow
man. The magistrate, a fellow man who is brutally tortured in the novel Waiting for the
Barbarians, wonders what monster could perform such merciless, diabolical, and
remorseless crimes, such as Joll and Mandel, and continue to live a human life.
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Russell, Lorena. “Waiting For the Barbarians: Narrative, History, and the Other.” Bloom's
Literature.
Russell, Professor and Director of the Inquiry at University of North Carolina, gives
phenomenal insight about the Magistrate's endless curiosity and obsession of the
Barbarian girl, her strange history as a Barbarian, and the inaccessible knowledge he
craves. Russell argues for Coetzee’s excellence by giving great detail about the
Magistrate’s own experience with torture that brings him closer to understanding the
Barbarians.
Russell gives expressive detail of the Magistrate's obsession with the Barbarians and the
torture they two endured from the Magistrate and villager’s perspective, giving us a
greater sense of the setting and environment this took place which can be related to our
setting. Considering the Magistrate's logical argument and both literal and figurative
torment, the reader is forced to question their own part in the history of torture, but most