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For arts in education, we are required to produce a performance kit and then perform a role
play using the kit that has been produced. Thus, this report is about the performance kit, the
role play performance and the theories that have been learnt and implemented throughout the
whole process of finishing the coursework.
I have chosen to work on the novel Gulliver’s Travel by Jonathan Swift. For my
performance kit (image 1.0) and manual kit (image 1.1, image 1.2) I have chosen to produce
these kit using cardboards and boxes.
Image1.0
The performance kit was made based on the fifth and final chapter in the Gulliver’s
Travel graphic novel. It was specifically made to cater to that chapter for the students to get
a deeper understanding of the chapter. This method is a Play-based pedagogy. Many
experts emphasize the importance of play-based and interactive learning pedagogy foster
interactive, child-centred learning experiences. Hence, the production focuses on how to
emphasize the effectiveness of the play. The puppets are made so it can be seen clearly. It
is printed using vibrant and bright colors. And they are made to be easily seen as they are
big and the one that represents the giant is 4 times bigger than normal puppets to make it
look much bigger.
The puppet comes with a big manual kit which I call the Manual Book of Magic Box.
The name Magic box was given because of two reasons. One, the puppets are placed inside
a box. And the next reason is to attract the students’ attention when they see the word
magic. The manual kit gives clear and direct directions on how to use the kit, yet it gives the
freedom of imagination and creativity on how the students want to use it.
In my experience of producing and implementing the performance kit in the role play,
I have learnt to use a learning theory and applied it in my performance which was Lev
Vygotsky’s theory of Zone of Proximal Development. Vygotsky's research suggested the idea
that children learn by observing how others do things, and when the child is ready he/she is
able to apply what they have learnt into completing the task with an adult helping (Braunger &
Lewis, 1997). When students read this book, there are some concepts that they cannot grasp
such as how do giants speak and interact or how does Gulliver even learn a new language in
such a place. It is the job of the teacher to cater to the student’s Zone of Proximal Development
and also to teach them how to understand and grasp new information so that in the future they
too can use the knowledge on their own.
Appleby, E. (2005). Mrs. Blue Gum, some puppets and a remnant forest: towards sustainability
education through drama pedagogy. Australian Journal of Environmental Education, 21, 1-10.
Fisler, B. (2003). Quantifiable evidence, reading pedagogy, and puppets. Research in Drama
Education, 8(1 ), 25-3 8.