Академический Документы
Профессиональный Документы
Культура Документы
Course Description
This course considers the question: “What is America?” from a variety of angles. In an
attempt to answer this question, we will survey cultural encounters between the United
States and others. Our investigation will commence with the colonial juxtaposition of
Europeans, Native Americans and Africans leading up to subsequent encounters with
Latinos, Asians and Arabs. Although cultural fictions and cultural exclusions, where the
U.S. and its cultural producers have identified identities and ideologies in contrast to or in
interaction with other nations and cultures, have helped to sustain unity among many
Americans, sub-national and transnational identities have continually called this unity
into question. Taking this into account, we will explore and examine encounters and
accounts of the idea of “America” and conceptions of what it means or what it takes in
order to be an “American” as they have evolved over time within the framework of
themes that have been considered molding agents of the American Identity. Certain
complex key terms will guide our discussions during the semester and we will learn about
and explore a few of the critical perspectives and methods characterizing American
Studies.
AMST 215 is the core course for the Minor in American Studies. It is also a humanities
course.
Course Format
I will lecture occasionally to provide introductions to topics, help interpret texts and to
give you a theoretical framework for understanding American Identity. But I expect
lectures to be interactive. Additionally, as discussion will be an important component in
this class, we will hold both whole class discussions as well as smaller discussion
sessions between groups.
Course Goals
The course aims to give you the opportunity to
• Learn about the culture and the history of the U.S., including that of Native
Americans, Africans Americans, and its relation with the rest of the world like
Latin America and the Middle East.
1
• Theorize/critique/be familiar with complex key terms in American Studies, which
are imperative to any American Studies discussion.
• Analyze themes that have been viewed as agents in shaping an American Identity
from colonial times up until the 21st century.
• Interpret different kinds of texts as well as events based on dominant and non-
dominant narratives and histories.
Course Readings
Course materials will include a range of genres, including archival and historical
documents, literature, historical writing, criticism, media, popular culture and more. A
packet of core readings will be placed in the AUB Bookstore for you to buy. (I will let
you know when it is ready.) Core readings may be supplemented by documents posted on
our Moodle page. Please note that all assigned readings should be completed before class.
Course Assessment
Class Informed Participation & Attendance 10
Reading Responses 15
3 x 5 points
Open-Ended Discussion Question 10
Bi-weekly Complex Key Term Thesis 10
Statement
Preliminary Final Project Paper (Draft) 15
8-12 pgs. Final Project Paper 40
The grades are norm referenced.
• Reading Responses: You are to submit 3 responses to readings of your own
choosing over the course of the semester, where each is a minimum of 1
page/double spaced. Please keep count of your submissions and keep in mind that
I can only grade what I receive. The responses are your critical analytical
reflections on a specific section/part/paragraph in the chosen readings. Based on
your chosen section:
1. Analyze the language being used
2. The surprising element of the argument
3. Its relationship to the notion of “America” and/or “American” as an identity
4. How it relates to current day political and cultural happenings
5. Include other class readings
6. Include viable outside sources
Please make sure to specify which section/part/paragraph you are responding to.
2
• Bi-weekly Complex Key Terms Thesis Statement: Every 2 weeks, you will
submit a thesis statement which reflects how the chosen term relates to current
day political and cultural dealings. Please resort to the “Key Concept” terms
assigned to each class in the Weekly Assignments Calendar in order to write
your bi-weekly thesis statements. Clearly identify your chosen term in the title.
• 8-12 pgs. Final Project Paper: You are to write a final paper in which you will
be provided more information on in the beginning weeks of the semester.
These assignments, except for the final paper, are to be submitted in hard as well as in
soft copy via email, where I will evaluate the hardcopy version and hand it back to you
and keep the soft copy on record for your final grade. In case you are to miss class, please
do email me your assignment on time.
MLA Standard: All entries are to be typed, Times New Roman, font 12, double-spaced,
with your last name next to each page # at the top right corner of every page. On the top
left, of the first page, you should include your name, followed by the instructor’s, the
class reference number and lastly the date.
According to FAS policy, if you miss more than 1/5 of all classes within the first 10
weeks of class, you may be withdrawn (i.e. dropped) from the course by the instructor.
According to AUB policy, you may withdraw from the course no later than 10 weeks into
the semester as long as your overall credit load will not go below 12 credits.
3
Academic Integrity and Plagiarism:
In all writing, ideas and words taken from any source should be documented. Failure to
credit ideas or material taken from sources constitutes plagiarism, a violation of the
University’s academic regulations, and is subject to disciplinary action. All writing you
do for this course must be your own and must be written exclusively for this course,
unless the instructor stipulates differently. Please pay special attention to the quotes,
paraphrases, and documentation practices you use in your papers (note: if you are
referring to work previously submitted for this course, then you must cite yourself).
Please refer to AUB Student Code of Conduct:
http://www.aub.edu.lb/pnp/generaluniversitypolicies/Documents/StudentCodeConduct/St
udentCodeConduct.pdf , in particular section 1.1, which concerns academic misconduct
including cheating, plagiarism, in-class disruption, and dishonesty. Please be aware that
misconduct is vigorously prosecuted and that AUB has a zero tolerance policy. Course
policy is that credible evidence of cheating will result in course failure.
Non-Discrimination:
AUB is committed to facilitating a campus free of all forms of discrimination including
sex/gender-based harassment prohibited by Title IX. The University’s non-discrimination
policy applies to, and protects, all students, faculty, and staff. If you think you have
experienced discrimination or harassment, including sexual misconduct, we encourage
you to tell someone promptly. If you speak to a faculty or staff member about an issue
such as harassment, sexual violence, or discrimination, the information will be kept as
private as possible, however, faculty and designated staff are required to bring it to the
attention of the University’s Title IX Coordinator. Faculty can refer you to fully
confidential resources, and you can find information and contacts at
www.aub.edu.lb/titleix . To report an incident, contact the University's Title IX
Coordinator Trudi Hodges at 01-350000 ext. 2514, or titleix@aub.edu.lb . An anonymous
report may be submitted online via EthicsPoint at www.aub.ethicspoint.com
4
• Carolyn Finney’s “This Land is Your Land, This Land is My
Land: People and Public Lands Redux”, 2010
• Shukran Qazimi’s “Sense of Place and Place Identity”, 2014
Key Concept: Manifest Destiny, 1840s.
5
Key Concept: Patriotism / Nationalism
Education for Extinction– Teaching Model Citizenship: If they wear
“American” Suits and Hats, Speaks English, they are Probably American!
Week 7 T: The Cultural Genocide of Native Americans
Mar 12 – 16 Reading Assignments:
• Zitkala-Sa’s (Gertrude Bonnin) “The School Days of an Indian
Girl, American Indian Stories”, 1921
• Sherman Alexie’s “Indian Education”, 1993
• Julia Davis’ “American Indian Boarding School Experiences:
Recent Studies from Native Perspectives”, 2001
Key Concept: Citizenship
TH: In-house Course Evaluation & Check Up and Ford Motor Company
Sociological Department & English School
Reading Assignments:
• Elana Firsht’s “Assembly Line Americanization”: Henry Ford’s
Progressive Politics”, 2012
Key Concept: Ethnicity
Week 8 T: Latino Diaspora/Cultural Estrangement: Banned Otherness
Mar 19 – 23 Reading Assignments:
• Julia Alvarez’s “How the Garcia Girls Lost their Accents:
Chapter 8: Trespass”, 1991
• Manuela Llorenta’s “And Why Did The Garcia Girls Lost Their
Accents? Language, Identity And the Immigrant Experience in
Julia Alvarez’s How the Garcia Girls Lost their Accents”, 2001
Key Concept: Democracy
TH: Draft of Final Paper Project / Banned Otherness Then & Now
Reading Assignments:
• J. Weston Phippen’s “How One Law Banning Ethnic Studies
Led to Its Rise”, 2015
• Dan Prinzing’s “Americanization, Immigration, and Civic
Education: The Education of the “Ignorant and Free””, 2004
Key Concept: Americanization
Consumerism: In Buying We Trust
Week 9 T: A People of Plenty
Mar 26 – 30 Reading Assignments:
• Russell W. Belk’s “Possessions and the Extended Self”, 1988
Key Concept: Nation - State
6
Preliminary Final Project Paper Assignment is due at the beginning of class
War: Us Vs. Them – A Battle Between “Good & Evil”
Week 11 T: Evil Savages
Apr 9 – 13 Reading Assignments:
• Alan Menken & Stephen Schwartz’s “Pocahontas Lyrics”,
1995
• Charalambos Vrasidas’s “The White Man's Indian: Stereotypes
in Film and Beyond”, 1997
Key Concept: Domestic
7