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=
3 3
A
Moderately q = 94
Gtr. 1 Dm Dm(add9) Dm Bb9 A7#5 Dm(add9) Bb9 A7
(elec.)
(Piano)
mf
w/ clean tone
7
6
B
Dm Dm(maj7)
Gtr. 2
(acous.)
mf
Gtr. 1
3 3
5 3 5 5
5 6 8 6 8 8 7 6 5 6
7 7 7
7
Dm7 G7 Bbm7
3
6
5 5 10 10 8 7 6 5 12 11 10 9 8 10 8 10 8 6 6 8 6 8 6 8
8 6 5 6 6 9 10
7 5
4
Sorgdal
F% C7
5 5 3 5 3 5 3 X 2
6 3 5
7 5 4 3 3 5
7 7 6
F%
E7b9
A7
3 3 5
5
1 4 5 6 5 6 5 4 5 6 5 6 5 4 5 8 6 5
1 8 6 5
2 7 6
3 8 7
3
Dm Dm(maj7) Dm7
3 3
3
rake
5 5 5 5 5 5 15 13 13 14 15 13 15 13 12
5 6 8 6 6 X 8 6 8
7 6 X
G7
Bbm7
Am7
Abm7
8v a loco
3
3
3 3 3
steady gliss.
13 13 17 13 2 0 9 11 9 11 9 8 8 10 8 10 8 7
2 0
1
3
Faster q = 137
Gtr. 2 tacet
Gm7 Gb7
A7
3
3
7 9 7 9 7 6 12 12 12 9 4 0 8 6 5
8 6 5
7 6
8 7
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
8 6 5
8 6 5
8 6 5
8 6
8 6 5
8 6
8 6 5
8 6 5
7 6 7 6
8 7 8 7 5
7
C Double-time q = 262
Dm Dm(maj7) Dm7 G7
Gtr. 2
sim.
Gtr. 1
7 5 7 5 5 7 7
5 7 5 5
5 8 8
F% A7
6
4 5
6 8 6
5 7 7 5 5 5
7 6 7
8
Dm Dm(maj7) Dm7 G7
7
5 5 5 10 5
8 6 8 6
7 7
7
F6
*
*
*
3
8 10 8 7 8 8 10 8 7 8 8 10 8 7 8 8 10 8 7 8 12 8
3
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Sorgdal
D
F% Bbm7 F%
3
3 3
5 6 8 9 11 9 11 9 8 6 8 6 8 6 5 6 5 6 5
6 8
Bbm7 F%
3
3 3
3
3 5 3 5 3 5 6 8 8 9 11 13 11 9 8 6 8 10
6 6 8
5
E Dm
3
1/2
8 6 5 3 5 6 5 3
6 8 8
Dm(maj7) Dm7 G7
8 8
10 6 6 6
10 6 6 6 6
F%
3 3
3 3
5 6 6 8 5 6 5 4 5
6 6 6
5 7 9 9 7 5 5 7 7 5 5
6 7
4
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Sorgdal
Dm Dm(maj7)
8v a loco
3 3 3 3 3 3
3
13 16 13 12 15 12 11 14 11 10 13 10 9 12 9 8 11 8 7 10 7
8 8 6
5 5
Dm7 G7 F%
* 8v a
3 3 3 3
3
6 9 6 5 8 5 4 7 4 3 6 3 2 2 5 1 20 20 20
*as before
Dm
8v a loco
*
3
**steady gliss.
3 3
19 9 3 1 3 1 5
3 1 0 3 2 1 6
2 1 0 7
3
Dm(maj7) Dm7 G7
3
3
3 3
rake
6 5 5 6 5 5 6 5 8 10 8 5 5 6 5
6 6 X 6 6
7 7 X 7
F%
3
5 6 8 6 5 6 5 5 10 10
6 6 6
7 5 5 7 6 7 5 5 7
6 7 6 7
5
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Sorgdal
F F% Bbm7 F%
13
15
Bbm7 F%
13
15
Dm Dm(maj7) Dm7 G7
3/4
8 8 6 6 6 6 6
10 10 10
F%
3
5 6 8 6 5 6 5 5 10 10
6 6 6 6
5 7 7 5 5 7
5 7 6 7
F%
G
5
rake
steady gliss.
7
5 5
X 6 6 6
X 7 5 5
11 6 1
6
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Sorgdal
Ab
8
rake
steady gliss.
8 8
9 9 9 9
10 10 8 8 10
13 8 4
Fm
8 10 8 8 10 8
9 9 9 9 9 9
10 10 10 10
9
8 10 8
9 9
8 10 8
9 9
8 10 8
9 8
10 10 10 10
9
8 10 8
9 9
9
8 10 8
9 9
10 10 10 10
Ab6
9
8 10 8
9 9
8 10 8
9 9
8 10 8
9 9
10 10 10 10
7
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Sorgdal
H
Ab6
6 6
6 6
5 5
6 6
6 6
6 6
5 5
6 6
FmVIII
8 8 8 10 11 8 10
8 9 11 8 9 11
9 10 9 10 9 10
Gtr. 2 tacet
Db% F6 Ab
8va loco
3
13 14 15 16 13 13 13
8 14 12 14 12
8 9 11 9 14 12 14 12
8 10 8
µ
Ab Bmaj7 Bbmaj7 Amaj7 Abmaj7
*
14 12 11 8 11 9 8 6 5 4 3
14 12 11 9 8 8 9 7 6 5 4
8 8 7 6 5
9 8 7 6
*as before
8
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from Les Paul: The Trio’s Complete Decca Recordings Plus (1936-47)
Caravan
from SOPHISTICATED LADIES
Words and Music by Duke Ellington, Irving Mills and Juan Tizol
1314 3411 213 2134 13124 213 1312 1312 213 1342
A
=
3
Fast q = 241 * Gº7/F
Gtr. 1
(elec.)
(Bass)
mf
w/ clean tone
12
11 14 14 11 11 9
*Bass plays F
9 9 9 9
11 11 9 8 9 11 11 9 8 9 11 11 9 8 10 11 11 9
9 9
8 8 11 11 9 8
8 8
B
C7
Gtr. 2
(acous.)
mp
**
Gtr. 1
8 9 9 8
8
Copyright © 1937 (Renewed 1965) and Assigned to Famous Music Corporation and EMI Mills Music Inc. in the U.S.A.
Rights for the world outside the U.S.A. Controlled by EMI Mills Music Inc. (Publishing) and Warner Bros. Publications Inc. (Print)
International Copyright Secured All Rights Reserved 1
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Sorgdal
*
8 12 11 10 9
11 8 11 11
*as before
*
3 3 3
8 9 8 9 8 9 8 9 8
11 11 10 9 8 11
*as before
Fm/C
*
3 3 3
3 3 3 3
8 11 8 7 10 7 6 9 6 5 8 5 4 7 4 3 6 3 2 5 2 1
1 4 3
1
3
*as before
F C7
1 fr
*
steady gliss.
8
13 16 15
13
15
13 8
8v a loco
steady gliss.
20 15 12 9 12 9 8 12 9 12 9 8 12 9 12 9 8 12 9 12 9
2
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Sorgdal
8 12 9 12 9 8 12 9 12 9 8 12 9 12 9 8 12 9 12 9 8 12 9 12 9 8 12 9 12 9
8 12 9 12 9 8 12 9 12 9 8 12 9 12 9 8 12 9 12 9 8 12 9 12 9 8 12 9 12 9
Fm/C
*
8 12 9 12 9 8 12 9 12 9 8 12 9 12 9 8 8 8
11
10
*as before
3
3
**
8 9 8 8 13 13 11 9 8 10 11 11
11 9 10 11 13
10 10 12
X 10 X
**fret noise.
C Gtr. 1 tacet
F7
(cont. in notation) Gtr. 2
13
8 8 8 8
7 7 7 7
8 8 8 8
3
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Sorgdal
Bb7
sim.
8 8 8 8 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 6 6 6 6 6 6 6 6 6 6 6 6
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
6 6 6 6 6 6 6 6 6 6 6 6
Eb7
7 7 7 7 6 6 6 6 6 6 6 6
6 6 6 6 5 5 5 5 5 5 5 5
8 8 8 8 6 6 6 6 6 6 6 6
6 6 6 6
Ab
6 6 6 6 6 6 6 6 5 5 5 5
5 5 5 5 5 5 5 5 6 6 6 6
6 6 6 6 6 6 6 6 6 6 6 6
4 4 4 4
C7
(cont. in slashes)
5 5 5 5 5 5 5 5
5 5 5 5 3 3 3 3 3 3 3 3
6 6 6 6 5 5 5 5 5 5 5 5
6 6 6 6 3 3 3 3 3 3 3 3
4 4 4 4
D
C9
Rhy. Fig. 1
Gtr. 2
*
Gtr. 1
8 8 8 9 8 9 8
8
*as before
4
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Sorgdal
*
steady gliss.
8 12 11 10 9
11 8 11
*as before
*
3
8 9 8 9 8 9 8 9 8
11 12 11 10 9 8 11
*as before
*
3/4
11 11 11 11 9 9 9
*as before
Fm/C
6 8 8 9 8
9 9 9 9 9 9
9 8 8 10 10 8 10 10
9 10
C7 VIII
13
8 X 8 8 8 8 8
9 11 11 13 11 13 11 13 11 13 11 13
5
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Sorgdal
*
8 8 10 12 10 12 14 14 10 12 14
9 11 13
*as before
*
14 10 12 14 14 10 12 14 14 12 11 10 10 9
11 10 9
*
* *
3
let ring
8 8 9 8 9 8 9 8 9 8 9 8 9
11 8 8
9 9
10 9 8 10
*as before
Fm/C
*
0
0
9 9 9 9 9 11
8 10
9 11
8 9 8
*as before
C7
8 8
11 9 8
10 9
6
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Sorgdal
8 8 8 8 8
8 7 7
10 9 7 5
10
8 8
7 8 7 8 7 8 7 8 7 8 7 8 7 8 7 8
Fm/C
3 10 11
3 10 11 13
1 10 12
0
X
1
E
F7 E7 F7 E7 F7
3
13 13 12 12 13 13 12 12 13 10 11
13 12 12 13 13 12 12 13 10 11 13
14 13 13 14 14 13 13 14 10 12
13 12 12 13 13 12
13
*
13 15 14 14 15 15 14 14 15 8 9
13 12 12 13 13 12 12 13 8 9 11
13 12 12 13 13 12 12 13 8 10
12 11 11 12 12 11 11 12
13
*as before
7
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Sorgdal
Eb7
11 11 10 10 11 11 10 10 11
11 10 10 11 11 10 10 11
12 11 11 12 12 11 11 12
11 10 10 11 11 10 10 11
13
Ab
*
3
8 9 11 11 13 11 8
8 9 11 9
8 10 10
10
*as before
F
C7 Gtr. 2: w/ Rhy. Fig. 1
C9
11 9 11 9 8
11 9 11 9 8
12 10 12 10 9 9 6 9 6 5
5 8
5
8
6 5 9 8
11 9 8
5 5 7 5 7 10
13 13 11 14 13 11
9 16 16 14 16 14
11 10
8
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Sorgdal
C9 C7 Fm/C
Gtr. 2
Gtr. 1
8 9 8
8 11 9 8 8 8 8
9 9 9 9 9 10 9 10
10
7 8 8 11 8
9 11 9 9 9 11
10 8 8 10 10
9 10 10
G
Gtr. 2 tacet
*Gº7/F Eb7 Gº7 Gb7
steady gliss.
12 9
14 14 12 11 9 11 11 9 8 2
C7
8v a
loco
16 18 15 16
13 15 13 11 13
9 11 8 9 6 8 6 4 6 4 3 4 3 4 4
Fm Fm%
rit. ** p mf p mf p mf
let ring
1
3 3 3 3 3
5
5
1 3
1
3
1
3
1
3
1
0 0 0 0
1
**Vol. swells.
9
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Sorgdal
from Les Paul: The Trio’s Complete Decca Recordings Plus (1936-47)
Dark Eyes
Russian Cabaret Song
A
Free time
µ * Dm6
Gtr. 1
8v a loco
(elec.)
(Piano) 3
6
mf ** 6 6
w/ clean tone steady gliss.
20 20 20 20 20 19 19 10 2 1 0 2 1 0
2 1 0 2 1 0
2 1 0
3
µ Am
8v a
loco 5
6
6
6 6
**steady gliss, let ring
19 19 19 19 18 18 17 2 1 0 2 1 0 0
2 1 0 2 1 0 1
2 1 0 2
2 1 0 2
0
**as before
µ E
8v a
loco
6
6
**steady gliss,
6 6
let ring
19 19 19 19 18 18 17 2 1 0 2 1 0
2 1 0 2 1 0
2 1 0
2 1 0
2 0
0
=
**as before
3
Fast h = 145
Eº7 µ (Am)
8v a
***
3
let ring Harm.
0 5 7 12 5 5 5
0 5 7 12 5 5 5 5 5 5 6 5 4 5
1
2
2
***Played as even eighth notes.
Sorgdal
B
E7 Am
Gtr. 2
(acous.)
sim.
mf
Gtr. 1
3
5
6 5 5 5 6 5 4 5 6 5 5 5 5
E7 Am
3
5 4 4 4 8 8 7 5 5 5 6 7 8 10
Dm Am
3 3 3
10
3
8 7 7 8 10 8 7 7 9 7 6 6 8 6 5
5 6 5 4 5
E7 Am
7
6 5 5 5 4 5
5 5 4
7 7 2 2
C
Bb7b5 Am
3 4 4 4 5 5 5
3 3 4 4
2
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Sorgdal
E7 Am
6
5
6
5
6 5 7 7
5
Eb,7/Bb Dm7
steady gliss.
3 10 4 12
8 10
E7/B Am
8v a
* * loco
rake
P.M. P.M.
11 13 13 11 13 13 12 17 15 12
12 12 X
12 12
13 13
E9 Am
3 3 3 3 3
11 12 14 11 12 14 12 14 12 11 13 11 10 12 10 9 11 9 8 10 8
E9
3 3
3
7 9 7 6 8 6 4 11 12 14 11 12 14 12 14 12
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Am Dm
3 3 3 3 3 3
11 13 11 10 12 10 9 11 9 8 10 8 7 9 7 6 8 6 5 5
6
7
Am
loco
8v a
3
3
3
10 10 10 8 7 5 7 12 17 17 17 15 14 13 12
13
14
E7 Am
*
12 11 12 13 13 11 12 13 13 12 11 X 13 12 11 13 13
D
E Fmaj7#11/E E
*
E Fmaj7#11/E
*
3
3
X X
3 2 1 0 0 0 0 0 0 0 0 0 0 0 0 X X
2 1 0 1 1 1 1 1 1 2 2 2 2 2 X X
2 1 0 2 2 2 2 2 2 3 3 3 3 3 X X
1 2 2 2 2 2 2
0 0
4
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Sorgdal
Gtr. 2 tacet
E µ (E)
3
3
3
3
0
0
1 6 7 8
2 6 7 8 9
2 5 6 7 7
0 0 2 3 4 5 6 7
3
3
9 10 11 12 12 11 12 13 5 13 7
9 10 11 12
9
E
E7
Gtr. 2
Gtr. 1
6 5 6 5 6 5 6 6 5
Am Dm
7
7
5
4
0
Am E7
7 7
7 7
5 7
4 6
0
5
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Sorgdal
Am E7
5
5 9
5 11
4 12
Am E7
7 10 9
9 12 11
10 13 12
Am Dm
*
5
7 6
9 7
10
Am E7
7
7
5 8 7
7 6
8 7
Am E7
7
7 6 7
5 6 7
6 5 6
6 7
6
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Sorgdal
Am E7
7 7
7 7 10 9
5 5 12 11
13 12
Am E7
7 7 7 7 7
7 7 6 6 6
5 7 7 7
Am E7 Am
7 7 7 5
5 5 5 8 7 7 5
7 6 6 7
7 7
E7 Am
8v a
loco
gliss.
3
3
*steady
19 19 19 18 15 9 3 2 1
E7
**
3
0 4 2 4 0 7 4 7 0 2 2 4 0 2 0
4
7
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Sorgdal
Am Dm
**
3
3 3
5 3 5 0 8 8 5 8 0 5 3 5 3 0 8 5 0 8 10 8 10 8
10
Am
*
3
gliss.
3 3
3
steady 3 3
8 8 10 8 8 10 8 10 8 10 8 12 4 4 3 2 0 3 1 0
3 1 0 3 1 0
2 1 0
*as before
E7 Am E Am
3
3
4 5
0 0 0 0 0
5 1 0 1 4 5
2 1 2
2 1 0 2 2 2
2 1 0 0 2 0
0 0
F
Slower q = 193 ( iq = iq )
E7 Am E7
3 3
4 2 4 2 0 4 2 4 2 0 4 0
8 6 8 6 8 6 8 6 8 6 8 6 8 6 8 6 5 5
Am Dm Am
3 3
5 5 8 6 5 8 7 5 8 6 5 8 6 5
6 6 5 5
7
8
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Sorgdal
E7 Am E7
3
3 3 3
7 5 4 7 5 4 5 4 2 4 2 0 4 2 4 2 0 4 0
5 5 4 5 4 5 4 5 4
Am E7 Am
3 3 3 3 3 3
5 3 5 3 0 5 3 5 3 0 5 0 7 5 7 5 0 7 4 7 4 0 7 0 8 5 8 5 0 8 5 8 5 0 8
Dm Am E7
8v a 8v a
loco loco
gliss.
steady
steady gliss.
rake
P.M.
5
0 1 7 12 19 0 3 7 19 20 0
X 4 5 3 1 0
X
Gtr. 2 tacet
Am E Am µ (E)
Gtr. 2 tacet
Am E Am µ
steady gliss.
3 1
2 0 1 2
2
0
2 5 8 17
9
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from The Jazz Collector Edition – Les Paul Trio
Honeysuckle Rose
from AIN’T MISBEHAVIN’
from TIN PAN ALLEY
Words by Andy Razaf
Music by Thomas “Fats” Waller
A
Uptempo Jazz q = 236
µ(F7)
*Gtr. 2
mf
0 0 1 1 0 0 0 0
0 0 3 3 3 3 0 0 0 0 3 3
1 1 1 1
*Piano arr. for gtr.
B
F6
Gtr. 1 (clean)
mf
13 13 13
15 15 15
14 14 14
Gtr. 2
1 1 0 0 0 0 1 1 0 0
3 3 0 0 0 0 3 3 3 3 0 0
1 1
Bb13
13 13 15 15 15
15 15 13 13 13
14 14 13 13 13
12 12 12
0 0 1 1 0 0 0 0 1 1 2 2
0 0 3 3 3 3 0 0 1 1
1 1
Copyright © 1929 by Chappell & Co. and Razaf Music Co. in the United States
Copyright Renewed
All Rights for Razaf Music Co. Administered by The Songwriters Guild Of America
International Copyright Secured All Rights Reserved 1
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Sorgdal
µ (C)
15
13
13
12
3 3 1 1 0 2 3 4 4 5
3
Gtr. 2 tacet
Gm7 C7 Gm7 C7 Gm7 C7
Gtr. 1
8 6 5 8 6 5 8 6 5 8
5 5 5
7 7 7
Gm7
C7
F%
C7
5 4 5 5 6 8 6 5
6 6 6 6 8 6
7 5 7 5 5
6 7
F% Gm C7 Gm7 C7
5 10 8 8 6 5 9 11 13 11 9
6 5 13 11 9
7 7
Gm7 C7 Gm7 C7 F%
16 14
15 15 14 13 16
12 9 13
12 11 10
2
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Sorgdal
C7 F%
16 14 13
16 14 16 14 13 16 14 13 13 11 10
13 11 10 10 10
D
F7 Bbmaj7
15
13 13 11 10
13 13 11
10 12 10 10 12 12
G7 C7
8va
loco
steady gliss. steady gliss.
3 12 15 20 5 5 6 8
10 3 3 5 6 8
5 7
E
Gm7
C7 Gm7 C7
8 8 8 8 8 8
5 5 5 5 5 5
3 3 3
Gm7 C7 Gm7 C7 F%
8 8 6 5
8 6 5 5 6 8 5 6 8 6 5 6
7 6 5 7
3
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Sorgdal
C7 F%
5 8 6 8 8 8
8 6 8 6 5 6 8 6 8 6 5 6 8 6 5 6
F
Gtr. 1
µ (C)
8 8 8 8 8 7 8 7 8
Gtr. 2
7 8 8 8 8 7 8 8 8 8 7 8 7 8
Gtr. 2 tacet
F% Gb7
8 8
7 8 6 7 8 6 5
5 7
8 7 8
F% µ (C)
Gtr. 1
6 8
5 6 8 6 5
6 6 8 6
6 8 8 8 8 6 8 8 8
5 5
Gtr. 2
7 8 8 8 8
4
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Sorgdal
(Db/C)
8 8 9 8 9 8 9
7 8 8 8 8 8 9 8 9 8 9
Gtr. 2 tacet
F%
C7 F%
Gtr. 1
15 13 10
13 13 12 11 9 10
10
12 11 10
14 13 10
G
F7
10 9 13 5 5
10 12 8 14
12
H
Gm7
C7
Gm7
C7 Gm7
C7
8 8 8 9 8 8 6
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5
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Sorgdal
Gm7
C7 F% Gb7
3 3
5 5 10 8 5
8 8 6 6 5 6
5 5 5 5 5 5 7 9 7 5 5 7
6 7
I
F%
B9 C9
mp
*strum w/ thumb
5 8
6 6 2 3 3 3 3 3
7 5 5 7 2 3 3 3 3 3
6 7 1 2 2 2 2 2
*Next 20 measures.
3 3 3 3 3 3 3 3 1 1 1 1 1 1 1 1
3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3
C9
1 1 1 1 1 1 1 1 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2
F C9
3 3 3 3 3 3 3 3 1 1 1 1 3 3 3 3
3 3 3 3 3 3 3 3 2 2 2 2 3 3 3 3
2 2 2 2 2 2 2 2 3 3 3 3 2 2 2 2
6
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Sorgdal
J
F Gb7 F7
1 1 1 1 1 1 1 2 1
2 2 2 2 2 2 2 3 2
3 3 3 3 3 3 3 2 1
Bb Ab9 G9 C7
mf
11 10
11 10
10 9
K
µ(C7)
Gtr. 1
Gtr. 2
divisi
12 11 10 9 12 11 10 9 12 11 10 9
13 12 11 10 13 12 13 12 11 10 13 12 13 12 11 10 12 12 11
13 12 13 12 13 12 12
Gtr. 2 tacet L
Gb7 F% Gb7 F
Gtr. 1
3 17 13 13 13 17
15 8 12 3
F% F6
13
15
14
12 0
8 1
7
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from Les Paul With Mary Ford – The Best of the Capitol Masters
1342 13121 1333 3241 324 241 3421 2314 2311 2314
Intro 3
Fast h = 120 =
A A7 D F7 E7
Gtr. 1 (clean)
mf
Gtr. 2 w/ slap-back echo
8v a
(clean)
1/4
mf 1/4
17 17 17 17 17 17 17 17 17 17 17 17 17 20 20
14 14 14 14 14 14 14 15 15 15 16 16 16 19 19
14 14 14 14 14 14 14 16 16 17 17 17
17 17 17 16 16 15 15 15
19
E7/G# E7 A A7 D F7
sim.
8v a
1/4 1/4
20 20 17 17 17 17 17 17 17 17 17 17 17 17 17
19 19 14 14 14 14 14 14 14 15 15 15 16 16 16
14 14 14 14 14 14 14 16 16 17 17 17
17 17 17 16 16 15 15 15
Verse
A E7 A A/E A6/E A/E A6/E
Rhy. Fig. 1
P.M.
1. Some - where there’s mu - sic, how faint the
loco
8va
14 14 17
14 14 14
14 14 14
14 14
Sorgdal
Am/E Am6/E Am/E Am6/E G/D G6/D
tune. Some - where there’s hea - ven,
loco
12 12
10 12 12 10
11 11 11 11
10 10 10 10
how high the moon. There is no
10 15 15 15 15
12 15 15 15 15
15 15 15 15 15 15
14 14 14 14 14
13
Gtr. 2 tacet
F/C E9 A E7
A/E D A D E7
End Rhy. Fig. 1
2
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Sorgdal
Verse
Gtr. 1: w/ Rhy. Fig. 1
A/E A6/E
Gtr. 2
7 7 7
how near, how far. Some - where there’s
loco
8va
17 12 12
X 12 12 12
11 11 11 11 11 11
10 10 10 10 10
G/D G6/D G/D G6/D Gm/D Gm6/D
heav - ven, it’s where you are.
15 15 15 15
15 15 15 15
16 15 15 15
14 14 14 14
13 13
The dark - est night would shine if you would come to me
3
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Sorgdal
A E7 A/E D E7
Gtr. 1
6 7 6 7
A E7 A/E E7
how high the moon.
Gtr. 2
1/2
grad. bend
1
11 11 11
12 12 12
Guitar Solo
Gtr. 1: w/ Rhy. Fig. 1
A/E A6/E A/E A6/E Am/E Am6/E Am/E Am6/E
P.M. P.M. 1
5 5 5 5 5 5 5 7
5 5 5 5 7
6
7 7
G/D G6/D G/D Gb/D Gm/D Gm6/D Gm/D Gm6/D
3
0
1 3/4 3/4 P.M.
3 5 3 5 5 5 5 3 5 5 3 5 3
3 5
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F/C E9 A E7 A/E D
P.M.
5 5 5 7 5 7 8 5 7 5
5
5
7
A E7 A/E E7
Gtr. 1
Gtr. 2
3 3 3 3 3
8 5 8 5 7 5 7 5 8 5 8 5 7 5 7 5 8 5 8 5 7
7 7 7 7 7
E7#9 E7
*
3 3 3 3
5 7 5 8 5 8 5 7 5 7 5 8 5 8 5 7 5 7
7 7 7 7
A/E A6/E A/E A6/E Am/E An6/E
f let ring
let ring 1/4
14 14 14 14 14
13 13 13 13 13
X
X
12 12 12 12
12 12 12
Am/E Am6/E G/D G6/D G/D G6/D
8va
let ring let ring
1/4 1/4 1/4 1/4 1/4
14 14 14 15 15 18
13 13 13 17 17 17
0
12
12 12
5
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Sorgdal
Gm/D Gm6/D Gm/D Gm6/D F/C
loco
8va loco
mf
1/4 1/4 P.M.
1/4
15 15 15 17 5 5
17 17 17 18 7
E9 A E7 A/E D
P.M.
5 5 7 5 7 9 5 7 5
5
6
7
7 8
E7
Gtr. 1
Ah,
Gtr. 2
3
3
7 6 7 7 6 6 6 7 7 7
P.M.
9 8 9 9 9 8 9
10 9 10 10 10 9 10
9 8 9 9 9 8 9
6
6
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Sorgdal
Am/E Am6/E Am/E Am6/E G/D G6/D G/D G6/D
P.M.
8 8 8 8 8 7 8 7 6 7 7 7 6 7
10 10 10 7 10 10 9 10 8 7 8 8 8 8 7 8
9 9 9 9 9 9 8 9 7 6 7 7 7 7 6 7
E9 A6 E7 A/E D A E7
Gtr. 1
3 3 3
5 7 5 7 9 12 9 12 12 9 12 9 12 12 9
11 10 10
11 11 11 11
11 11
12 12
3
3 3 3 3
12 9 12 12 9 12 9 12 9 12 12 9 12 9 12 9
10 10 10
11 11 11 11 11 11
7
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Verse
E7 A/E
3. Some - where there’s mu - sic,
(Oo,
P.M.
12 9 8 9 9 9 8 9
12 10 9 10 10 10 10 9 10
13 9 8 9 9 9 9 8 9 9
12
Am/E
how faint the tune.
oo,
P.M.
8 9 9 9 9 8 9 8 7 8 8 8 7 8
10 9 10 10 10 10 9 10 10 9 10 10 10 10 9 10 7 7
9 8 9 9 9 9 8 9 9 8 9 9 9 9 8 9
G/D
Some - where there’s heav - ven,
oo,
8 7 8 7 7 7 7 7 6 7
9 10 10 10 9 10 8 8 8 8 8 7 8
8 9 9 9 9 8 9 7 7 7 7 7 6 7
8
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Sorgdal
Gm/D
how high the moon.
oo,
P.M.
7 6 7 7 7 6 7 6 5 6 5 6
8 7 8 8 8 7 8 8 7 8 8 8 7 8
7 6 7 7 7 6 7 7 6 7 7 7 6 7 7
8
F/C F6/C
The dark - est night would shine if
oo.)
6 5 6 6 5 6 5
8 7 8 8 7 8 6 6
7 6 7 7 6 7 6 6 6 7 7 6 6
A E7 A/E D
you would come to me soon.
P.M.
14
6 6 7 10 7 13
5 7 7 9
7 7 7 7 7
9
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E7 C#m7 Cm7
(cont. in notation)
Un - til you will, how still my
Gtr. 2
Gtr. 1
divisi
* let ring
14 16 16 15 15
13 17 16
9 9 8 8
9 8
*Both gtrs.
Bm7 E A A7
Gtr. 1
Gtr. 2
8v a
let ring **
(Gtr. 1 cont. in slashes)
14 17 17 17 17 17 17
7
15 14 14 14 14 14 14
14 14 14 14 14
16 17 17
7
7
**Gtr. 1 to left of slash in tab.
D F7 E7 G% G#% A% G6 G#6 A6
8v a
loco
1/4
17 17 17 17 17 17 X 20 20 15 16 17
15 15 17 16 16 16 X 19 X 15 16 17 5 6 7
16 16 16 17 17 17 X 14 15 16 4 4 6
16 16 15 15 15 X 14 15 16 5 6 7
5
10
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from The Jazz Collector Edition – Les Paul Trio
Indiana
(Back Home Again in Indiana)
Words by Ballard MacDonald
Music by James F. Hanley
Uptempo Jazz q = 272 µ(Eb)
*Gtr. 2
mf
11 13 14 15 11 13 14 15 11 13 14
*Piano arr. for gtr.
Gtr. 1 (clean)
3 4 5 6 3 4 5 6 3 4 5
15 13 15 13 15 13 15 15 11 13 14 15 11 13 14
6 4 6 4 6 4 6 6 3 4 5 6 3 4 5
Sorgdal
Gtr. 2 tacet
15 11 13 14 15 13 15 15
3
6 3 4 5 6 4 6 6 3
4
B
Eb Db7 C7 F7
Gtr. 1
6 8 6 3
6
5 0 4
Bb7
Eb
3
6 5 4 2 3
6 3 4 3 4 4 4
4 3 5 3 5 3 5 3 5 3
Eb7
Ab Eb Eb7
3
3
3
let ring
1 4 3
4 4 3 3
5 5 5 3
5
2
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F7 Bb7
3 3 3 3 3 3
8 10 11 10 8 10 11 10 8 10 11 10 7 9 11 10 7 9 11 9 7 9 11 9 7 6
C
Eb Db7
C7
F7
steady gliss.
11 8 8
8 11 11
8 10 14 8 5 2
7 8 10
G7
Cm6
3
4 3 3
X 6 4 4 6
X
X
Eb
G7
Cm6
Aº7
3
3 2 3
4 6 5 6 3 4 X
5 X
X
Eb E
11 10 8 7 6 5 4 2 3
4 4
5 3 2 1 3 5 4
4 5 5 6
3
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D
F
F Eb9
5
5 8 6
5 6 6 6
6 5 7 6
6 7 5
D9 G7 C9
mp
*strum w/ thumb
5
5 3 3 3 3 3 3 3 3 3 3 3 3
5 4 4 4 4 4 4 4 4 3 3 3 3
4 3 3 3 3 3 3 3 3 2 2 3 3
F6 Bb
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 2 2 2 2 2 2 2 2 3 3 3 3
3 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 1 1 1 1 3 3 3 3 3 3 3 3
3 3 3 3 2 2 2 2 5 5 5 5 4 4 4 4
3 3 3 3 3 3 3 3 4 4 4 4 3 3 3 3
**Bass plays Eb
C9
3
mf
5
3 3 3 3 3 3 3 3 6
4 4 4 4 3 3 3 3 5
3 3 3 3 2 2 2 2
4
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E
F Eb7 D7 G7
8 8 13 10 8 5
8
7 0
A7 Dm6 F
8v a
5 15 15
8 6 6
6 6
7 5 7 5
A7 Dm6
8v a
15
13 15 15
15
13 15
15
13 15 15 13 15 17 18
Bº7 F C7 F
loco
8v a
3
steady gliss.
19 20 20 17 6
3 1 0
3
12 3
F% F6
13
15
14
12 0
8 1
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Les Paul With Mary Ford – The Best of the Capitol Masters
3
steady gliss.
mf
3 3 3
4 4 4 4 4 4 4 4 4 4 3
4 4 4 4 4 4 4 4 4 4 2
3 3 5 3 3 3 3 2
Gtr. 2
(clean)
3
mf
4
4
4
4
4
4
4 4 4
*Chord symbols reflect overall harmony.
C C
*
1. In the good old sum - mer -
mp P.M. P.M.
8 8 8 10 8 12 0 8 8 10 8 8 10 8
15 8 8 8 8 8 8 8 8
14 9 9 X 9 9 9 9 9 9
14 10 10 10
8 8 8 8 8 8 8
9 9 9 9 9 9 9
10 10 10 10 10 10 10
10 10 10 10 10
Sorgdal
C7 F C6
time, in the good old sum - mer - time,
P.M. P.M.
8 10 13 13 13 13 8 8 8 8 10 8 8
8 8 10 10 10 10 8 10 10 8 10
9 9 7 7 10 9 9 9 9 9
10 10 8 8 10 10
10 10
1 1 1 1
8 8 8 1 1 1 1 8 10
9 9 9 2 2 2 2 9 9 9 9
10 10 10 3 3 3 3 10 10 10 10
10 10 10
D7 D9
stroll - ing down the sha - dy lane with my sweet - heart
P.M.
12 8 8 10 8 8 8 8 10 8 14 12
10 10 8 8 8 13 10 10
9 9 9 9 9 14 11 11
8 X 10 7 X 7 7
9 9 9 9 9 9 9 9 9 9 X 9 7 X 5 5
10 10 10 10 10 10 10 10 10 X 10
G7 C6
mine.
I’d hold
his hand and he’d hold mine,
P.M.
P.H.
15 15 15 15 15 8 8 8 10 8
12 12 12 12 12 8 10 8 8 8 8
10 10 10 10 10 9 9 9 9 9 9 9 9 9
10 10 10
Pitch: B
7 7 7 7 7
6 6 6 6 6 10 8 8
7 7 7 7 7 9 9 9 9
10 10 10 10 8 7
10 7 6
2
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F F7 C6
that’s a ver - y good sign that he’s my toot - sie
P.M.
8 8 8 8 8 8 10 8
10 10 8 8 8 8 8
10 10 8 9 9 9 9 9 9
10
1/2
1
8 8 8 11
10 6 6 10 10 10 7 8 8 8 8
10 8 8 5 5 9 9 9 9 9 9 9 9
10 10 10 7 7 10 10 10
8
D7 G7 C
woot - sie in the good old sum - mer - time.
P.M. mf grad. bend
8 8 10 8 8 10
8 8 8 8 10 8 8
9 7 9 4 4
10 9 7 7 8 9
10
8 8 8 8 7 5 10
9 9 9 9 5 5 9 9
10 10 10 4 4 3 10 10 10
10
Guitar Solo
C6
E9
Voc. Fig. 1
Down by the sha - dy lane, down by the sha - dy lane,
1/2 1/2 3/4 1/2 P.M.
9
0
4 4 4 4 4 5 7 5
5 7
7
10 10 10 10 10 10 7
9 9 9 9 9 9 8 9 7
10 10 10 10 10 10 9 10 6
3
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F9 B6 C6 B6
down by the sha - dy lane, down by the sha - dy lane,
1/2
9
8
X
7 5 5 7 X
7
8
8 9 10 9
8 8 9 8
7 9 10 9
C6 B6 C6 Db7
End Voc. Fig. 1
down by the sha - dy lane, down by the sha - dy lane,
13
8 8 8 8 8 11 12
11 13 13 13 13 13
10 9 9 10 10 10 10
9 9 8 8 9 9 9 9 10
10 10 10 10 10 9
11
D7 Gb9 G9 B6
Voc. Fig. 2 End Voc. Fig. 2
down by the sha - dy lane, down by the sha - dy lane.
6
3 3
11 10 10 11 10 8 10 8 10 11 10 8 10 8 11 8 11 8
9 10 10 9
11 9 10 9 8
10 8 9 9
12 9 10
4
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Lead Voc.: w/ Voc. Fig. 1
C6 B6 C6
E9
3 3 3 3 3 3
11 8 11 8 0 10 8 10 8 0 11 8 10 8 10 8 10 8 10 8 11 8 11 8 0 10 8 10 8 0 11 8 10 8 10 8 10 8 10 8
F9 B6 C6 B6 C6
B6
3
3
10
13
8 8 8 8
8 10 11 13
8 5 8 5 0 7 5 7 5 7 5 8 9
10 10
8
8 9 10 9 10 9
8 8 9 8 9 8
7 9 10 9 10 9
Voc. Fig. 3
Down by the sha - dy lane,
1/2 1/2 1/2
12
3/4 3/4
8 8 11 8 11 11 11
13 13 10 10
10 11 12 9 10 9
9 10 11 9 10 8
10 9 10 8 9 9
5
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Sorgdal
Lead Voc.: w/ Voc. Fig. 1
C6
End Voc. Fig. 3 Voc. Fig. 4
10 10
9 9
10 10
F9
down by the sha - dy lane, down by the sha - dy lane,
8 8
8 8
8 8 8
8 8 7 8 8 8 8 8 8 7 7 10 8
8 9 8 9 8 9 8 9 9 8 8 8 7 7 10 8
10 10 10 10
10 8 10
9 9 8
10 10 10
C6
down by the sha - dy lane. Down by the sha - dy lane.
let ring
8 8
8 8 7 8 8 11 10
8 9 8 9 5 8 9 9
10 10
10
10 10
9 9 8
10 10 9
6
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Sorgdal
Lead Voc.: w/ Voc. Fig. 2
C G9 D7 Gb9
End Voc. Fig. 4
3 5 5
8
9 8 9 0 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5
10 7 10
10
let ring
10 9
9 10 11 9
10 9 10 8
G9 B C B C
3
3 3 3 3
4 6 4 6 4 6 4 6 4 3 0 5 3 3 0 5 3 5 3 0 5 3 5 3 0 5 3 5 3 0 5
10 7 8 7 8
10 8 9 8 9
9 9 10 9 10
E9 F9 B C
3 3
rake
3 5 3 0 5 3 5 3 0 5 8 8 8 5
10 X 8
8 8 10 8 9
7 10 7 7
10
7 8
8 7 8 7 8
9 7 8 8 9
10 6 7 9 10
7
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Lead Voc.: w/ Voc. Fig. 3
B C G9 D7 Gb9 G9 B
down by the sha - dy lane,
8 10 8 7 8 7 8 7 8
8
8 8 9
10 10
let ring
8 7 8 10 9 10
9 8 9 10 11 9 10 8
10 9 10 9 10 8 9 9
Verse
C C6 C6
down.) 2. In the good old sum - mer -
mp
P.M.
8 8 8 8 8 12 8 8 10 8
8 8 10 10
9 9 9 9
10
8 8 10 10 10 10 10 10 10 10 10 10
9 9 9 9 9 9 9 9 9 9 9 9 9
10 10 10 10 10 10 10 10 10 10 10 10 10
F7 C6
time, in the good old sum - mer - time,
P.M.
8 10 8 8 8 10 8
8 8 10 10 10 8 8
9 9 9 9 9
10 10 10
10
10 10 10 10 10 10 10 10 6 6 6 6 6 6 6 6 10 10 10 10 10 8
9 9 9 9 9 9 9 9 8 8 8 8 8 8 8 8 9 9 9 9 9 9 9
10 10 10 10 10 10 10 10 7 7 7 7 7 7 7 7 10 10 10 10 10 10 10
8
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C D9
stroll - ing down the sha - dy lane with my sweet - heart
P.M.
8 8 10
8 8 8 8 10
9 9 9 9 9 9 9 7
10 10 10 10 10 10 10 10
let ring
5
8 8 8 8 8 8 8 5
9 9 9 9 9 9 9 5
10 10 10 10 10 10 10 5 4
G7 C6
mine. I’d hold his hand and
P.M.
15 15 15 15 15 15 8 8 10 8
12 12 12 12 12 12 8 8 10
10 10 10 10 10 10 9 9 9 9 9 9
7 7 7 7 7 7
6 6 6 6 6 6
7 7 7 7 7 7 9 9 9 9 9
10 10 10 10 10
F9 C6
he’d hold mine, that’s a ver - y good
P.M. P.M.
8 8 10 8 8 8
8 8 8
9 9 10
9
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sign that he’s my toot - sie woot - sie in the
P.M. P.M.
8 8 10 8 8 8 10 8 8 8 8 10 8
8 10 8 8 10 10 8 8 8 8 8 8
9 9 9 9 9 9
8 8 5
8 8 5
9 9 9 9 9 9 9 9 9 9 5
10 10 10 10 10 10 10 10 10 10 4
D7 G7 C D7 G7
good old sum - mer - time, in the good old sum - mer - time.
loco
8va
P.M.
14 14 13 13 14 15 13 11 20 15
13 10 13
let ring
5 6 6 0 X
5 5 5 4 4 0
4 4 5 5 5 5 5 5 5 5 6 7
X X X X X X X X
3 3 3 3 3 3 4 5
C9#11
Gtrs. 1 & 2
2 2 2 2 2 2 2 2 2 6
3 3 3 3 3 3 3 3 3 3 3 3 3 5 7
3 3 3 3 3 3 3 3 3 3 3 3 3 3 7
2 2 2 2 2 2 2 2 2 2 2 2 2 2 6
X X X X X
3 3 3 3 3
10
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from Les Paul: The Trio’s Complete Decca Recordings Plus (1936-47)
=
1 234 1314 1342 2113 2413 3121 234 2314 13121 2134
Intro 3
Moderately q = 83
Cmaj7 C6/G D13/F# D9/F#
Gtr. 1
(elec.)
mf w/ clean tone
let ring let ring let ring
7 7 5 5 7 7 5 5
5 5 5 5 5 5 5 5
5 5 5 5
5 5 4 4
Verse
Eb7#9/Bb D7#9/A Db#9/Ab Db7#9/G C Cmaj7
Rhy. Fig. 1
Gtr. 2
(acous.)
mf
3
3
1. Kiss me once, then kiss me twice,
Gtr. 1
3
3 3
let ring let ring
5 8 7
7 6 5 5 10 8
6 5 4 4 9 9
5 4 3 3 10
6 5 4 3
C6 C% C C#º7 G7/D
3 3 3
3 3
then kiss me once a - gain, it’s been a long, long time.
3
*
1/2
3
3 3
3 rake
let ring
5 12 15
5 12 13 7 7 7 6 8
5 12 14 5 X
5
Sorgdal
Dm
Dm(maj7)
Dm7
G7/D
3 3 **
**
3
Have - n’t felt like this my dear since I can’t re - mem - ber when,
*
3
3
let ring
5 5 12 10 10
6 6 9 10 10
7 6 10
9
Dm6 G7#5 C%
**
3
3
8v a loco
3
11 12 13 15 17 X 12 13 15
10 12 13 15
12 12 14
9
**as before
C7 Gm C7
3
3
3
how man - y dreams I dreamed a - bout you or
** *
3
6
3 5 3 5 4 3 2
3 5 4 3 3
2
2
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F% Fm6 Bb7/F G7#5/F
3
3
just how emp - ty they all seem with - out you. So
*
3 3 3
8 10 12 10 8
1 1 9
2 2 10 9 8 7 9 7 9 7
3
C Cmaj7 C6 C6(#11) A7
3
3 3
3 3
kiss me once, then kiss me twice,
then kiss me once a - gain, it’s been
3
3
*
3
6
5
6 5 7 6 6
7 8 9 9 8 7 6 5 5
0
*as before
D9 G7/D C%
End Rhy. Fig. 1
3 3
a long, long time.
3
3 steady gliss.
let ring
5 8 7 6 5
5 5
5 4 5 6 7 5 7 5 4 5
4 5 5 3 3
X
5
Guitar Solo
Gtr. 2: w/ Rhy. Fig. 1
C Cmaj7 C6 C%
*
3
3
3
let ring 3
0 3 2 1 0 0 3 2 1 0
1 0
2 4 2 4 2
5 6
3
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*
C C#º7 G7/D
5
5
5 3
6 3
7 7 6 5 4 3 7 7 6 5 4 4 4
7 5 3
5
*as before
Dm Dm(maj7) Dm7 G7/D Dm6 G7#5
*
*
*
3 3 3 5
3 3
5 5 5 5 5 4 4 6 4 6 4 6 4 6
6 6
7 7 7 7 7 6 6 6 6 5 5 5 5 5 4
*as before
C% C7 Gm C7
**
3 3
3 3
3
3
3 7 5
3 5 8 5 7 8 10 8 10 11 10 11 10 9 8 8
5 5 5
7
7
**Played behind the beat.
F% Fm6
*
Bb7/F G7#5/F C Cmaj7
*
1/2
3 3 3
3
7 7 7 8 7 6
12 10 8
9 1
0 3 2 1 0
0
0 3 2 1 0
5 5 5 10 9 7
*as before
C6 C6(#11) A7 D9 G7/D
**
*
*
3
3 3 3 3
3/4 1/2
10 10 10 10 8 8 10 12 12
10
2 4 2 4 2 2 12
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
Gtr. 2: w/ Rhy. Fill 1 Gtr. 2: w/ Rhy. Fig. 1
C% G6 C Cmaj7
3 3 3
2. Ah, kiss me once, then kiss me twice,
*
8v a loco
3 3 3 3
12 13 15 15 15 15 15 20 17 15
13 15 13 17 13 12 13
14 12 14
14
C6 C% C C#º7
3
3
3
then kiss me once a - gain, it’s been a long time.
**
5
3
3
12 13 15 17 12 13 15
15
9 8 7 6 5 4 5 5 4 4
G7/D Dm Dm(maj7)
3
3 3
Have - n’t felt like this my dear
3
3 3
3 4 5 5 5
4 5 6 6 6
5 6 7 7 6 6
3 5 5
3
Rhy. Fill 1
Gtr. 1
3
3 3 3 3
2 2 2 4
2 2 2 2
3 3 3 X
3
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Dm7 G7/D Dm6 G7#5
*
3
3 3
3
since I can’t re - mem - ber when, it’s been a long, long
*
let ring
3
3 3 3
let ring
10 11
10 10
5 5 7 5 4 10 10
9
C% C7 Gm
3
3
3
time. You’ll ne - ver know how man - y dreams I dreamed a -
8v a
3
loco
3 3
3
let ring
12 15 17 17 17 17 15 8
13 8
12 6 7 7
7 8
6 7
F% Fm6
C7
** *
3
3 3
bout you, or just how emp - ty they all seem with -
3
6 3 5 5 3 2 1 1 1 3
5 3 5 4 3 5 3 5 3 2 1 1 1
5 4 3 2 2
3
Sorgdal
Bb7/F G7#5/F C Cmaj7
3 3
3
out you. So kiss me once, then kiss me twice,
3
3
3
*
4 3 1
3 1
1
3 1 0 9 8 7 6 5 5 7 8 9 9 8
7
*Played as even eight notes.
C6 C6#11 A7 D9 G7/D C
3fr
Gtr. 2
3
* 3 rit.
3
3
then kiss me once a - gain, it’s been a long, long time.
Gtr. 1
*
3
rit.
6 5 7
6 5 10 8 7
5 4 6 5 9 7 6
7 6 5 5 4 5 8 6 5
5 4 X
3 8 6 5
*as before
Gtr. 2 tacet
D9 G7/D C
Long, long time.
8v a
*
loco
10
14 13 12 11 10 12 13 15 17 17 12 12 15 13 12
13 10 12 13 15 13 13 12 12 13 15 13 15 15 13
10 14 14 12 12 12
12
12
*as before
7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from The Jazz Collector Edition – Les Paul Trio
Uptempo Jazz q = 252
Dm6 Gm6
Gtr. 1 (clean)
mf
12
5 5 10 10
6 6 11 11
7 7 12
*Gtr. 2
mf
6 6
6 6 6 6 6 6 5 8 5 8
4
X
5
4
X
5
4
X
5
4
X
5
4
X
5
4
X
5
7
8
1.
T o Coda
Bb A Bb A Dm A7b9
let ring
10 13 12 9 10 13 12 9 6
11 10 11 10 5
10 9 10 9 10
0
6
5
let ring
6 10 9 5 6 10 9 5 6
6 5 6 5 5
7 6 7 6 7 6
5
0
Sorgdal
B
2.
Gtr. 2 tacet
A7b9 Dm
10
6 4 5 4 5
5 6 5 6 8
10 6 7 7 7
5
0
let ring
0
2
7 0
2
0
G7
Gtr. 1
steady gliss.
10 5 5 8
8 6 5 5 6 8 6 5 6 5 6
7 7 5 5 7
6 7
C7 F% A7
7 6 4 5
5 6 5
6 6 6 5 8 6 5
7 5 7 5 6 7
7
Dm
3
12 12 10 10
5 6 8 6 5 6 5 5 9 10 13 13 12 12 11 11 10 9
7 7
G7 C7 F%
12 10
10 8 10 13 12 11 9 10
12
10 10
12 12 11 10 9 8
12 10
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C
A Dm6
3
3
5 5 5 5 5 6 5
5 5 8 6 5 5 6 8 6 5 6 5 5
6 6 7 7
7 7 7
G C7 A7
3
3
3
3 3 5 6 5 3
5 3
6 5 3
6 5 3 5 6
4 4 5 3
5 5
D
Dm
3
3 8 7 9 7 8 7
6 5 6 5 3 6 6 6 6
7 7 7 7
G7 Gb7 F%
8 7 5 5 5
6 6
5 10 5
7 5 5 7
5 7
E
Dm6
Gtr. 2
10
7 10
10
7 10
10
7 10
10
7 10
10
7 10
10 10 10 10 10
0 0
Gtr. 1
6
5 7
6
5 7
6
5 7
6
5 7
6
5 7
7 7 7 7 7
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
1.
G7 µ(F)
10 7
10 6
5 6 7 8 7 6 4 5
6 6
10 7 5
7 5
6 6
5 6 7 8 7 6 4 5
6 6
7 7 5
2.
C#º7
2 5 8 11
0 3 6 9
2 5 8 11
1 4 7 10
5 4 5 6 5 9 12
X X X X X X X
2 1 2 3 2 6 9
µ Dm6 Ab9 G9
8v a loco
5 24 22 17 17
6 18 17 18 17 15
19 19 16
19 17
12 10 13 17
X X X 11 10
9 7 10 14 11 10
10 9
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C
B
Bb
A
13 12 11 11 10
14 14 12 11 10 10
15 14 15 14 13 12 12
17 17 14
10 8 7 6 6 5
10 9 8 7 7
9 10 9 8 8
F
Gtr. 2 tacet
Dm
Gtr. 1
3
steady gliss.
5 5 5 5 6 5 6 5 10 5
8 8 6 5 5 6 8 6 5 6 5
7 7 7
D.C. al Coda
(take repeat)
G7 C7 F% A7
8v a
5 8 7 6 4 5 8 17 20
6 6 6
5 5 7 7 5
6 7
Coda
Dm Dm% Dm
Gtr. 1
steady gliss.
mp
6
10 7
7
5
Gtr. 2
let ring
12
12
7 10
0
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Les Paul - The Jazz Collector Edition – Les Paul Trio
Lazy River
Words and Music by Hoagy Carmichael and Sidney Arodin
Transcribed by Jeff Jacobson
A7 D9 G7 C% D7 F% F#º7 C6/G
5fr 4fr 7fr 8fr 5fr
=
3
A
Slowly q = 80
G9#11 *A7
Gtr. 2
(acous.)
p
Gtr. 1 (elec.)
3 3 3
mf w/ clean tone
6 5 6
5 8
6 5 6
6 7
D9
sim.
p
8 8 7 7 5 6 8 6 5 6 5
6 6 6 6 5 7 5
4 7
G7
mp
10 8 7
4 3 2 10 10 3
3 4 4 4 8 9
C% G7
3
3
5 5 4 4 3 4 5 5 3 5
4 4 4 4 4
5 4 3 5
Sorgdal
B
C% A7
3
3
3 3 3
3
5 6 5
9 8 7 6
5 8 6 5 8
5 6 7 6
5 7 8 7
6 7
D7
3 3 3
3 3
3 3 3
6 5
5 8 6 5 5
6 7 6 5 7 5
8 5 8 7 4 7
F% F#º7
3
3
rake
4 5
X 8 6 5 6
4 3 2 X 8
3 4 4 4
C6/G A7 D9 G7
*
3
Sorgdal
C% A7 D9 G7
*
3
3 3
8 10 9 8 7 6 8 6 5 5 8 7 6 5
8
8
8 5 5 8 8
9 9 9 9
10
10
*Played as even
eighth notes.
C
Fast q = 236
Gtrs. 1 & 2 tacet
C% A7
Gtr. 2
Gtr. 1
mf
6 5
8 6 5
7
10
sim.
6 8 10 8 6 5
8 6 5
6 7 6
8 7 8 7
5 9 5 5 9 5
4 7 7 4 7 7 4 7 7 7 7 7 7 7 7 7 7
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D7 Ab7 G7 Ab7 G7 Ab7
15 17 17 15
12 12 12 12 12 12 12 12 12 12
7 6 5 4
G7 Ab7 G7 C%
17 15 17 17 15 20
10 20
12 12 12 12 12 12 12 12
D
A7
sim.
mp
13 12
13 12 4
12 11 5
4
D7
let ring
5
5
4 6 6 5
5 5 5 4
4
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A tempo
F% F#º7
6
3
let ring rake
5 5
5 X 8 6 5 6 12 13 15 13 12 13 12
X 8 14
C6/G A7 D9 G7
12 12
1217 17 9 7 8 8 10 8 8 10
12 13 8 10 10 10
14 9 6 12
C7 B7 Bb7 A7 D9
3 3
15 15 14 14 13 13 12 17 16 15 14 13 12 12 16 15 14 13 12
13 13
12 12 12 12 12 12 14 11 14
Gtr. 2 tacet
Db9 C9 Db9#11 C9#11
*
3 3
11 11 8 8 7 5 7 5
12 12 8 8 6 5 8 7
13 10 13 7 5 8 7
9 8
Sorgdal
from The Jazz Collector Edition – Les Paul Trio
My Melancholy Baby
Words by George Norton
Music by Ernie Burnett
3
A
Uptempo Jazz q = 184 =
µ
Bb13
µ
Gtr. 1 (clean)
mf
6 8 8
4 8 8 4
3 4 5 5 4 3 7 7 3 4 5 5 4
6 6
Bb13 µ
Gtr. 1
*Gtr. 2
divisi
6 8 8
8 8 4 3 4 5 4 5 6 5 6 7 6
3 7 7 3 4 5
6 6 5 4 5 6 5 6 7 6 7 8 7
Gtr. 2 tacet
Gtr. 1
7 8 7 8 9 8 9 10 9 10 11 9 10 11 10 9
11
8 9 8 9 10 9 10 11 10 11 12
B
Eb C7b13 C13
8 9 10 11
13 11
11 10 9 9
11
9 8
10
8
Sorgdal
Fm6
8 10 8 8 7 8 7 8 7
8 9 9 9 9 9 9 8
10 9 10 10 10 7 10 10 10 9
10
Bb7 F7 Bb7
7 6 6 7 8 7 6 10 9 8 8 6
9 6 10 9 8 6 9
7 10 9 8 7
8
8
Eb F7b9/Gb Fm7 Bb7
3
3
8
6 8 11
8
6 8 11
13 16
15
15 15 15 18
13 15
14
C
Eb C7b13 C13
steady gliss.
3 19 15 13 11 10 8 10 10 9 8
8 8 8 11 8
9
10 9 8
Fm C7 Fm
steady gliss.
10
8 13 8
9 11 9 8 8 9 11 9 8 8 8
8 10 10 10 9 9 10 10 10
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Ab
Aº7 Eb
Eb7/Db
C7
8 7 8 8 11 11 13 9 11 8 10
13 10 11 9 8
11
13 10
12
Fm6 Bb7 Eb Bb7
8 11 8
11
6 8 6
9 9 8 8 8 7 8
10 10 8 7 8
8
D
Eb C7b13 C7
p sim.
*strum w/ thumb
6
8 8 8 8 8 9 9 9 9 9 8 8 8 8
8 8 8 8 8 9 9 9 9 9 9 9 9 9
8 8 8 8 8 8 8 8 8 8 8 8 8 8
6 6 6 6 6
*Next sixteen measures.
Fm C7 Fm C+/E Ab/Eb Bb B
9 9 9 9 9 9 8 8 9 9 9 9 9 9 6 7
10 10 10 10 10 10 9 9 10 10 9 9 8 8 7 8
10 10 10 10 10 10 8 8 10 10 10 10 10 10 8 9
8 8 8 8 8 8 8 8
Bb F7 Bb
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
7 7 7 7 7 7 7 7 8 8 8 8 7 7 7 7
8 8 8 8 8 8 8 8 7 7 7 7 8 8 8 8
8 8 8 8
Eb Gbº7 Fm7 Bb9
8 8 8 8 8 8 10 10 9 9 6 6
8 8 8 8 8 8 8 8 8 8 5 5
8 8 8 8 8 8 10 10 10 10 6 6
6 6 6 6 6 6 9 9 8 8 5 5
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E
Eb C13
3
mf
13 11 8 7 8 9 8 7 8
8 9 10 11 11 11 10 9 10 9 10 11 10 9 10
8 10 11 12 12 12 11 10 9 8 9 10 9 8 9
8 10 11 12 13 8 7 8 9 8 7 8
Fm
3 3 3 3 3
9 8 8 8 11 8 10
11 10 10 8 8 9 8 9 8 8 9
10 9 9 10 9 10 10 9 10
9 8 8
Ab G
Ab
Aº7
3
Gtrs. 1 & 2
Gtr. 1
3
Gtr. 2 3
divisi
8 7 8 11 8 8 9 10 11 8 8 9 10
9 8 9 9 6 9 10 11 12 13 10 10
8 7 8 8 8 11 11
10 10
Eb Db13 C13 Db C µ
Eb
Gtr. 1
Gtr. 2
divisi
*
11 8 8 10 11 13 15 11
11 8 11 10 8 9 9 11 / 8 9 11 13 12 11 11 / 9 8
10 9 9 10 10
9 8 11 10
9 8
*Gtr. 1 to left of slashes in tab.
Gtr. 2 tacet
µ Ebmaj9
Gtr. 1
3 3
11
8 6 6 6 6 6 6 6 6 6 6 6
7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5
6 6 6 6 6 6 6 6 6 6 6
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Chet Atkins – Chester & Lester/Guitar Monsters
Out of Nowhere
from the Paramount Picture DUDE RANCH
Words by Edward Heyman
Music by Johnny Green
A
Free time
*G
Gtr. 1 (elec.)
Chet Atkins
3
mf w/ clean tone
let ring throughout H.H. H.H. H.H.
H.H. H.H. H.H.
0 7
7 0 7
5 7
5 17 5 5 5 17
5 17 5 7 19
5 17 7 19
Gtr. 2 (elec.)
Les Paul
mf
w/ clean tone
3 10 12 14 17
*Chord symbols reflect implied harmony, next 5 meas.
Eb9
H.H. H.H. H.H. H.H. H.H. H.H.
7 19 8 6
7 19 7 6
7 19 6 18 6
5 17 5
6 18
6 18 6 18
3 3
3 3
3/4 3/4 1
15 10 10 12 12 12 12 12
Sorgdal
=
3
B
Moderately q = 80
G,7
Gtr. 3
(acous.)
mf
Gtr. 1
3
6 9 10
6 11 12
6 6 18 7 19 12
5 17 14
6 18
Gtr. 2
3 3
8
w/ slap-back echo
14 7 9 10 9 10 15
7 9 7 9
B7sus4 E
*
3 3
let ring let ring
9 10 9 10
11 12 11 12
14 13
**
3 3 3 9
7 9 7 7 9 11 9 11 9 7 9 7 9 7 11 9 11 9 9 7 9 9 11 9 11 0 9 7 7 5 7 5 7 9 7
9 9 11 7
7
10
9
10
3 3 3 3
3 3
7 8 7 8 7 8
5 6 5 6 5 4 5 5 6 5 6 5 4 5
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E7 Am
*
Gtr. 2
7
P.M.
7 8 7 8 7 8 7 8 7 8 7 8 7 8 7 8 7 8 7 8 7 8 7 5 7 5 7 5 5
5 5
5 X 7
7 0 7 7 7
Eb
Gtr. 1
*
Gtr. 2
3
3
3 3
3
rake rake rake rake
X X X X 10
X X X X 13 15
8 6 8 6 10 8 8 6
8 8 7 10 8 0 8 8
*
pp
w/ flange effect
10
12
3 3
3 3 3
3 3
3
let ring
10
15
13
10
13 15
10
15
10
13 12
10
12
10
12 10 10
10
10 8 8
10
8 7 7
10
7
7 9 7 9
*as before
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C
Gmaj7
3 mf 3
8 8 10 12 14 10 10 7 7 4 3
8 8 12 12 12 10 10 7 7 4 3 6
9 7 9 9 11 12 14 11 11 7 7 2 6
9 7 7 7 9 12 12 9 9 5 5 2 2 5
X
6
3 3
3
7 10 7 10 7
8
(7 ) 9 9 7 9
Bbm6
3
3
108
3
3
8 8
6 6 6 6 X 6 8 6 8 8 6 X
6 6 6 6 X 8 5 6
5 5 5 5
6
3
3 3
3 3
8 11 8 7 10 7
8 8 7 7
10 8 10 9 7
Gmaj7
8v a
3 3
H.H.
1
7 19 10 22 10 22 7 19
7 19 8 20 10 22 10 22 8 20
7 19 9 21
X
1/4
9
8 8 5
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
B7sus4 E
loco
8v a
H.H. H.H. H.H. H.H.
8 7
7 19 8 7
7 19 7
6 18
7 19
7 19 8 20 7 19 5 17
3
let ring
7
7
9
11
0
D Am Bm7b5 E
Rhy. Fig. 1
*
*
3
let ring
H.H.
8 9 10 8 8 X 0 0 0 12 10 8 10
5 6 5 5 6 5 9
( 5 17 )
8 11
5 6 5 12
13
*as before
Am F7
*
3
3/4
let ring
12 12 12 7 10 8 7 5
8
8 7
3
let ring 3
12 5
13 5
14 5 5 7 8 8
6 6 6 7 7
*as before
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bm7 Bbm7 Am7 D open
End Rhy. Fig. 1
*
3 3
3
1
5 15 12
8 7 5 7 7 7 12 13 15 15 17 15 12 15
6 7 7 11 11 12 14 14 16 14
5
5
9 8 4
X X
7 6
*as before
Gmaj7
w/ bar
12
12
**
rake
X 7 7 7
X 10 8 8 8 8 8
X 9 7
E
Eb
3
3 3
10 11 10 11 10 11 10 11 9 9 8 8 8 9 8
10 8
3 3
3
1 1
1/2
10 10 10 10 10 10 10 8 8 10 8 10 8
10 8
6
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gmaj7
3
rake
10 12 14
X 12 10 11
12
3
rake
X 7 8 10
X 7 8
X 7 9
X
0
12 12
3 3 3 3 3
1/2 let ring
0 0 0 0 0 0 0 0 0 0
8 5 5 7 7 7 8 8 9 9 10 10 10 12 12 12 13 13
F
Gtr. 3: w/ Rhy. Fig. 1
Am Bm7b5 E Am
3
*
*
w/ bar 3 w/ bar
3
10
13 12 13 12 13 15 15 17 15 13
9 10 9 9 10 9
10 9 9 10 12 12 14 12 10
7 8 7 7 8 7
loco
8v a
3 3 3 3 3
steady gliss.
let ring
0 0 0 0 0 0 0 0 21 21 21 22 12
13 15 15 15 17 17 17 18 18 17 15
7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F7 Bm7 Bbm7 Am7 D
*
*
3
3 3 3
w/ bar
1 1 1 1
10 9 8 7
12 10 10 10 10 10 8 7
9 9 9 7 7 7
9 9
3 3
3
5 10 10 9 8 7
8 8 10 8 10 8 10 8 7 7 6 6 5 7
*as before
Rhy. Fig. 2 End Rhy. Fig. 2
Gtr. 3
3 3
3
14 13 12 10 14 13 12 10
8 10 9 8 7 12 12
7 9 12
3
3 3
10 9 8 7
8 10 9 8 7 8 10 9 8 7
7 9 7 7
14 13 12 10 14 13 12 10 14 13 12 10
13 12 12 13
12 12
3 3
3
10 9 8 7 10 9 8 7
7 10 9 8 7
9 9 7 9 7
8
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gmaj7 G6 Am7 D Gmaj7 G6
3
14 13 12 10 14 13 12 10 14 13 12 10
12 12 13 12 12
12
3
3 3
10 9 8 7
8 10 9 8 7 8 10 9 8 7
7 9 7 7
Am7 D Gmaj7 G6
3 3
14 13 12 10 14 13 12 10
13 12 12
12
3
10 9 8 7
8
9 7
Am7 D Gmaj7 G6 Am7 D
Gtr. 1
6
steady gliss. 3
13 9 12 10
12 11 9
12 10 9
Gtr. 2
3
2 2 2
2 2 2
3 3 3
2 2 2
Played ahead of the beat.
9
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Les Paul: The Trio’s Complete Decca Recordings Plus (1936-47)
Somebody Loves Me
from SHE LOVES ME
Words by B.G. DeSylva and Ballard MacDonald
Music by George Gershwin
French Version by Emelia Renaud
13111 2134 3241 2 14 2131 1423 1 423 2134 2131 2 134 3241
13411 1312 13111 13121 2134 2314 1324 14 23 1423 1 423 1423
A
Ab6
Db%
Eb9
Ab6
Gtr. 2
(acous.)
mp
Gtr. 1
Slowly q = 85
(elec.)
*
3
3 3
mf
10 8 10 10
5 6 5 6 7 8 8 10 10
6 8 11
*Played as even eighth notes.
Dbm7
Cm7
Cb7
Bbm7
Eb7
(cont. in notation)
3
3 3 3 3
8 9 11
9 9 11
9 9 9 11 13 13 8
10 10
9 9 9 9 9 9 11 11 7
Sorgdal
Faster q = 174
Ab µ Eb7
*
Gtr. 1
3
3
3
11 9 11 9
12
8 11 11 9 11 9
12
8 11 11 9 11 9
12
8
9
10 9
Gtr. 2
4
5 8 8 8
6 X X X
6 6 6
*Chord symbols reflect implied harmony, next 8 meas.
C7
3
3
9 11 13
8 6 8 6
9
5 8 8 6 8 6
9
5 8 8
8 10
8 5 5
X X X
6 3 3
Eb6
3
8 6 8 6
9
5
6
7 6 5 7
6 8 10
(cont. in slashes)
5 5
X X
3 3
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
B
F6 Bbm7 F6 Bbm6
Gtr. 2
sim.
Gtr. 1
3
9
5 7
5 6 5 6 8 10 10 6 8 9
F% Gm7 C9 F%
10
3
10 10 6 8 9 6 8 6 8
C7 F6 Bb6 C7b9
5 6 5 6 8 6 8 9
6 5 7
F6 Db(#5) Am(maj7)
3
8 5 8 7 6 5 8
10 6 8 10
F9 E7b9 Am6 D7
*
3
3
3
P.M.
8 8 7 6 5 7 7 5 7
5 8 10 8 10 8 10 7 19
5
7
3
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C
Gm D7 Gm D7 Gm D7
*
6 5 5 6 5 6 8 8
8 8 8 8
Gm
D7
G7
steady gliss.
steady gliss.
10 10
10 6
6 8 10 6 8 6 8 8 6 8 6
D
Gm C7b9
F6
steady gliss.
5
8 7
8 X 5
5 4 4 7
X
Bb6 F6 Bbm6
sim.
**
11
rake
P.M.
5 6 7 8 9 9 9 11 9 11
6 5 6 8 X
X
Gtr. 1 tacet
Am7 Ab7 Gm C7b9 F6
(cont. in notation)
3
8 12 13 10
10
X
13 12 12 14 10 10
12 10
4
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E
Db% Gb6 Db% Gbm6
Gtr. 2
sim.
4 4 4 4 2 2 2 2 4 4 4 4 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2
3 3 3 3 1 1 1 1 3 3 3 3 1 1 1 1
4 4 4 4 X X X X 4 4 4 4 X X X X
2 2 2 2 2 2 2 2
4 4 4 4 4 4 4 4 4 4 2 2
3 3 3 3 3 3 3 3 3 3 2 2 6 6 6 6
X X X X 3 3 3 3 3 3 1 1 5 5 5 5
4 4 4 4 X X X X 4 4 2 2 7 7 7 7
4 4 4 4 5 5 5 5
4 4 4 4 2 2 2 0 4 4 4 4 6 6 6 6
3 3 3 3 2 2 2 2 3 3 3 3 6 6 6 6
3 3 3 3 1 1 1 1 3 3 3 3 5 5 5 5
4 4 4 4 X X X 2 4 4 4 4 X X X X
2 2 2 6 6 6 6
Fm C7 Fm Bb7
1 1 1 1 1 1 1 1 1 1 1 1 3 3 3 3
1 1 1 1 3 3 3 3 1 1 1 1 1 1 1 1
3 3 3 3 2 2 2 2 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 1 1 1 1
1 1 1 1 1 1 1 1
Ebm
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
5
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Eb7 D7
4 4 4 4 4 4 4 4 3 3 3 3
6 6 6 6 6 6 6 6 5 5 5 5
5 5 5 5 5 5 5 5 4 4 4 4
6 6 6 6 6 6 6 6 5 5 5 5
6 6 6 6 4 4 4 4 2 2 2 2
5 5 5 5 3 3 3 3 3 3 3 3
4 4 4 4 3 3 3 3 1 1 1 1
X X X X 4 4 4 4 X X X X
4 4 4 4 2 2 2 2
(cont. in slashes)
2 2
4 4 2 2 2 2 2 2 4 4 4 4 4 4 4 4
3 3 2 2 2 2 2 2 3 3 3 3 5 5 5 5
3 3 1 1 1 1 1 1 3 3 3 X 4 4 4 4
4 4 2 2 X X X X 4 4 4 4 6 6 6 6
2 2 2 2 4 4 4 4
F
Db%
C9 F%
Gtr. 2
Gtr. 1
7
6 8 9 5 6 8
6 7 9 5 6 8 5
6 8 5 7 6
Bbm6
sim.
10 9
5
6 5 6 8 6 8 8 6 8 6
6
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F% Am7 C9
*
5
6 6 8 5 8 7 6 5 5
7 7 7 5 5
8 8 5 8 7
C7b9
F%
10
7
5 6 5 6 8 6 8 8
5 5 7 5 7
7 5 7
G9 Am7
3 3
10
7 8 10 7 8 7
6 8 9 10 9 8 6 8 9 10 10 10
Dº7 Am6 D7
8 10 7 8 7 8 10 7 8 7 8 10 7 10
10 10 10 10 7
8 10 11
8 10
11
10 9
10
9 8
9
8
7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Em(maj7) Ebm(maj7) Dm E7b9 Eb(b5)
rit.
steady gliss. rit.
9
7 7 6 6 3 5 5
8 7 3 5 6 6
5
0
G
Slowly q = 78
D(b5) Db(b5) C(b5) Gb6(maj7) C7b9 F6
3
4 4 3 3 2 2 1 1
5 4 3 2 2 1 5
1 5 7
Bb6 C7b9 C7 F6 Bbm6
3 3 3
3
10
steady gliss. 3
1/2
7 7 5 6 8 10 4 3 2 9 8 5 6
6 5 6 7 8 6 1
Am7 Abm7 Gm7 C9
*
3 3
3 3
8
9 11 9 11 9 11 9 11 9 11 9 11 9 11 9 11 9 8 8
5 6 8 6 8
Gtr. 2 tacet
F Fm13 F,9 F%
Gtr. 1
steady gliss.
let ring
13 9 4 1 3
9 3
2
8
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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from The Jazz Collector Edition - Les Paul Trio
Stardust
Words by Mitchell Parish
Music by Hoagy Carmichael
=
A 3
Gtr. 1 (clean)
Slowly q = 74
* Gb Ab
Am7b5
(Piano & bass)
mf
8 9 10
* Chord symbols reflect overall harmony.
B
Ebm
3 3
Gbm6 Db Bb7
11 13 11 9 9 9 13 12 11
10 12 10 12 9 9 13 13 9 9 6
11 10 9 8 8 5
Ebm
Bb7
Ebm
rake
X 6 9 6 6 6 1 2
X 7 6 6 4 1 2 4
1 3
Copyright © 1928, 1929 by Songs Of Peer, Ltd. and EMI Mills Music, Inc.
Copyrights Renewed
All Rights outside the USA Controlled by EMI Mills Music, Inc. (Publishing) and Alfred Publishing Co., Inc. (Print)
International Copyright Secured All Rights Reserved 1
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Ab Dº7/Ab Ab Ab+7/D
3 3
4 4 4 4 4 7 5 7 5 7 5 4 8 6
5 6
Db Dbmaj13
11 9 13 12 11 10 9 8
9 6 11 9 11 9
10
10 10 10 10 10 10 8 8 8 8
Bb7 Eb7
*
3
3
8 8 8 8 6 6
6 5 4 8 6 8
5 6
8 6 5 8 5
5 8
6
* Played as even eighth notes.
A13
Ab13 Bb13 A13 Ab13
let ring let ring let ring let ring let ring
4 4 6 4 5 7 5 6 8 6 5 7 5 4 6 5 4 5
4 4 5 6 5 4 6
5 5 6 7 6 5 7
0 6 7 8 7 6
C
Ebm
Gbm/Cb
mp
6 6 6 6 6 6 9 9 9 9
7 7 7 7 7 7 10 10 10 10
8 8 8 8 8 8 8 8 8 11 11 11 11
8 8 8
2
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Db Bb9 Ebm Bb7 Bb7#5 Ebm
3
mf
6 6 6
9 9 9 9 6 6 6 6 7 7 6 7 7
10 10 10 10 5 5 5 5 8 8 7 7 8
11 11 11 11 6 6 6 6 6 6
6 7 8
D
Gbm6 Db Db/Cb
* *
7 6 6 4
9 9 9 8 7 6 5 5 6 7 5 7 5 7 7 5 4 4 4 4 4 1 1
* Played as even eighth notes.
Bb7
Ebm
Ab7
rake
6 9 6 6 9 6 6
X 7 7 9 7 9 6 7
X 8 8
3 3
3 3 3 3 3
1 1 1 1
()
A7 G7
3 *
rit.
5 5 7 5 7 5 7
5 5 5 6 6 8
6 6 6 6 6 6 8
7 7 7 9 7 5 7
Free time
Dbmaj7
6
6 6 6
6 8 6 10 8 10 8
6 7 676 6 9 9 6 11 9 11 9
6 8 8 6 6 8 12 10 12 10
5 6 8 8 7 6 8
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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from Les Paul With Mary Ford - The Best of the Capitol Masters
Intro
Fast h = 130
C6
mf
w/ clean tone 1. Dear
3
Gtr. 1
(elec.)
Gtr. 2 mf
(elec.) w/ clean tone
3
divisi
12
5 15 8
10
4 13 8 11 8 11 8
5 14 10 7 5 7 5 7 5 10 9 10 12 10
7 5 9 9 10 7
Verse
C Cº7
Rhy. Fig. 1
*Gtr. 3
(acous.)
mf
one, the world is
Riff A
Gtr. 1
Gtr. 2 Riff A1
12 12 12 11 11 11
13 13 13 13 13 13
12 12 12 11 11 11
14 14 14 13 13 13
C E7
wait - ing for the sun - rise.
12 12 12 10 10 10
13 13 13 12 12 12 12 12 12
12 12 12 13 13 13
14 14 14
Sorgdal
F C
Ev - ’ry rose is
End Riff A
End Riff A1
13 13 13 12 12 12
13 13 13 13 13 13 13 13 13
14 14 14 12 12 12
14 14 14
D7 G7
End Rhy. Fig. 1
cov - ered with dew. And
Gtrs. 1 & 2
12 12 12 15 15 15 15
13 10 13 10 13 10 12 12 12 12 12
11 11 11 12 12 12 12 12 12
15 15 15
Rhy. Fig. 2
while the world is
C E7
wait - ing for the sun - rise.
F C
And my heart is
2
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Fm G7 C
End Rhy. Fig. 2
call - ing you.
Gtr. 4 (elec.)
mf w/ clean tone
1 1 1 1
7 7 7 7
Gtr. 1
Gtr. 2
9 9 8 8 8 8
10 10 10 10 9 9
Guitar Solo
Gtr. 3: w/ Rhy. Fig. 1
C Cº7
Gtr. 4
1
3
1/2 P.M. 3
7 7 5 7 5 7 5 7 7 5 7 5 7 5 5
7 5 7
Gtr. 1 Riff B
Riff B1
Gtr. 2
divisi
8 8
8 8 10 8
9 8
C E7
12
1 1 1 1
8 7 0
7 7 7 7
8 12 12 10 8
8 8 10 8 9 10
9 9 9
3
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F C
3 3
3 3
P.M. P.M.
5 8 5 8 5 0 8 5 0
6 6 8 5 0 8 5 0
5 7
5 7
13 10
10 10 8
9
D7
3 3 3 3 3 3
3 3 3 3 3 3
P.M. P.M.
8 5 0 8 5 0 7 5 0 7 5 0 7 5 0 7 5 0
8 5 0 8 5 0 7 5 0 7 5 0 7 5 0 7 5 0
End Riff B
End Riff B1
8 8 7 7 7 8
9 9 9 7 7 5
G7
C
3 3 3
3 3 3
P.M.
1 1
6 4 0 6 4 0 6 4 0
6 4 0 6 4 0 6 4 0 8
7 7 7 5 7
6 8
4 9
4
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Cº7 C
Gtr. 4
1/2 1/2 1 1 1 1
7 7 7 5 7 7 7 7 7
E7
F
P.M. P.M. 1/4
0 7 0 12 0 12 0 12 8 8 11 8
9 13 13 10 10
C Fm G7
Gtr. 4
1/4 1/4 1/4 1/4
8 8 11 11 11 11
10 10 10 10 10 10
0
Gtr. 1
Gtr. 2
divisi
9 9 8 8
10 10 10 10
C C
3 3 3
P.M.
8 8 8 8 8 5 8 5 0 8 5 8 5 0 8 5 8 5
10 10 10 10
0 9 9 9 9
Riff C
Riff C1
6 5
7 5 5
5 5
7
5
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Cº7
3 3 3 3 3
P.M.
0 8 5 8 5 0 8 5 8 5 8 5 0 8 5 8 5 0 8 5 8 5 0 8 5 8 5 0 8 5
5 5
5 5 7 5
7 6
C
E7
3 3 3 3 3 3 3
P.M.
8 5 8 5 0 8 5 8 5 0 8 5 8 5 0 8 5 8 5 0 8 5 7 4 7 4 0 7 4 7 4 0 7 4 7 4
5 5 7
5
5
7
6
9
7 7 7
F
3 3 3 3 3 3
3
P.M.
0 7 4 7 4 0 7 4 13 15 13 12 15 12 11 14 11 10 13 10 9 12 9 8 11 8
6
7 7
6 7 7
6
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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C D7
3 3
3 3 3 3 3 3
3 3 3
7 10 7 6 9 6 5 8 5 4 7 4 3 6 3 2 5 2 1 4 1 0 7 5 0
7 5 0 7 5 0
7 5 0
End Riff C
End Riff C1
3
5 3 2 2 4
7 5 3 3
G7
3 3 3 3 3
3 3 3 3 3
7 5 0 7 5 0 6 4 0 6 4 0 6 4 0
7 5 0 7 5 0 6 4 0 6 4 0 6 4 0 8
3
4
4 3 5
7
Gtr. 3: w/ Rhy. Fig. 2
C Cº7
Gtr. 4
3 3
1/4 P.M.
P.M.
8 8 11 8 12 8 8 8 11 14 8 11 8
10 10 10 8 7 7 10 13 7 10
9 8 8 8
C E7
3 3
rake
P.M.
8 8 11 17 X 12 7 7 7 10 16 10 12
10 10 10 16 X 9 9 9 9 15 9
X 9 9
7
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F C
3
1 8 5 5 5 5
3 0
Fm G7 C
2. Dear
Gtr. 4
1 0 3 3 8
Gtr. 1
Gtr. 2
divisi
5 4 4 5
6 5 5 5
Verse
Gtr. 3: w/ Rhy. Fig. 1
Gtr. 4 tacet
C Cº7
one, the world is
3
* 8v a
3
Gtr. 1
3
16
Gtr. 2 steady gliss. 3
divisi
16
20 20 17 17 20 17 20 17
X 8 17 17 17 16 16 16 19 19 19 19 16 19 19 16
17
16 16 16 19 19 19 19
*Both gtrs.
C E7
8v a 8v a
loco
20 20 17 19 19 16
17 17 17 9
19 19 16
8
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F C
Ev - ’ry lit - tle rose bud is cov - ered with dew
8v a
loco
20 17 20 20 17
9 18 17 17 17
17
D7 G7
and my heart is call - ing for you. The
8v a
15 15
12 12
Gtr. 3: w/ Rhy. Fig. 2
C Gbº C
thrush on high, his sleep - y
8v a 8v a
loco
loco
*
20 20 17 20 17
17 17 17 10 16 19 16 16 12
mate is call - ing and my
8v a
8v a
loco
8v a
loco
20 19 16 8 20 20 17
17 20 12 10 18 18 18
17 19 16
9
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C Fm G7
heart is call - ing
8v a
loco
20 20 17
15 20 20 17 17 17 9 10
10 10
C C
Gtr. 3
you.
Gtr. 4
3
15 15 15 14 13
Gtr. 1
Gtr. 2
divisi 3
8
8 11 8 11 8
9 7 5 7 5 7 5 10 9 10 12 12 10 9
7 5 9 10 10 7 2
C6 C%#11
14 17
12 8 10 10
13
14 13 13 12 12 12 14
15 15
5 5 5 5 5 5 5
5 8 5 8 5 8 5 8 5 5 7 7
7 7 7 5 7
10
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