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Storyboard Template.

Shot Number: 1 Shot Type Visual Information: Soundtrack / Action Shot Edit /
Camera Instructions / Movement / Focus / Dialogue Duration Transition
Mise en Scene
Extreme Long shot To introduce the setting, I shall use a long Non Diegetic The couple, Tom and 30 Continues
shot so that the audience gets a sense of audio. Arlette are enjoying a seconds at this shot
understanding towards the setting and Dustin relaxing breakfast at their but as the
characters. However, a main focus is the sea O’Halloran- hotels restaurant which couple
because obviously this is the main cause of Arrivals N2. This overlooks the sea. They speak the
the film. The before action of the tsunami is is a happy are unaware of what is shot
very relaxing due to people enjoying a composed piece about to follow. focuses on
relaxing morning in the sun until the of music as the them as a
unimaginable happens. couple are close up but
enjoying their for the
holiday together. second
main shot
goes back
to being a
long shot.

Shot Number:2 Shot Type Visual Information: Soundtrack / Action Shot Edit /
Camera Instructions / Movement / Focus / Dialogue Duration Transition
Mise en Scene
Extreme Long shot Similar scene as the first one but this time Diegetic audio- Suddenly, the strangest 10 Again the
the sea has declined back out leaving the more of a thing happens. Something seconds same as the
sand only in vision. The characters are worried/ that has never been seen previous
intrigued as to what is happening so move intrigued tone in before. The sea declines transitions.
towards the sand. their voices. out to sea leaving a mass When the
stretch of sand and couple are
Antony Partos- thousands of fish speaking
Trek. Diegetic struggling for breath. In transition
Audio awe of this moment between
people started to move the two
closer to the scene to speaking.
capture photos of this But goes
unforgettable moment. out to being
But Tom knew something a long shot
was not right… for the
more
important
shot.

Shot Number:3 Shot Type Visual Information: Soundtrack / Action Shot Edit /
Camera Instructions / Movement / Focus / Dialogue Duration Transition
Mise en Scene
Storyboard Template.

Extreme Long shot Camera remains long shot and pans around Diegetic audio- People start to move 10 Panning
the empty beach which features the masses fascinated tone towards the scene in seconds across the
that move closer in order to see the unusual in voices. fascination of what has beach to
beach. But also focuses on the characters just happened. They are see the
reactions to this event especially Tom and Continuation of unaware of the tragedy masses of
Arlett’s to gain a connection with the two Antony Partos- that will follow. people who
characters. Trek. have
gathered.

Shot Number:4 Shot Type Visual Information: Soundtrack / Action Shot Edit /
Camera Instructions / Movement / Focus / Dialogue Duration Transition
Mise en Scene
Extreme Long shot, The main focus of this shot is the waves Diegetic audio Then it became clear to 10 Zoom into
close up getting closer to the characters. The people that what was seconds the wave
audience get a sense of belonging due to it Non Diegetic happening was the coming
coming from the survivor’s perspective so audio- Fernado beginning of a tsunami. closer to
they try to feel what it was like to be in the Velazquez,’Kem The sea rapidly got closer the
path of the wave. But the wave has only just Kang Noi’ and closer to the Tom, characters
come into the shot therefore the panicking Arlette and the rest of the and then
stage has not hit them for this second. It characters. zoom out to
begins as a long shot then when the get the
realisation kicks in the camera will zoom in to character in
a close up of the wave. the shot
again.
Storyboard Template.

Close up Continuation of above

Shot Number:5 Shot Type Visual Information: Soundtrack / Action Shot Edit /
Camera Instructions / Movement / Focus / Dialogue Duration Transition
Mise en Scene
Extreme Long shot, In panic of the tsunami rapidly getting closer Diegetic audio- The recognition of the 15 Zoom in on
to them the camera starts as a long shot but Tom, “Run!” tsunami only meant one seconds their facial
then zooms in on Tom and Arlette so that the After Tom says thing and that was for expressions.
audience can see their facial expressions. The run. them to run for their
facial expressions that are highlighted is that lives. The fear of them
they are extremely worried in the knowing Continuation of losing each other made
that it could be the end. Kem Kang Noi the couple determined to
out run the tsunami but
was that possible…
Storyboard Template.

mid shot Continuation of above

Shot Number:6 Shot Type Visual Information: Soundtrack / Action Shot Edit /
Camera Instructions / Movement / Focus / Dialogue Duration Transition
Mise en Scene
Extreme Long shot This shot features people being hauled under Non diegetic The destructive wave 30 Within this
the water. Therefore, the camera will focus audio- Composer takes anything in its path; seconds scene it
on different parts of the natural disaster. It Fernando people, buildings, trees changes
will zoom into people’s facial expressions Velazquez, ‘The they’re all taken under. shots,
and also the objects that it destroys in its Best Holiday So Tom and Arlette are therefore
path. So it will move between people and Season Ever’ hauled under close ups
objects but the beginning of this scene and Composer of the on facial
the end will remain a long shot to give the Impossible film. expressions
audience a sense of understanding of the It is an emotional but ends
setting. piece of music with a long
which will really shot.
reach to the
heart of the
audience.
mid shot Continuation of above
Storyboard Template.

Shot Number:7 Shot Type Visual Information: Soundtrack / Action Shot Edit /
Camera Instructions / Movement / Focus / Dialogue Duration Transition
Mise en Scene
Extreme Long shot, This is a quick moving shot due to the rapid Continuation of Trees and buildings have 1 minute Continuous
closeups movement of the water. Therefore, the The Best Holiday been knocked down and editing
performance creates a very dramatic scene. Season Ever people have been killed in
A lot of people have been killed at this point the powerful water.
so it is an emotional scene for the audience
to watch.

Shot Number Shot Type Visual Information: Soundtrack / Action Shot Edit /
Camera Instructions / Movement / Focus / Dialogue Duration Transition
Mise en Scene
Long shot The setting still remains to have the water in Diegetic audio- One remaining tree is left 30 secs This scene
shot but due to the speed of the water the Tom yelling for standing upright. Tom has again starts
Tom has been forced down the town. The Arlette survived the tsunami so off with a
only prop that has been left upright in this far and with all of his long shot
shot is a tree which Tom hangs on to. The Fernando strength pulls himself up but as soon
performance is very shocking because he has Velazquez, non a tree which he hangs on as the
an extremely worried facial expression in the diegetic audio. ‘I for dear life as people are audience
knowing that his partner could possibly be won’t stop until I drowning in the water. He can visibly
dead. The camera then zooms into him from find them.’ screams for Arlette but see Tome
the long shot which will become a mid-shot there’s no sign of her. the camera
to allow the audience to see his facial zooms in on
expressions. him.
Storyboard Template.

mid shot Continuation from above

Shot Number Shot Type Visual Information: Soundtrack / Action Shot Edit /
Camera Instructions / Movement / Focus / Dialogue Duration Transition
Mise en Scene
Long shot Due to the strong water the prop being the Non Diegetic The tree falls and Tom is 10 secs Starts as
tree collapses making Tom trying to lay on audio- Fernando trying to hold on but the long shot,
the trunk of the tree. This shot has an Velazquez, ‘Am I strength of the water zooms in on
intense performance because it is indefinite Dead?’ this piece makes it very difficult. Tom
whether he will survive. The audience are of music will
made aware that tsunamis are extremely life follow into the
threatening and realise what everyone in next three shots.
Thailand experienced. The title is
symbolic to the
sense because
the audience do
not know if they
will both survive
or not.
Storyboard Template.

mid shot Continuation from above Am I Dead? –


Fernando
Velazquez

Shot Number Shot Type Visual Information: Soundtrack / Action Shot Edit /
Camera Instructions / Movement / Focus / Dialogue Duration Transition
Mise en Scene
Long shot- zoom in to The camera then moves to Arlette who is Am I Dead? – Blood and wounds cover 20 secs Zoom into
close up. very hurt. It zooms into her wounds to show Fernando her body due to the wounds and
how violent the tsunami was. The Velazquez abusive water throwing facial
performance is emotional due to Arlette anything into her. expressions.
being very hurt making the audience feel a
connection with her. The setting is in the
water, obviously. She is laying on the prop of
a fence which she appears to look very hurt.
Storyboard Template.

Close up Continuation from above Am I Dead? –


Fernando
Velazquez

Shot Number Shot Type Visual Information: Soundtrack / Action Shot Edit /
Camera Instructions / Movement / Focus / Dialogue Duration Transition
Mise en Scene
Mid shot This fast paced movement due to the water Fernando Arlette falls off the fence 10 secs Zooms in
creates an intense performance. Arlette is Velazquez- and is hauled under the and out
forced off the prop leaving her to defeat the Everything I See. water trying to survive. through the
tsunami. However, she struggles due to She tries to hold onto movement.
being hauled under therefore the intensity props that she passes but
increases. The audience have made a the harsh force of the
connection with her already so do not want water makes it
her to get hurt even more. impossible.

Shot Number Shot Type Visual Information: Soundtrack / Action Shot Edit /
Camera Instructions / Movement / Focus / Dialogue Duration Transition
Mise en Scene
Storyboard Template.

Extreme long shot The setting remains around the water which Diegetic audio of Arlette and Tom both 30 secs Pan
Tom and Arlette both come in to the shot. people come into the shot. For between
The performance gets even more intense screaming and about 10 seconds they the two
because for about 10 seconds they don’t the water. don’t see each other characters.
spot each other which will make the Dialogue from which will make the
audience frustrated. When Tom sees Arlette Tom trying to audience frustrated as
struggling in the water he uses diegetic shout Arlette as they want them to find
sound to try and get her attention but she he sees her. each other. Then Tom
cannot hear him. Her facial expression has spots Arlette struggling in
fear all over it. She doesn’t want her life to Fernando the water and tries to call
be over this soon. Velazquez- her but she is only
The camera pans between the two Everything I See. focused on surviving. Also
characters to get an understanding of their the loud diegetic sounds
facial expressions and actions. makes it hard for her to
hear his voice.

Shot Number Shot Type Visual Information: Soundtrack / Action Shot Edit /
Camera Instructions / Movement / Focus / Dialogue Duration Transition
Mise en Scene
Extreme long shot This is a very dramatic performance due to Diegetic audio of When Tom can see 10 secs Panning
the couple going in opposite directions in the both characters Arlette struggling for between
fight for Tom to reach his wife. Therefore, it screaming in breath he tries to swim the two.
is a fast moving scene which pans between happiness but towards her.
the two. also in hope that
they will reach
each other in the
strong water.

Fernando
Velazquez-
Everything I See.

Shot Number Shot Type Visual Information: Soundtrack / Action Shot Edit /
Camera Instructions / Movement / Focus / Dialogue Duration Transition
Mise en Scene
Storyboard Template.

Mid short The relief that this performance gains when Diegetic audio of Arlette sees tom so close 5 secs Continuous
they are so close to reaching each other. The them speaking to to reaching her and cries editing
audience believe that it is over now and then one another. in happiness that he is
can live their future together until the alive.
unimaginable happens. For that seconds the Fernando
scene has a slow movement due to the awe Velazquez-
of them being apart again and knowing Everything I See.
they’re both alive.

Shot Number Shot Type Visual Information: Soundtrack / Action Shot Edit /
Camera Instructions / Movement / Focus / Dialogue Duration Transition
Mise en Scene

Extreme long shot From the slow movement everything Non-Diegetic However, the powerful 15 secs Continuous
changes after that. They are forced apart audio- water forces him in the editing
from one another causing the performance soundtrack opposite direction to
to become dramatic again, plus frustrating as Brother by Arlette. In the fear of
they were so close to being together again. Kodaline. losing her he screams in
anger. Will they ever see
each other again?

Shot Number Shot Type Visual Information: Soundtrack / Action Shot Edit /
Camera Instructions / Movement / Focus / Dialogue Duration Transition
Mise en Scene
Storyboard Template.

Extreme Long shot The setting still remains in the same place, Non-diegetic As the water level 5 secs Pan around
however, as the water levels decrease what audio. decreases what is left is a the island.
remains is dead bodies and destroyed Instrumental destructed island.
buildings. The props will therefore be an music- emotional Thousands of dead bodies
extent list due to the aftershock of the are sprawled everywhere
tsunami being a huge mass tragedy. Non diegetic with people in panic
Furthermore, the camera movement will pan audio- A world trying to find their lost
around the island showing what the tsunami destroyed. loved ones or weeping
has caused. Fernando next to their dead bodies.
Velazquez. The huge tragedy has left
the island in shock.

Long shot Continuation from above

Shot Number Shot Type Visual Information: Soundtrack / Action Shot Edit /
Camera Instructions / Movement / Focus / Dialogue Duration Transition
Mise en Scene
Storyboard Template.

Long shot The setting creates an emotional atmosphere The soundtrack Tom survives the tsunami 10 Zoom into
for the audience because not many people here will have an and finally is able to seconds the masses
survived this tragedy. Sprawls of dead bodies emotive non- touch the ground which is of bodies
cover the ground as water levels have now diegetic sound. a strange sensation for that are laid
dropped. Therefore, the camera angles No speech in the him. on the
throughout the scene focuses on the soundtrack will floor.
different aspects of the aftershock. Tom be there, just
survives the tsunami but there is no sign of instrumental so
his girlfriend Arlette which reinforces that the
suspense because is she dead or is she alive? audience can
gain a
connection with
the characters
and also the
heartbreak that
people went
through in real
life.

Non diegetic
audio- A world
destroyed.
Fernando
Velazquez.
Shot Number Shot Type Visual Information: Soundtrack / Action Shot Edit /
Camera Instructions / Movement / Focus / Dialogue Duration Transition
Mise en Scene

Long shot The long shot consists of Tom, Nath and Diegetic audio as Another couple who have 10 Pan
Molly who are extremely shocked by what they speak to survive (Nath and Molly) seconds between
has happened. The facial expressions on one another. try and help Tom from characters
their faces present that they are very this horrible disaster. as they
worried. The camera will than pan between Non diegetic They are willing to help speak.
the characters as they speak with over the audio- A world him find Arlette and will
shoulder shots. destroyed. do whatever it takes.
Fernando
Velazquez.
Storyboard Template.

Over the shoulder Continuation from above


shot

Shot Number Shot Type Visual Information: Soundtrack / Action Shot Edit /
Camera Instructions / Movement / Focus / Dialogue Duration Transition
Mise en Scene

Long shot The setting then changes as we now focus on Instrumental non Arlette is lying in a puddle 20 Transition
Arlette who is lying unconscious the residue diegetic audio to unconscious. Is she a seconds into a close
of water. As she is worse of that Tom create emotion fighter? Will she survive up of her
makeup will have to be used on her to create and sympathy. this disaster? wounds
open wounds and cuts over her body. The
camera will zoom in on the gruesome Non diegetic
wounds to highlight to the harsh reality of a audio- Fernando
tsunami. However, Arlette has come out of it Velazquez,
alive in comparison to the people around her ‘Happy Ending?’
in this setting.

Shot Number Shot Type Visual Information: Soundtrack / Action Shot Edit /
Camera Instructions / Movement / Focus / Dialogue Duration Transition
Mise en Scene
Storyboard Template.

Long shot The setting where Arlette is laying is horrific, The diegetic After a long traitorous 2 Pan
completely destroyed. The position of the audio features trek experiences the after minutes between
characters around Arlette has Tom on the Tom math of the tsunami and the
floor near her head and the other two near devastatingly realising how lucky the different
her lower body. The tone in Tom’s dialogue is yelling at Arlette three of them are hoping characters.
devastated. in awe of her that Arlette will be too.
waking up. He Tom spots a girl lying
does not want to unconscious in the water.
lose her. He runs over to her in
relief of finding her but
Non diegetic also horror that she could
audio- Fernando not have made it out
Velazquez, alive.
‘Happy Ending?’

Shot Number Shot Type Visual Information: Soundtrack / Action Shot Edit /
Camera Instructions / Movement / Focus / Dialogue Duration Transition
Mise en Scene

Extreme long shot The setting here features them both on high The soundtrack After them both surviving 1 min Pan over
ground where they are safe. The lighting Oblivion by this attack they get to Thailand
becomes high key as they are now safe and Bastille which is high ground where they
the tsunami is over. However, for a lot of the non diegetic are both safe and Arlette
population they did not survive. People’s audio will play can be stitched up.
homes and communities have been whilst the
destroyed so it is not over for them. The camera pans
extreme long shot here then pans around over Thailand.
Thailand where the audience are able to see
the devastation that it has caused.

Shot Number Shot Type Visual Information: Soundtrack / Action Shot Edit /
Camera Instructions / Movement / Focus / Dialogue Duration Transition
Mise en Scene
Storyboard Template.

Long shot, birds eye The setting here features the camp where Instrumental, The high ground they 5 secs Continuous
view the camera shot which is a long shot at a non-diegetic have got to is a camp. editing
birds eye view highlights the dead bodies. audio. People can come here to
This is an upsetting scene for the audience Composer- find their family. But in
because they realise how many people died Nathan Halpern, one section of the camp
in the disaster which was in total approx. The last ride. there is a pile of dead
300,000+. This bodies where survivors
instrumental is a can go to if they have lost
very moving family members.
piece which will
work well for
this scene as
everyone in this
shot has died.
It’ll then follow
up to the next
shot making it
more moving
that this family
have survived
and can now go
home.
Shot Number Shot Type Visual Information: Soundtrack / Action Shot Edit /
Camera Instructions / Movement / Focus / Dialogue Duration Transition
Mise en Scene
Long shot The setting still remains at the camp where All I Want by One little girl (Esmai) 8, 1 min Pan
the atmosphere is slightly more uplifting due Kodaline- Non- who was heartbroken in between
to the two main characters surviving. Diegetic audio. tears was sitting by the characters.
However, for most other characters this is Begins as an bodies. She has lost all of
not a scene where they are all happy and instrumental but her family. Arlette felt a
have excited facial expressions. The tsunami throughout the connection towards the
is over but the after math will always be scene starts play little girl and could not
heart wrenching due to most people being dialogue. begin to imagine what
killed. This little girl, Esmai’s life has been Ending again would happen to her. So
torn apart so her performance is very with Nathan Esmai joins them on their
dramatic and upsetting. But the connection Halpern the journey.
that Arlette faces with the little girl causes composers
her performance to also be emotional as she instrumental
is scared what will happen to her. The Home. The title
camera pans between Arlette and Tom as is even fitting for
they speak therefore use over the shoulder the scene as
shots. their time in
Thailand is now
over.
Storyboard Template.

Over the shoulder Continuation from above


shot

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