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Zainab Sajid
21090091
Farhana Shahzad
Section 9
23 April 2017
“The Virtue of Irrelevance” is written by Sir Roger Scruton, an English philosopher and
writer who specializes in aesthetics and political philosophy, popular for his traditional
conservative views. His distinguished works are in the field of aesthetics with two books to his
name including, The Aesthetics of Architecture and The Aesthetics of Music. In addition, Roger
has written many books on assorted topics, namely conservatism, political philosophy and
modern philosophy. He is profoundly enthusiastic about classical music and is a talented amateur
composer. Scruton was knighted in the 2016 Queens Birthday Honours for "services to
philosophy, teaching and public education". The article was written earlier this year in context
with his article “What’s the Point of Education?” written in November 2016. According to
Scruton, for knowledge to become salient, it should be irrelevant in contrast to the “relevant” and
argument with the use of rhetorical devices and examples supporting his philosophical claim
with a pensive tone to address the students of philosophy and education. However, the stance is
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reflective of his traditional conservative leaning indicating bias with no factual evidence to
Scruton emphasizes the significance of learning dead languages and classical music, also
referred to as irrelevant knowledge. He argues that it is this irrelevant knowledge that shapes our
Scruton presents a logically developed argument for the value of irrelevance. He begins
with John Dewey’s educational philosophy that children should only acquire by engaging in
realistic tasks and challenges and by living in a community to gain real and guided experiences
to foster their inner capacities (Neill). Dewey is opposed to the Dewey’s “child-centered
education” which Scruton describes as “… curriculum, addressed to the life that is theirs (3).”
Second, he mentions how this “relevance revolution (3)” was adopted by the world and the old
curriculum became an offence to modern children. He then explains that how the irrelevant
knowledge of dead languages is actually a mean of respect for children, ancient languages show
us vividly that some matters are intrinsically interesting, and not interesting merely for their
immediate use; understanding them the child might come to see just how irrelevant to the life of
the mind is the pursuit of “relevance” (6). Likewise, he describes music as fundamental to the
curriculum. Lastly, he mentions that his objection to relevant knowledge is that it is an obstacle
to self-discovery and he ends on the note that “… knowledge is not now and never was or will be
relevant (12).” Altogether, his ideas are coherent and well transitioned creating a logical sense.
Scruton uses various rhetorical devices to create a persuasive content and to grasp
reader’s imagination and convey the information. Scruton uses alliteration, “intrusions of the
unusual, the unsanctioned, and the merely meaningful (1)”, “agony aunt (2)” and “intrinsically
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interesting (5)” to devise a poetic timbre, rhythm and mood to focus reader’s attention to the
respected sections. Moreover, the author uses rhetorical questions to emphasize the points he
wants the readers to think upon. Like, to point out the reason for the system change is that “child-
centered education (2)” is effortless for teachers but is devastating for children, “What could be
more evidently a travesty of the nature and duties of the teacher than the idea that it is children
and their interests that set the agenda for the classroom (2)?” Scruton wants the readers to
analyze the current situation that teaching old curriculum is harder for the new teachers because
they too have not been taught that way, which is a great loss. “How, in such circumstances, does
a musical education begin (7)?”, here he wants to imply that basic, cliched music lessons instills
nothing in a child and for Scruton, music is a source of enlightenment, which the new
generations are deprived off. Furthermore, Scruton uses epithet such as, “irrelevant knowledge
(6)”, “banal phrases (7)”, “classical repertoire (12)”, “addictive clichés (7)” and many more to
vivid the description. Additionally, Scruton uses appositives such as, “a classical scholar – the
judge Sir William Jones (6)”, “inclusive classroom – the classroom in which no child is left
behind (7)” and “them – strange languages, alphabets, religions, customs, and laws (6)”, which
indicates the elaborate and comprehensive style of the author. The author uses these literary
devices to shape an engaging and compelling piece assuring the readers of his composing
finesse.
Scruton details his claims using examples. His viewpoint that specializing in different
languages say Latin, Greek, German, French or Spanish, though seem irrelevant but builds one to
compete the unforeseeable, is explained with the example of Sir William Jones. He was a
philologist, a visionary and founder of the Asiatic Society of Bengal (Kamat). He did most to
rescue Sanskrit language and launched a repertoire of classical Indian music. Scruton reasons
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that Sir Jones prowess and dexterity comes from his training in different languages which
enabled him to decipher the Indian world so effortlessly. Likely was the situation with British
foreign servants who owing to their traditional training could influence Indian polity. Scruton
gives another example, which is of himself and how he benefited from being introduced to
classical music, “This practice opened the ears of the choristers at once to the experience of
voice-led harmony. From that it was a small step to lessons in harmony and counterpoint, and
thence to classes in music appreciation (10).” As has been noted, the knowledge that seems
irrelevant while learning assists us in exploring the unknown, tackling the unforeseen and
forming a logic and relevance which is the crucial purpose of the mind. For Scruton, investing
time in the irrelevant is the most relevant act. Such examples identify his claim and him lucid
and rational.
Equally important, Scruton establishes his credibility with the use of contemplative tone.
In fact, well-put thoughts and pensiveness of his tone persuades the reader to accept the
irrelevant knowledge as a virtue, as has been claimed. The subtlety of diction enthralls the reader
to revise their existing believes for child-centered education. It was a performance art, which
brought people together in a uniquely coordinated way, and which was inseparable in its origins
from the habit of improvising around a tune. Music was played, but also listened to, danced to,
sung to, and studied for its intrinsic meaning (8), Scruton creates a cadence while writing about
music, which reflects his command on music and writing. Moreover, his concern for the young
generation echoes in his tone, “But it is a sad day for education when the loss of knowledge is
described, instead, as a gain – when the old curriculum, based on subjects that had proved their
worth over many decades, is replaced by a curriculum based purely on the causes and effects of
the day. At any rate, to think that relevance, so understood, shows a respect for children that was
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absent from the old knowledge-based curriculum is to suffer from a singular deficiency in
sympathy (4).” Scruton successfully evokes the reader’s emotion from this analogy of
deficiency. For several firm reasons, Scruton is able to make the readers question and inquire
into the today’s educational establishments. He uses languages and music as an analogue for
other subjects such as history, geography, mathematics, world politics and so on. He chose to
write referring to languages and music only because of the professional expertise in the
respective areas.
As has been noted, the directed audience of the article are the students of philosophy and
education. Scruton starts his article by mentioning John Dewey [an American psychologist,
philosopher and education reformer] and his educational philosophy, because he expects his
readers to know about them. The author describes how Dewey manifests what Schopenhauer
[known as the theorist of cynicism and pessimism, a worldview that contests the value of
existence] meant by “unscrupulous optimism” (2). To point out, optimism in its ‘wicked’ and
‘unscrupulous’ form shows “the place of pessimism in restoring balance and wisdom to the
conduct of human affairs (Parikh).” Scruton associates Dewey’s theory to such pessimism and
that Dewey is disguising his conscience over what it truly is, only to satisfy himself. The author’s
critique on the relevance revolution is that it does not prepare one to battle the unknown. For new
things to make sense, one needs to have vivid imagination which does not come from the
mainstream education but from the knowledge of the irrelevant, which then, would not seem that
“irrelevant”.
conservative leaning. He is critical of the social change from traditional to new curriculum.
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traditional education, in which children are actively involved in researching and teaching. He
fails to recognize the importance of technical education in this accelerated world. There is less or
no doubt in the fact that for children to thrive and progress in this ever-growing world, they
should have a concrete base in vocational education. Scruton’s bias would have been dissolved
by stating the essentiality of the relevance than only positioning for the virtue of irrelevance.
Along with the conservative bias, Scruton’s argument lack factual evidence either to
support his claim or to discredit counter arguments. Although, he gives examples to labor his
stance, but there is a lot of generalization involved. “Music has suffered greatly from this, since
it is a subject that can be properly taught only to the musical, and which therefore begins from an
act of selection (7)”, a concrete statistic indicating the downturn of classical music with the
advancement of child-centered education, would have made the claim more viable. Moreover,
Scruton discredits Dewey’s educational philosophy, due to which, “Whole subjects were
concocted to replace the old curriculum in history, geography, and English: “peace studies,”
“world studies,” “gender studies,” and so on (4).” Scruton should have mention the importance
of these subjects in our academic and daily lives. He could have done this easily with the help of
a basic contrasting survey between the students of the old curriculum and the new curriculum.
Such data would have strengthened the claim. Although, the claim is philosophical in nature,
generalization could have been avoided. “A band of a thousand British civil servants, versed in
Latin, Greek, and Ancient History, to govern the entire Indian sub-continent (6)”, is an example
of such generalization. There were, without an argument, many reasons for such a strong
political mission, but the author fails to acknowledge that. Another argument could have been a
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comparison between curriculum of educational institutes and the success rates of the students,
On the whole, Scruton’s compelling use of literary devices, rhetorical question, examples
with a thoughtful tone to present a skillfully structured argument captivates the reader’s interest
and attention. Despite its shortcomings in terms of factual evidence, the argument persuades the
audience to give in to the view presented by Scruton. Articles of this genre are important in
discussing the curriculums, core and foundation of the education system. Therefore, Roger
Scruton’s “The Virtue of Irrelevance” not only serves as a critique on the educational
establishments but has the potential to mold reader’s critical perspective, which in itself is a form
of art. Scruton’s proficiency in philosophy and writing are imitated in this composition.
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Works Cited
Kamat, Dr K L. "Sir William Jones." Kamat's Potpourri. N.p., 1 Nov. 2016. Web. 22 Apr. 2017.
<http://www.kamat.com/kalranga/people/pioneers/w-jones.htm>.
Neill, James. "John Dewey: Philosophy of Education James Neill Last updated: 26 Jan 2005."
<http://www.wilderdom.com/experiential/JohnDeweyPhilosophyEducation.html>.
Parikh, Chetan. "Unscrupulous Optimism." Capital Ideas Online. N.p., 13 Dec. 2016. Web. 22
Scruton, Roger. "The Virtue of Irrelevance." Sir Roger Scruton. Future Symphony Institute, Jan.
irrelevance-future-symphony-institute-jan-2017>.