BIBLIOGRAPHY — CHANT & MUSIC

GENERAL - GREGORIAN CHANT

> Apel, Willi. Gregorian Chant. Bloomington: Indiana University Press, 1990. PDF.

> Carroll, Joseph Robert. An Applied Course in Gregorian Chant. The Church
Musicians Bookshelf, series II, no. 2. Toledo, Ohio: Gregorian Institute of America,
1956. PDF.

> Hiley, David. Western Plainchant: A Handbook. Oxford: Clarendon Press, 1993.
PDF.

> Hughes, Dom Anselm. Early Medieval Music up to 1300. London: Geoffrey
Cumberlege, Oxford University Press, 1954. PDF.

> Lord, Suzanne. Music in the Middle Ages: A Reference Guide. Westport,
Connecticut: Greenwood Press, 2008.

> Ofterdinger, Gail. “Colloquium on Transmission Problems in Medieval Chant:

Rutgers University 4-5 April 1986.” The Journal of Musicology, 5/4 (1987): 572-576.
PDF.

> Rojo, R. P. Casiano. “The Gregorian Antiphonary of Silos and the Spanish Melody
of the Lamentations.” Speculum 5/3 (1930): 306-324. PDF.

> Saulnier, Dom Daniel. Gregorian Chant: A Guide. Translated by Edward Schaefer.
Church Music Association of America: 2010. Translation of 2003, S.A. La
Froidfontaine, France. PDF.

CHANT & MUSIC AT CLUNY

> Dossiers d’Archéologie, no. 269, December-January 2002. Cluny ou la puissance
des moines: Histoire de l’Abbaye et de son ordre, 910-1790. HC (Vaubresson 2x;
152Mercer 2x).

- Ferreira, M. P. “La musique et la liturgie.” pp. 40-47.

> Fassler, Margot E. “The Office of the Cantor in Early Western Monastic Rules and
Customaries: A Preliminary Investigation.” Early Music History, 5 (1985): 29-51.

> Ferreira, Manuel Pedro. “Music at Cluny: The Tradition of Gregorian Chant for the
Proper of the Mass. Melodic Variants and Microtonal Nuances.” PhD Dissertation,
Princeton, 1997. PDF.

> Gillingham, Bryan. Music in the Cluniac Ecclesia: A Pilot Project.

Wissenschaftliche Abhandlungen, vol. 83 = Musicological Studies, vol. 83. Ottawa:
Institute of Mediaeval Music, 2006.
> Huglo, Michel and Ferreira, Manuel Pedro. “Cluniac Monks.” Entry in Oxford
Music Online, 2007. PDF.

> Meyer, Kathi. “The Eight Gregorian Modes on the Cluny Capitals.” The Art
Bulletin, 34/2 (1952): 75-94. PDF.

> Szanto, David. “Cluny’s Campaign on the Way to St. James: The Polyphony of the
Aquitanian Sources and the Codex Calixtinus in Historical Context.” PhD
Dissertation, New England Conservatory [Boston], 2003.

VARIA
> Bowles, Edmund A. “The Organ in the Medieval Liturgical Service.” Revue belge
de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap 16/1-4 (1962): 13-29.
PDF.

> Braun, Joachim. “Musical Instruments in Byzantine Illuminated Manuscripts.”

Early Music 8/3 (1980): 312-327. PDF.

> Grier, James. The Musical World of a Medieval Monk: Adémar de Chabannes in
Eleventh-Century Aquitaine. Cambridge: Cambridge University Press, 2006. PDF.