Вы находитесь на странице: 1из 24

....

i
3: m
0 3:
CD 3:
-

I ."
I"T1
I
..
-

3:
:l=­ I
I
,. :I=­
.z:
CD C
,.
3:
:l=- I

CAl
m CD
m 0
0 ><

....i
."
GENERAL INFORMAT ,ION - BUYING FILMS

All films listed are for horne use only. N o ri ghts offered o r applied for . We assume no
liability for any misuse of any fi lm s . We wi ll n ot kno\\ingly buy or sell illegal films.

Featu re films a rc .r eady to run, on good reel~ , a r e US ed original prints unle s s stated othe r­
wise. When y ou r emit in full wi th orde r, \fi lm s are shipped prepaid to any U.S. address.
Foreign shi p ments r equire additi ona l charge of $5.

We will shi p C. O. D. to U.S. add r esses w itA $5 deposit. We do not hold films wi tho ut cash
deposit . You can put a film on layaway fo r 60 days with 10 % o r $10 deposit, whic he ver is
larger. If you fail to take lay - away film out On tim e, you loose deposit .

All fi l ms i nspec t e d on our Inspect-o-film'l m achine which counts the footage , counts the
s pli ces, stops o n any torn spro ckets or thickr ess d efects caused by tape, etc . This ma chine
also giv e s a Euper fici a l cleaning to the fil m at the same tim e . Films that r equ i r e it are
cl ean ed o n our Ne umade cleani ng machine a nd given a scratch-resisti ng c o ating of wax.

~
III.·'
Bank Reference: M r. Kim Harris, Vic e -Presid ent, Merchants National Ban k, P. O. Dr awer
2527, Mobil e , Ala bama 3660 1. .1
~

L~
l,
Stre e t add re ss: 2nd Floor , 2 60 N. Jac k s o n St . Mo bile, Alabama 3 660 3.
433-5529 . Proprietor: E van H. F o re man .
Te l ephone: (2 0 5)

Ou r pri ce structure i s s uc h t hat t here is n o p r o vision for bounced check s or bad c r edit.
So , we don ' t ac cept c r e dit a c count s a n d p er s b n a l c h ecks m u s t clear th e bank befor e film is
s h ipped. T his usuall y c reat e s a dela y of app r oximat ely three weeks. If you a re in a h urry
to r ecei ve fi l m, w e s uggest you re mit by U,IS. Po s tal Money Order, b ank ca s hier's c h eck,
o r Express _Mon eyOrd er. Weadviseagainsts ~ndingcash through the mails, but if you must,
b e s u re you register the letter .

HOME USE ONLY

Electronically printed in U.S.A.


GEORGE BURNS & GRACIE ALLEN

The fantastic George Burns and G r acie Allen, first famous on radio,
became even more famous on their we e kly half hour television show.
These black and white half hour shows from the '50's are hard to find .
Filmland has a collection of ten - y es - ten, all different shows which
a collector painstakingly accumulat ed over the years. It would be a
shame to break up such a wonderful collection so the entire collection
of ten films - each a half hour in length - is being offered as a package.
In addition there were several dupli c a tes of the same show already
in stock, and these, too, are offe r ed at this time . But hurry. These
won't last long!

Ge orge and Gracie are in every show . Harry Von Zel is in most of
them. All of them are zany comedies of the adventures of Gracie and
G e orge and their various friends such as the Vanderlip s , Martins ,
Gibsons, and relatives . At the end of each show George a nd Gracie
come out and do one of their fabulous routines . Terrific!

One show - $19 Two shows - $36 Three shows - $49


Complet e collection of ten show s - all different - $150. - bargain! ,

,_. ~ COLOR 'CORRECTION KIT ' "


Do you have a pink or red tinted print? If so, you need this color cor­

rection kit . Many color prints, be c ause they were carelessly or clum­
sily proces sed loose color stability and turn from true color balance
to a pink tint, and in some extreme cases, t urn very red. The color
correction kit is designed to add blue tones to the film when projected
by use of one or two blue filters in front of the projector lens. If you
have pink or red prints (and they're not supposed to be!) this filter kit
will defintely help you. However, if you expect magic and think that
all your bad prints will look like Technicolor with the filter, don't buy
it because it won't do that! It will restore blue tones to the projected
image when used as directed and is w ell worth the price. The kit con­
tains about 25¢ worth of materials and $1,000 worth of thought and ex­
perimentation. You get the complete kit , instructions , two filters, and
mounting paraphernalia for - - - - - - - - - - - - - - - - - $5

WILD BILL HICKOK

Several different episodes from t his western half-hour television


series. These black ~ white show s are stories of the old West with
Guy Madison playing the part of Wild Bill Hickok. Andy Devine plays
his side-kick. First time ever offe r ed by l6mm Filmland - and m a ybe
the last! Don't miss out!

One show fo r $19 - Two different for $35 - Th r ee different for $49
Sports page" A" - See Sports Page " B"

• SPORTS • • • SPORTS • • • SPORTS • •

All the films listed on these two pages are electron be~m prints on Kodak's new
film base, Estar . While the resolution is not quite as good as a photographic
print, it is far superior to the old Kinescope process. Estar film has the
advantage of being nearly indestructible and the disadvantage of being un­
spliceable with ordinary film cement - a butt splicer with mylar tapes must
be used, but unless you plan to put the films through a meat grinder, y.ou
should have no need for splicing. All titles B&W sound. List alternates.
ORDER BY FILM NUMBER
----
FILM EVENT DATE DATE LENGTH PRICE
NUMBER (minutes)

5-1 AAU International Champions 7-ll-7l 74 $16

5-2 Wide World of Sports 6-17-72 68 $16

5-3 US Mens Olympic Track & Field Trials 7-10-72 76 $18

5-4 Chicago vs. Cincinnati Baseball 7-8-72 123 "29

5-5 Angels vs. Yankees Baseball 7-23-72 121 $29

5-6 California vs. Milwaukee Baseball 7-16-72 87 $20

5-7 U.5. Open Golf 6-18-72 145 $19

5-8 Chicago vs. Detroit Baseball 4-29-72 123 $29

5-9 Major League Baseball 1972 All Stars 7-25-72 142 $35

5-10 Football Coaches All American 6-24-72 157 $37

5-11 AAU International Championship 5-21-72 7~ $17

5-12 Belmont Stakes 6-12-72 48 $13

5-13 Kentucky Derby 5-6-72 42 $20

5-14 CBS Golf Classic 1-30-71 50 $9

5-15 American Sportsman 2-6-66 49 $16

5-16 Ame! ican 5portsman 2-13-66 47 $16

5-17 Pittsburgh vs . 5an Francisco Baseball 6-3-72 131 $32

5-18 San Francisco vs. Chicago Baseball 6-10-72 132 $32

5-19 AAU International Champions 7-2-72 75 $17

5-20 ABC Monday Night Sports 5-1-72 46 $14

5-21 Los Angeles vs. Chicago Baseball 6-17-72 177 $40

5-22 AAtJ International Champions 5-14-72 97 $19

5-23 World Championship Tennis 5-14-72 185 $40

5-24 Chicago vs . Oakland Baseball 5-27-72 l39 $33

5-25 Los Angeles vs. Houston Baseball 5-26-72 ll2 $27

5-26 AAU International Championship 6-ll-72 73 $17

5-27 San Francisco vs. Atlanta Baseball 5-20-72 141 $34

S-28 Houston vs. Pittsburgh Baseball 7-15-72 115 $28

5-29 Boston vs . Oakland Baseball 7-22-72 142 $25

5-30 Br i t ish Open 7-15-72 96 $22

S-31 NBA Playoffs - Los Angeles vs. Milwaukee 4-15-72 96 $20

5-32 American Sportsman 1-23-66 49 $16

-
-.
..
---.
FEATURES

BLACK & WHITE


SOFIA - drama - adventure - 194R. Gene Raymond ,
COLOR
I
Sig rid Gurie, Patricia Morison. Businessman in TO BUILD A FIRE - documentary - 1966. All abo ut
Turke y tri es to get two at omic sc ientists out of
the hands of the Russians. **1- N. Y. Daily News . Arizona. Nar r ated by Or. on Welles. 2864' $94 I
2935' $69 KONGA - science-fiction - 1961. Michae 1 Gough ,

SOMEONE AT TIlE DOOR - mystery - 1 0 50 . Michael Margo Johns , Jess Conrad . London scient ist re-

tur ns from Africa with a small chimpanzee cailed


Medwin, Gary Marsh. Young reporter fakes a mur-
der, but l ands in trouble when real one occu rs. Konga. He feeds it carnivorous plants, turning
2139' $54 it in to a gorilla monster , whic h runs amuCk.
**t New York Daily News . 3214' $ 195
SON OF TIlE RED CORSA IR - spec t acular - 1061.
Lex Barker, Sylvia Lopez. The final retribution LOUIS lANA TERRITORY - romance - comedy - 1953.
of an heroic son who has exo n erated his father IS Val Winter, Leo Zinser .. Fantasy of romance and
name . 3488' $74 comedy set in New Orleans during the time of
Mardi Gras. Co l orfu l picture . 2270' $94
SONS OF THE DESERT - comedy - 1934 . Laurel &
Hardy go Arabian. * *New York Daily News. 238 1' $99 ! MADIGAN'S MILLIONS - comedy - satir e - 1967.
Caesar Romero , Dus t in Hoffman . Comical search !
TOUrn G(TY - mystery - drama - 1953. Joan Collins
James Kennedy. A ruthless boy heads a gang of
for gangste r' s hidden millions. Dustin Hoffman's
first role . 2804 ' $100
I
juvenile delinquents. 2595' $69

MISTRESS OF TIlE WORLD - drama - 1 959 . Martha


TRAIN OF EVEN1S - drama - 1952 . Valerie Hobson, Hyer, Ca rlos Thomson, Sabu . Scientist discovers
John C l ements , Joan Dowling. A train crash
method of controlling e arth t s magnetic fields.
solves four peop le I s problems, some for the When his labo rator y e xplodes, he i. kidnapped

better, Some for the wo rs e . 2395' $69


and killed. His daughter destroys the secret
method, a d evastating threat to man. Reel ~9~f
TIlE TR\lTIl ABOllT MtR DER -
mystery -
194 6 . Bonita
Granville, Morgan Conway. District Attorney must

3 r ee ls Door cond ition. 3485'

prosecute his best friend for murder. **t New


OPERATION DELILAH - comedy-adventure - 1954 .
York Dai 1 y News . 2267' $69
Rory Calhoun, Gia Scala, Marvin Kaplan.
Carrif fea n Island : Electric shaver salesman

VALLEY OF THE LIONS - spectacular, 1962. Ed decides to push sales b y sha vi ng whiskers of

Fury. The legendary lIrsus, wh o lives with lions, new dictator. Under the wh iskers, whi ch turn

and his problems wi th civilization. 3259' $73 out to be false, is the face of th e dictator

VENGENCE IS MINE - mystery - d r a ma - 1949 .

Valentine Dyall. Innocent man, rel eased f r om


prison plans his r eve ng e . 2 101' $54 I he deposed. 2994' $145
RAI SING A RI OT - comedy - 1957. Kenneth More,

Shelagh Fra ze r. When father is left to care for


his thr ee youngsters, laughs happen a. he get.
TIlE WASTREL -
- drama 1962 . Van Heflin, Ellie
Lambetti. Twelve years in the lif e of one man -
acquainted wi th his overac,t iv e kids . ***N e w
$145

York Daily News . 3342'


crowded into the space of five h o urs

land

suspended between lo v e and hatred


and se a insanity and wisdom life and
THE WITCH FROM BENEATH TrlE SEA
drama -
-
ad venture-
1962. John Sutton , Gina Albert_ Young
death. *;t · N : Y. Daily News . som e l ines in Philadelphia girl joins novelist in the Ama zo n
reel 2 . 2907' $84 who is tracking down a local legend about a

girl washed ashore who drove the villagers into

WHILE THE CITY SLEEPS - myst ery -drama - 1956 . frenzies of desire. Inflamed by the legend, he
Dana Andrews, Ida Lupino, Rhonda F leming,
Georg e Sanders, f:loward Duff, Thomas Mitch e ll , fall. prey to the aura of sensuality and lurk-
Vincent Price , John Barrymore, J r.
When a ing danger . 2948' $94
young girl is mysteriously murdered, the p oli ce

and a n ewspape r staff race to.find s ome clue:


SUBTERFUGE drama - -
suspens e - 1968. Gene

Barry, Joan Collins, Michael Rennie, Richard

that might lead th em to the kl11 er, but s eem1ng- Todd. American agent arrives in London and finds

1 y none exists. * **t N.Y. Dai ly News . End title hi mself kidnapped and tortured, is helped t o

replaced. 3163' $74 escape by British Intelligen ce , and finally,

WILDCAT BUS - drama - 1940. Fay Wray , Charles arrives as third man in an on-the-rocks marriage

triangle that has int ernationa1 complications.


Lang. Ba nkrupt playboy goes c r oo k ed but lat e r
redeems himself. 2311' 3335' $145
$74
COLOR COLOR - SCOPE
AGENT 8-3 /4 - comedy - 1965. Dir k Bogarde,
Sylva Koscina, Robert Morely. A spy in t he Bri -
BILLIE -
corned y-d rama - 196 5 . Patty Duke, Warren
Berlinger, Jim Bac\tus, Jane Greer, Billy DeWolfe
tish foreiEffl office espionage service, wor kin g Tomb0yish gi rl , superior to boys in school a the­
in a Czech glass factory, falls in love wi th the let icall y, embarasses h e r father, who is running
daughter of th e chief of th e country's counter- for mayor on a male supremacy ticket. ***New
espionage service. Spy satire. -!' +*New York Daily Yo rk Daily News. 3126' $155
News. 3479' $ 14 5 THE GLASS SPHINX - drama - 1967. Rober t Taylor,
TIlE BIG CAT - adventure-western - 1949 . Lon Mc- An ita Ekbe r g . Dynamic drama of danger a nd o rien­
Callister , Peggy Ann Gar ner, Preston Foster , t a l intrigue which unfolds a mid th e sensational

Forrest Tucker. Mountain val .1ey in lTtah is r ava€ discoveries of a wor Id-f am ous archeologist. <
rav aged by cougar: t e ns e exci t eme nt heightened
34 91' 145

by hatr ed between two men ove r a wo man who is


dead . ** t N.Y. Daily News . 27 10' $135
LAFAYETTE -
historical drama - 1962. Orson

Welles , Jack Ha wki ns, Vittorio De Sica, Edmund

Purdom .. Sto ry of Marquis de Lafayett e 's role


TIlE BLACK TENT - adventure - drama - 1957. An-

in Amer ic an colonie s' fi gh t for freedom from


th ony Steel, Dona Id S inden. British sold ie r, Eng land's rul e in 1776 . Dubb ed . ** *New York
stranded in th e Arabia n deserts, fa ll s for Daily News. 31134' $145
I
Sheik 's daughte r. Sheik joins soldier in fight-
ing off the Germans. 3016 ' $125 ~
FEATURES

BLACK & WHITE


INVASION OF THE NEPTUNE MEN - science-fiction -
1963. Shinchi Chiba, Shinjiro Ebara. A space- I
i II BLACK & WHITE

ship from Neptune attempts to invade earth. Last I'


PASSION OF JOAN - drama - Carl Dryer silent
200 ft. of reel #2 in rough but runable shape. classic - titles - complete. Early version of
2716' $74 Joan of Arc. 2946' (2 hours at 16 fps) $145
PATTERNS - drama - 1956 . Van Heflin, Ed Begley,
ISTANBUL - drama - 1953. Virginia Br uce. People Everett Sloane. Ruthless relations among the
caught in the East-West atmosphere of Istanbul' top brass in a huge business organization .
produced in Turkey. 2304' $54 ' Based on Rod Serling's compelling TV drama.
****New York Daily News . 3003' Several scratches
JOHNNY NOBODY - drama - 1 965. A1do Ray, William
Bendix, Nigel Patrick . Writer and wife carry

and Some printing defects but worth $94


out plan to kill author who stole theme of up­
PLANETS AGAINST liS - SC1ence t1ct1On - 1'lol.
coming book. Trial is held , writer pardoned, but
Jany Clair, Michel Lemoine. The planets join
fatefully dies of sudden heart attack. *** New
toeether to invade and destroy earth. 3073' $89
York Daily News. No main title. 3130' $69
PLEASE MR. BALZAC - comedy - 1956.Brigitte
THE LAST WOMAN ON EARTH - drama-scien ce-fiction
Bardot, Daniel Gelin. French farce comedy about I

- 1961. Antony Carbone, Edward Wain. Three


a young girl who steals and sells rare book be­
1',~op1e, fleeing tax agents in Pue r to Rico, are
longing to the Balzac museum; to rebuy the book
skin diving when atomic bomb destroys all life. shi enters a "beauty contest" and wins . Dubbed ..
They survive - o n ly to develop into a love **2 New York Daily News. 3373' $99
triangle. 2585' $89 POTEMKIN - silent Russian classic - $90
LIPSTICK - drama. - 1963. Pierre Brice , Georgia RAINBOW OVER TEXAS - western - 1946. Roy Rogers ,
Moll, Bella Darv~. Man encourages tee nager's Dale Evans, R. E. Keane. Rogers on singing tour
infatuation for him so that she won't upset 1 makes a.hit.with wealthy girl but her father
his murder alibi. Disenchanted , she goes to ,takes d,m V1ew of the affair. 1926' $110
police but is believed spiteful and revengeful.
Line in reel 2. 3181' $69 THE REBEL GLADIATOR - spectacular - 1962 . Alan
THE MAN FROM CAIRO - adventure - mystery - 1954. Steele, Don Vadis. Roman arena: despite all
George Raft, Gianna Carla Canale. Cache of lost obstacles conceive~ for Ursus' defeat , he sub­
gOld, hidden in the North African desert , tempts dues grea~est glad~ator of Rome. Sparing his lifE
many people. 2911' $69 ln open vlew, he W1ns freedom for his village.
3297' dubbed $74
MAN FROM DEL RIO - western - 1956. Anthony
Qu~nn, Katy Jurado. Friendless Mexican gunman
REPTILICUS - science-fiction - 1962. Carl Otto­
proves worthy of a frontier townts t rust and
sen, Ann Smyrner, Mimi Henrich. Professor dis­
respect - - in a gun duel which he cannot win.
covers that tail of a high prehistoric monster
**t N.Y. Daily News. 2932' $94
can re-create itself. Beast grows so large
that it finally escapes. The Army and Navy try
MAN OR BEAST - drama - 1962. Katherine Hoffman,
in vain to kill it. 2922' $94
Alexander Allerson, Gotz George . January, 1945;

German pacifist in concentration camp where his


RETURN OF THE APE MAN - mystery-horror - 1944.
Nazi brother is an officer, escapes with bro­ Bela Lugosi, John Carradine. Strange and myster­

ther in pursuit will flesh and blood win


ious tale of a man who turns into an ape. **t

New York Dailv News. 2130' ~94

out? 2837' $69


ROCKETSHIP X-M - science-fiction - 1951. Lloyd

MARCH OF THE WOODEN SOLDIERS - fantasy-adventure Bridges, Osa Massen, John Emery. Doomed rocket­
- 1934. Originally titled "Babes In Toyland" ship loses course for moon and lands on Mars.
find Laurel & Hardy coping, or not coping, with **N.Y. Daily News. 2782' $89.
the famous Mother Goose characters and Santa
Claus too. ***t N.Y. Daily News. 2563' $145 SEA FURY - drama - 1959. Stanley Baker Victor
McLaglen. Action drama a roman~e aboard sea-goinB
THE MIRROR HAS TWO FACES - drama - 1959. Michele salvage tug out from Spanis h Costa Brava.
Morgan, Bourvil, Gerard Cury. Unusual and pro­
2597' $74
vocative portrait of a woman given a second

chance at life. f"** N.Y. Daily News. Dubbed.


THE SECRET MARK OF D'ARTAGNAN - spectacular ­
3568' -$69
1960. George Nader. Adventures of D'Artagnan and
Porthos involved in rivalries between Cardinal
MIS S ION TO MOROCCO - adventure - drama - 1959.
Richelieu and Louis XIII. 3340' $74
Les Barker, Fernando Rey. American oil man in­
SHAKEDOWN - comedy - adventure - romance - 1962.
vestigates murder of a man and disappearance of

microfilm showing the location of oil deposits.


Carlos Thompson, Patrick Newell. Import-export
2572' $69 agent arranges a marriage for a bandit, gets rid
of a business rival and defeats a pair of card
MIS SLE TO THE MOCN - science-fiction - 1959. sharks while vacationing on a luxury cruise
Walter Reed, Lois Collier , Harry Lauter. Science ship. 295 1' $74
fiction yarn about a group of people from Earth
who manage to get their robot to the moon. *New SHERLOCK HOLMES AND THE DEADLY NECKLACE - myster
York Dailv News. 2794' $79 1964. Christopher Lee, Sena Berger. Professor
Moriarty on the trail of a golden necklace
NEVER LET GO - comedy - dram a - 1963. Peter stolen from a Pharaoh's tomb and two murders re­
I Sell:rs, Richard Todd. When cosmetic salesman's
car ;s stolen, he decides to play detective.

sults in Sherlock Holmes once again searching


for his arch enemy. 3093' $94
! He f1nds himself in hot wa ter. **} New York

Daily News. 3210 ' $115 THE SINS OF ROME - adventure - spectacular ­
1955. Gianna Maria Ca nale, Ludmilla Tcherina.

II ONE MINUTE TO TWELVE - drama-mystery - 1949 .


01fa Berstrom, Lars Hanson. Swedish atomic
Sparticus, the slave warrior, rouses the glad­

iators into revolt against the early Romans .

scientist encounters conflicts between human


values and values of the scientist. Swedish I Dubbed in English. Sp1icy. End Title replaced.
3385 ' $54
film dubbed in English. 2731' $74
I
LUCKY BUCK RACING GAME

Bring the thrill and excitement of horse racing ri ght onto to your own
horne screen! The complete show runs about 25 minutes. It has five
individual races, all in beautiful color! At the conclusion of each
race, the winning horse and odds paid are shown .
NOT JUST ANOTHER SHOW
This is much more than "just another show." Your guests can actu­
ally participate in each race. Included with each film of five races
(all different) is a liberal quantity of "Perry Mutual" tickets so that
before you show each race you can let each guest make a bet with the
"lucky buck" stage money which is also supplied. You get $25,000
in $100 " lucky buck" b ills . To start the game, give each player
$2,500 in "lucky buck" money. Then, let the players make bets using
the Perry Mutual tickets. You collect the tickets and money, and then
run the first race on the projector . At the end of the race you payoff
the winner (if any H, then hand out new Perry Mutual tickets, collect
the bets and run race !f2. After the end of the five races the player
who has won the most "lucky buck" money has won the game . I

To increase variety, get together with several other collectors and


each buy a set of five races. Then, when you have shown your set of I
five several times, trade films and you're ready to go on another set ;
of different races! If you can't find another collector or two who will I
go in with you so that you can trade films, then you can always use ,
the same film and invite over a different set of friends!
Either way, everyone should enjoy this ultimate audience partic i pation
game film.
H e r e is what you get:
(1) colorset of five different races - total r unning time about 25
minute s.
(2) liberal supply of " Pe r ry Mutu al" betti ng t icke ts.
(3) $25,000 in "lucky buck" betting money .

One complete LUCKY BUCK RACING GAME as above - - , - - - - $19.

Note : I understand these films were originally used in conjun ction with
a promotional program on t e l evision which require d players to go to
supermarkets to obtain free entry blanks. Then, the games would be
telecast a n d the winners paid a cash prize . Through a printing error
in one week's entry blank, it seems everyone won a ca sh prize that
week, and this bankrupted the company!
TELECOMICS

In the early days of television 15 minute shows were in vogue. Tele­


comics are from this period. Each telecomic contains three episodes
from the comic strips. These are not animated in the usual sense of
the word - - black &: white comic strips are panned, zooomed in on,
and music, narrative, and sound effects added in an attempt to create
a sense of dynamic drama. The complete show, without commercials,
including three episodes, runs about 400 ft. The commercials were
removed previously, so that what is left is entertainment only . (Al­
though one might say that commercials of that period viewed by the
sophisticated today might also constitute entertainment!) These films
were in nice, used condition when received, but very , very, dirty and
dusty. Everyone has been carefully inspected, releadered and run
through the Neuvator cleaining machine so that they are in top running
condition now. Buy yourself 400 ft . of TV history for only • . • . . $4

SPORTS IN COLOR &SOUND

Each of the below shows runs about 30 minutes

DALLAS HIGHLIGHTS 1969 Playoffs


AFL HIGHLIGHTS #10 NFL TIllS WEEK
FOOTBALL GAME OF THE WEEK #11 #4 #10
(N.Y. vs. Washington) #6 #9
Cleveland vs . New York #7 #8
Stee1ers vs . Falcons NFL WEST
Packers vs. 4gers NFL EAST
Cowboys vs. Eagles AFL HIGHLIGHTS #6
Cleveland at Baltimore #15

CREAM OF THE CROP

"CREAM OF THE CROP" - colorful bagpipers, bands, and


parades amid display of top athletes in competition
at the fifth Pan American Games held at Winnipeg.
Records are broken and many spectacular moments are
caught on film . A 13t minute spectacular!

One virtually new print . . $49

Several like new prints . . $15 each

One circulated worn print reduced to . $28


The fantastic story of America.n International Pictures, Inc •• Columbia
Pictures Industries, Inc •• Metro-Goldwyn-Mayer, Inc .• Twentieth Cen­
tury-Fox Film Corporation, Walt Disney Productions, Universal City
Studios, Inc .• United Artists Corporation versus EvanH.Foreman

VOL. 1 , VOL. 2, VOL. 3, VOL. 4


What would you expect to pay for these four volumes? $400? WRONG!
- $149

You can get all four volumes for only $149 if your order is postmarked

on or before July 10, 1974 . These four volumes contain reproductions

of several thousand pages of documents pertaining the seven lawsuits

brought against me August 19, 1971. Dont't miss out! Price - $149.

INDEX OF VOLUME ONE INDEX OF VOLUME TWO


COtn plai nt of Univern. l City Studio. , Inc. . • • • • • . • • • • •• • . • . . •• 3
PLlInt<fis ' !notion to reconsider C::ou rl' b Di ,sol ,,1, on O rd e r of June IS , 191Z •• 3

Am end m ent t o above motion .


• . . . . •• • 6

Motion for Temporary itt'training Order . . • . . • . . . . . • . . 15

Defendant's Note to Court in oPpolli tl on to ..bove motion


. • . . . 10

Affidavit in lupport of motion for Temporary Re.training O rder . • • • • • . . 18


Ddendant' li an awer to Pl,untiffll ' fi r a t c laim for r e Hef .
• . 15

Tempora.ry Re1truning Order ~d Order to Show Caule . . •• . . •• • ••• ZS


De[end anl · . answer to PI..ll ntiffl· second claim for relid
• , · . /6

Ddenda nt '. fu r the r defen.es


. . • • • • • • • . • lO

Orde:r to Clerk to i_Bu t: Writ to Seize and Impound . . . . . . . . . • • • . • . 31

Defend.nt·1 c ount e r- claim il.gai n st P l alntiCh


· . 21

Clerk', Writ to U,S. Mar.hal to Seize and bnpound . . • • • • • • •• • •• 38

Plaintiff I cou nt e rd e[end ..nl ' s an.swer . • . .


• . • • • • • . • . • Z9

Schedule A of each of remaining six l awsuits • • • • • • • • • • . • • • • . • • 44­ Plaintifb' Mo ti on t o s trike Defendant'. defenll'" •
· • 31

Defcndant'. firllt set of i nterr ogato rI es to Ph.i nti H • . .


• • • • • •• • • • • Jl

MemoranduIn of Law - Fir at Sale Doctrine • . .45

ln ter rogatoril"S propound ed to Ddenddnt by Pla..intif(a


· • 81

Transcript of hearing Auguat 30, 31, 1971 in U. S. Di s tr i ct Court . . . . 57


Plaintiffs' requc.t fo r pr oduction of docu m ent II . .
. . • •• , • . 'J8
Plaintiffs' Brid dated October 4, 1971 149
De fe ndant' s anllwer 8 t o int e rrog a torie s . .
• • • . • . • 106

Colum bia Pictures a nswerll t o Ode ndant' s interroga tori c:a • • · •• 1l.6

Defendant's Brief filed October 5, 1971 • . • . . . • . . • • • • • . • • . . . 168

Bri ef of PlalntlHs in oppo8it ion to Der"ndant'li motion to com pel di scove r y . 143

P1aintifh' Reply Brief fUed October 12, 1971 •• • • . • . • . •• . • • . . • 186

Defendant' . bri ef in support ofd i scoveryd lrccted lo P la inuffs • . . . . 172

Defendant's Reply Brid filed October 12, 1971 • • •• •• •• . . • • 191


Defendant's su ppl e m e ntal Ictt"r t o Un,ted SI,,! cII M .•g i llt rat e . • •• 180

Pl aintif fs ' rebutt a l letter: to United Statellii M .. gistratc , . . . , 186

Plaintiff.' Brief on irreparable harm dat e d December 13, 1971 . . 197

Co u rt' . orde r of August 6. I':H Z r o: : dllcovery d,ro.: c t c d to PlaIn tiffs . . 191

Defendant's Reply Brief on irreparable harm dated Febl'Uary 7 . 1972 . , •• ZOZ

De fe ndant'li not e . n su pport of motion to <:ons ld ~r .. bove ruling. . 19l

Orde r dis.olving Temporary Restraining Ol'der i ssued June IS, 197 Z , • . . Z13
Pl,\intiffs ' l ette r In rebutt a l to .I bo"c letter. . 196

Answer s of C o lumbia Pictures as mod if. e d by Co ur t ' ~ o rder . · . 200

Writs directins release o£ seised artide • • . • • • . . •• • . . . • . • • • , ZI5

Lette r to Reta il CredIt Company rcqu cll t ing credit r~port . · • ZI4

Re p ly of Retail CredLt C om pilny · • Z 15


DepOSition Subpoena to Reuil C r " di t Com p.a.Il Y . . " . . . . . • • • • • • • • ZI1
Sworn testimony o( Re tail C r~dit Co rnp " ny . • . · . ZI8

INDEX OF VOLUME THREE L etter t o Allied Sec ret Servi n, reque&linR co py oC


De position Subpocn.a. t o Al h "d Se"rct Servile . .
r ~ port . . • • • Z33
. Z14
Evan H., Foreman depodtion Dec. ZO, Zl. 197Z •• . , . , •• , • . 3

::'wo rn t eSllfnoroy of A\li "d Sec r o:1Se r vir e · • ll5

Noti ce to take deposition of Aznericiln ln t emation&l Pictures . • 10 1

? l .. in tiff s· nOl , "" of l a kin g Defe nd.. nt' ,. dl· p os ilLo n . · . . 258

Memorandum in support oC motion oC Ame:dcan International

Picture. to vacate Defendant'. notice to take depo.i t ion , • . •• 10Z


Motion for an order vacating Defendant'S notice to ·take the depo­
sition of Amer i c;Ln Int ernational Picture. . . . . • • •• . , • • • 107

Plaintiffs' motion for prote c tive order . • . . . •• . • . , . • • • 109

Court ' s order of June Z7 , 1973 . . • . • . •• • . • • • . , • • • • 110

INDEX OF VGLUME FOUR


Notice t o take depos ition of American International Pictures . • • III

Deposition o f United ArtiliU (J il.c k McLaughlin) . . . j

De position o f American Interna tional Pictures (V iglietta) • ' .' • , 114

Notice t o take deposition of Ame.rican Intern.l-tional Pictures


Deposition of Twe otieth Cen t ury-Fox (Sidney C. S•.,Tlue l_) . . . lZ

(Hal Brown) , . , • • , •• • , • , • •• . , •• • • • • • • • 198

Deposition of Am.eri c a n lnternil.t iona l (C hry'O\i l il Bli Qnas) • •• . . Sb

Notice to take dep u tion o f Colu m biil Pict ures Indultrfes . , . •• ZOO

Notice to take d e po. ition of Metro-Gotdwyn-Mayer •• • • • • • • ZOZ


Deposition of Mdro_Go\dwy,,_M aye r (Michael T. Co v e ll ) . . . 76

Noti ce to t a ke d"po.ition of Twentieth Century-Fox • •• • . • • . Z04


Deposition of Uni vel·,. ...1 Ci t y Studio. (Gene F .Gia qllintn) , , • 100

Notice to tilxe depollition of Walt Di.ney P l' od,uctions , •• • • • • Z06

Depo.ition of Wall Di " ,l'~ r·,. OO IU:tion . (Pau l Rodor.. ) . . • • 1Z5

Notice to tillo..e depol!.tion of Universal City Studios • . • • • • • • Z08

Notice to tak.e depo.ition of United Artists . • . • • • • , • • • • • UO


Deposition of Co!umbi.. Pictu.·cs (W iIlL.m .I, Sulliva.u) . . . . . . . I4J

...­
-.
..
EQUIPMENT

BOLEX H-16 reflex camera, with through the lens viewer (what you
see is what you get), three lens turret, with l7mm-68mm zoom lens,
filter holder, footage counter, frame counter, single frame switch,
8 to 64 frame s per second, cleaned and timed, with leather case $450

BOLEX H-16, as above, but without reflex feature and zoom lens. Has
focusing rackover tube, Wollensak 25mm, Wollensak l7mm and Rap­
tar 3" telephoto lens, with custom leather case. $195

Bolex H-16 , as above, but without reflex feature and zoom lens. Has
l6mm Switar , 25mm Switar and 75mm Switar $180

Model R Harwald Inspectofilm machine. Detects defects , counts splices,


counts footage, cleans film, rewinds film. FOB Mobile $395

PAIR of Holmes portable 35mm projectors, with sound changeover


system. No amplifier or speaker . Good shape but need cleaning and
adjusting. FOB Mobile $750

35mm Devry portable " suitcase" projector, extra lenses , extra pro­
-,...1'_

jection &: exciter bulbs. Amplifier and speaker. Complete system


ready for 35mm projection . FOB Mobile, $395

PAIR Viewlex l6mm mini - theatre projectors with Marc 300 light
system, extra aperture plates for each projector for each popular
aspect ratio (1.33/1, 1.85/1, scope). Plus scope lenses for each pro­
jector. Will take standard size reels or 5,000 ft. reels. Two of the
5,000 foot reels are furnish with each projector. Automatic change­
over console for remote control change-over . 21 Marc 300 bulbs.
No amplifiers or speakers. Used only short time in Mobile in mini­
theatre. Complete outfit, FOB Mobile $2995

NEW 1600' reels, $1.85 when ordered with films. Used, $1.00 - while
supplies last.

CTT 1000 watt projection lamps - $7.95. NEW! EMM projection bulb
for B&:H 1500 series projectors. This bulb is 250 watts, 24 volts, and
is similar to the earlier quartz bulb but has 50 hour life - - - $11.

B&:H 552 autoload, with stop-motion feature, auto-matic loop restorer,


includes two CTT 1,000 watt lamps . Prepaid to any continental U.S.
address (except Alaska) reconditioned, new claw $345
1

TESTIMONY OF EVAN H. FOREMAN

presented to the United States Senate Subcommittee on


Patents , Trademarks, and Copyrights

I appreciate the opportunity of presenting testimony to thi s Subcom­


mittee on Senate Bill 1361 ,· designated a General Revision o f the Cop y­
right Law of the United State s. Although I own several dozen cop y ­
rights on forms used in connection with a sma ll family business , I
oppose this bill on the grounds that it drastically and unfairly e xtends
the rights of copyright holders to the d e triment of the publi c.

As I understand this bill, the conc e p t of publication, w hich unde r t he


present copyright law marks the beginning of the term of st a tutor y
copyright, would be abolished. The term of copyright woul d c omme n ce
with the date of creation of the work and would last for a t e rm m ea ­
sured by the life of the author plus fifty years in the c ase of i nd i v id­
uals, and seventy-five to one hundred years f rom the dat e of c r eati on
for corporate copyright owners. (Sec. 30Za S.136l)

The Constitution, Article I, Section 8, Clause 8, provides that Cong r es s


shall have the power "to promote the progress of science and th e use­
ful arts by securing for limited times to authors and inve ntors th e
exclusive rights to their r e spective writin g s and dis cove rie s" (Emph a ­
sis supplied). This cla use , which forms the Constitutional bas is for
all copyright legislation, wa s intended b y the fr a mers of th e Cons tit u­
tion to benefit the public by encouraging inve nt i on and artist i c expr es ­
sion through the grant of a limited monopoly .

Prior to the pas sage of the curr e nt act, the term of prote ction for
published works was fourteen years, with a renewal p e riod of an
additional foarteen years. The current law doubled this p e riod so th clt
now copyright owners may claim two twenty-eight year periods of p ro­
tection. As you know, Congress has, for some years, extend e d thi s
protection so that works which would have otherwise fallen into th e
public domain remain copyrighted . Now, advocates for copyri g ht in­
dustries , in seeking passage of S . 1361, argue that even fifty-si x
years is not sufficient time in which to exploit their works. The s c
arguments are not only contr a dicted by the facts, but they ar e also
offered in support of legislation which would work a grave injustic e
on the public.

Movies, songs, books and other copyrighted works reap the greatest
financial benefits for their creators during the first year or so of
their existence. After that , the pecuniary returns fall off drasticall y .
The same copyright industries which seek to persuade Congress th a t
a half century is too brief a period in which to exploit songs, movies,
bQoks and other copyrighted works have, however, successfully argued
just the converse to the tax collector in securing for themselves the
fastest pos sible depreciation write-off on their copyrighted properties.
They have successfully convinced the tax collector that their work is
more than ninety percent exploited within the first three years of its
life. 1 Their contention therefore, that a half century is not enough to
enjoy the financial rewards of their creation is contradicted by their
own successful arguments to the Internal Revenue Service.

No proponent of this bill can convincingly contend that the public would
benefl.t from futher extension of the copyright holders' period of pro­
tection. To be sure, authors, composers and other creative persons
must be given sufficient motivation to produce works which will enrich
society~s cultural pool. But it is only this benefit to the public which
justifies the limited monopoly of copyright . The inclusion or extension
of any rights in copyright which do not ultimately benefit the public is
contrary to Constitutional intent in that it unduly rewards copyright
owners at the public's expense. I therefore urge the Subcommittee t o
retain the present term of copyright, with the same renewal period,
and bring to an end the temporary extensions which have heretofore
been granted, and allow these many works, which are long past due,
to fall properly into the public domain.

It is a l so suggested by copyright industry advocates, with equal vigor,


that we should do away with the concept of publication, and have the
period of copyright commence, not with the date of publication, but
with the date of creation of the work. It is argued that the concept of
publication is outmoded and no longer serves a useful purpose. A log­
ical analysis of the function of publication demonstrates that just the
contrary is the case.

Presently a work must be published with proper notice to establish


copyright protection. It is this publication which perfects the copy­
right - - not the registration of one' s claim of copyright with the
Copyright -Office, which must corne after publication. The present
act nowhere defines publication but Section twenty-six refers to the
date of publication as the "earliest date when copies of the first au­
thorized edition were placed on sale, sold or publicly distributed • • • "
While this is not neces sarily a literal definition of publication, it amply
conveys the true meaning of publication; i.e., a dedication to the
public. But , the proposed Bill, S. 1361, by abolishing the requirement
of publication, would mean that one could secure the protection of a
statutory copyright without ever making his work public or without

1 Daily Variety. May 15. 1972. Pages 1 &: 14. Exhibit 1


ever placing tangible copies in the hands of the public. Under such a
sy stem the copyright owner could reap the benefits of the copyright
law but deprive the public of the eventual free and unfettered use of
the copyrighted work. Where tangible copies of the work are sold to
the public, as is the case now with most books and magazines , ther e
is no danger. But, all too frequently, as in the case of motion pictures,
the works are not usually sold to the public, but are merely shown
temporarily and then recalled permanently by the owner . However
profitable this may be, the actual and practical effect is to render the
term "for limited times" a nullity, because without publication (meaning
the sale of tangible copies to the public), at the end of the statutory
period, the copyright would continue in perpetuity, since only the copy­
right owner would have lawful possession of any of the tangible copies.
The intent of such copyright owners is amply demonstrated by a state­
ment of Mr. E. Cardon Walker, President of Walt Disney Productions,
quoted in the newspaper supplement" Parade," March 18, 1973, page
4, "A large share of our product is timeless, which means that we can
re -release our picture s generation by generation." 2 This industry
practice does violence to the Constitutional mandate that copyrights
shall be "for limited time s" by insuring that .. Snow White and the
Seven Dwarfs" will never fall into the public domain and that our
great-grandchildren, and theirs as well, will perpetually be paying
Mr. Walker's stockholders to enjoy it.

Unless Congress enacts a law requiring publication and defines it as


the distribution of tangible copies of the work to the public, like books
and magazines, I submit that S. 1361 would be unconstitutional :"ince
the publi c would be denied its remainder interest in the copyrighted
works. Without the requirement that tangible copies be distributed in
order to perfect one's copyright, large copyright owners will continue
to band together, file repressive lawsuits against private, individual
citizens, claiming that their copyrighted products are never distri­
buted to the public and ask for seizure of the copyrighted item. 3 This
would allow such a group to maintain perpetual and absolute control
of copyrighted items. This is not what the Constitution intended and
should not be sanctioned by Congress.

The above is not hypothetical. It is a reality under the present law,


and the proposed law goes even further in extending protection to copy­
right owners. Under the present law the major motion picture com­
panies, for example, have exercised almost complete control over
nearly all their films in the United States. Through a small law firm
on retainer to all the rnajor U.S. film distributors, the motion picture
industry has repeatedly threatened numerous film collectors with law-

l Exhibit 2

3 Memorandum Statement by the Copyright Committee of the Motion Picture Association of America, Inc. at
page 100 I, Hearings before Subcommittee No.3 ofthe Committee on the Judiciary, House of Representatives,
First Session, 89th Congress, Copyright Law Revision, Serial No.8, Part 2, Exhibit 3
-
suits in an atteITlpt to discourage their collecting filITls. Through this
saITle firITl the industry has initiated extraordinary lawsuits against
nUITlerous others involving seizure without notice of the collectors'
filITl prints and issuance of TeITlporary Restraining Orders. The effect
of these actions has been to deny ITlany citizens their property and
because the defendants in such lawsuits are usually selected to be
ITliddle incoITle filITl collectors, they are unable to cOITlpete with these
corporations on an equal financial footing.

No ITlatter how econoITlically profitable it ITlay be from. the viewpoint


of large corporate copyright holders, not to sell, but only "license
for use " their copy right ed products, the unalterable result of such a
ITlethod is to render perpetual control over the copyrighted item.. This
cannot be squarred with the "for limited tiITles" language of the Con­
stitution. The history of motion pictures under the present law pro­
vides an example. While theoretically, under the present law, the
fruit of the tree drops into the public dOITlain at the terITlination of the
statutory period to enrich the cultural pool of the public, this has not,
in fact, happened . The ITlajority of ITlotion picture s created in the
United States have disappeared altogether, m.any prior to the expira­
tion of even the first twenty-eight year terITl of protection. 4 The public
has forever been deprived of this part ofits cultural heritage which its
ticket purchases have finanaced and the Constitution has held is its
due. This harm is irreparable. Such works cannot and do not fall into
the public domain because not a single tangible copy reITlains in
existence. Copyright here has becoITle a chess gaITle in which the
public is permanently checkmated.

For the foregoing reasons I respectfully urge that no legislation be


approved by this Subcommittee or by Congress which lengthens the
term of statutory copyright, or which fails to ITlake publication, defined
as the sale of tangihl e copies to the public, a specific requirement to
perfe c ting copyright protection.

R e spectfully submitted June ' 1 Sih, 1973 .

Evan H . Foreman
260 N. Jackson St.
Mobile, AI. 36603

4 Films In Revi ew, April, 1973, at page 224, Exhibit 4

..

'"
DEAR FILM COLLECTOR,

I hope you will participate in the free film contest discussed else­
where in this catalog . In a sense you cannot loose, because even
should you fail to win one of the many prizes I am offering, your
effort can only be beneficial to the pending copyright legislation in
general and to film collecting and film collectors in particular . Feel
free to remove the center section from this catalog which contains
my remarks to the United States Senate Subcommittee on Patents,
Trademarks, and Copyrights. Or, if you wish, you may copy the re­
marks and transmit the copies with the letters you send. The Chairman
of the Subcommittee, Senator John L. McClellan, has advised me that
my remarks will be printed in the appendix to the hearings . I have
since sent him additional materials which are too lengthy and cumber­
some to either reproduce or discuss here. Other similar materials
are being prepared to go forward and pos sibly I will report to you on
these at a later date. If the current copyright legislation passes in its
present form, you may see a lot more documents which are licensed
for use! (See document license on cover.)

I have been advised that some collectors have received threatening


letters and/or telephone calls regarding their film collecting activi­
ties. If you have received either, please inform me, so that this in­
formation can be included in my already voluminous files. Speaking
of files, it is amazing just how much material there is available.
Only several per cent will be useful at trial. A lot of the rest, while
interesting, are probably legally irrelevant. Perhaps these materials
would provide the raw data for a good book.

In Alabama we have a t.ax law which requires that those who rent items
pay a state tax based on the amount of the rental, similar to a sales
tax. Alabama's Revenue Department was astute in inviting various
Alabama renters of films, such as TV stations, to comply with this
law. The case has now reached the Alabama Surpreme Court which
held in Boswell v. Paramount that the TV stations have to pay the tax .
I wonder how many other state revenue departments across the country
are missing out on collecting this tax where the State has tax laws
which provide for its collection?

Sincerely,

F'"'-H.~
Evan H. Foreman

..
FREE MOVIE CONTEST

Grand prize - color feature, your choice of format (scope or flat), my


choice of title.
1 st runner up - black &: white feature
2nd runne r up - one hour B &: W T V show
3rd runner up - half hour color TV show
4th through 10th places - half hour B&:W TV show
lith through 20th places - quarter hour B&:W TV show
20th through 50th places - one minute color trailer

How -to enter? Write the following three letters: (l) your Representative
in the U.S. House of Representatives - that is, your Congressman.
Enclose copy of my testimony. Then write (2) and (3) each of your two
United States Senators. Be sure you make copies of these three letters
as you will need them to complete your entry into the contest.

Make any suggestions you wish in your letters, but I urge you to include
at least the following points: (1) There should be no further extensions
of cop'yright protection for works which would otherwise enter the public
domain. (2) Any new copyright legislation should be opposed if in any
way it lengthens the already liberal 56 year maximum term of protection.
(3) Any new copyright legislation should provide that publication is re­
quired to establish copyright, and that such publication occurs if, and
only if, tangible copies of the work are sold to members of the public .

Make and send to me copies of your three letters and the reply you
recei ve from your Congressman and your two U.S. Senators . Six letters
in all . This qualifies you for the contest. Winners will be judged by the
effectiveness of their letters. Neatness does NOT count. In addition,
some may feel that they do not have as good a chance as others who
might be better letter writers. Such persons may ask their friends to
write letters in addition to their own, and the more responses they
can send in with the entry blank, the greater is the chance for winning .
H you persuade others to write on your behalf, send in their letters
and the responses to them with your entry blank. Contest ends July 10 ,
1974 and entries must be postmarked on or before that date to be eligible.
Prizes will be shipped July 20th, 1974, postpaid. There is no choice of
title on any prize.

To: Evan H. Foreman, P. O. Box F , M obile, Alabama, 36601. Here is


my entry as outlined above. I understand all entries become your prop­
erty and the offe r is void where prohibited by law . If I win a prize film,
send it to:
Name
-------------------------------------------------­
Address__________________________________ Phone (
City________________________________State_______________ Zip ___

­...
.-..
-
... The exciting story of "The King of The Serial
Makers," Nat Levine, and his little Mascot
Pictures studio

NEXT TIME

DRIVE OFF
$10.00

THE CLIFF!

By
GENE FER~.rr

/
'"

• THE MOVIE SCREEN BLAZED INTO SUDDEN


LIGHT! There, ou t of momentary darkness
it came . th at vicious, muscu lar tiger,
• IT DIDN'T MATTER WHAT. Wh ichever star,
draped face-on across a glo be of the world . whateve r story, you'd be glad you spe nt
Then a menaci ng roa r escaped the cat, and
yo ur dime there .. . iust so lo ng as it w as
two bold words orbited into view iust be­ a Ma scot picture rid ing in on tha t du s ty • TWO HEART-STOPPING FEATURE PICTURES .
neath him : "Mascot Picture s ," A chapte r of the la test 12 or 15 chapter
b eam of light iust over your headl
seria l. Maybe a comedy, too .
• IN REFLEX ACTION, you r hand clawed into • MAGIC, THAT! Able to take you a mi llion
a five-cent box of pop corn b ut yo ur m iles from home . Back through time Or • RIN-TIN-TiN JR. AND FRANKIE DARRO in
eyes never left the screen . WOLF DOG, perhaps. Or Jo hn Wayne in
ahead . A dream world , p lain and simple .
THE SHADOW OF THE EAGLE. Ma y be
• IT WAS SATURDAY. 1933 perhaps . gridiron star Red Grange, caugh t up in the
• AND THIS BOOK? Well, THIS is the story taxi cab wars , as rampant in THE GA LLOP­
a lO-cen t matinee a dimly-lighte d , of a real world . the one from w hich
narrow old movie house. ING GHOST. Or Gene Autry, searchin g for
those w o nderful Mascot pictures came !
TH E PHANTOM EMPIRE .

205 pages , profusely illustrated, h ar d bou nd, post p aid $10 .


1973 INTERNATIONAL DIRECTORY

OF 16MM FILM COLLECTORS

Now! Ready for immediate shipment - the 1973 International Directory


of l6mm Film Collectors. This publication contains the name, ad­
dre s s of over 5 , 000 film collectors throughout the world. Many are
d e signated by film gauge and choice of subject . While most are l6mm
f e atur e film collectors in the United States, there are many who are
also interested in 8mm, super 8 and other gauges, and there is a
sprinkling of collectors from other countries .

The Dire ctory will not be published again in a new edition prior to
1975, S.o if you have any interest at all in obtaining a copy, now is
the time! At the price of $15, which includes first class certified
mailing, the 5,000 n ames and addresses cost you less than a third of
a cent each .

Use the Directory to locate other coll ectors near you - you will prob­
ably be surprised how m any t h ere are within a one hundred mile radius.
Or use it to fo r m a fi l m appreciati on club. In either case, it should
p r o :Te to be o n e of t h e best investments you have made in a long time.

U s e c oup on bel o w, or just m a il money order or bank check for $15.

Evan H. Foreman

Box F

Mob ile , AI. 3660 1

OK, EHF , t he D irectory sounds like a good deal. Send me copies


immediately b y first class ce r t ifie d mail. I am enclosing $15 payment
in full for each copy ordered. Tota l encl osed $
--------
Name ___________________________________________________________________

Address
-------------------------------------------------------
City _ _ _ _ _ _ _ _ _ _ _ _ __ State _ _ __ _ _ _ _ Zip _______
FEATURES

~B=::=EC=K=A=:=VE=WH=N=;=~=~=----O-F-M-A-N-D-A-RI~ ~~~;n t u-r e -d r am a _ 1


BLACK & WHITE

1962. Raf Vallone, Silvana Pampanini. Soldi e r- I THE DEFEAT OF HANNIBAL - adventure-historical

of-fortune , objecting to the laws of opprossion 1960 . Isa Miranda , Irene Tunic. Hist orical

existing in a Spanish dukedome, organizes a


band of outlaws to help free the people.
I\ c lassic: Hannibal , with his
invading legions,

crosses the Alps and marches on Rome, in his

2556' $69 wa r t o conquer the Romans. Dubbed. No main

ATLAS IN THE LAND OF THE CYCLOPS - adve nt ure-


spectacular - 1961 . Mitchel l Gordon, Chelo
I t itle . 2868 ' $69
THE DESERT WARRIOR - adventure-romance - 19 60 .
Alonso . Capys , daughter of Circe, b et rays Ricardo Montalban, Anna Maria Ferrero. Son of
Queen Penelope and Ulysses t young son to the th e Su lt an of Arabia, who is murdered by an
Cyclops, but Atlas, called upon by the town's assassin in the pay of a rival Shei k, fights
people, engages them in battle to rescue t he to regain his rightful throne. lines. 3257' $69
prisoners. Splicy. Poor condition. 3367 ' $54 THE EARTH DIES SCREAMING - science-fiction _
1964 . Willard Parker, Virginia Field, Dennis
AURA - drama - 1966 . Rosanna Sc h ia f fino, Damiano Price. After mysterious interplanetary attack,
Damiani . Romantic drama also titled !!Witch seven survivors meet in an Eng l ish village .
In Lov e " Dubbed. 3578' $74 They s ee death-dealing robots stalking the
THE ASSASS I N - mystery - 1953 . Ric h ard Todd, streets felling their victims with a single
Eva Bartok. Private detective in Venice t o l ocate
touch. Two members of the party are strick en
war hero, finds intrigue, dangerous beauty, and and come back to lif e , eyeless and robot-like .
murd er . *** N. Y. Daily News. 3444' $74
2178' $94
THE FACE OF WAR - actual f ootage of combat

BACHELOR OF HEARTS - romance-com edy - 196 1. experience of unit in Vietnam over 68 day

J
Hardy Kruger , Sylvia Sims, Ronald Lewis. Es ­ per iod . 2502' $94
capades of undergraduate students preparing for
the annual May Ball . 3435' $74
THE FALL OF ROME - spectacular - 196 1 . Carl

THE BASKETBALL FIX - drama - 195 1. John Ireland, Maner, Jim Dolen. After Constantinels death,

Vanessa Brown, Marshall Thompson. A potentially the Christians are persecuted by non-believers .

great college basketball player finds himself Marco the Centurian comes to their aid. Great

involved with a shady promoter who wants to fix


earthquake destroys wrongdoers. Print shows

a game. *** N.Y. Daily News. 2408' $69 wear, has lin e s, and is splicy. 3217' $54

BEHIND LOCKED DOORS - mystery - drama - 1948. FLOODS OF FEAR - mystery - 1959. Howard Keel,

Richard ~arlson , Lucille Br emer. Judge, escaping Anne Heywood. Escaped convicted murderer, hero

from po11ce, seeks a hiding place in an insane during flood, proves his innocence and gets

~s~l~m. Reporter gets committed in hope of find - the girl. * **N . Y. Daily News. 2962' $84

1ng Judge and a story . **New York Daily News .

Splicy. 2083' $54 FORBIDDEN - drama - 1947 . Douglass Montgomery,


Hazel Court , Patricia Burke . Unhappi ly married

BEWARE MY LOVELY - drama - 1952 . Ida Lupino, scientist p lans wife's death. Tries to warn her,

Robert Ryan. Widow alone i n a big house hir es a but too late. Twis t of fate brings him and g irl

stranger as a handyman. Her life is threatened he loves together. 3177' $94

when she learns that he is mentally disturbed.

2738 ' End title r eplaced. **t N.Y. Daily News $74 TI{E GIANT GILA MONSTER - horror-drama - 1959.
Don Sullivan, Fred Graham , Lisa Simone . After
BILLY LIAR - comedy - drdma - 1963 . Tom Courtenay disappearance of teenagers, serie s of frighten­
! Juli t Christie. Young clerk in an undertaker's
office in England is in troutle . He's engage d
to two gi rl s and has spe n t th e p ~ t ty cash and
ing and tragic motor accident~ occur. Becomes
apparent that giant monster is roaming area.
~ k New York Daily News. 2687' $94
• can't mail out the company calenders . *** ~ Ne w

~ York Daily New s . 3469' $9·~ GlmS OF DARKNESS - drama - 1962 . David Niven,

Le5lie Caron, David Oparoshu, James Robertson

THE BLONDE BANDIT - mystery - dram a - 1Q.' 0 Justice, Ian Hunter. Suspen~e-drama of a man's

Robert Rockwell, Dorothy Patrjck . Girl [aIls in search for meaning in his life, set against a

love with syndicate racketeer, but do e s her background of political unrest in a South Amer­

duty helping to convict him. ~* t New York D~ily ican state. *** NY. Daily News . 3710' $94

~e\<s 2140' $69

ntE BRAIN - horror-science-fictjon - l Oh.).


THE llANOS OF ORLAC - science-fiction-drama­
Anne Heywood, Peter Van Eyck . Scip ntist, through 19 AI. Mel Ferrer, Oany Carrell. Man must live
his work \V'ith the brain of an evil busin ess wjth the horror of another man's hands. Dubbed
• tycoon, reveals how he was murdered. 3027 ' $R4 I ;n English . 3028 ' $74
HOllSE OF DARNESS - mystery - drama - 1948.
IJ THE CARIBBEAN HAWK - adven ture - 1902. Johnny I·
Laur e nc~ Harvey, John Stuart . Three brothers;
Desm<:>nd, Claudio Hundari . l:scapcd s laves c onquer eldest kills one, drives other insane . Their

!
Sp~n1sh blockhouse defending Caritl:e an i s lanJ .
Leader falls in love with ceautiful ari.stoc rat

and.is influenced into aiding Spallish Vj c tor. y


I spirit haunts him. 2188' $69

IN NAME ONLY - drama - 1939. Carole Lombard,


agal.nst England. 3677 ' R. 1 s plicy. ';; 7-1 ~ Kay Franci s . Cary Grant, Peggy Ann Garner,
CURSE OF THE SWAMP CREI\Tl lRE - horror - 19M) . IJ Charl e s Coburn. Heartless woman, who married

John Agar, Francine York, Rill Williams. A • for wealth and prestig e , holds her husband to
geologist, t \V'o men and a beautiful \,'oman are IJ a l oveless marriage - to prevent him from having
searching for oil in the deadly swamplands when true love. ' "': ~. N.Y. Daily Ne\vs. 340.')' $175
they meet an insane doctor who is working on an TIlE IRON MASK - adventure-romance - Iq2q.
experiment to create a creature that is part man
and part reptil e . 2904' S plicy. $6" Ii Douglas Fairhanks . Marguerite de la Motte.
The classic Dumas novel with court intrigue .

I
sword fights and romance . Conceived as a si­
DANGER ON THE !\TR - mystery - 193R. Nan Grey, lent film, hut caught in the sound revolution,
Donald Woods . My~tery and murder in a radio \,,:lS Te lC'asC'cl in S01!lld and is part talky.
station. A crime club picture . 2364 ' $ 54 r~
$115
DATE WITH THE ANGELS

Half hour B&W TV show, circa 1957, starring BETTY WHITE and
BILL WILLIAMS. This hilarious situation comedy is ent e rtainment
PLUS - from the "good old days." And, it is excelled only by the
quaint Plymouth commercials in th e show. It is quite a shock to see
and hear th e virtues of "this wonderful new car " which, now, is al ­
most an a ntiqu e ! A numb e r of shows on hand, and in nice condition
too! . One c omplet e half hour show - only $11. Two diff e r e nt for $20.
Three differ e nt for $28. Four different for $36. Ten different for $80.

All films are USED, unl e s s stated otherwise. This film list
supersedes all others issued prior to it, and the terms,
prices , conditions , etc., stated in this list sup e rsede and
cancel all previous lists, offers, etc. Date: May, 1974.

CLIPS - TRAILERS - ETC.

LOST HORIZON - production trailer as shown on TV to promote the


color musical of the same name. About 400 feet of scenes and behind
the scenes from the movie . - - - - - - - - - - - - - - - - - - - - -$19

DOLLARS - color production trailer, about 400 feet - - - - - - - $21

RUN WILD, RUN FREE - set of five different TV advertising trailers


with clock leader on each - nice shape. One 60 second, two 20 second,
and two 10 second trailers. Set of all five for - - - - - - - - - $3

SUMMERTREE - set of three trailers , a 60, a 20 and a 10 - - $2

CITY LIGHTS - set of two B&W trailers, one 30 & one 60 - - - - $3

LIVING FREE - set of three - 60, 30 & 20 - - - $3

TEN RILLINGTON PLACE - 100 foot color clip - 3 minutes - - $3

SWORD IN THE STONE - 100 foot color clip - animation - - - - -$11

DUMBO - 100 foot color clip - animated - - - - - - - - - - - - - - $12

MR. MAGOO B&W cartoons -$8 each - I have several.

HALF HOUR B&W TELEVISION SHOWS

Casey Jones - $16 Circus Boy $15 Ford Theatre $15


Sport s page "B" - See Sport s Page " A n

• SPORTS • • • SPORTS • • • SPORTS •

S-33 Americ an Sportsm an 3-14-6 5 49 $20


S-34 Pro Boxing 10-9-7 1 82 $50
S-35 NBA All Star Game 5-25-7 2 114 $30
S-37 Dallas vs. Allsta rs - All S~ar Footba Ll 7-28-7 2 162 $34
S-38 Sunday Sports Specta cular 2-5-61 72 $18
S-39 Night Baseb all - NY vs . Pittsb urgh 6-26-7 2 142 $34
S-40 AAU Intern ationa l Champ ionship s 5-28-7 2 69 $16
S-41 New York vs. Montre al Baseb all 5-18-7 2 91 $18
S-42 Champ ions Specia l - Athlet es of the World 3-6-72 50 $20
S-43 NFL Hall of Fame Game - Giants vs. Kansas City7- 29-72 131 $30
S-44 Americ an Sportsm an 4-4-65 49 $16
S-45 Stanle y Cup Playof fs 4-23-7 2 98 $19
S-46 ABA Playof fs 4-29-7 2 93 $19
S-47 Lightw eight Champ ionship Fight 6.126-7 2 71 $31
S-48 Stanle y Cup Playof fs 4-16-7 2 146 $30
S-49 Americ an Sportsm an 2-20-6 6 47 $16
S-50 Baltim ore vs. Detroi t Baseb all 7-1-72 118 $32
S-51 Pro Boxing 7-24-7 2 82 $50
S-52 NBA Playof fs New York vs. Los Angele s 5-7-72 110 $31
S-53 Wide World of Sports 5-20-7 2 70 $2 7
S-54 Light Heavyw eight Champ ionship 4-7-72 40 $38
S-55 Boston vs . Oaklan d Baseb all 5-13-7 2 145 $34
S-56 Wide World of Sports 6-24-7 2 68 $27
S-57 AAU Intern ationa l Champ ionship s 6-18-7 2 72 $26
S-58 New York vs . St. Louis Baseba ll 6 - 24-72 160 $37
S-59 World Champ ionship Tennis 4-30-7 2 94 $29
S-60 Americ an Sportsm an 1-30-6 6 46 $15
S-61 Americ an Sportsm an 3-20-6 6 46 $15
S-62 New York vs. Cincin nati 6-7-72 137 $34
S-63 Pro Boxing 9-18-7 1 81 $40
S-64 St . Louis vs. Chicag o Baseb all 7-29-7 2 119 $33
S-65 NBA Playof fs 4-30-7 2 95 $30
S-66 NCAA UNCL vs. Louisv ille 3-23-7 2 90 $28
S-67 NFL Action 6-2 -71 25 $1S
S-68 Track & Field Today ? ? ? 26 $8

not
Note : some of these are on Esta r film which will with
but will splic e
splic e with ordin ary film ceme nt,
Myla r tape splic es .
BUGS BUNNY CARTOON CARNIVAL!
Here's your chance to get, not one , but three great black &: white cartoons all on
one large 1200 foot reel. Runs about a half an hour. You'll see Bugs and many other
of the famous Merrie Melodies charaters. Keep the three shows together and you
have a special " 'kids' treat" reel. Or, you can separate the three shows, and put
one before your regular feature for a very profes sional pre sentation.

One show of three cartoons - $29 - - - - - Two shows of three cartoons - $S4
Three differ e nt shows, each w ith three cartoons - total 9 cartoons - bargain ! $79!

MANHUNT

Exciting half hour television show depicting a crime , detection and


and finally the relentless tracking down of the guilty party. Stars
Victor J ory and Patrick Mc Vey. The black & white half hour shows
were all made with the cooperation of the San Diego Police Depart­
ment, which accounts for the realism.

One show for $19 - Two different for $35 - Three different for $45

OFFER UP TO S1,000 FOR CERTAIN 35MM

Up to $1,000 for certain good condition nitrate or acetate 3 Smm prints* of 194 6 and
e arlier years. Many such films are now in the public domain and it is th e s e in whic h
I hav e an interest in 3Smm. Send me a list of your 3Smm prints, condition, name of
one star or producer of film for identification purposes. I will then determine the
copyright status of the prints and make you an offer on those public domain films in
which I am interested.

*1 will pay $1,000 for th,< first good condition 3Smm print offered to me of the IS
chapter serial, in sound, THE LONE RANGER, dialogue in English and no subtitles,

COUPON
COUPON Attach this coupon to y our o r de r
Attach this coupon to your order fo r $300 or rrlOre from thi s catalo g
for $25 or m o r e from thi s c a talog

-.
an d r ece i ve FREE one new 12 " L P
a nd r ecei v e FRE E on e 6 - f oot l e n g th
r e cording of a mot ion pi c tur e sou n d
,import ed h a nd wov en woode n chain .
tr a ck.
...... . '.. ,,~'..y '-W
ORDER FORM

Please ship me the films li s ted below, prepaid by parcel post. I am


enclosing an extra $1. if I want special deli very.

Title Price
1 _____________________________________________________________________

2 ___________________________________________________________

3_._____________________________________________________________

4 __________________________________________________________________

5______________________________________________________________

ALTERNATE C HOICES
1________________________________________________________________

2______________________________________________________________

3~, _______________________________________________________________

4 __------------------____________________________________________
5 ________________________________________________________________

I enclose ca sh/ tr a d e c redi t f o r s ame. I und e rst and that the se films
ar e f or horne u s e only .

Si g n a tu re D ate

=
_ ..-_H..-

Bulk Rate
16MM FILM LAND U.S. Postage
PAID
Box F Mobile, AI.
36601
Permit No, 273
Mobile, AI. 3660 I

ADDRESS CORREC TION

REQUESTED

© 1974 Evan H. Foreman

'.--­

'·'111
JltR .. JEFF JOSE~ H
7920 FULTON AVE .
DOCUMENT LICENSE f\JORTH HOLlY".I00D, C,-,\ l[IF. 91605
This copyrighted document i, conveyed for a life·of
document lease to the per.on named in the addre ••
box at the right in relpon .e to a written request to
the owner of the copyright oC this document and the
document it.elf. The document must not be loaned,
copied, sold, re.leased, sub· leased, traded, read
aloud, exhillited or in any other way performed with·
out the w": ten permillion of the copyright owner.
This document is st rictly li cens ed for use only by the
named person, and only at the addre.s shown, when
read silently by the licensee to himself. Any other use
will be construed by the undersigned copyright owner
to be a willfull violation of the copyright herein for
proHt. Additional copies may be leased for $2 each
from Evan H. Foreman, 80x F, Mobile, Ala . 36601

Вам также может понравиться