Академический Документы
Профессиональный Документы
Культура Документы
FOR
BY
JASON DEAN
A
Thesis
in
Architecture
Submitted to the Architecture Faculty
of the College of Architecture
of Texas Tech University in
partial fulfillment for
the Degree of
^--Bach^lor of Airchitectui
Accepted
Month, \ ear
VIEWING A NEW GEOMETRY
THROUGH A PLANETARIUM HYPERSPHERE
he
lot.Z Acknowledstnents
r\o
This program is dedicated to my parents andfamily,
who have encouraged me to achieve my goats and
who have taught me that nothing is beyond my grasp.
If it were not for your support, spiritually
andfinancially, I would not be here today. Thank
you for the love and support that you have given
me over the years.
J.D.
PREFACE Table of Contents
TABLE OF C O N T E N T S
Preface
Table of Contents
Abstract
Thesis Statement
Facility Type
Context Statement
Project Scope
Bibliography 33
PREFACE Thesis Abstract
Project Scope
Scope
This program is a schematic design program. It contains the issues which will impact
the design for the proposed Planetarium Hypersphere and Museum, for the cities of
Midland/Odessa, Texas. The design built out of adjacent and connected leasable spaces
is not included in this program and thus not in the scope of the subsequent design
solution.
Purpose
The purpose of this program is to convey an understanding of the design projcci prior
to its solution. This document serves as a record of the issue-addressing process, and is
for agreement and approval. This program will also document and \\ ill assist the
designer and instructors through the identification of critical design issues and the
requirements upon which the design solution should be based. It also defines the area
requirements and adjacency needs of the proposed Planetarium and Museum.
The information provided within was developed to comey functional requirements
and other information necessai)' to provide a prelimmaiy description of the proposed
scope of the project Suggestions made regarding vehicular access, existing buildings.
floor areas, utilities, etc., are provided for informational purposes onh'. and are not
intended to inhibit options available to tlie designer.
Informational Sources
Site information is courtes) of Rhotenbeny, Wellen .Architects, and the cities of
Midland and Odessa Planning Dept., Site Photography b\- Jason Dean. Design cntena
lor the OMNIMAX was supplied b\ the associates of the LNL\X Corporation in Toronto,
Canada. Design criteria for the h\ persphcre was supplied by the peoples at both Spity.
lnc(ii-poialcJ in Chadds Ford, Pa., and .Vstro-tec Manufacturing in Canal Fulton, Ohio
Ivaw data on the niCilSTAR Star ball svstems supplied by E\ans and Sutherland, in Sah
1 ake Cil\, Utah
PREFACE Thesis Abstract
Thesis Statement
Thesis Process
5S
Initial research is the study of fractal geometry in architecture.
Emergent Direction
Exploration of fractal geometry and its elegance as a new field of stud\ to
architectural design and its melding with Euclidean geometry.
Thesis Statement
N
PREFACE Thesis Abstract
Project
Planetarium Hypersphere and Museum
Client
The Cities of Midland/Odessa, Texas.
Users
The citizens of Midland/Odessa and surrounding areas.
Location
Between Midland and Odessa, near the Midland International Airport.
Context Statement
The mission of this programming effort is to identity, clarify, and quantif\' the
requirements and concepts for the proposed Planetarium Hypersphere and Museum. It is
also to integrate with the site as well as immediate surroundings. The facility must
function as a learning institution as well as a place of entertainment.
•5^
CHAPTER I Thesis Issue
Fractal Geometn"
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^.
CHAPTER I Thesis Issues
Fractal Geometry
Why is geometry often described as cold and dry? One reason lies in
the inability to describe the shape of a cloud, a mountain, a coastline, or
a tree. Clouds are not spheres, mountains are not cones, coastlines are
not circles, and bark is not smooth, nor does lightning travel m a straight
line. Nature exhibits not simply a higher degree but an altogether different
level of complexity. The number of distinct scales of length ofpatterns is
for all purposes infinite.
Throughout history humans have seen science and art as opposites. One is analytical
and the other is intuitive, according to most. In recent \ ears there has been a movement
to seek out complexity and natural phenomena and to understand it. The thinkers of
today are no longer satisfied with discovering basic laws and understanding how the
world works in principle. They want to discover and find out the ways pnnciples show
themselves in reality. By no means are the laws of science and nature invalid, they just
have more to be discovered about them, meaning the less obvious or hidden. (IBED.,pi)
CHAPTER I Thesis Issue
Fractal Geometry
The computer has helped people to see that complex systems that appear to have no
order, do infact, have an order and are not just arbitrary happenings. Chaos is a system
that has gone out of control or is so complex we are only begirming, if so, to understand
it. The key word here, in my view, is system. A system implies a group of interacting,
interrelated elements which form a complex whole. Putting the word chaos and system
in the same sentence sounds like a paradox.
On the computer, for instance, a sequence is determined by its initial value, but cannot be
predicted other than letting it run. The initial order turns into chaos, a nonlinear
phenomenon. Discoveries in the order if chaos has created hope that nonlinear
phenomena may not be out of reach of systematic scientific classification. Fractals teach
us to think in terms of pictures, not compasses and T-squares. The following poem sets
the tone for fractals. (IBID, p2-4)
When people talk about fractals, they need to understand that a fractal is a pattern
within a nonpattem system, as odd as that may be. It is a higher order than the order we ^
are used to. It is said that the most interesting area is between stability and the 5|
incomprehensible disorder of these complex dynamical systems. The study of fractals
has taught us that they occur in virtually everything, the universe as it expands, leaves
behind a fractal trail of stars and galaxies that consist of turbulent gasses. Even, time we
look deeper into the universe, it is virtually the identical rvvin at a smaller scale.
Fractals are also a phenomena that exhibit an extreme sensitivity to their initial
conditions, and surroundings. Stating that a slight variance in their beginning \ lelds a
very magnified difference in their fates.
CHAPTERH Facility Program Issues
Circulation As An Issue
Integration Into The Site As An Issue
Activity / Spatial Analysis
CHAPTER H Facility- Prosram Issues
Circulation
Circulation as an Issue
I feel that it is very important for a facility of this nature to have a free flowing
systematic circulation. In order for the building to justify its cost, circulation is a main
concern. The facility needs to maximize on the amount of people they can put through
the planetarium in a minimal amount of time. There is need for smooth circulation
because if everything runs smoothly, the facility will see repeat visitors, which is more
money to justify the cost of the planetarium hypersphere. This facility must be
handicapped accesible because these people also bring an income to the facility.
Circulation that runs smoothly means that more people get to enjoy some of the worlds
most technologically advanced audio and visual equipment.
CIRCULATION
DIAGRAM . - m
ril:
^
CHAPTER 11 Facility Prosram Issues
^
CHAPTER H F4 en TTY PROGRAM ISSUES
ACTTVITY / SPACE
OF THE
PLANETARIUM HYPERSPHERE
CHAPTER II FA CILITY PROGRAM ISSUES
ADMINISTRATION DEPARTMENT
Full Time Staff
Director of Personnel
The directors office is also one that is a part of the center of all the administrative
activity. This office is to serve as a think tank for the employees and their schedules.
Conducting job interviews and setting salaries also is done here. There will only be one
person for this space. It should have a direct access to the secretarial pool and it should
be in close adjacency with other offices and administrative staff. It should have an
indirect access to the rest of the planetarium. This is not to be an interactive space with
the public but easily accessible for job hunters. The office needs enough space for a
desk, book cases, computer, filing cabinets, and a small two chair conference table; a
view to the outside is recommended.
Secretarial Pool
This space is to consist of two secretaries and the staff they support. The space is to
be as center for the administrators and the rest of the administrative staff. The pool is to
have direct access to all administrative spaces within the planetarium. It should have a
relatively close adjacency to the rest of the planetarium, or easy access to it. this is a
fairly interactive space among the administrative staff. Connection with other coworkers
in the same area is to be encouraged. The space needs enough space for tvvo desks with
computers, a small conference table with two chairs, and possibly partition the work
spaces.
Receptionists Space
This area needs to be adjacent to the administrative areas and the interactive area
inside the planetarium. It is to be in direct adjacency with offices. It is to be accessible
without entering into the planetarium or a gallery. Typing/word processing , telephone
reception, and clerical activity will occur here. This will be a fairiy interactive space
between the receptionist, administration and the public. Things that need to be designed
for this area are; the reception desk which can be part of the building, a computer,
telephone command counter and comfortable lounge furniture.
Conference Room
This space is to be used to discuss, sell, and coordinate large projects, presentations,
etc. This space will be used for anyone of the administrators or personnel that needs to
coordinate large projects. This place is to be closely placed to offices and should be in
fairly close proximity to the center of all offices. This is not a publicly interactive place,
only for the staff. Furnishings include a slide projection area and screen, and a executive
table with chairs. The space needs to accommodate approximately 12-15 people. This
space should have access to public areas.
Staff Lounge
This space is to accommodate all of the administrators and staff for relaxation and
conversation. The space will be in close proximity to the administrative offices and
secretarial pool. This space should be designed for 10-12 people. This space will be
highly interacfive among staff but will not be a public space in any way Furnishings
include a large table, comfortable chairs, and possibly a coffee maker. Furnishings also
include a kitchenette, refrigerator, microwave, and vending machines.
10
CHAPTER II FA CILITY PROGRAM ISSUES
STAFF PERSONNEL
Workshop Coordinators Area
This is the place where schedules and promotion workshops take place. This is where
dealing with admissions agents discuss selling tickets/providing information, and direct
guests to correct events. This is a space for both administrators and the public.
Adjacencies are administration, the planetarium hypersphere, and the exhibit galleries.
Volunteers Area
This space is for volunteers that work the floor of the exhibit galleries. They assist in
planetarium presentations and assist in workshops. This space is to be in between the
public interactive spaces and the administration. It should have direct access to the
spatial events and indirect access to the administration area.
11
CHAPTER II FACIUTY PROGRAM ISSUES
Admissions Office
This space is for the adminisfrative staff and the public interacfion. Both become
familiar with each other. The place is for ticket sales to a certain event. It has direct
access to all of the events and is in close proximity to the offices and the connection can
be direct or fairiy indirect. Furnishings/storage needs for the area are as follows: space
for agent, cash register, safe, telephone, and computer. The immediate adjacencies
located here is the administration, the planetarium hypersphere and both exhibit gallenes.
Orientation/Circulation Area
The participants are the museum visitors and administrative staff. This interaction
area is a prelude and foreshadowing of what is to come inside the hypersphere/museum.
A goal is to lay this space out so that one reaches a given point inside by passing through
a sequence of realms. Mark each space with a type of gateway that announces what is
going on inside. This space is the direct access to most of the events and offices, other
adjacencies included are the public restrooms, box office/admissions area, cafe and gift
shop. Furnishings and storage include an enclosed display area, secunts guard, and
maintenance storage.
13
CHAPTER II ^ FACILITY PROGRAM ISSUES
SERVICE DEPARTMENT
Gift Shop
This space is self explanatory. It features a theme in accordance with what the
planetarium is presenting. The space will be predominantly informative and educational
with souvenirs and promotional items with the theme ofthe planetarium. Traveling
exhibition trinkets will also be up for sale in the gift shop. The users are predominantly
visitors but staff and administrators will also be curious about what is inside. Furnishings
include moveable displays, counters, built in shelves, cash register, and stock storage.
Adjacencies are the main entry, public restrooms, the circulation area, and the
loading/unloading area.
Cafe
This place speaks for itself People will eat, converse, and visit. This space will also
provide short order grilled food for the guests to purchase. The space needs to be
designed for 60-80 people. Tables, chairs, and covered outdoor seating would be a nice
effect. The short order kitchen consists of food storage, storage, freezer, microwave,
stovetop oven, and various appliances. Food preparation and staging area. Adjacencies
are the main entry, circulation area, loading/unloading area, and public restrooms.
14
CHAPTER II FA CILITY PROGRAM ISSUES
because it is a service space and will not be seen. The participants will be 1-3 janitors.
This space needs to be a direct access to loading/unloading.
"i
IS
CHAPTER III Contextual Issues
Planetarium Environment
The aesthetics and technology of a planetarium are of great importance for it to be a
success. In the past, just the planetarium was the focus of design and engineering.
Today, many people feel that outside the planetarium is just as important. When many
shows are presented daily, waiting plays a handsome role in the process. So to keep
these people occupied there must be something else to focus on and talk about.
(Johnson, p. 19)
The atmosphere must be one of dominance. This leaves the visitor inspired and
anxious to his/her next visit to see what will fascinate them. Technology is the key
ingredient here. If all ofthe proper ingredients are added one can create a masterpiece to
boggle the mind and excite the spirit.
Natural light is not much of a factor here but artificial lighting can set almost any
mood and better yet, can be controlled, not just manually, but by computer, This is
another technological touch to impress the visitors.
Natural light is often a great tension reliever. If any ofthe visitors have acquired a
feeling of claustrophobia or nausea, (this is possible inside the OMNIMAX) they can go
get a bit of fresh air and relax and calm their nerves on a balcony or patio.
17 t
CHAPTER III Contextual Issues
18
CHAPTER HI Contextual Issues
PHASE I
SITE LOCATION
1^)
CHAPTER HI Contextual Issues
Site Survey/Maps
;o
CHAPTER HI Contextual Issues
Climatic Data
Climatic Data
23
CHAPTER IV Space Summary
24
CHAPTER IV Space Summary
Administration Department
Director of Operations Office 150 150 180
Staff Personnel
Workshop Coordinators Area 200 200 240
25
CHAPTER IV Space Summary
Service Department
1,400 1 1,400 1,680
Gift Shop
1,500 1 1,500 1,800
Cafe
80 1 80 96
Custodial Office and Storage
TOTAL 3,050 3,660
37,850 45,240
Overall Totals
Gross Useable S.F. X 1.2 = 54,288
CHAPTER IV Space Summary
Space Tlelationsbips
Administrative Branch i^
The axiministrative branch should have direct accessfi-omthe main entr^ce ofthe
planetarium but should not detractfromthe main event i.e., the planetariu^ and the
permanent exhibits galleries. The views out ofthe buildings should addresi the site
entrance for security reasons. )
27
CHAPTER IV Space Summary
Space Relationships
28
CHAPTER IV Space Summary
Space Relationships
29
CHAPTER IV Space Summary
Space Relationships
Service Department
This area is to focus upon the visitors but accommodate the administrative department
also. This area is to be located in a maimer that will service the public interaction areas
and the administrative department.
30
CHAPTER IV Snace Summary
Space Relationships
Overall Relationships
This diagram is not a set schematic diagram. It is only conceptual, but places all
spaces in a relatively working relationship.
31
CHAPTER IV Space Summary
Economic Analysis
Economic Analvsis
1.30 $507,000
Land
5% $147,225
Site Work
9% $265,005
Construction Loan
5% 5147,225
Contingency
$5^99,464
Total Construction Cost
32
Bibliosraphv
Bamsley, Michael. Fractals Everywhere. Academic Press, Inc.: New York. 1988.
Blackwell, William. Geometry in Architecture. John Wiley & Sons: New York. 1984.
Briggs, John. Fractals. The Patterns of Chaos. Simon & Schuster: New York. 1992.
Dendel, Esther Warner. Designing from Nature A Source Book for Artists & Craftsmen.
Taplinger Publishing Company: New York. 1978.
Gleick, James. Chaos, Making a New Science. Penguin Books: New York. 1988.
Pearce, Peter Structure in Nature is a Strategy for Design. The MIT Press: Cambridge.
1978.
* All activities and number of participants are taken from and based on similar museums
serving comparable demographics.
33
Thesis Conclusion
As stated earlier in the program, the mission was to identify, quantify and clarify the
requirements and concepts for the proposed planetarium. The issues aforementioned earher were
to govern and drive the resultant design scheme. These five issues resulted in a collage of
possibilities as they were first researched, each as one separate entity. Then w ere viewed as a
whole which set the design stage.
The first issue, and the primary driver, was to introduce a new geometn, not that of
Euclid, but that of mathematicians from the past thirty years or so. This is the geometr> of
namely Benoit Mandelbrot, Georg Cantor, Edward Lorenz and Jules Poincare'. The Stud\ of
architecture and Fractal geometry has, to say the least, been attempted onl\- m meager efforts.
My attempt may also be just that. But through study of Chaos Theory and nonlinear dynamics I
feel I have a strong grasp on the science. The word "fractal" was derived through a collaboration
ofthe words fragmented, fractured and fractional. Through my design I used some ofthe
Euclidean shapes, in an organic and timeless form, and fractured them in a manner that wa.s
developed by Cantor This being known as the Cantor Dust Scaling. All measurements within
the "temple of celestial worship and knowlege" were based on thirds and then taking a third of
that unit and fracturing it into thirds and so on at many scales.
The second driver was the focus on circulation for maximizing ofthe occupanc\ time
ratio for capital recovery. This resulted in the strategic placement ofthe planetanum and the
myriad of exhibits and museums located throughout the edifice. User control was ke\ to
maximize the viewing of both atfractions for a set fee.
The integration with the site is the most apparent issue without discussion, the scheme
was derived from the fractal studies of tire average temperature, prevailing wind \ clocitics and
socioeconomic structures ofthe two cities. The result also was derived from the concept that the
various sun worshippping cultures all used building forms that were constructed ot earthen
materials in an organic, yet technological manner.
The facility environment as an issue is one that will bring back repeat users. This means
that the planetarium environment is to appear to be on the leading edge of technolog>, }et still
not have a detiimental effect on the timeless aspect ofthe project. All OMNIMAX Digistar
equipment is some of, and if not, the most advanced on the planet. This issue constitues tiie
aformentioned along with computer controlled lighting, HVAC, exhibits and any other "high
tech" equipment that will leave the user astonised and in awe.
The project was strategically located in an area that will make it possible for people from
two cities, each having a population of approximately 100,000 people, to be linked together.
Also offering this same service to the smaller surrounding urban fabrics.
All in all, I feel that the project will bring enjoyment, and know ledge to the people ofthe
Permian Basin and indulge them to explore the heavens and themselves at a higher le\ el.
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