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Week
3
Screening,
September
15:
My
Friend
Ivan
Lapshin
(Aleksei
German,
USSR
1984,
35mm)
Seminar,
September
19:
Readings:
Perry
Anderson,
“Two
Revolutions:
Rough
Notes”;
Tony
Wood,
“Time
Unfrozen:
The
Films
of
Alexei
German”
Week
4
Screening,
September
22:
The
Story
of
Qiu
Ju
(Zhang
Yimou,
PRC
1992,
35mm)
Seminar,
September
26:
Reading:
Chris
Berry
and
Mary
Farquhar,
“How
should
Chinese
Men
Act?
Ordering
the
Nation”;
Michael
Berry,
“Zhang
Yimou:
Flying
Colors
[interview]”
Week
5
Screening,
September
29:
Second
Circle
(Alexander
Sokurov,
USSR
1990,
35mm)
Seminar,
October
3:
Readings:
Mikhail
Iampolsky,
“Death
in
Cinema”;
Kirill
Galetski,
“The
Foundations
of
Film
Art:
An
Interview
with
Alexander
Sokurov”
(http://sokurov.info/?id=1225965671)
Week
6
Screening,
October
6:
Suzhou
River
(Lou
Ye,
PRC
2000,
35mm)
Seminar,
October
10:
Readings:
Xudong
Zhang,
“Shanghai
Image:
Critical
Iconography,
Minor
Literature,
and
the
Un-‐making
of
a
Modern
Chinese
Mythology”
Week
7
Screening,
October
13:
Brother
(Aleksei
Balabanov,
Russia
1997,
35mm)
Seminar,
October
17:
Readings:
Nancy
Condee,
“Aleksei
Balabanov:
The
Metropole’s
Death
Drive”
3
Week
8
Screening,
October
20:
24
City
(Jia
Zhangke,
PRC
2008,
35mm)
Seminar,
NOT
October
26
(need
to
reschedule):
Readings:
Xudong
Zhang,
“Poetics
of
Vanishing:
The
Films
of
Jia
Zhangke”;
Dudley
Andrew,
“Interview
with
Jia
Zhangke”;
James
Naremore,
“Films
of
the
Year,
2008”
Week
9
Screening,
October
27:
Outskirts
(Petr
Lutsik,
Russia
1998,
DVD)
Seminar,
October
31:
Readings:
Richard
Phillips,
“An
Interview
with
Petr
Lutsik”
(http://www.wsws.org/articles/1999/jul1999/sff5-‐j17.shtml);
Xudong
Zhang,
“Postmodernism
and
Post-‐Socialist
Society:
Cultural
Politics
in
China
after
the
‘New
Era’”
Week
10
Screening,
November
3:
Petition
(Zhao
Liang,
PRC
2009,
DVD);
(at
home)
Epic
of
Central
Plains,
part
1
(Ai
Xiaoming,
PRC
2006,
video)
(http://www.youtube.com/watch?v=lcW1YnXMfec&feature=related)
Seminar,
November
7:
Readings:
Lu
Xinyu,
“Rethinking
China’s
New
Documentary
Movement:
Engagement
with
the
Social”;
Edward
Wong,
“Chinese
Director’s
Path
from
Rebel
to
Insider”
(http://www.nytimes.com/2011/08/14/world/asia/14filmmaker.html?pagewante
d=1&_r=1)
Week
11
Screening,
November
10:
The
Belovs
(Victor
Kossakovsky,
Russia
1994,
DVD);
Bread
Day
(Sergei
Dvortsevoy,
Russia/Kazakhstan,
1999,
DVD);
(at
home)
Alexei
Dymovsky,
Russian
Police
Officer
(http://www.youtube.com/watch?v=R4vB2a15dOU);
Voina
Group,
Voina
humiliates
cops
in
their
own
domain,
parts
one
and
two
(http://www.youtube.com/watch?v=796-‐g_NQobA&feature=related)
Seminar,
November
28:
Andrea
Slovakova,
Bara
Stefanova,
“’The
documentary
has
morally
exhausted
me:
An
interview
with
Sergei
Dvortsevoy”
(http://www.dokweb.net/en/documentary-‐
network/articles/the-‐documentary-‐has-‐morally-‐exhausted-‐me-‐an-‐interview-‐with-‐
4