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Everyday conversation may convey different meanings to you and your friends. Image by Jusben
Everyday conversation may convey different meanings to you and your friends. Image by Jusben
The study of linguistics incorporates a number of aspects which are very closely related, yet
distinctive from one another. Some of the aspects we explore most often include phonetics,
phonology, morphology, syntax, semantics, and pragmatics:
Phonetics is the science concerned with the study of speech processes, including the
production, perception and the analysis of sounds. It is closely connected to phonology.
Morphology is a branch of biology which concerns the form and structure or organisms; this
definition includes the form and structure of words within a language, and their modification.
Syntax is the branch of linguistics that covers the grammatical arrangements of words within
sentences, and how we use speech in communication.
Semantics deals with the study of meaning; how we combine words to create meaningful
discourse. It studies the relationship between signs and symbols and what they represent. It is
also used in logic as the principles that determine truth-values of formulas within a logical
system.
Pragmatics (as applied to linguistics) is about how we actually use speech in communication,
and how context aids the transmission of meaning in utterances.
These aspects of linguistics are listed in their hierarchical order, with phonetics and phonology
being the most basic, and rising to pragmatics at the top. It can sometimes be difficult to
differentiate between these sub-fields as they are so closely related to one another.
Phonetics deals with human production of speech sounds. Individual sounds are phonemes, of
which there are hundreds, although in English we manage with around forty. The distinctions
between the sounds indicate regional differences or subtle nuances of speech.
Morphology is the study of how words are formed. We can understand words by focusing on the
smallest unit of functionality within language; the part that stands alone. For example, you may
be sitting at your desk right now. The word “desk” is a morpheme.
If you speak of “desks” then you have changed the word into a plural. Therefore, it comprises
two morphemes, the object itself and the plural “s.” So does the word “desktop.”
In her article, “Morphology, How are Words Formed?” Catherine McCarthy describes the ways in
which we sometimes blend morphemes to make a brand new word:
“A blend combines two words to create a new word. Smog is a blend of smoke plus fog.
Mockumentary combines mock and documentary. Jeggings are snug-fitting leggings that look
like jeans.”
We can also compound two root words to make a new word. Some examples might be
boathouse, yellowhammer, blockhead, Greenpeace.
We can also add prefixes and suffixes to root words. All of these examples are aspect of
morphology.
Syntax concerns the correct structure of sentences in agreement with certain principles,
processes and rules as laid down by grammarians.
Good grammatical sentences have a subject (who and what the sentence is about) and a
predicate (information relating to the subject.) For example, (in active voice): “Decoded sites
help to disseminate useful information.” The subject is “Decoded sites” and the predicate is that
they “help to disseminate useful information.” Generally, sentence structure is clearer if the
subject comes first, but it’s not mandatory. We could say, (in passive voice): “Useful information
is disseminated by Decoded sites.”
Tower of Babel, Painting by Pieter Bruegel the Elder, 1563. Wikimedia Commons, Public Domain.
http://en.wikipedia.org/wiki/File:Pieter_Bruegel_the_Elder_-_The_Tower_of_Babel_(Vienna)_-
_Google_Art_Project_-_edited.jpg
Tower of Babel, Painting by Pieter Bruegel the Elder, 1563. Image courtesy of the
Kunsthistorisches Museum
The term “semantics” is essentially to do with meaning, although it is an extremely broad term.
It can be used to examine changes in meaning over time. It examines shifts in meaning due to
cultural or social changes. It covers the interpretation of texts, ambiguity in the way language is
used, connotations that may skew meaning and it examines the effects of metaphor, pun and
word-play.
In his essay The Signs of Drama, Martin Esslin says, of the fictional character, Hamlet, “He may…
become in the eyes of some members of the audience a representative of a class of individuals.”
Esslin continues by explaining that Hamlet could be viewed as a prince, or as an intellectual who
thinks too much, or as a son in love with his mother. He could also represent the “human
predicament” and, as Esslin adds, “a multitude of others.”
Politicians are accused of using semantics in order to mislead the public. Examples of how
advertisers exploit the use of semantics to increase their profits appear on our televisions and in
our newspapers every day.
“How can a consensus be reached with regard to a text’s meaning when every known
interpretation of every text has always been different in some respect from every other
interpretation of the text? … [E]very interpretation is partial. No single interpretation can
possibly exhaust the meanings of a test. [D]ifferent interpretations bring into relief different
aspects of textual meaning… the diversity of interpretations should be welcomed; they all
contribute to understanding. The more interpretations one knows, the fuller will be one’s
understanding.”
E.D. Hirsch separates the act of interpretation into two distinctive areas, the art of understanding
and the art of explaining.
Interpretation can deepen and develop our appreciation of texts or it may even alter our
conception of the text’s meaning, perhaps making us change our mind or viewpoint.