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DEPED COPY
Grade 10
Teacher’s Guide
89
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ARTS Teacher’s Guide
CONTENT STANDARDS
PERFORMANCE STANDARDS
The learner…
1. performs/participates competently in a presentation of a creative
impression (verbal/nonverbal) from the various art movements.
2. recognizes the difference and uniqueness of the art styles of the various
art movements (techniques, processes, elements, and principles of art).
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Quarter I: Modern Art
Quarter I – Session 1
MODERN ART: IMPRESSIONISM
I. SUBJECT MATTER
II. PRE-ASSESSMENT
1. What comes to mind when you hear the term “modern art”?
2. Give some qualities or characteristics that make you consider an artwork
“modern.”
3. How is modern art different from earlier styles of art that you know?
4. Have you heard of the art movement known as impressionism?
5. If yes, can you name one famous impressionist artist that you know of?
6. Can you name or recognize one well-known artwork in the impressionist
style?
General instructions:
1. Explain to the students that the culminating activity for Quarter I will be an
Exhibit of Modern Art.
2. Brief them that the various artworks that they will create in all the sessions
of Quarter I will be labelled for proper curating and will be turned over to
you for safekeeping, to be retrieved for mounting in the final exhibit.
3. Explain that, due to time constraints with just eight class sessions for Art in
one quarter, they must be prepared to complete the artworks and/or do
other required tasks for the exhibit outside of class hours.
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ARTS Teacher’s Guide
IV. ACTIVITIES
1. Ask the students to explain what they understand by the term “first
impression.” Have them describe the qualities of an impression. Note
down their different ideas on the chalkboard. Then briefly summarize
these to arrive at a definition of an impression (e.g., a quick glance, an
unclear or incomplete image of something, a partial sense of what
something is, etc.).
2. Explain that this particular session will present the pre-modern art
movement that came to be called impressionism. And they will learn
the reason why.
4. Have the class turn to page 190 of the Arts Grade 10 Learner’s
DEPED Materials,andaskthemtoread silently
characteristics of impressionism.
COPY thedefinitionandgeneral
6. Ask them to explain if the sample reproduction you had presented fits
these general characteristics of an impressionist artwork or not. Have
them cite details. (For example, ask them if the painting’s style
appears realistic to them or not; what the subject is, if the forms are
distinct; what the colors are like, etc.).
7. Have the class turn to pages 194 to 200 of the Arts Grade 10 Learner’s
Materials, to see and appreciate the sample works of the great
impressionist masters Edouard Manet, Claude Monet, Auguste Renoir,
Paul Cezanne, and Vincent Van Gogh. Call on a few volunteers to
express their reactions to these works.
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Quarter I: Modern Art
B. WHAT TO KNOW
On the works of the impressionist masters - Have the class answer the
What to Know questions on page 200 of the Arts Grade 10 Learner’s
Materials:
C. WHAT TO PROCESS
The new color technique - Have the class do the “What to Process”
activity on page 193 of the Arts Grade 10 Learner’s Materials.
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ARTS Teacher’s Guide
4. Hold the paper some distance away and ask your classmates to
comment on the “impression” of the secondary color you have created
and the actual color itself.
Impasto - Have the class do the “What to Process” activity on pages 200 -
201 of the Arts Grade 10 Learner’s Materials.
Procedure:
1. Decide on a simple design for your artwork. Keep in mind what colors
of paints are available to you.
2. Using a pencil, sketch in the general design on the illustration board or
chipboard.
D. WHAT TO UNDERSTAND
Have the class answer the What to Understand questions on pages 201 -
202 of the Arts Grade 10 Learner’s Materials:
1. Was the name “impressionism” fitting for this art movement? Why do
you say so?
2. From your knowledge of world history during the late 19th century, do
you note a relation between the impressionist styles and the major
events of that period?
3. Do you agree that impressionism set the stage for the succeeding
movements of modern art? If so, in what ways?
4. Do you see this style reflected even in the works of today’s artists?
Explain briefly.
5. Do you know of any Filipino artists who also used or use the
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Quarter I: Modern Art
impressionist style? If yes, explain how they applied this style in their
works. If not, you may want to research on this on the internet to
discover something new.
2. Now review the following principles of art which you have also
studied before. Briefly describe each one.
a. Rhythm / Movement
DEPEDb.Balance COPY
c. Emphasis
d. Harmony / Unity / Variety
e. Proportion
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electronic or mechanical including photocopying without written permission from the DepEd Central Office.
ARTS Teacher’s Guide
E. WHAT TO PERFORM
1. All the finished artworks should be labelled with original titles, the
student’s name or the group members’ names, the date, and the technique
used.
2. Store the finished artworks for inclusion in the exhibit at the end of the
quarter.
V. GENERALIZATION
Impressionism was an art movement that planted the seeds for what we now
know as modern art. The movement began in Europe in the mid-1800s and
introduced exciting new approaches and techniques for applying the elements of
art (particularly color and texture) in ways that gave impressionist paintings a
sense of energy, freshness, and intensity.
Impressionism was more concerned with capturing a sense or feel of the subject
(in other words, an “impression”), rather than a realistic rendering. Thus, this
movement shifted away from posed scenes created inside studios to everyday,
sometimes mundane, subjects painted outdoors in natural light.
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Quarter I: Modern Art
Among the most famous impressionist artists were Edouard Manet, Claude
Monet, Auguste Renoir, and Paul Cezanne from France; and Vincent Van
Gogh from The Netherlands.
Use the following quiz items to assess the students’ grasp of the topics
discussed:
1. How did the term impressionism originate?
2. What did it mean?
3. Why is Delacroix’s painting, The Barque of Dante, considered so
significant in the emergence of the impressionist style?
4. Cite and briefly describe at least three qualities that distinguished
impressionism from the art movements of the earlier centuries.
5. Who were some of the key figures in this movement?
6. Name one impressionist painter and one post-impressionist painter.
7. Name at least 3 impressionist artworks.
DEPED QuarterI–Sessions
EXPRESSIONISM: A BOLD NEW MOVEMENT
COPY 2and3
I. SUBJECT MATTER
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ARTS Teacher’s Guide
II. PRE-ASSESSMENT
Conduct the following survey to assess what the students know or have
experienced concerning expressionism:
3. Review briefly with the class the elements of art that they have studied
in the earlier grades:
a. line d. color
b. shape / form e. value
c. space f. texture
Call on some students to comment on how the artwork you presented
makes use of these elements to exhibit the qualities of expressionism.
4. Divide the class into five groups. Assign to each group one of the
movements under expressionism:
a. neoprimitivism d. surrealism
b. fauvism e. social realism
c. dadaism
5. Have each group read the description of their assigned art movement
(Arts Grade 10 Learner’s Materials, pages 203 - 208) and study the
sample works.
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Quarter I: Modern Art
7. Show the photograph of Pablo Picasso. Explain that he was one of the
most famous expressionists, whose works are known the world over.
B. WHAT TO KNOW
Have the class answer the What to Know questions on page 211 of the
Arts Grade 10 Learner’s Materials:
Have the class do the “What to Process” activities on page 212 of the Arts
Grade 10 Learner’s Materials. Divide the class into groups of 5 to 6
students each.
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electronic or mechanical including photocopying without written permission from the DepEd Central Office.
ARTS Teacher’s Guide
D. WHAT TO UNDERSTAND
Have the class answer the What to Understand questions on page 213 of
the Arts Grade 10 Learner’s Materials:
E. WHAT TO PERFORM
Guide the students in preparing their artworks for the culminating exhibit
at the end of the quarter.
1. All the finished artworks should be labelled with original titles, the
student’s name or the group members’ names, the date, and the technique
used.
2. Store the finished artworks for inclusion in the exhibit at the end of the
quarter.
IV. GENERALIZATION
100
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electronic or mechanical including photocopying without written permission from the DepEd Central Office.
Quarter I: Modern Art
V. SUMMATIVE TEST
Use the following quiz items to assess the students’ grasp of the topics
discussed:
1. Give a brief definition of the modern art movement called expressionism.
2. When and where did it begin?
3. Name three expressionist artists that you learned about in this session.
4. Name the five sub-movements of expressionism.
5. Describe the distinct characteristics of each sub-movement in terms of how
it made use of the elements and principles of art.
DEPED I.SUBJECTMATTER
ABSTRACTIONISM
COPY
A. Topic: Abstractionism
cubism
futurism
mechanical style
nonobjectivism
101
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electronic or mechanical including photocopying without written permission from the DepEd Central Office.
ARTS Teacher’s Guide
II. PRE-ASSESSMENT
Conduct the following survey to assess what the students know or have
experienced concerning abstractionism:
1. What ideas come to mind when you hear the term “abstract art”?
2. In your opinion, what does an abstract artwork look like?
3. Do you know the name of any abstract artist—foreign or Filipino?
4. Have you heard of the artistic style known as “cubism”? If yes, why
do think it was named in this way?
5. Have you heard of Pablo Picasso? What country did he come from?
What artistic style is he most famous for?
6. Would you like to own an abstract artwork? Why or why not?
III. ACTIVITIES
5. Ask the students to count off “1-2-3-4.” Have all those who counted
“1” group together; those who counted “2” group together; and so on.
Assign each group one of the sub-movements of abstractionism:
a) cubism
b) futurism
c) mechanical style
d) nonobjectivism
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Quarter I: Modern Art
7. Have each group support their explanation with a sample artwork from
the Arts Grade 10 Learner’s Materials, pages 208 - 211.
B. WHAT TO KNOW
Have the class answer the What to Know questions on page 211 of the
Arts Grade 10 Learner’s Materials:
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ARTS Teacher’s Guide
D. WHAT TO UNDERSTAND
Have the class answer the What to Understand questions on page 213 of
the Arts Grade 10 Learner’s Materials:
Abstractionism
DEPED 1.Whichformofabstractionismdo you COPY findmoststriking,andwhy?
2. Do you consider action painting, color field painting, and
pictographic painting true art? Why or why not?
3. Abstractionism in Philippine art – Research online for works by
Filipino artists who used variations of this style (e.g., Arturo Luz,
Jose Joya, and others). Give your personal reaction to these.
Cubism
4. Recall the message expressed in the painting Guernica by Picasso.
Study the details that he incorporated to convey that message.
5. Do you think his technique was effective? Why or why not?
6. How does the painting make you feel?
7. Cubism in Philippine art – Research online for works by Filipino
artists who used variations of this style (e.g., Vicente Manansala and
others). Give your personal reaction to these.
E. WHAT TO PERFORM
Guide the students in preparing their artworks for the culminating exhibit
at the end of the quarter.
104
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electronic or mechanical including photocopying without written permission from the DepEd Central Office.
Quarter I: Modern Art
1. All the finished artworks should be labelled with original titles, the
student’s name or the group members’ names, the date, and the
technique used.
2. Store the finished artworks for inclusion in the exhibit at the end of the
quarter.
IV. GENERALIZATION
V. SUMMATIVE TEST
DEPED discussed:
Usethefollowingquizitemsto assess COPY thestudents’graspofthetopics
Quarter I - Session 6
ABSTRACT EXPRESSIONISM, POP ART, OP ART
I. SUBJECT MATTER
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ARTS Teacher’s Guide
DEPED II.PRE-ASSESSMENT
the following survey to assess what the students know or have
COPY Conduct
1. Have you heard of the terms “pop art” and “op art”?
2. If yes, briefly describe what you know about each of these styles.
3. If not, what do you think the names of these styles refer to?
4. Can you name any well-known artists using these styles?
5. Can you guess what types of subjects these styles depicted?
III. ACTIVITIES
1. Show the world map (if available) and ask student volunteers to point
to the countries where the modern art movements of the early 20th
century were found: France, Spain, Germany, and Italy.
2. Ask another student volunteer to locate New York City on the map.
3. Point out to the class that this traces the “migration” of the modern
art movements from Europe to North America in the mid-1900s.
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Quarter I: Modern Art
4. Have the students turn to pages 214 to 219 of the Arts Grade 10
Learner’s Materials, and read about abstract expressionism, pop art,
and op art.
5. Based on their reading, ask the students to describe the art movement
that came to be known as “The New York School.”
6. Present the sample melted crayon artwork (a project that is common
in elementary school Art classes). Have the students describe how
such an artwork is made.
7. Ask them to compare this with the action painting style of American
artist, Jackson Pollock, as seen in the Learner’s Materials.
8. Call on students to describe the different styles and characteristics of
the various movements that arose in American modern art:
a) action painting
b) color field painting
c) neodadaism and pop art
d) conceptual art
e) op art
9. Have them support their descriptions with the sample artworks in the
Learner’s Materials, pages 214 - 219.
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ARTS Teacher’s Guide
C. WHAT TO PROCESS
Have the class do the “What to Process” activities on pages 220 to 222 of
the Arts Grade 10 Learning Materials.
DEPED use.
2.Asagroup,discusstheoverallcomposition COPY andtechniquethatyouwill
3. Select desired colors of paint and apply these to the board using actions
such as brushing, sprinkling, dripping, and flicking. Let the paint dry.
4. Decide on a title for your group painting and display it in the classroom.
5. Be ready to explain the “action painting” techniques that you used and
to exchange comments with the other groups about their works. In
what ways are they the same? In what ways are they different?
2. As a group, plan the overall composition and technique that you will
use. Select colors of paint similar to those used by color field artists,
and plan how these will be arranged in your artwork.
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Quarter I: Modern Art
repeating pattern on the entire cartolina or board. Let the paint dry.
4. Decide on a title for your group painting and display it in the classroom.
4. Decide on a title for your group artwork and display it in the classroom.
5. Be ready to explain the pop art style and techniques that you used (e.g.,
inspired by Andy Warhol, Roy Lichtenstein, etc.) and to exchange
comments with the other groups about their works.
D. WHAT TO UNDERSTAND
Have the class answer the What to Understand questions on page 222 of
the Arts Grade 10 Learner’s Materials:
1. Explain the shift of the center of art from Europe to the United States
in the mid-1900s. What political, economic, or social conditions
caused this shift?
2. Was modern art readily accepted as “true art”? Why or why not?
3. How did the U.S. involvement in modern art eventually influence
Philippine art? What historical developments allowed this to happen?
4. Can you name any Filipino artists who used or are using any of these
modernist styles?
5. Do these styles appeal to you? Explain why or why not.
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electronic or mechanical including photocopying without written permission from the DepEd Central Office.
ARTS Teacher’s Guide
F. WHAT TO PERFORM
Guide the students in preparing their artworks for the culminating exhibit
at the end of the quarter.
1. All the finished artworks should be labelled with original titles, the
student’s name or the group members’ names, the date, and the
technique used.
2. Store the finished artworks for inclusion in the exhibit at the end of the
quarter.
IV. GENERALIZATION
By the mid-1900s, the center of Modern Art moved from Europe to America.
Daring American artists came up with their own synthesis of Europe’s cubism
and surrealism, known as abstract expressionism.
V. SUMMATIVE TEST
Use the following quiz items to assess the students’ grasp of the topics
discussed:
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electronic or mechanical including photocopying without written permission from the DepEd Central Office.
Quarter I - Session 7
INSTALLATION AND PERFORMANCE ART
I. SUBJECT MATTER
II. PRE-ASSESSMENT
III. ACTIVITIES
Ask the students if they have ever “walked through” an artwork. Explain
that the “installation art” they will encounter in this lesson allows just that.
Explain that the other form, called “performance art,” again makes use of
the human body, gestures, and sounds to convey its message.
Installation art
1. Show the photograph of installation art (if available) or refer to the
examples in the Learner’s Materials.
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2. Ask the students to show how the elements and principles of art are
applied in these works and to identify the unique materials used, the
location, etc.
3. Have them interpret the themes or messages being expressed by
these artworks and give their personal comments and reactions.
Performance art
1. Select five students at random and secretly instruct them to plan a
one-minute, no-dialogue presentation on “Alas Singko Na: Rush
Hour!” (Example: five people waiting in a jeepney line, anxious to
get a ride.)
2. Give them only five minutes to confer, and then have them make
their presentation.
3. Afterwards, ask the rest of the class to interpret the theme of the
presentation and to give their reactions.
4. Have them comment on whether or not it would qualify as
“performance art,” as they now understand it.
5. Ask them to describe the characteristics of performance art.
6. Facilitate a discussion among the students about how these two art
forms could serve as:
DEPEDa)formsofcommunicationinthe modernCOPYera
b) forms of commentary on current issues and concerns.
B. WHAT TO KNOW
Have the class answer the What to Know questions on page 227 of the
Arts Grade 10 Learner’s Materials:
Installation Art
1. What are the distinct characteristics of installation art?
2. Why is it called “installation”?
3. In general, what do installation artists express in their works? Cite 2
examples from the Learner’s Material.
4. Aside from the traditional mediums and materials, what new elements
can installation artists incorporate in their works?
5. What are some unique ways that the viewer can get to experience a
piece of installation art?
Performance Art
1. What are different names for performance art?
2. How do these point to the distinct qualities of this form of art?
3. In what decade did this art form emerge?
4. As distinct from traditional art forms, what or who serves as the
medium in performance art? Explain briefly.
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5. Give examples of places where performance art takes place.
C. WHAT TO PROCESS
Have the class do the “What to Process” activities on pages 227 to 228
of the Arts Grade 10 Learner’s Materials.
Divide the class into four groups. Groups A and B will create an
installation artwork. Groups C and D will present performance art.
D. WHAT TO UNDERSTAND
Have the class answer the What to Understand questions on page 228 of
the Arts Grade 10 Learner’s Materials:
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1. Do installation art and performance art exemplify the qualities of
modern art? If yes, in what ways do they do so?
2. Do art forms like these serve a purpose in today’s world? Explain your
opinion.
3. Select two examples of installation art in the Learner’s Materials and
describe your reaction to it—whether positive or negative, or a bit of
both.
4. Do you think you would enjoy experiencing performance art? Why or
why not?
5. Compare your former views on what art is with what you now see in
installation art and performance art. Have your views changed? In
what way?
IV. GENERALIZATION
Installation art is a modern art form that generally produces works large
enough for the viewers to interact with (e.g., walk through, touch objects, feel
textures, hear sounds, see lights and motion, etc.). It can be located indoors or
outdoors, and makes unique and innovative use of everyday objects and
in a particular place and at a particular time constitute the work. This may take
place in a public or private place, indoors or outdoors. It may last a few minutes
or several hours. The production may be very bare or very lavish.
V. SUMMATIVE TEST
Use the following quiz items to assess the students’ grasp of the topics
discussed:
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Quarter I - Session 8
CULMINATING ACTIVITY FOR QUARTER I:
“AN EXHIBIT OF MODERN ART”
This last session for the Quarter will be devoted to having the students stage “An
Exhibit of Modern Art” presenting the following categories:
1. Impressionism
2. Expressionism
3. Abstractionism, Pop art, Op art
4. Installation art
5. Performance art
The students will be assigned to select from among their own works, as well as source
photos, magazine or calendar cutouts, Internet images, etc. of at least 2 to 3
representative artworks each for the above categories.
Each artwork will be accompanied by a card briefly describing the work and the
historical and cultural context of the category it belongs to:
_______________________________________________________
_______________________________________________________
Have the students invite the school Administration, other faculty members, and their
schoolmates to visit the exhibit. They should be prepared to explain the works and
how these present the characteristics of different movements and styles of modern art.
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Critique of the Exhibit
As a form of self-evaluation, have the students rate the culminating exhibit using the
format below:
Completeness of exhibit
Presentation
DEPED of works)
(display,mounting,and COPY labelling
Assignment of tasks
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