_ 1

'L _ ____ a

100

Ras qu eado Exe rcises

"
ii V 1"1 V 1"1 V
n n ni Figure 34-Keep the 5, a and m extended and play back and
figure 34 forth with the i.
1"1 V 1"1 V 1"1 V
nn n
a i a a i
Figu re 35 -Play the ascending stroke with the a, m and i fingers
simultaneausly and use on ly the i finger on the d escending
m m
,m i strake; then retu rn the a and m fingers tog ethe r to pos ition
figure 3S without hitting the strings. This technique is used fa r accents.

1"1 V ii V
Fi gúre 36 -Make a (ist and play ea eh aseending stroke by
I I I I I I extending each finger with as mueh veloeity as pos si ble. Use
5 a m i S a mIL the descending i finger to return the S, a and m fingers to their
figure 36 starti ng posi tions, although only i strokes th e st rings.

1"1 V
I aI I
1"1 V 1"1' V 1"1 V ..,
I ffi
Figure 37 - This technique is done by keeping the wrist very
straight and rotati ng the arm from the elbow, Start with the
J
a p p a p a p a fingers in a fist As they play the ascending strokes, they
m
i
m
i ,
m m m
i
extend; on the thumbs descending strokes they contraet.
closing the hand,
ligu re 37
V, 1"1 V 1"1 Figure 38 - Keep the wrist straight and rotate the arm at the J
iII IiII elbow. The fingers and thumb play very much as in number 4
(above), but with {he addition of the fift h finger and the fingers
-
p 5 a mi p 5 a m
extending independently. ]
r figu re 38 •
RASGUEADO

4 s 6