Reina Sofía Museum

Dreams Feminism
The dream universe was a source of inspiration for Until well into the 20th century it was exceptional for
many avant-garde artists, including Salvador Dalí, who a woman to work professionally as an artist, but the
developed the paranoid-critical method which he used Reina Sofía devotes special a!ention to the work of
One of Europe’s most interesting contemporary art collections
to transfer dreams to the canvas. The museum houses female avant-garde trailblazers. Names include María
is designed around Guernica, the painting that Picasso created
some of the painter’s most famous works, like Figure Blanchard, whose paintings are o#en confused with
for the Pavilion of the Spanish Republic at the 1937 Paris Ex-
at the Window and Face of the Great Masturbator. those of Juan Gris; Sonia Delaunay, who lived in Spain
position. The museum has an incredibly extensive programme
Other artists of the Surrealist movement include Óscar from 1917 to 1921; Maruja Mallo, who was a member of
of exhibitions and activities and in its halls, which are always Domínguez and Miró. The museum displays several the Vallecas School along with Alberto Sánchez and
being reimagined, there is a particular focus not only on paint- of the la!er’s works, such as Snail, Woman, Flower, Star. Benjamín Palencia; and Ángeles Santos, who painted
ing but on all of the arts, including conceptual and performance A World, one of the most enigmatic pieces in the
practice in art. collection. Among the late 20th-century works, those
by Lygia Clark, Nancy Spero, Louise Bourgeois and
Esther Ferrer should not be missed.

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1. Reina Sofía Museum

2. Mask of Montserrat
Screaming. 1938-1939
© Julio González, VEGAP,
Madrid, 2017
3. Fallen Figure I. 1970
© Manuel Millares, VEGAP,
Madrid, 2017
4. Snail, Woman, Flower, Star.
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1934. Joan Miró
© Successió Miró 2017
The Civil War Violence
5. A World. 1929
During the conflict, the government of the Republic The successive and bloody armed conflicts, complex © Ángeles Santos, VEGAP,
turned the Spanish Pavilion at the 1937 Paris Exposi- post-colonial relations, multiple freedom movements, Madrid, 2017
tion into a platform for spreading propaganda that the fall of the Berlin Wall and the redistribution of 6. Face of the Great Mastur-
would convey it in a positive light. In addition to the the centres of power and the periphery have drawn bator. 1929
© Salvador Dalí, Fundació
large canvas painted by Picasso which denounced the a map full of political tensions which have expressed Gala-Salvador Dalí, VEGAP,
bombing of Guernica, the museum houses some of themselves in very disparate ways. Informalism, Madrid, 2017
the works that were included in the pavilion as well as which in Spain was led by the El Paso and Dau al Set 7. The Gathering at the Café
del Pombo. 1920
a model of the building, designed by Josep Lluis Sert groups, Arte Povera and the new European realisms
© José Gutiérrez Solana,
and Lluis Lacasa. These same halls portray the rise are just some examples of this very interesting map of VEGAP, Madrid, 2017
of totalitarianism in Europe with works like Mask of the second half of the 20th century. Two outstanding © Madrid, Museo Reina Sofía
Montserrat Screaming by Julio González and Great works of particular relevance in this respect are The
Prophet by Gargallo. Trumpets of Judgement by Pistole!o and The Clothes
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10 Rack by Carlos Leppe. 11
 The Art Walk
The route along which the
Prado, Thyssen-Bornemisza
and Reina Sofía museums
are located is known as the
Art Walk. There is a pass
that includes one visit to
each of the museums which
is good for one year from
the date of purchase, as
well as a mobile application
called the “Essential Art
Walk” that provides infor-
mation on 24 masterpieces
that nobody should miss.

Prado Museum
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