Академический Документы
Профессиональный Документы
Культура Документы
Bollywood Movies
SUBMITTED BY:
PRN: 16010324313
In:
August, 2016
Asst.Prof.Srinivas Bandameedi
English professor
The material borrowed from other sources and incorporated in the thesis has been duly
acknowledged.
I understand that I myself could be held responsible and accountable for plagiarism, if any,
detected later on.
Date:1-10-2016
1 SHAKESPEARE’S 5
DRAMA
2 BOLLYWOOD 5
MOVIES
3 BOLLYWOOD 6
MOVIES BASED ON
SHAKESPEARE’S
DRAMA
4 FACTS ABOUT 10
BOLLYWOOD
MOVIES AND
ANALYSIS
5 POSTERS 12
6 CONCLUION 13
7 BIBLIOGRAPHY 13
BOLLYWOOD MOVIES
Whenever we think about Indian cinema,the word Bollywood brings in our mind gorgeous
and brightly coloured shots in exotic locale featuring beautiful stars and impressively
choreographed dance and songs. The word Bollywood is a play on Hollywood, with the B
originating from Bombay (now known as Mumbai), the focal point of the film world. Indian
cinema dates all the way back to 1913 and the silent film Raja Harishchandra, the first-ever
Indian feature film. Its producer, Dadasaheb Phalke, was Indian cinema’s first mogul, and he
oversaw the production of twenty-three films between 1913-1918. During the early 1920s
there was an establishment of several new production companies. Most of the films made
during this era were either mythological or historical in nature.It was during 1947 that the
industry went through significant changes and the rize of modern Indian film took place. The
historical and mythological stories of the past were now being replaced by social-reformist
films, which turned an often critical eye on such social practices as the dowry system,
polygamy and prostitution.More focus wa laid upon lives of lower class and people dealing
with poverty which was until then ignored. It was the latter when bollywood eventually
become the template for the Masala film, a mash of genres including action, comedy, and
melodrama punctuated by approximately six song and dance numbers, and the model still
used for most contemporary Bollywood films. The hodgepodge of action, romance, comedy
and of course musical numbers is a model that now dominates the Bollywood industry, and
though greater attention is now paid to plot, character development, and dramatic tension, it
is, in most cases, sheer star power that accounts for a film’s success.
One of the most well-known love stories, the play tells the heart-breaking tale of two lovers
who fall in love with the wrong person from the side of the “enemy”. Romeo and Juliet’s love
story ends with their tragic deaths.
This tragedy play has inspired many Bollywood movies till date. Some of the movies
inspired by Romeo and Juliet are: Bobby(1973) starring Rishi Kapoor and Dimple
Kapadia; Ek Duuje Ke Liye(1981) starring Kamal Haasan and Rati Agniohotri; Sanam Teri
Kasam(1982) starring Kamal Haasan and Reena Roy; Qayamat Se Qayamat Tak (1988)
starring Amir khan and Juhi Chawla; Saudagar (1991) starring Manisha Koirala and Vivek
Mushran; Ishaqzaade (2012) starring Parineeti Chopra and Arjun Kapoor; Issaq (2013)
starring Prateik and Amyra Dastur; and Goliyon Ki Raasleela: Ram-Leela (2013) starring
Deepika Padukone and Ranveer Singh.
The first Shakespearean adaptation on the Hindi film screen was Savkari
Pash (1925) directed by Baburao Painter based on The Merchant of Venice:
This film was a social melodrama in the realist tradition and dealt with money
lending, a problem that ruined countless illiterate, poor farmers. The audience, more
accustomed to escapist mythological fantasies and historical love stories, did not
appreciate the strong dose of realism and the film did not do well. However, the shot
of a dreary hut photographed in low key accompanied by a howling dog in this film is
regarded as one of the most memorable moments of Indian cinema to date.
Angoor (1982) is the best known adaptation of The Comedy of Errors on film in
the world:
The largest number of adaptations of The Comedy of Errors on film have been
undertaken in India. There are three from Hong Kong, two from the United States and
one each from Russia and Mexico. In contrast, there are six known adaptations of this
play on film in India and three more under production. Of these, Angoor is the best
known, both in India and in the world. This is also one of the first Shakespearean
adaptations in India to be transposed on to a modern Indian setting.
Qayamat Se Qayamat Tak (1988), now one of the best known adaptation
of Romeo and Juliet in Bollywood, was originally scripted with a happy ending:
Nasir Hussain, who wrote the basic story of QSQT thought that audiences in
Bollywood would not accept sad endings, especially in a love story. Tragic endings
for protagonists are uncommon in Bollywood. However, Mansoor Khan, Nasir’s son
Karz(1980), and its remake Om Shanti Om(2007), used the Mousetrap Device
from Hamlet:
The Mousetrap Device, or the play-within-the-play, helps Hamlet test the Ghost’s
accusation against Claudius.Karz and Om Shanti Om deal with a popular Bollywood
theme - rebirth. Instead of the ghost, it is the protagonist who is killed in these two
films, who later returns and uses the Mousetrap Device to ‘catch the conscience’ of
the killer. The Shakespearean influence in these two commercially popular films is
completely unacknowledged but the Hamletian echoes are obvious to anyone familiar
with the play, or the several adaptations of Hamlet in Bollywood.
BIBLIOGRAPHY
https://en.wikipedia.org
http://worldfilm.about.com
bollyspice.com/shakespearean-tragedies-love-bollywood
http://theshakespearestandard.com
http://www.dnaindia.com/
madaboutmoviez.com
http://www.firstpost.com/
http://ijellh.com/
http://www.slideshare.net/
http://www.nosweatshakespeare.com/