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Written

By: Billy Strayhorn


Take the "A" Train
       
Arranged By: Cole Petridis
  4                     
 4    
 = 160 Swing


4 Times

          
         
Alto Sax 1

     
  44 
 
 

   
Alto Sax 2

  
  44 
       
         

  
Tenor Sax 1

  
  44                      

 4 
Tenor Sax 2

         
 4                                  

    
  4           
Baritone Sax

 
 4             

         
Trumpet 1


  44 
                  

   
Trumpet 2

        
  44 
               

  
Trumpet 3

 4 
  4 
                  
       

        
Trumpet 4

 44                   

         
Trombone 1

 4                   
4 

         
Trombone 2

 4                   
4

      
Trombone 3

 4                
 4


Trombone 4

44      
        
    

 
 
 44               
  
D7#11


Piano C6 C6 D7#11 D-7 G7


 4             
 
 
  
4                 

   
Bass

 44                            
                  

Drums
  
                   
     
   
       
1. 2.

                  
Alto 1


                   
1. 2.

       
Alto 2

   
                          
1. 2.

  
           
Tenor 1

 
                
     
1. 2.

  
  
Tenor 2

      
 
1. 2.

                   
   
         
Bari

 
         
           
1. 2.

 
           
Tpt. 1

   
                     
 
1. 2.

 

Tpt. 2


                      
 
1. 2.

 

 
Tpt. 3


                      

1. 2.

 
 

      
         
 
Tpt. 4

           
1. 2.

     
        
Tbn. 1

 
          
1. 2.

    
  
Tbn. 2

       
          
1. 2.


 
Tbn. 3

                   

1. 2.

  


Tbn. 4


              

           

Piano C6 D-7 C6 G-7 C7 Fmaj7 Fmaj7 Fmaj7 Fmaj7 D7 D7

      
    
      
               
 
 
 
Bass  


     
Drums     

2
             
                
  
Solo Break

   
                    
Alto 1

       
     

        
Alto 2

  
                       
 

   
Tenor 1

  
                              
 

  
Tenor 2

                       

              

 
              
  
Bari

            

              
Tpt. 1

   
                

      
Tpt. 2

       
                      
  

Tpt. 3

 
                                 
     

   
                  
Tpt. 4

                
                      
Tbn. 1

                

                     
Tbn. 2

                   
 

               
Tbn. 3


                       

          
Tbn. 4


                 

 

  
      
               
Piano D-7 G7b9  C6 C6 D7 D-7 G7

 
                     
                
   

        
Bass

        
   

Drums

3
               
 
Solo Section
Eb6 Eb6 F7#11 F7#11 F-7 Bb7 Eb6 F-7 Bb7 Eb6 Eb6 F7#11 F7#11

  
Alto 1

          
Alto 2           
             
Tenor 1           
               
       

Tenor 2

                  

   
  
Bari

            
Tpt. 1  
             
Tpt. 2  

             
Tpt. 3           
             
Tpt. 4           

Tbn. 1
              

              

 
Tbn. 2

                    

 
Tbn. 3

                    
Tbn. 4

            
      
 
 C6
                   

Piano C6 D7#11 D7#11 D-7 G7 C6 D-7 G7 C6 C6 D7#11 D7#11

 
                            
                      

 
Bass

    
Drums          

4
               

F-7 Bb7 Eb6 Bb-7 Eb7 Abmaj7 Abmaj7 Abmaj7 Abmaj7 F7 F7 F-7 Bb7 Bb7b9 Eb6 Eb6


Alto 1

             
Alto 2 
              
Tenor 1 
              


Tenor 2

             

 
Bari

             
Tpt. 1 
              
Tpt. 2 
              
Tpt. 3 
              
Tpt. 4 

Tbn. 1
              

Tbn. 2
              

Tbn. 3
              

              
Tbn. 4

             

              
Piano D-7 G7 C6 G-7 C7 Fmaj7 Fmaj7 Fmaj7 Fmaj7 D7 D7 D-7 G7 G7b9 C6 C6

                        


                      
Bass 

Drums 

5
                       
             
F7#11 F7#11 F-7 Bb7 Eb6 F-7 Bb7


Alto 1


                    
       
   



Alto 2

      
                        
    

Tenor 1

      
                        
    


Tenor 2

         
 
     
 

 
          
 
Bari

              
  

        
Tpt. 1

      
             

    
Tpt. 2

     

               

 
Tpt. 3



                        

   
      
Tpt. 4

                   
     
   
Tbn. 1

      
            

  
    
Tbn. 2

                   

      
Tbn. 3

                   
 
 
Tbn. 4

       
                              
  

     

     
       
                     

Piano D7#11 D7#11 D-7 G7 C6 D-7 G7

        
                               
  

Bass

  
                 

Drums

6
         
               
 
Tpt. 2 Solo


Soli

      
          
Alto 1

  
       
3 3


 
Soli

         
Alto 2

    
             
3 3

 
Soli 

         
Tenor 1

 
   
               
3 3

     

Soli 

 
Tenor 2

     
                   
3 3

     
Solo   3 

    
Bari

 
        

  3 


Tpt. 1

  

              

  F6 G7#11

  
Tpt. 2

       
        

 

Tpt. 3

       
    
 

 

 
Tpt. 4

               
 

2nd Time Only


Tbn. 1

                  
 

Tbn. 2

                    
2nd Time Only  

Tbn. 3

               
   
  

Tbn. 4


                 
 
 

              

Piano  


       
                          
Bass  

        
Drums       

7
 Soli    Tbn. 1 Solo  
      

  
          
Alto 1


             
3 3


 
Soli

  
Alto 2

              
            
3 3

 
 Soli  

  
Tenor 1

              
              
3 3

  
 
Soli  

Tenor 2

          
   
3 3

   
  3  


Bari

          

 3  

Tpt. 1

           
 

G-7 C7

Tpt. 2

           
 

cresc.

Tpt. 3

           
 

cresc.

Tpt. 4

            

Eb6 F7#11 F-7 Bb7 cresc.


Tbn. 1



               


Tbn. 2



               

cresc.

      
Tbn. 3

          
  
cresc.

Tbn. 4

           
 
cresc.

           

Piano

          
                    
       
     
 
  
Bass

 
Drums   

8
           
               
        


                    
         
Alto 1

     
         

3 3 3

 
 

    
Alto 2

        
                           
3 3


3

 
   3

    
Tenor 1

        
                            
3


3


   3

           
Tenor 2

                    
   
3

 
3

   
  


3

  
Bari

                   
     
 3 

        
Tpt. 1

            
     
        
 
  
3


3


 

        
Tpt. 2

            
     
          
 
  
3


3


(cresc.) 

   
         
Tpt. 3

          
                     
3


(cresc.) 3 

        3         
 
Tpt. 4

 
           
3

 
(cresc.) 

               
 
 
        
Tbn. 1

            
  
3 3

 
 


        
Tbn. 2


            
3 3

 
(cresc.) 


               
Tbn. 3

        
    
       
(cresc.)  


Tbn. 4

    
                    

(cresc.) 

            
   
Piano 

           
      

      
Bass

      
            
 
2nd time only

Drums

9
    
                         
           
Solo

  
                
Alto 1

      
       
3

 
    
Alto 2

  
                       
3

  
  
  
Tenor 1


                        
3

    


Tenor 2

                      
  
3

 

 
 
    
Bari

                                
 

   
  
Tpt. 1

 
                              
 

     
Tpt. 2

    
          
            

    

   
Tpt. 3

 
          
                     



  
           
Tpt. 4

      
          
    
             
Tbn. 1

        
      

    
        
Tbn. 2

        
             

               
Tbn. 3

     
             

Tbn. 4

            

             

Piano

             

   
Bass

     
 
     
Drum Solo


Drums

10


 




Alto 1




Alto 2



 
Tenor 1



 
Tenor 2





 
Bari



 
Tpt. 1


 
Tpt. 2



 
Tpt. 3

 

Tpt. 4




Tbn. 1




Tbn. 2




Tbn. 3


Tbn. 4


 
Piano

Bass
 

Drums  

11
Alto Sax 1
Take the "A" Train Written By: Billy Strayhorn

2       
 4                      
Arranged By: Cole Petridis

   
 4    
 = 160 Swing


1.
4 Times

         
                           

   
2.

               
          2     
 
Solo Section


Solo Break Eb6 Eb6 F7#11 F7#11

 F-7
                  

Bb7 Eb6 F-7
Bb7 Eb6 Eb6 F7#11 F7#11 F-7 Bb7 Eb6 Bb-7 Abmaj7Abmaj7Abmaj7Abmaj7F7
Eb7 F7

 F-7                      


         
  
Bb7 Eb6
Bb7b9 Eb6 F7#11 F7#11 F-7 Bb7 Eb6 Bb7
F-7

           3     
   
  
        

  

Soli

 
  
Tpt. 2 Solo    Soli   
 


Tbn. 1 Solo              
3 3 3 3

        
  

 

                     
3 3

        
  

  
3 3

   

                2
   
 
Solo

2
Alto Sax 2
Take the "A" Train Written By: Billy Strayhorn

2                   
 4            
Arranged By: Cole Petridis

   
 4     
 = 160
Swing


1.

                                 

         
2.

  
                         
       

Solo Break

      31                             

        
Solo Section

3                
     Tpt. 2 Solo

                 

 
Soli

                 
3 3

   
           Tbn. 1 Solo
  
 

 
Soli

            
         
3 3

 
         
   

   
 

                
3 3

             
 

  

   2   

3 3

          

Tenor Sax 1
Take the "A" Train Written By: Billy Strayhorn

2     
Arranged By: Cole Petridis

 4                     
 4           
 = 160
Swing


1.

   
                               

   
2.

 

          
  
         
 

              
   
Solo Break Solo Section

 31                    3 
                     

              

           
          

Soli Tpt. 2 Solo Soli

3 3

                        
   

 
        
Tbn. 1 Solo

3 3

                   
  

    
             

3

 2  
 
3

      
3

    
 

           
   
 


 
3 


Tenor Sax 2
Take the "A" Train Written By: Billy Strayhorn

2     
Arranged By: Cole Petridis

 4                     
 4           
 = 160
Swing


1.

   
                               

   
2.

   

          
  
       

                 
   
Solo Break Solo Section

 31                    
               

  

               
 

   
            
      
Soli Tpt. 2 Solo

3 3

            
  

    
             
Soli Tbn. 1 Solo

3 3

               
  

               
  
 

       
3

 
3

      
 

          
   

  
3

    
2  
3

 

      
 

Bari Sax
Take the "A" Train Written By: Billy Strayhorn

 4  2
Arranged By: Cole Petridis

            
 4        
            
 = 160
Swing

  2

      
          
   
1. 2.

         

               
                    
   

 31   4

 
                           
    
Solo Break Solo Section

   

 
                           
  
Solo 3

2
 

                 
  
Tpt. 2 Solo 3 Tbn. 1 Solo

                
    


         
           
 
3

4 2 

 
            
    
    

Trumpet 1
Take the "A" Train Written By: Billy Strayhorn

2       
          
Arranged By: Cole Petridis

 4            
 4   
 = 160
Swing 1.

    2           2
              
2.

 

  
                         2  32


 
Solo Break Solo Section



   
 
   3 2
        
          
  

8 8           
                

Tpt. 2 Solo Tbn. 1 Solo

3 3
 

         2
        
                    

 


    

Trumpet 2
Take the "A" Train Written By: Billy Strayhorn

2              
Arranged By: Cole Petridis

 4                    
 4     
 = 160
Swing 1.

                
                
 
2.

 

           

              
 

    
 2  32                       

    
Solo BreakSolo Section

2 5 4

     
                

Tpt. 2 Solo
F6 G7#11 G-7 C7 Tbn. 1 Solo

  cresc.

        
                      
        
3 3

        
(cresc.)

         

                     

 2  
    

       


Trumpet 3
Take the "A" Train Written By: Billy Strayhorn

2    
Arranged By: Cole Petridis

 4                             
 4     
 = 160
Swing 1.

2

  
 
                            
2.

   
 

                                      
       
Solo Break

31                     

     
     
Solo Section

2 8 4

       
                 

Tpt. 2 Solo Tbn. 1 Solo

cresc.


 

           
   
                    
3

3

  
(cresc.) 

           
              
     

  2   

        

Trumpet 4
Take the "A" Train Written By: Billy Strayhorn

2 
Arranged By: Cole Petridis

 4                           
 4     
 = 160
Swing 1.

   

2 2

                              
 


2.

    

31
  

                                
 
       
Solo Break Solo Section

                  3 2
       
 

8 4
  


      
    
   
       

Tpt. 2 Solo Tbn. 1 Solo

cresc.

            

       

3
     
3

2

                 
                

  
      


Trombone 1
Take the "A" Train
          
Written By: Billy Strayhorn

2    
Arranged By: Cole Petridis

 4                    
4   
 = 160 Swing 1.

             

     
              
2.

           

2 Solo Section 32
         
 
Solo Break

         

3        2
                

  

8 5                 
    
Tbn. 1 Solo

   
Tpt. 2 Solo Eb6 F7#11 F-7 Bb7

3 3
 

          
                          
  

   

3
      

Trombone 2
Take the "A" Train
         
Written By: Billy Strayhorn

2     
Arranged By: Cole Petridis

 4                    

4   
 = 160
Swing 1.

          

        
              
2.

  

         2  32
         
 
Solo Break Solo Section

         

2 2nd Time Only


                       
 
   

2 8 4   
 
             
        
 
Tpt. 2 Solo Tbn. 1 Solo

cresc.

                        
    

3 3
   

  

  
     
      
      3
     

Trombone 3
Take the "A" Train Written By: Billy Strayhorn

   
2                               
Arranged By: Cole Petridis

 4   
4    
 = 160
Swing 1. 2.

      
                         
      

              
             
Solo Break

  

 31      
 2
    
              
     
  
Solo Section 2nd Time Only

 

2 8 4
         
            

Tpt. 2 Solo Tbn. 1 Solo

  cresc.
 

2 
                            
  
      

   

     
   2 
        

Trombone 4
Take the "A" Train Written By: Billy Strayhorn

2         3           
Arranged By: Cole Petridis

 4        
4     
 = 160Swing


1. 2.

                                   
  
 

   31  
 
                 
           
    
Solo Break Solo Section

    2 8
                       
    
Tpt. 2 Solo

 

4 2
                         
        
Tbn. 1 Solo

cresc.
 

   
                  

 

      
 

  2  

         

Piano
Take the "A" Train Written By: Billy Strayhorn


Arranged By: Cole Petridis

4                   
 4        
 = 160 Swing 1. 2.

  
4  
4                   

   
 C6 C6 D7#11 D7#11 D-7 G7 C6 D-7 C6 C7G-7

       

     
           

               
Fmaj7 Fmaj7 Fmaj7 Fmaj7D7 D7 D-7 G7b9 
C6 C6 D7

     

                     
   
Solo Break Solo Section

   D-7 

     
           
          
G7 C6 C6 D7#11 D7#11 D-7 G7 C6 D-7 G7

   

                  

                  
C6 C6 D7#11 D7#11 D-7 G7 C6 G-7 C7 Fmaj7 Fmaj7 Fmaj7 Fmaj7 D7 D7 D-7 G7
G7b9 C6 C6

                        
 
     
      

                         

 
D7#11 D7#11 D-7 G7 C6 D-7
G7


3 2 8 5
                     
 
Tpt. 2 Solo Tbn. 1 Solo

  3 2 8 5
            
  

2  8 8

                
 
2 8 8
    
   

2
Bass
Take the "A" Train Written By: Billy Strayhorn

                        
Arranged By: Cole Petridis

 4    
4           
 = 160Swing

 

   
                              


1. 2.

                                      
  

      Solo Section
        
      

               
    
Solo Break

                                   

                
            

                                 

3
                                   
    

     Tpt. 2 Solo
         

                

        
  
   
                                  
  
Tbn. 1 Solo

5 2  8 8
       
  

2
Drums
Take the "A" Train
  
Written By: Billy Strayhorn

2
Arranged By: Cole Petridis

 44                            
                 
 = 160
Swing


1.

  
       
     

2.

     Solo Section
                  

 
Solo Break

     
  

3
        

            
Tpt. 2 Solo


  3   
     
  
Tbn. 1 Solo


     2nd time only
    
       
       

 5
    

Drum Solo