Академический Документы
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Titania and Oberon, the immortal Queen and King of the Fairies, live under
a hill in a modern city park. To save their marriage, they adopt a mortal
toddler and begin to raise him, only to discover he has developed terminal
leukemia. What follows, set in a fairy den and an oncology ward, is one of
the best (and, somehow, realest) short stories ever written, a haunting
exploration of love and death that has followed this reader, at least, into
marriage, parenthood, and nearly every subsequent day spent on this
earth.
One of the newest voices on this list, Vijay tells the story of Indian children
mining the ore used to construct Olympic stadiums in China with
remarkable poise and vision. While the inherently political nature of the
story is certainly important and the writing is ruthless in its detail, to
approach “Lorry Raja” in only that way is to miss the quiet power of Vijay’s
prose, as well as its ability to look honestly into the subtleties of family and
the scales of desire without denying beauty where it lurks.
Also published in 1975, sixteen years before she would be awarded the
Nobel Prize, this is Gordimer’s story of the relationship between Austrian
geologist Dr. Franz-Josef Von Leinsdorf and a mixed-race Johannesburg
shop girl, an affair that is illegal in apartheid-era South Africa. One of the
most overlooked pieces of Gordimer’s writing, this is also one of the
quietest, and most effective. The uneasy dynamics of race, class, and
power (especially when it comes to love and sex) are nimbly explored here,
and build to a devastating end. It was similarly saved from obscurity, this
time by author Tessa Hadley, for The New Yorker‘s fiction podcast.
“Spring in Fialta is cloudy and dull,” begins this amusing and heartbreaking
story, perhaps the most underappreciated narrative Nabokov ever wrote.
Waiting behind Nabokov’s admittedly long and wry sentences is the plainly
moving story of a love affair pursued through the years. Every detail works
together here to render Nabokov’s testament to the illusiveness of love and
memory, and a reader’s patience is richly rewarded. Those interested can
find it online, or in the excellent anthology of love stories, My Mistress’
Sparrow Is Dead.
By turns funny, disturbing, canny, and inventive, this novella takes the form
of fictional episode summaries of the famous show (but if the show, as one
reader puts it, were directed by David Lynch). Machado, another new voice
in American fiction, manages to create an engaging, strange, and wholly
original story that draws into conversation sexual violence, popular culture,
and our own weird-feeling relationships therein.