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Three Sisters
By Anton Chekhov
(Translation by Sarah Ruhl)
Dramaturgical Packet
Webster Conservatory Production 2018
(Written and Curated by Erin M. Fischer, and Kylie Hill)
Table of Contents
2
3-8 Glossary
9-10 A Personal Look at Chekhov
11-12 Sioux Wars
13-14 Women’s Educational Standard in the 19th Century
15-16 The Value of the Wet Nurse
17-
3
Three Sisters
Anton Pavlovich Chekhov was born late January, 1860, in Taganrog Russia, to
Yevgeniya and Pavel Chekhov. Pavel worked as a grocer, but frequently struggled with money
while he ran his business. Yevgeniya, having six children and little money, occupied her children
with stories. Anton and Yevgeniya shared a deep love and inherent interest in storytelling, which
pressed him to focus immensely on literature in his schooling.
In 1875, Pavel’s grocery had failed, leaving Anton behind to finish his studies, the family
moved into Moscow to look for work. Four years later, Chekhov reunited with his family.
Though Pavel had found work, it was not enough to support Yevgeniya and their children.
Chekhov felt an obligation to better his large family’s circumstances, and decided to enroll in
medical school. While he studied, he wrote short stories to earn a little money from magazines,
this is where we find the bulk of Chekhov’s work, as he published hundreds of stories in this
format during his medical studies.
It was only after Chekhov had finished his medical degree and developed a practice that
he stopped publishing under a pseudonym. This is when he saw the fruits of his talent, and
earned his first award the Pushkin Prize for his short story “the Steppe,”
A whirlwind of notable works follow this award from 1887 to his death in 1904.
Three Sisters was, like many of Chekhov’s works, written on commission. Though his
inspiration came from a slightly unusual place. While on holiday with his younger brother, who
at the time was tutoring three young girls. They charmed Chekhov so much that e began to write
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of his imaginings of the girl’s growing up into Russian society. The Moscow Art Theater (MAT)
had requested his involvement in their fourth running season, given that not long before this
Chekhov had become infatuated with MAT’s resident leading lady, Olga Knipper, he obliged
with a special role written just for her. Masha, the middle sister. Critics acclaimed Knipper’s
portrayal of Masha as “the most original and talented of the three sisters. To portray a young
woman of culture and refinement, who speaks French, German and English, and is a first-class
pianist”
Kipper and Chekhov married in 1901, but their romance ended very quickly as Chekhov
died of tuberculosis in 1904.
Three Sisters is touted frequently as a prime example of “Chekhovian boredom,” which is
to say on the surface; little seems to happen. Although according to Webster University’s Dr.
Susanna Weygandt, resident Chekhov expert, describes it as “less of that ‘nothing happens,’ and
more of everything happens in the peripheral.” In her class titled ‘Chekhov and Gender’ she
subscribes to the theory that there are essentially four basic tenants of Chekhovian literature:
minimizing the maximum, maximizing the minimum, the maximal versus the minimal, and the
events withheld. That is to basically say that Chekhov criticized what he felt was a common way
of thinking; ignoring larger problems and enlarging smaller problems, and that a story can be
told in that juxtaposition, and how the characters react.
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innocent camps near US bases, but also any remaining Sioux in established internment camps.
Smaller battles continued up until the late 1880’s, when prophet Wovoka predicted that a special
ceremonious dance would revive the spirits of their fallen soldiers and give the Sioux, Arapaho,
and Cheyenne, nations the strength they needed to take their homes back from the US. Nearby
US soldiers however took this as an act of war against the US and proceeded to massacre over
300 peaceful people, even hunting down members of the movement and brutally killing them.
Medals were given out by the US government for this “act of heroism,” which in 1975 resulted
in shootouts and casualties between US and native soldiers.
The medals have not been rescinded by the US, and thus far no plans have been made to do so.
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Of course, this focuses more on the education of eastern women than western. In the frontier
women (and men) were often less educated.
“Territorial citizens were more likely to send daughters as well as sons to such schools,
which usually specialized in vocational, agricultural, and, for women, domestic science
programs, more so than liberal arts.”
“Like earlier reformers who emphasized that women’s education could and should assist
them in the fulfillment of family roles, professors of home economics, such as Lou Allen
Gregory at Illinois Industrial University, argued that college courses for women ‘must recognize
their distinctive duties as women—the mothers, housekeepers and health keepers of the world—
and furnish instruction which shall fit them to meet these duties’.”
the Egyptian empire pre Christian Era, and although it was an occupation well-regulated and
documented in some European countries such as France, it is much more commonly practiced as
a private employment matter between the family and the nurse.
Today, breastfeeding stirs up controversy. But before the invention of powdered formula,
other options weren’t available. Poor mothers sometimes fed their infants bread soaked in water,
or mashed solid foods. If you were a little better off, doctor recommended ratios of honey, water,
and cows milk, but those who could afford it employed a wet nurse. Even when formula went on
the market in 1867, it was expensive. And most parents felt more comfortable with wet nurses or
home made, doctor recommended, ratio methods- rather than the mysterious powdered formula.
The requirements of wet nurses were fairly simple, but went beyond being able to breastfeed.
The potential wet nurse underwent medical exams to determine if she was healthy enough to
breastfeed and wouldn’t pose any harm to the infant, and was required to also hold other
positions in the household such as the Head maid, or cook.
Infants form a special bond with the person who feeds them, so, provided the family
employing the wet nurse didn’t encounter scandal or financial ruin, generally wet nurses could
expect to be employed for a very, very long time. As the child grows, the wet nurse becomes the
nanny, then if she has access to any education possibly provided by the family, she could become
a tutor or a governess, and then possibly a full time cook or maid.
During this time the infant mortality rate was astronomical, particularly among poor and
lower class women, often leaving them childless but still lactating, this provided an honest career
and the chance to become a respectable working woman.
But contrary to popular belief, a woman doesn’t have to have a child of her own to be
able to breastfeed. Adoptive mothers have been able to breastfeed via the process of neural reflex
prolactin, which put simply, is the repetitive act of breast suckling or pumping to trigger lactation
by stimulating the lactation glands within the breast. This is how wet nurses could be employed
over multiple generations, though at a certain age the glands in the breasts lose functionality.
Frequently, the wet nurse became like a member of the family she served. She was usually the
highest paid of all the household staff, and often became the manager of other staff as well as the
confidant of the family.
This resulted in many households keeping a room for the wet nurse into her elderly years
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if she had no other family. Possibly reducing her salary but keeping her moreso as a part of the
family than an employee, akin to an aunt or grandmother.
weighing roughly 450,000 pounds, and has never made a sound. The Tsar
bell was commissioned by Empress Anna Ivanovna in 1733. That is, this
version of the Bell.
Bells in Russian culture as opposed to western ideas were more prominently
used to signal public events rather than religious ceremony. The orthodox russian bells
rang for public ceremonies, celebrations, and in some cases served as an alarm for fires or
other emergencies. Believed to have been started in the 16th century, then finished in
1600, the original Tsar Bell weighed around 40,000, a striking difference in comparison
to the current version at the Kremlin. 24 strongmen were needed to ring the original
iteration of the bell, before it was destroyed in a fire around 1650. While the next bell
was cast from a combination of remnants of the first and new bronze, it was decided to
enlarge this bell by over 5x. Tsar Bell II weighed in at over 220,000 pounds and was
proportionately enlarged in dimension. Not surprisingly, another fire weakened the
structure that housed the bell, sending it crashing down in 1701.
Empress Anna Ivanovna was not known for subtlety or reserve, her boistrus and
crude behavior became a trademark of her reign along with several construction of grand,
unusual, and pointless structures. When she commissioned the next iteration of the Tsar
bell, her specifications for the new bell were unprecedented, originally the Empress sent
for expert craftsmen in Paris, but they did not take the commision seriously, thinking it
was a ridiculous joke. Local craftsmen, however, took on the cause with gusto. To cast
the bell a 33 foot pit was dug, and a clay mould was fitted to the pit using rammed earth,
a combination of gravel, lime, and chalk. The first attempt failed, and the second attempt
took another year to complete. Finishing the base structure our final version of the Tsar
bell in November, 1737.
Fate however, is a cruel mistress. Another major fire set ablaze the Kremlin in
May 1737, before all of the ornamentation was completed for the bell. A wooden support
structure was set ablaze and fearing damage to the bell, soldiers threw cold water onto the
bell itself, causing cracks, and a huge slab (roughly 10 tons) of the bell to break off. Just
the broken slab is nearly three times the size of the world’s largest hanging bell.
The damaged Tsar Bell fell back into its pit, later during the occupation of the
French, Napoleon wanted to move the remains of the bell to France as a trophy of his
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success but no one could move it. Not until 1836, nearly 100 years after the Tsar Bell’s
fall, could it be moved. French Architect Auguste de Montferrand was able to engineer a
method to lift the bell onto a pedestal.
Simulations of what the frequency of the bell (82 Hz) would sound like have been
performed but the bell itself has never been rung due to its massive size and the potential
damage an instrument capable of ringing it may do to the bell.
Below is a link to a simulation of what scholars and sound techs, and musicians
think the bell might sound like:
https://www.youtube.com/watch?v=sj6iPtuSEUs