Il Cerchio Tagliato die Suoni

Migranti *with the exception of Migration 4.. stops are considered to be gradual exists

1. Migration 1: Measure 39: (homogenous) Irregular Eolian sounds at pppp, long and
non-perceived breaths. Fingering a low c-natural. The group of flutists does not have
to be complete, about half of the group is enough. They music end shortly before the
notated stop, so that sound is completed on time.
2. Stop Migration 1:Measure 51
3. Migration 2: Meausre 60 (circa beat 4): Remove the headjoint and breath into it
(slow breaths) About half of the performers as in Migration 1.
4. Stop Migration 2: Measure 82
5. Migration 3: Meaure 88: First enters a small group continuing the directive of the 2nd
migration. Next ( the remaining of the group) entering as in the first migration
(Eolian sounds at pppppp).
6. Stop Migration 3: Measure 110-111.
7. Migration 4: Measure 124-125: Everyone blows into the complete constructed flute.
Blowing in short breaths to create a pulse progressively shortening the duration of
the pulse. (starting long and becoming shorter and shorter). Always in the lower
register. (as one enters be aware to play shorter values than the person before you).
For this migration, all the flutists must be used. (thick pulsating texture)
8. Stop Migration 4: Measure 131: all flutists stop in their places. (stuck standing still)
9. Migration 4 continues: Measure 150 bis: Everyone breaths in short pulses. These are
progressively lengthened until it becomes an ascending glissy breath. (low register)
10. Stop Migration 4: Measure 163 (end of measure) all flutists stop in their places.
11. Migration 4 continues: (now mixed): the instrumentalists near the exit play forte RR
sound inside the flute. Those in the middle of the room go out without sounding.
12. Stop Migration 4: All remaining flutists stop in their places.
13. Migration 4 continues: Measure 191: Those who have left in action 11, enter with
the descending breathy glissando. (the entrance must end before the stop so that
the sound flow gradually decrescendos.
14. Stop Migration 4 (final stop): measure 246
15. Migration 5 (mixed): Measure 340: in 4 phases:
a. Enter half of the group, only with the headjoint, low register slow breaths.
b. Enter the rest of the group with the flutes mounted, playing a stream of tongue
rams.
c. The first group continues as before
d. The second group accelerates in the speed of the tongue rams.
This phase can be made longer by looping phases a., b and c.

Migration continues through the final section and until everyone has left.