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Kristine Stiles and Peter Selz THEORIES AND DOCUMENTS OF CONTEMPORARY ART A Sourcebook of Artists’ Writings Second Edition, Revised and Expanded By Kristine Stiles, Qa Univesity of Calfomia Pres | Berkeley, Los Angeles, London Dette the ero of Hensel B. Chipe ‘Une Cline oe ft mit ing vent pees inie ed Sus, ‘vc ea he wendy acing loi nthe muni einer, an a ‘Secs ect appt UC Me Foon ay Pitapl conto nivel Py a a aocaby The Rog te Unie of Ca ry Heat be me ei ig cohen ates no pei on Stew shi pation so ect eno, whee alll es flack ae ‘ini fade, rv elbowed car orp th copy {ein eninos ried oii aw ae bn eer uae rnin Te aoe Soll ens ny lf nl allo hom ec ta pc ucla gph res ssecopeojansprc talk pe) ogee ga op) osm companys asmethok at wg ey sie ies 1 hn Moderator. 4 Ar Moderates 3 Ar Meera ey sen 4. re Madr—enas—Soney 3 Sle Keine IL Se Per Howe repay dos ovate “eps ed inhi pitn mere nnn une fia hn 151 ene CONTENTS, Prefice tothe Second Faton Prefice tothe Fest Edition -kqsrine srLes Genera Introduction tothe Second Feiton GESTURAL ABSTRACTION ren stLz aND amusrie sus Tneodaetion {acasox ron.oce Guggenheim Application Inrerview with William Wright ‘nasser weseman The Plasmic Image Dame nono {Paine Very Lage Pietaret oven Motienvats Beyond the Acthetic fMnLen suannanrtatan Interview with Henry Gelsabler JOAN AUTCHELE Interview with Yves Michaud ‘ov TWoMALY Comments by Heiner Bastin avin auras Satement, Writings rovise nounceors Interview with Donald Kugpit ALMED Hane The New American Painting [MICHEL TARE An Other Art (Obuerion f Mikel Tie wots Aphovians suey nictaux Movements vci0 FoNtaNA Manifesto blanco [MILO VEDOWA les Not So Easy eo Paint a Nose ‘taeaTo avaat Words Are No Help sertas nannies The Unknown i Art avsront rien (Ama Catan rinsing and the Voi ‘aonurz kaston Represeotition Loses More snd More tts Charm en xuncasy Bran xr stein Interview with Basbars Weide JOAN SN¥DER Statements urzanrr muRnay Statement ‘sone ese Steuotires Are No Longer Vaid avin saan Statement "Hons nat Interview with Simon Wallis JE MING Ioeerviw with Lawrence Chua 3 2 26 3 38 20 2 % 3 ° a “4 “4 4s ° se 8 4 36 36 8 9 6 6 6 np a 2, GEOMETRIC ABSTRACTION anusruve smites Ineoduction sos uaxstanow From the Series “On the Color Backgrounds” sax ants Concrete Art "The Mathematical Approsch in Contemporary Art sichagn aun towsn Line of Development ruta xobies Madi Manifesto cenura nuproRs The Ruprara Manifesto opsrIn4 cuttan etal, Neo-Concrete Manifesto vote ctank The Death ofthe Pane snfiz0 orticica Colout, Time and Seracrure ‘canis siroenstats The Real and the Myst in Art and Science ‘ap Daexmns Statement ‘miko masszont For the Discovery of Zone of Images ‘ees KLEIN itl othe Retiguzhet ofthe Irate Pla Sensi Zanes ‘YAYO! KUSAMA Interview by Grady Torner Ap auiunanDT Twelve Roles for s New Academy 25 Lines of Words on At Statement “The Blsck-Square Paintings uaswonrs exit Notes of 1969 sexier NOLAND Color, Format, and Abstract Art Jnerview by Diare Waldman ‘swe Trorr® Daybook: The Jounal ofan Artt ‘AsTHONY Cano A Discussion with Peter Faller Josee auteRs The Origin of Are (Ou My Homage the Si ‘The Color in My Paetings ‘cron vasanrty Notes fora Manifest supeer mg¥ Seement ras stents, The Prats Letare oxALD JunD Specific Objects Rawk STELLA axD onan suOD Questions co Stlla and Judd by Brose Glaser ‘cant ana Prefce eo Stripe Paieing Poem Baw stavis Some Remacks ‘ONY sunt Conversations with Samuel WagstafT}e ‘AeNES magni The Uacroubled Ming nice manne Statements, Notes, ad Jtarviews Excerpt from » Spleepish Jouenal ance BUREN Beware! onerHEA ROCKBLENE Statement stsano jensen Statement sean scutty Statement samaae scuADMO 4H MenaseA amVEN Waste Now/Want Not: Aa Tnguiry inte What Women Saved and Assombled—Femmage \VatERts }AUBOH AND JOYCE KOZLOFE Art Hysterial Notions ‘of Progress and Culture even watasy Notes on the Paintings Deployment ofthe Geometric zea or on 96 ” 98 10s 18 109 nm u ns 24 Bs ur oa 13 6 86 8 He 7 7 10 159 169 ia ™ 176 186 186 1 ‘si KAPOOR nerview with John Tass ‘obit powatp oiTa Third Color—Third Space FIGURATION uri 2 AND KeISTaWE STHLS Introduction reunaNp LéceR ‘The Human Body Considered 3s an Object exaro curruso On Realism, che Present, and Other Things Max aEcKMANDS Lexters toa Woman Painter Pat eLtien Exch Period Has Is Peesliae Image of Man stanza ciaconere: What Interets Me about the Hed: Interview with ‘Jacques Dupin uase-raut sagan The Search for che Absolte ‘ua #AUTHUER Preface to Exhibition Catalogue Jt Fare by André Malraux Jean punureer Anriculeurl Positions \witisn pe KooNINe Content Ia Glimpse: Interview with David Sylvester ANC! BACON Inkerviews with David Sylvester ‘CONSTANT NIEUWENHIOYS Manifesto [aNEL APPEL My Paine Is Like a Rocket ‘The Condemned swiuten saNbenke When Young crore maser? Pandemonie Menifexto I, ad Version ucmmancsvo eisrousrro Plexiglass ns. xray Peatdiving Davo OCKLY aKD Lauer Wovens Beruf uDCIAN FREUD. Some Thought on Painting OMA BEARDEN Interview with Henri Ghent scice em At 3 Form of History: loerview wich Patricia Hil ‘yauipreanusra Figore Paintings Today Are Not Made in Heaven Ccuuvex cLoss Interview with Cindy Nemer [AICHARD HSTHS Interview with Herbert Raymond sankizy 2 wexDaices Palece Scraping: suanx ransry Notes and Comments oN GOLUE The Meena interview with Matthew Baigel ancy stERo Woman as Protagonist: Interview with Jeanne Siege! nsutenasnen Fae ies imsrestng AcDateKA anarawowicx Stacients reasensco ctewente Interview with Robin White susan noraunesne When Asked Ili an Expressionist JULIAN SCHNADEL Statements $ease-acite,sascuaat Froma the Subway wo Solo: Icerviw ‘with Henry Geldzahler uit ovstow Philip Guston Talking nic Ascat. [Dont Think Fxpresimsam Ie the Hue {ne tatDonP® Interview with Jing Huber Situation Position yom aersass wens Murals as People’s Art ws 190 wo 205 208 as 26 27 a a a as 236 26 243 245 8 230 as) 257 aot 266 269 an a 279 281 28 285, 290 ao 293